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"Through Glass"
Single by Stone Sour
from the album Come What(ever) May
ReleasedJuly 22, 2006 (2006-07-22)
Genre
Length
  • 4:43 (album version)
  • 3:54 (radio edit)
LabelRoadrunner
Songwriters
ProducerNick Raskulinecz
Stone Sour singles chronology
"30/30-150"
(2006) 		"Through Glass"
(2006) 		"Sillyworld"
(2007)
Music video
"Through Glass" on YouTube

"Through Glass" is a song by American alternative metal band Stone Sour, released as the second single from their second album Come What(ever) May.

The track was published online through Yahoo! along with its music video on June 9, 2006, and was released on July 22, 2006, just over one week before the release of the album.[3] It reached the number one spot on the Billboard Hot Mainstream Rock Tracks chart in the US, where it remained for seven weeks, and number two on the Alternative Songs chart. The song also peaked at number 39 on the Billboard Hot 100[4] after crossing over to pop radio. It remains their most popular song to date. The single's cover features the band's hometown of Des Moines, Iowa. "Through Glass" was certified platinum in the United States and New Zealand, Silver in the United Kingdom, and 2× Platinum in both Australia and Canada.[5][6][7][8][9]

The song's music was described as "melodically haunting" by Consequence.[10]

Background

[edit]

The song was originally inspired by frontman Corey Taylor's outrage at the music industry and how he felt that the musical revolution had never taken place. Taylor was quoted as having said:

I remember exactly where I was. It was 2004 and I was on tour with Slipknot. I was sitting in a European hotel room watching a music video channel, seeing act after act after act of this inane, innocuous, plastic music. They were plastic, bubbly, gossamer-thin groups where it was really more about the clothes they wore and the length of their cheekbones than it was about the content of the song they were singing. It really made me mad. I was like, "Is this it? Have we just gone full circle? Did the singer/songwriter revolution never happen? Is it just the same drivel from the same replicate over and over again?" ... "Through Glass" is really a very angry song. It's me basically calling bullshit on pretty much everyone involved with the American Idol-type shows. It has its place, but when you're basically cornering the market and making it very hard for anyone who actually writes their own music to get ahead, then it's wrong and that's really why I wrote this song.[11]

Years later, Taylor elaborated on the origins of the song, saying that he watched so much European music television because he was suffering from food poisoning in Sweden and was unable to move and change the channel from MTV Europe.[12]

Music video

[edit]

The music video for "Through Glass" was shot with director Tony Petrossian and included a cameo by Poison guitarist C.C. Deville.[13] The video begins with Corey Taylor singing the intro while sitting in a chair. He gets up to reveal that the video is taking place at a house party, and it subsequently goes through close-ups of the guests. A shot of a waitress bringing a plate of a plywood cutout of food is also shown. As the video progresses, the band begins to perform in front of the Hollywood Sign, spelled as "Hollowood". Taylor walks through a pool and sings the rest of the song. Two men are shown to actually be plywood cutouts, which are then taken away. Another set of people are also plywood cutouts who are then taken away. As the video continues, the whole set is shown to be made up of plywood cutouts, which are taken away. When the band finishes, they walk away, revealing that the place in which they were performing was also made of plywood cutouts.[citation needed]

Track listing

[edit]
CD single enhanced Australia and Europe (2006)
No.TitleLength
1."Through Glass" (single edit)4:01
2."Fruitcake"3:58
3."Suffer"3:40
4."Through Glass" (video)4:01
CD single Europe / Promo CD single Germany (2006)
No.TitleLength
1."Through Glass" (radio edit)4:01
2."Through Glass" (album version)4:40
Promo CD single US (2006)
No.TitleLength
1."Through Glass" (edit)4:01
2."Through Glass" (album version)4:40
3."Call-Out Hook #1"0:18
4."Call-Out Hook #2"0:21
5."Call-Out Hook #3"0:17

Chart positions

[edit]

Weekly charts

[edit]
Weekly chart performance for "Through Glass"
Chart (2006) Peak
position
Canada Rock Top 30 (Radio & Records)[14] 1
Germany (GfK)[15] 95
Netherlands (Dutch Top 40)[16] 14
Netherlands (Single Top 100)[17] 32
New Zealand (Recorded Music NZ)[18] 37
Scotland Singles (OCC)[19] 61
UK Singles (OCC)[20] 98
UK Rock & Metal (OCC)[21] 4
US Billboard Hot 100[22] 39
US Alternative Airplay (Billboard)[23] 2
US Adult Pop Airplay (Billboard)[24] 12
US Mainstream Rock (Billboard)[25] 1
US Pop Airplay (Billboard)[26] 23

