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Tower of Power
Tower of Power
Tower of Power
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Tower of Power is an American R&B and funk band and horn section, originating in Oakland, California, that has been performing since 1968.[1] The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success. They have had eight songs on the Billboard Hot 100;[2] their highest-charting songs include "You're Still a Young Man", "So Very Hard to Go", "What Is Hip?", and "Don't Change Horses (in the Middle of a Stream)".[3][4]

Key Information

History

[edit]

In the summer of 1968, tenor saxophonist/vocalist Emilio Castillo met Stephen "Doc" Kupka, who played baritone sax. Castillo had played in several bands, and hired Kupka after a home audition on the advice of his father.[5] Within months the group, then known as The Motowns, began playing various gigs around Oakland and Berkeley, attracting audiences from minority and counterculture communities.[3][6]

In order to play Bill Graham's Fillmore Auditorium in San Francisco, the band changed its name to Tower of Power, which then stuck.[6][7]

By 1970, the renamed band—now including trumpet/arranger Greg Adams, first trumpet Mic Gillette, first saxophone Skip Mesquite, Francis "Rocco" Prestia on bass, Willie Fulton on guitar, and drummer David Garibaldi—signed a recording contract with Bill Graham's San Francisco Records and released their first album, East Bay Grease. Rufus Miller performed most of the lead vocals on this debut album.[3] The group was first introduced to the San Francisco Bay area by radio station KSAN, which played a variety of artists such as Cold Blood, Eric Mercury, and Marvin Gaye.

Augmented by percussionist/conga/bongo player Brent Byars, Tower of Power was released from their San Francisco label contract and moved to Warner Bros. Records. Rick Stevens replaced Rufus Miller as lead singer on 1972's Bump City, which gave the band their first national exposure.[8] This album included the hit single "You're Still a Young Man", which peaked at No. 29 on the Billboard Hot 100 and was Stevens' pinnacle vocal performance before leaving the band.[4] Emilio Castillo, who co-wrote the tune with Stephen Kupka, told Songfacts that the song was based on a true story about him and a former girlfriend who was six years his senior.[9]

Tower of Power, released in the spring of 1973, was the third album for the band. It featured soul singer Lenny Williams on lead vocals and Lenny Pickett on lead tenor saxophone. Bruce Conte replaced guitarist Willie Fulton and keyboardist Chester D.Thompson also joined the band during the recording of the album. The album spawned their most-successful single "So Very Hard to Go". Although the single peaked at No. 17 on the Billboard Hot 100,[4] it was included in the Top 10 in the surveys of many West Coast Top 40 radio stations, placed No. 1 on several of them. The album also charted two other singles on the Billboard Hot 100, "This Time It's Real" and "What Is Hip?"[3]

1974's Back to Oakland spawned the hit single "Don't Change Horses (in the Middle of a Stream)", which reached No. 26 on the Billboard Hot 100, and "Time Will Tell", which charted at No. 69.[4] The funk-jazz instrumental "Squib Cakes" also came from this album.[10]

On Urban Renewal (1974), the band moved more toward funk than soul; however, they continued recording ballads as well. Williams left the band in late 1974, and was replaced as vocalist by Hubert Tubbs. The band's airplay on chart radio declined. During the late 1970s they briefly tried recording disco-sounding material.[3]

On January 12, 2017, long-time drummer David Garibaldi and bassist Marc Van Wageningen were hit by a train as they walked across tracks before a performance in Oakland.[2] They both survived the accident. According to their manager, Jeremy Westby, they were both "responsive and being treated at a local hospital".[2] They fully recovered and returned to the active lineup later that year.

