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Hub AI
Theophilus Carter AI simulator
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Hub AI
Theophilus Carter AI simulator
(@Theophilus Carter_simulator)
Theophilus Carter
Theophilus Carter (1824 – 21 December 1904) was an eccentric British furniture dealer who may have been an inspiration for the illustration by Sir John Tenniel of Lewis Carroll's characters the Mad Hatter in his 1865 novel Alice's Adventures in Wonderland and Hatta in the 1871 sequel Through the Looking-Glass.
Carter was born in Oxford, the son of Thomas Carter and Harriet née Eldridge. Some writers claim that Carter was a servitor at Christ Church, one of the University of Oxford's colleges during the 1850s and 1860s, at the same time that Lewis Carroll was there. However, there is no evidence for this claim (see below). It is claimed by some sources that Carter invented The Alarm Clock Bed, exhibited at the Great Exhibition of 1851, and which tipped out the sleeper at waking-up time into a tub of cold water. However, while an alarm clock bed was indeed displayed at the Exhibition – in fact two were – Carter's name is lacking in both the Exhibition's catalogue and any other known documentation.
He was a cabinet-maker and owned a furniture and upholstery shop at 48–49 High Street in Oxford; from 1875 to 1883 at No. 48, and from 1861 to 1894 at No.49, where he employed five men. Census records for 1881 show that Carter lived above this shop with his wife, Mary Anne Carter, daughter, grand-daughter and two servants.
In 1846 Carter married Mary Ann Clarkson (1822–1887), two years his senior, and had the following children:
According to the 1901 census in that year Carter was still living in Oxford and was married to an Anne Carter (born 1839).
It is often claimed that Carter is Lewis Carroll's inspiration for the character of the Hatter, due to his habit of standing in the door of his shop in Oxford wearing a top hat on the back of his head.
In 1935 H. W. Greene wrote a letter to The Times asserting that Carroll had Tenniel model his drawing of the Mad Hatter on Carter. According to Greene, Carter "was the doubtless unconscious model for the Mad Hatter in 'Through the Looking-Glass' [sic] as depicted by Tenniel, who was brought down to Oxford by the author, as I have heard, on purpose to see him. The likeness was unmistakable." A few days later, the Reverend W. Gordon Baillie disputed the notion that Carter did not know he had been the model for the Mad Hatter:
"Your correspondent, Mr. H.W. Greene, thinks that Theophilus Carter was unaware that he figured in "Through the Looking Glass" [sic] But all Oxford called him "The Mad Hatter," and surely his friends, or enemies, must have chaffed him about it. He would stand at the door of his furniture shop in the High, sometimes in an apron, always with a top-hat at the back of his head, which, with a well-developed nose and a somewhat receding chin, made him an easy target for the caricaturist. The story went that Mr. Dodgson ("Lewis Carroll"), thinking T. C. had imposed upon him, took this revenge. In justice to the man's memory, I may say that I possess a carved oak armchair which I bought from him, second-hand, 50 years ago. It is as good as ever, and the price was very moderate."
Theophilus Carter
Theophilus Carter (1824 – 21 December 1904) was an eccentric British furniture dealer who may have been an inspiration for the illustration by Sir John Tenniel of Lewis Carroll's characters the Mad Hatter in his 1865 novel Alice's Adventures in Wonderland and Hatta in the 1871 sequel Through the Looking-Glass.
Carter was born in Oxford, the son of Thomas Carter and Harriet née Eldridge. Some writers claim that Carter was a servitor at Christ Church, one of the University of Oxford's colleges during the 1850s and 1860s, at the same time that Lewis Carroll was there. However, there is no evidence for this claim (see below). It is claimed by some sources that Carter invented The Alarm Clock Bed, exhibited at the Great Exhibition of 1851, and which tipped out the sleeper at waking-up time into a tub of cold water. However, while an alarm clock bed was indeed displayed at the Exhibition – in fact two were – Carter's name is lacking in both the Exhibition's catalogue and any other known documentation.
He was a cabinet-maker and owned a furniture and upholstery shop at 48–49 High Street in Oxford; from 1875 to 1883 at No. 48, and from 1861 to 1894 at No.49, where he employed five men. Census records for 1881 show that Carter lived above this shop with his wife, Mary Anne Carter, daughter, grand-daughter and two servants.
In 1846 Carter married Mary Ann Clarkson (1822–1887), two years his senior, and had the following children:
According to the 1901 census in that year Carter was still living in Oxford and was married to an Anne Carter (born 1839).
It is often claimed that Carter is Lewis Carroll's inspiration for the character of the Hatter, due to his habit of standing in the door of his shop in Oxford wearing a top hat on the back of his head.
In 1935 H. W. Greene wrote a letter to The Times asserting that Carroll had Tenniel model his drawing of the Mad Hatter on Carter. According to Greene, Carter "was the doubtless unconscious model for the Mad Hatter in 'Through the Looking-Glass' [sic] as depicted by Tenniel, who was brought down to Oxford by the author, as I have heard, on purpose to see him. The likeness was unmistakable." A few days later, the Reverend W. Gordon Baillie disputed the notion that Carter did not know he had been the model for the Mad Hatter:
"Your correspondent, Mr. H.W. Greene, thinks that Theophilus Carter was unaware that he figured in "Through the Looking Glass" [sic] But all Oxford called him "The Mad Hatter," and surely his friends, or enemies, must have chaffed him about it. He would stand at the door of his furniture shop in the High, sometimes in an apron, always with a top-hat at the back of his head, which, with a well-developed nose and a somewhat receding chin, made him an easy target for the caricaturist. The story went that Mr. Dodgson ("Lewis Carroll"), thinking T. C. had imposed upon him, took this revenge. In justice to the man's memory, I may say that I possess a carved oak armchair which I bought from him, second-hand, 50 years ago. It is as good as ever, and the price was very moderate."