Year-end charts

[edit]
2006 year-end chart performance for "Through Glass"
Chart (2006) Position
Netherlands (Dutch Top 40)[27] 113

Certifications

[edit]
Certifications for "Through Glass"
Region Certification Certified units/sales
Australia (ARIA)[7] 2× Platinum 140,000‡
Canada (Music Canada)[8] 2× Platinum 160,000‡
New Zealand (RMNZ)[9] Platinum 30,000‡
United Kingdom (BPI)[6] Silver 200,000‡
United States (RIAA)[5] Platinum 1,000,000‡

‡ Sales+streaming figures based on certification alone.

[edit]

The song was featured in the 2012 horror film Grave Encounters 2.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Through Glass

View on Grokipedia
from Grokipedia
"Through Glass" is a song by the American alternative metal band Stone Sour, serving as the second single from their second studio album, Come What(ever) May, which was released on August 1, 2006, by Roadrunner Records. The track, written by band members Corey Taylor, James Root, Josh Rand, and Shawn Economaki, features introspective lyrics exploring themes of isolation and disillusionment, with Taylor's vocals shifting between melodic verses and a powerful chorus. The song achieved significant commercial success, peaking at number 39 on the Billboard Hot 100 chart and remaining on the chart for 26 weeks. It also reached number 1 on the Mainstream Rock Songs chart, marking Stone Sour's first chart-topper in that category, and number 2 on the Alternative Songs (formerly Modern Rock Tracks) chart. Released amid the band's rising popularity following their 2002 self-titled debut album, "Through Glass" propelled Come What(ever) May to debut at number 4 on the Billboard 200, selling 81,000 copies in its first week and eventually achieving platinum certification by the RIAA. The accompanying music video, directed by Tony Petrossian and featuring footage of the band performing interspersed with symbolic imagery of distorted realities, premiered on July 22, 2006, and contributed to the song's airplay on networks like MTV2. By March 3, 2017, "Through Glass" had been certified platinum by the RIAA in the United States for one million units sold or streamed; it has also received platinum certification in , 2× platinum in and , and silver in the , underscoring its enduring appeal as Stone Sour's most commercially successful single to date. The track's blend of accessibility and heavy metal intensity helped bridge Stone Sour's sound between mainstream rock radio and the scene, solidifying frontman Corey Taylor's reputation as a versatile vocalist outside his primary band, Slipknot.

Development

Writing and inspiration

"Through Glass" was composed in 2004 by frontman while he was on tour with Slipknot in . Taylor conceived the song's core idea in a hotel room, where he channeled his growing frustration with the music industry's direction. The primary inspiration stemmed from Taylor's outrage over the dominance of manufactured pop acts and reality television shows like American Idol, which he believed prioritized superficiality over authentic artistry and hindered original songwriters. He described the song as an "angry" response to what he saw as a failure of the promised musical revolution, resulting in repetitive, "plastic" music focused on appearance rather than substance. This frustration crystallized while Taylor watched MTV Europe, where he encountered a stream of "inane, innocuous, plastic music" acts that emphasized "the clothes they wore and the length of their cheekbones" over song content, mirroring the superficial trends he associated with American media. In contrast, Taylor valued genuine that connected through emotional depth, a sentiment that fueled the track's critique of industry . Taylor brought the initial lyrics and concept to his Stone Sour bandmates, who contributed to the song's development; writing credits for "Through Glass" list Taylor alongside guitarist Jim Root, guitarist Josh Rand, and bassist Shawn Economaki.