Collaborations

[edit]

Tower's horn section appeared on a number of other artists' recordings, including Otis Redding, Aaron Neville, Aerosmith, Bonnie Raitt, David Sanborn, Eric Clapton, Elton John, Labelle, Huey Lewis, Little Feat, Heart, Michelle Shocked, Paula Abdul, Santana and Stevie Nicks.[3]

The horn section also recorded with bassist Larry Graham's Graham Central Station, Grateful Dead, Carlos Santana, Journey, Elkie Brooks, Cat Stevens (on his Foreigner Suite), Luis Miguel, Linda Lewis, R.A.D. (Rose Ann Dimalanta), Jermaine Jackson, John Lee Hooker, Helen Reddy, Rufus, Rod Stewart, Jefferson Starship, Mickey Hart, Heart, Damn Yankees, Frankie Valli, Spyro Gyra, KMFDM,[11] Lyle Lovett, Poison, Phish (two songs on their album Hoist),[12] Toto, Pharoahe Monch, Ned Doheny, and the Brothers Johnson among many other acts.[2][3]

The song "So Very Hard To Go" was featured on the soundtracks of the 2002 film City of God,[13] and Will Ferrell's 2008 film Semi-Pro.

Members

[edit]
Main article: List of Tower of Power members

Current members

  • Emilio "Mimi" Castillo – tenor saxophone, backing and lead vocals (1968–present)
  • Stephen "Doc" Kupka – baritone saxophone, backing vocals (1968–present)
  • Adolfo Acosta – trumpet, flugelhorn, backing vocals (2000–present)
  • Tom E. Politzer – tenor, alto and baritone saxophones, clarinet, flute, backing vocals (2002–present)
  • Jerry Cortez – guitar, sitar, backing vocals (2010–present)
  • Marc van Wageningen – bass (2018–present; plus touring appearances beforehand)
  • Dave Richards – trumpet, flugelhorn, trombone, backing vocals (2023-present)
  • Pete Antunes – drums, percussion (2024–present)
  • Jordan John – lead vocals (2024–present)
  • Mike Jerel – keyboards, backing vocals (2025–present)

Discography

[edit]

Studio albums

[edit]
Year Album Chart positions Certifications
US Pop
[14] 		US R&B
[14] 		US Jazz
[14]
1970 East Bay Grease 106 – –
1972 Bump City 85 16 –
1973 Tower of Power 15 11 –
1974 Back to Oakland 26 13 –
1975 Urban Renewal 22 19 –
In the Slot 67 29 –
1976 Ain't Nothin' Stoppin' Us Now 42 25 –
1978 We Came to Play! 89 33 –
1979 Back on the Streets 106 28 –
1981 Direct – – –
1987 Power (US version of TOP album) – – –
1991 Monster on a Leash – – 19
1993 T.O.P. – 92 –
1995 Souled Out – – 7
1997 Rhythm & Business – – –
1999 Dinosaur Tracks (recorded 1980–1983) – – –
2003 Oakland Zone – – –
2009 The Great American Soulbook – – 3
2018 Soul Side of Town – – –
2020 Step Up[15] – – –
2023 It's Christmas – – –
"–" denotes releases that did not chart.

Live albums

[edit]
Year Album Chart positions
US Pop
[14] 		US R&B
[14] 		US Jazz
[14]
1976 Live and in Living Color 99 29 –
1999 Soul Vaccination: Tower of Power Live – – 8
2008 The East Bay Archive Volume 1 (recorded April 1973 at K-K-K-Katy's, Boston, MA) – – –
2011 40th Anniversary: The Fillmore Auditorium, San Francisco – – 6
2013 Hipper Than Hip: Yesterday, Today & Tomorrow (Live on the Air & In the Studio 1974)[15] – – –
2021 50 Years of Funk & Soul - Live at the Fox Theater Oakland CA - June 2018 – – –
"–" denotes releases that did not chart.

Compilations

[edit]

Singles

[edit]
Year Title Chart positions
 Album
US
[16] 		US R&B
[14] 		CAN
1971 "Back on the Streets Again" – – – East Bay Grease
1972 "You're Still a Young Man" 29 24 30 Bump City
"Down to the Nightclub" 66 – –
1973 "So Very Hard to Go" 17 11 36 Tower of Power
"This Time It's Real" 65 27 –
1974 "What Is Hip?" 91 39 –
"Time Will Tell" 69 27 75 Back to Oakland
"Don't Change Horses (In the Middle of a Stream)" 26 22 59
"Only So Much Oil in the Ground" – 85 – Urban Renewal
1975 "Willing to Learn" – 77 –
"You're So Wonderful, So Marvelous" – 57 – In the Slot
"Treat Me Like Your Man" – – –
1976 "You Ought to Be Havin' Fun" 68 62 – Ain't Nothin' Stoppin' Us Now
"Ain't Nothin' Stoppin' Us Now" – 95 –
1978 "Lovin' You Is Gonna See Me Thru" – 98 – We Came to Play!
"We Came to Play" – – –
1979 "Rock Baby" – 61 – Back on the Streets
"In Due Time" – – –
"–" denotes releases that did not chart or were not released in that territory.

