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The Wombles

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The Wombles

The Wombles are fictional pointy-nosed, furry creatures created by Elisabeth Beresford and originally appearing in a series of children's novels from 1968. They live in burrows, where they aim to help the environment by collecting and recycling rubbish in creative ways. Although Wombles supposedly live in every country in the world, Beresford's stories are primarily concerned with the lives of the inhabitants of the burrow on Wimbledon Common in London, England.

The characters gained a higher national profile in the UK in the mid-1970s as a result of the popularity of a BBC-commissioned children's television show which used stop-motion animation. A number of spin-off novelty songs also became hits in the British music charts. The Wombles pop group was the idea of British singer and composer Mike Batt.

The Womble motto is "Make Good Use of Bad Rubbish". This environmentally friendly message was a reflection of the growing environmental movement of the 1970s.

Elisabeth Beresford took her young children for a Boxing Day walk on Wimbledon Common, where her daughter Kate repeatedly mispronounced it as "Wombledon Common", sparking the idea of the Wombles in her mother's mind. On getting home, Beresford wrote down the idea and started developing the characters and storylines. She developed most of her Womble characters around members of her family, and named them after places the family had associations with.

Wombles are essentially burrowing animals. Beresford's original book describes them as "a bit like teddy bears to look at but they have real claws and live beneath Wimbledon Common". As they mostly live in long-established burrows, they rarely use their claws, even for digging. Their size and physical appearance has changed somewhat over the years: in the original editions of the books, Wombles are pictured as bear-like and between 3 and 5 feet (about 1–1.5 metres) in height, making them only slightly smaller than adult humans. This changed with the TV series, in which they were portrayed as being about knee-high to humans, with pointy snouts like those of hedgehogs. In the book and film Wombling Free, they are described as "short, fat, and furry", roughly between three or four feet (about 1 metre) in height.[citation needed]

Wombles are herbivores and are very fond of mushrooms. They eat a variety of plants, fungi, and tree products that human beings cannot (or will not) eat, so daisy buns, moss pie, acorn juice, fir-cone soufflé, elm bark casserole, and grass bread sandwiches are part of the Womble menu – augmented by any food left behind on the Common by human beings. All Wombles are strong swimmers and can even survive for long periods in ice-cold water. Several sub-species of Womble are revealed throughout the books: the Loch Ness Monster is actually part of a clan of water Wombles and the yeti of the Himalayas are giant snow-white Wombles. Wombles have a sixth sense that allows them to sense green spaces and wildlife: this is first mentioned in the Wandering Wombles but developed to a keen long-range telepathic sense by Dalai Gartok Womble in The Wombles Go Round The World.

Though it is stated that Wombles live all around the world, Beresford's collection of stories, as well as the television series and the music, focus on a group living in Wimbledon Common in London, England, with the sole exception of The Wombles Go Round The World.

Wombles care for and educate their young at a communal level. As with human children, immature Wombles are taught reading, writing and athletic skills, which they learn by playing a game called "Wombles and Ladders". Some older Wombles play this game too, though most regard it as childish. Below a certain (unspecified) age, all Wombles are nameless; upon being deemed to be of working age, a Womble chooses his or her name by looking through Great Uncle Bulgaria's large atlas until they find a name that suits them. Some, Bungo for example, "merely shut their eyes tight and point and hope for the best". They then leave Miss Adelaide's "Womblegarten" and join in the communal work of the burrow, which is mostly clearing up and recycling human refuse.

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