Recording and production

The recording sessions for "Through Glass" took place at Studio 606 in Los Angeles, California, as part of the broader production for Stone Sour's second studio album, Come What(ever) May. The band began tracking in January 2006. During the sessions, original drummer Joel Ekman departed due to family constraints and was replaced by Roy Mayorga, who played on all but two tracks (Ekman on tracks 1 and 11), including "Through Glass," to handle percussion duties. The sessions progressed efficiently, with drums completed early and guitars tracked subsequently, allowing the album—including the song—to be finalized in early 2006 ahead of its August 1 release by Roadrunner Records. Nick Raskulinecz served as the primary producer, collaborating closely with the band to guide the project from pre-production through tracking. Known for his work with acts like and , Raskulinecz emphasized a polished yet organic sound that amplified Stone Sour's style, focusing on dynamic song structures and authentic instrumental textures. His involvement helped shape the album's blend of heavy and melodic elements, ensuring "Through Glass" captured the band's evolving maturity without over-polishing the raw energy. Band members played integral roles during the tracking phase, with guitarist contributing key riffs and arrangements that drove the song's heavier sections, while bassist Shawn Economaki provided foundational grooves, including elements derived from his rhythmic ideas. Drummer laid down the percussion tracks. Vocalist delivered his parts with layered harmonies to enhance emotional delivery, and the production incorporated elements—stemming from Taylor's initial demo idea—to contrast with the track's heavier riffs, creating a signature dynamic build. The album was mixed by Staub at Armoury Studios in and mastered by at Sterling Sound in New York.

Composition

Musical elements

"Through Glass" is classified as alternative metal with post-grunge and acoustic influences, characteristic of Stone Sour's blend of heavy rock dynamics and introspective melodic elements. The song follows a verse-chorus structure that begins with an extended acoustic guitar intro leading into the first chorus, followed by two verses each preceded by pre-choruses, multiple chorus repetitions, two bridges featuring heightened intensity, and a fading outro. This progression builds tension through escalating instrumentation, transitioning from sparse arpeggios to fuller band arrangements. Key instrumentation includes acoustic guitars for the clean-toned verses and intro, shifting to distorted electric guitars with power chords and palm-muted riffs in the choruses and bridges, supported by steady patterns and bass lines that maintain a mid-tempo groove at 106 beats per minute. The guitars are tuned a half-step down, employing techniques such as slides, double stops, and natural harmonics to enhance the textural contrast. Corey Taylor's vocal performance features melodic clean singing with layered harmonies, evolving from a subdued, introspective delivery in the verses to an anthemic, emotive peak in the choruses and bridges, showcasing his range distinct from his harsher Slipknot style.

Lyrics and themes

"Through Glass" serves as a pointed critique of fame, media-driven superficiality, and the erosion of authenticity within the rock music landscape, employing the metaphor of viewing celebrity culture "through glass" to evoke a sense of distant, distorted observation akin to watching television or peering through a window at an unattainable, fabricated world. Frontman Corey Taylor penned the lyrics in 2004 while on tour with Slipknot, inspired by frustration upon witnessing a barrage of "plastic, innocuous" music videos during a stay in a European hotel room, where he perceived the industry as dominated by image over substance, particularly through phenomena like American Idol-style programming that marginalized genuine songwriters. This theme underscores a broader disillusionment with how commercial hype perpetuates artificiality, rendering authentic artistic expression increasingly inaccessible. Central to the song's lyrical structure are interrogative lines that probe emotional authenticity amid isolation, such as "How do you feel? / That is the question," which Taylor uses to challenge the superficial personas peddled by media, highlighting the difficulty of eliciting honest responses in a culture that prioritizes performance over vulnerability. The chorus expands on this by depicting the soul as "initialized and folded up like paper dolls and little notes," symbolizing how individuals are commodified and reduced to disposable, inauthentic facsimiles, further emphasizing themes of entrapment and the viewer's complicity in observing rather than engaging with this "me" behind the glass. In the bridge, Taylor questions "How much is real?" amid "an epidemic of the mannequins / Contaminating everything," critiquing the pervasive contamination of heartfelt expression by manufactured trends that stray from the genre's roots. Taylor's personal reflections infuse the lyrics with a sense of disconnection from industry machinations, stemming from his navigation of dual careers in Slipknot's aggressive metal realm and Stone Sour's more introspective , where the latter allowed him to vent frustrations with hype that overshadowed substantive music. This duality amplified his alienation, as the song's creation during a Slipknot tour underscored a rift between his raw creative impulses and the "plastic" he observed from afar. Poetic devices amplify these motifs through vivid imagery that evokes artificiality and fragility, such as the "mask" formed by one's actions—"your face has come to be a mask of all the things you do"—and references to "mannequins" and "paper dolls," which collectively symbolize the brittle, performative nature of fame and the loss of genuine human connection in a media-saturated environment. These elements, drawn from Taylor's direct confrontation with industry visuals, reinforce the song's overarching narrative of isolation and the futile gaze upon an illusory world.