Videos and DVDs

[edit]
  • 1986: Credit (the band's first music video, released to promote Power)
  • 2003: Tower of Power in Concert (1998, Live at Ohne Filter, just after the return of David Garibaldi)
  • 2007: Live from Leverkusen (recorded in November 2005)
  • 2011: 40th Anniversary (Live) (recorded in 2009)[17]
  • 2020: Look In My Eyes (the band's first music video in over 30 years, released to promote Step Up)

Note: Over the decades, there have been many televised performances of Tower of Power, several of which can be found on YouTube. In 2011, Time Life released TOP's November 10, 1973 Soul Train performance of "What is Hip?" on the CD The Best of Soul Train Live.[18][19]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Tower of Power

View on Grokipedia
from Grokipedia
Tower of Power is an American R&B, , and band renowned for its dynamic , formed in , in 1968 by tenor saxophonist and vocalist and baritone saxophonist Stephen "Doc" Kupka. The group emerged from the vibrant Bay Area music scene, initially drawing influences from soul acts like and the sound, and quickly established itself as a premier horn-driven ensemble blending , rock, and jazz elements. Their debut album, (1970), showcased their raw energy, but it was follow-up releases like Tower of Power (1973) and (1974) that propelled them to national prominence with hit singles such as "What Is Hip?" and "Don't Change Horses (In the Middle of a Stream)." Over more than five decades, Tower of Power has experienced extensive lineup changes, with over 60 musicians passing through its ranks while retaining its signature gritty vocals and explosive brass arrangements, earning multiple Grammy nominations and widespread acclaim as one of the most influential bands of the era. The band's horn section has been in high demand for session work and collaborations, backing artists including Santana, , and , and they continue to tour actively, delivering their timeless sound to audiences worldwide.

History

Formation and Early Career (1968–1972)

Tower of Power was founded in the summer of 1968 in , by tenor saxophonist and vocalist and baritone saxophonist Stephen "Doc" Kupka, who met while both were seeking to create a horn-driven R&B band inspired by the sound. Initially operating as a cover band under the name The Motowns, the group drew from the vibrant Area music scene, which emphasized soul and emerging funk elements. To secure a booking at Bill Graham's Fillmore Auditorium, the band changed its name to Tower of Power later that year, a decision that allowed them to align with the venue's rock-oriented programming while retaining their soul roots. The initial lineup featured vocalist Rufus Miller, guitarist Willie James Fulton, bassist Francis "Rocco" Prestia, and drummer David Garibaldi, alongside Castillo and Kupka, forming the core that developed the band's signature five-piece sound blending R&B, , and influences. Early performances in Bay Area clubs helped refine this style, with the group gigging regularly in Oakland and Berkeley venues to build a local following. In 1970, Tower of Power released their debut album, , on the small independent Records label, capturing their raw, energetic live sound through extended instrumental tracks that showcased the horn section's interplay. The album marked their first full-length recording and highlighted original compositions by Castillo and Kupka, establishing the band's funky, groove-oriented approach. By 1971, the group signed with Warner Bros. Records, leading to the release of their major-label debut in 1972, which included standout tracks like "Down to the Nightclub" that exemplified their tight rhythmic drive and horn-driven arrangements.