Release

Single formats

"Through Glass" was released on July 22, 2006, as the second single from Stone Sour's second studio album Come What(ever) May, following the lead single "30/30-150" earlier that summer. The single was distributed in multiple formats, including a standard CD single, digital download via online platforms like Yahoo! Music, and various promotional versions for radio and industry use. A radio edit was specifically prepared for airplay, shortening the album version to suit broadcast needs. Roadrunner Records handled the standard international rollout, with regional variations that included an edition in featuring additional B-sides and multimedia content.

CD Singles

The European and Australian single, released in 2006 by (RR 3935-3), contains the following tracks:
No.TitleLength
1Through Glass (Single Edit)4:01
23:58
3Suffer3:40
It also includes an enhanced video component for "Through Glass" (4:01). The promotional , released in 2006 by (RDRR10162-2), is a 5-track release intended for radio use:
No.TitleLength
1Through Glass (Edit)4:01
2Through Glass (Album Version)4:40
3Call-Out Hook #10:18
4Call-Out Hook #20:21
5Call-Out Hook #30:17

Digital and Streaming

Digital singles and streaming platforms primarily feature the album version of "Through Glass" at 4:42, as included on the parent album Come What(ever) May (2006). A radio edit version (approximately 4:01) is available on select promotional digital formats for US markets.

Promotion

Music video

The music video for "Through Glass," directed by Tony Petrossian, premiered online on July 17, 2006, via platforms such as Yahoo! Music and AOL Music. Produced by Mikha Grumet under Rockhard Films, it was shot in Los Angeles and features cinematography by Martin Coppen. The video's concept depicts a surreal symbolizing the superficiality of , with guests portrayed as two-dimensional cardboard cutouts representing fake Hollywood glamour and wealth. Frontman performs isolated from the festivities, observing the scene through literal glass windows that separate him from the artificial revelry, enhancing the song's theme of detachment from fame. The production employed practical effects, such as the cutout figures and frozen partygoers, to create a dreamlike, atmosphere critiquing media-manufactured . A notable cameo appears by guitarist , integrated as one of the flat celebrity figures. The video received heavy rotation on rock-oriented channels, including VH1 starting in August 2006, which amplified its visual reinforcement of the track's anti-fame message and contributed to the single's crossover appeal.

Live performances

"Through Glass" was first performed live by Stone Sour during their Come What(ever) May Tour in summer 2006, debuting on July 29 in Antioch, Tennessee, shortly before the album's release on August 1, and quickly became a staple in their setlists throughout the 2000s and 2010s. Early performances included dates on the Family Values Tour starting in late July 2006, where it appeared alongside tracks like "30/30-150" and "Bother." The song remained a consistent highlight in concerts, featured in over 100 shows annually during peak touring years such as 2007 and 2018. In live settings, typically delivered "Through Glass" with an intro that builds tension before exploding into the full band's heavy instrumentation, creating a dynamic shift that engages audiences. Frontman often used the song's introspective themes to connect with crowds, sharing personal anecdotes or dedicating it to fans, enhancing its emotional resonance during performances. This structure mirrored the track's studio arrangement, emphasizing Taylor's versatile vocals from soft verses to powerful choruses. Notable renditions include the band's set at Download Festival on June 10, 2007, where "Through Glass" was performed to a large crowd as part of a high-energy main stage appearance. It was also a centerpiece at Rock am Ring 2007, showcasing the group's tight musicianship amid festival crowds. Post-2010, acoustic versions gained prominence in unplugged sessions, such as a 2011 intimate performance for radio station WAAF and a 2016 live recording included on the Come What(ever) May 10th Anniversary Edition. The song's inclusion persisted through lineup changes, including the departure of bassist Shawn Economaki in 2012, with the band continuing to tour extensively in the using fill-in and later permanent members. Even after Mayorga's exit in 2020, which led to a hiatus, "Through Glass" endured in solo performances by Taylor, such as his 2023 acoustic rendition at Studios, as well as shows in 2024 at and Rock am Ring, and various dates in 2025.

Reception

Critical reviews

Upon its release in 2006 as a single from Stone Sour's album Come What(ever) May, "Through Glass" was praised by critics for its emotional depth and broad radio appeal. AllMusic reviewer Eduardo Rivadavia described it as a mid-tempo rocker that highlights Corey Taylor's and the band's melodic sensibilities, emphasizing its potential for crossover success beyond their metal roots. Bravewords noted the track's emotionally captivating and melodic qualities, positioning it as a standout that broadened the band's accessibility. Critics also commended the song's thematic relevance, interpreting its lyrics as a pointed satire of the music industry's superficiality and manufactured pop culture. In a 2016 retrospective on the album, Immortal Reviews highlighted how "Through Glass" shifts from longing hope to a scathing commentary on inane, plastic music acts, underscoring Taylor's lyrical bite. Taylor's versatile vocals were frequently cited as a strength, with Sea of Tranquility praising their power in blending aggression and melody, drawing loose comparisons to more radio-friendly rock acts like Foo Fighters in the band's heavier moments. In retrospective analyses during the , "Through Glass" solidified its status as Stone Sour's signature track among rock outlets. Kerrang! acknowledged the band's evolution beyond their Slipknot associations by 2010, in later coverage. Louder Sound, in a 2023 album ranking, labeled it iconic, crediting its role in elevating the record's lasting impact. However, some critiques viewed the song as emblematic of formulaic conventions. Drowned in Sound's 2006 characterized the overall effort as a "fairly standard " outing, with "Through Glass" fitting into its melodic ballad template despite standout vocal moments. IGN echoed this in their assessment, calling the album's blend of metal and ballads "all mediocre" and lacking originality. The overall critical consensus remains generally positive, with average scores around 3.5 out of 5 from rock-focused publications like , , and Metalrage, which helped elevate the album's standing as a mature step forward for the band. The song's commercial success further shaped perceptions of its artistic merits, as explored in the commercial performance section.

Accolades

"Through Glass" garnered notable chart success and industry recognition. The song topped the Billboard Mainstream Rock Tracks chart for seven consecutive weeks, from September 16, 2006, to November 4, 2006, establishing it as Stone Sour's breakthrough hit and one of the longest-running number-ones on the chart that year. The track's parent album, Come What(ever) May, received a Grammy Award nomination for Best Metal Performance for its opening song "30/30-150" at the 49th Annual Grammy Awards in 2007, highlighting the project's overall artistic impact in the hard rock genre. In retrospective rankings, "Through Glass" has been celebrated for its enduring popularity and emotional resonance. It placed at number 40 on Billboard's Greatest of All Time Mainstream Rock Songs chart, reflecting its sustained airplay and cultural staying power. Additionally, the song was included in Loudwire's list of the 66 Best Rock Songs of the 2000s, praised for Corey Taylor's versatile vocal delivery and its critique of media superficiality.

Commercial performance

Weekly charts

"Through Glass" by Stone Sour achieved notable success on weekly music charts, especially within rock genres, following its release in 2006. In the United States, the song debuted on the Billboard Hot 100 in October 2006, climbing to a peak of number 39 in December and spending a total of 26 weeks on the chart. It dominated rock airplay formats, reaching number one on the Mainstream Rock chart for seven consecutive weeks that year and accumulating 28 weeks overall on that tally. The track also peaked at number two on the Alternative Songs chart. Internationally, "Through Glass" topped the Canada Rock chart and entered the top five on the UK Rock & Metal Singles Chart at number four. It further charted at number 14 on the Netherlands Single Top 100 and number 28 on the Australia ARIA Singles Chart, reflecting its broader appeal beyond North America.
CountryChartPeak PositionWeeks on Chart
United States3926
United StatesBillboard Mainstream Rock128
United States228
Canada Rock1—
UK Rock & Metal Singles43
Single Top 100148
28—

Year-end charts

"Through Glass" demonstrated strong longevity on rock-oriented charts, earning prominent placements on several year-end rankings in 2006 and 2007. Its crossover appeal contributed to sustained airplay, culminating in a #8 ranking on the Mainstream Rock year-end chart and #28 on the Alternative Songs year-end chart for 2006. In 2007, the song's lingering impact placed it at #47 on the year-end chart and #19 on the Mainstream Rock year-end chart. Internationally, the track performed well in , reaching #35 on the ARIA End-of-Year Singles chart in 2006. It also secured positions in the top 50 of various European rock aggregate year-end lists for the same year, underscoring its appeal across continental radio formats. Over the longer term, "Through Glass" was recognized in Billboard's 2009 retrospective decade-end list of top 2000s Rock songs, ranking #23 based on cumulative chart performance throughout the decade.
Chart (Year)Position
US Billboard Mainstream Rock (2006)8
US Billboard Alternative Songs (2006)28
US Billboard Hot 100 (2007)47
US Billboard Mainstream Rock (2007)19
Australia ARIA End-of-Year Singles (2006)35
Billboard 2000s Rock (2009 retrospective)23

Certifications

In the United States, "Through Glass" by was certified Platinum by the (RIAA) on March 3, 2017, representing 1,000,000 units in sales and streaming equivalents. In , the single has been certified 2× Platinum by , equivalent to 160,000 units. Australia's (ARIA) awarded it 2× Platinum status in 2024, signifying 140,000 units consumed. The (BPI) certified "Through Glass" Silver for 200,000 units in the , while (RMNZ) granted Platinum certification for 30,000 units in .

Cultural impact

Media usage

"Through Glass" by appeared in the of the 2012 , where it underscored key scenes in the found-footage-style narrative about paranormal investigators. The track's melancholic tone complemented the film's eerie atmosphere, contributing to its role in building tension during sequences involving encounters. The song was licensed for inclusion as downloadable content in the rhythm video game Rock Band 3, released in 2011 as part of the Stone Sour Pack 01 alongside "Made of Scars" and "Say You'll Haunt Me." This placement allowed players to perform the track using guitar, bass, drums, vocals, and keyboard controllers, exposing the song to a wide audience of gamers interested in rock and music. Additionally, "Through Glass" featured in the music lineup for WWE's WrestleMania: The World Television Premiere special in 2008, alongside tracks from artists like and , enhancing the event's high-energy promotional segments. Such sync placements in events from 2006 to 2008 further embedded the song in rotations. These media integrations, particularly in gaming and televised spectacles, expanded the track's reach beyond traditional radio play, resonating with younger demographics through interactive and event-driven contexts.

Covers and legacy

"Through Glass" has inspired several cover versions, primarily from fans and niche performers rather than major artists. During his 2015 solo acoustic tour, performed an intimate rendition of the song at venues such as the in West Hollywood and in , highlighting its emotional depth in a stripped-down format. Notable fan covers include acoustic interpretations by Violet Orlandi, which garnered over 268,000 views on as of 2024, and Christina Rotondo's vocal cover from 2018. Instrumental versions, such as the Vitamin String Quartet's classical arrangement released in 2007, have also appeared on tribute albums. As Stone Sour's most successful single, "Through Glass" has been credited with broadening the band's appeal beyond heavy metal into audiences. Its legacy endures as a defining moment in Corey Taylor's career, often cited by the vocalist for capturing the artificiality of the music industry and personal vulnerability. The track symbolizes 2000s rock , frequently featured in nostalgic playlists and tributes, maintaining relevance even after Stone Sour's hiatus in 2020. Taylor has performed it in memorial contexts, such as a 2017 dedication to , underscoring its emotional resonance in rock culture.

Personnel

Stone Sour

  • Corey Taylor – lead vocals, additional guitar
  • James Root – guitar
  • – guitar
  • Shawn Economaki – bass
  • – drums

Additional musicians

  • None specific to the track.

Production

Songwriting

References

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  53. https://www.imdb.com/title/tt2231554/soundtrack/
  54. https://rockband.fandom.com/wiki/Through_Glass
  55. https://www.wwe.com/shows/smackdown/smackdownmoving/wrestlemaniaspecialmusic
  56. https://www.setlist.fm/setlist/corey-taylor/2015/irving-plaza-new-york-ny-53f6974d.html
  57. https://www.youtube.com/watch?v=LGtwkf2XEmo
  58. https://www.youtube.com/watch?v=dVg9kg7u4m4
  59. https://www.youtube.com/watch?v=4DN74ak7EcQ
  60. https://www.whosampled.com/Stone-Sour/Through-Glass/covered/
  61. https://www.songfacts.com/facts/stone-sour/through-glass
  62. https://vocal.media/beat/move-along-10-essential-angsty-teen-songs-of-the-mid-2000-s
  63. https://www.billboard.com/music/rock/corey-taylor-dedicates-through-glass-chester-bennington-video-7874007/
  64. https://www.discogs.com/master/162758-Stone-Sour-Come-WhatEver-May
  65. https://genius.com/Stone-sour-come-what-ever-may-lyrics
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