Commercial Success and Peak Years (1973–1979)

Tower of Power's self-titled album, released in May 1973 on Warner Bros. Records, propelled the band to national prominence, peaking at No. 15 on the Billboard 200 chart. The record earned a gold certification from the RIAA for sales exceeding 500,000 units in the United States. Its breakthrough single, "What Is Hip?", reached No. 91 on the Billboard Hot 100, showcasing the band's signature horn-driven grooves and funky rhythms that defined their sound. Other tracks like "This Time It's Real" also charted, further solidifying their appeal in the soul and funk scenes. In 1973, the band transitioned to as lead vocalist, a move that infused their music with deeper soulful expression and contributed to subsequent hits. Williams' tenure shone on the 1974 album , which peaked at No. 26 on the and featured the Top 20 single "So Very Hard to Go" at No. 17 on the Hot 100, blending heartfelt ballads with the group's energetic brass sections. That same year, arrived as a covers album, interpreting classics by artists like and through their lens, reaching No. 22 on the and highlighting their versatility in reworking soul standards. The momentum continued with In the Slot in 1975, which emphasized the band's tight instrumentation and live-wire energy, followed by the double live album Live and in Living Color in 1976, capturing their dynamic stage presence and horn prowess during performances that electrified audiences. These releases underscored Tower of Power's commercial peak, with key albums surpassing 500,000 units sold collectively during the era. Amid this success, original drummer David Garibaldi departed in 1976, leading to a brief tenure by on drums, who brought fresh rhythmic intensity to the lineup. Critics praised Tower of Power during this period for their innovative blending of , , and Latin elements, creating a high-energy sound that influenced the era's R&B landscape and earned them a reputation as masters. Their Warner Bros. output not only achieved chart success but also established them as a staple in live performances, with the 's precision and the section's groove drawing widespread acclaim.

Lineup Changes and Later Career (1980–2000)

Following the release of their 1979 album Back on the Streets on , Tower of Power encountered significant challenges, including being dropped by major labels in the early amid declining commercial visibility and frequent personnel shifts. The band had already cycled through several lead vocalists since ' departure in late 1974, with further changes in the featuring Michael Jeffries as frontman during transitional periods and Ellis Hall joining as lead vocalist and keyboardist for their 1987 comeback effort. These shifts reflected the group's adaptation to a more polished, adult contemporary style while maintaining their signature horn-driven energy. Drummer David Garibaldi, a founding member, departed for the second time in 1980 after contributing to Back on the Streets, leaving the rhythm section anchored by bassist Francis "Rocco" Prestia, whose intricate grooves remained a constant despite the band's instability. Prestia's involvement was intermittent in the late 1980s and 1990s due to personal commitments, though he continued to appear on recordings and tours when possible. Without major label support, Tower of Power self-produced works like the 1988 direct-to-disc live album Direct on Sheffield Lab Records, emphasizing their enduring live prowess. The group signed with Cypress Records (distributed by A&M) for their 1987 studio album Power, which showcased Ellis Hall's soulful vocals on tracks blending funk with smoother R&B elements, marking a brief return to wider distribution. By 1989, vocalist Tom Bowes took over lead duties, guiding the band through their signing with for the 1991 release Monster on a Leash, an independent-feeling project that highlighted their evolved sound with hits like "Funk the Dumb Stuff." The 1993 self-titled album T.O.P. followed on the independent Rhythm & Business label, further demonstrating their resilience through self-production amid label transitions. In the , Tower of Power experienced a resurgence driven by demand for their on session work and tours, allowing the core ensemble—including returning members like Garibaldi in —to sustain activity despite reduced chart presence. This period culminated in the 1999 live album Soul Vaccination: Tower of Power Live on Sony Records, recorded during their 1998 world tour and capturing the band's timeless appeal through high-energy performances of classics and newer material.

21st Century and Recent Developments

In the early , Tower of Power released Oakland Zone in , a studio album that marked a return to their signature horn-driven sound with tracks like "Eastside…" and "This Type of ," featuring vocalist Larry Braggs and contributions from founding members and Stephen "Doc" Kupka. The band continued to maintain visibility through reissues and compilations of their classic material, including the 2001 collection The Very Best of Tower of Power: The Warner Years, which highlighted their hits and helped sustain interest among new audiences into the decade. The band's 50th anniversary in 2018 was celebrated with the release of Soul Side of Town, an album produced by Castillo and that returned to their classic soul-funk style, featuring 14 new tracks with dual lead vocalists Braggs and Ray Greene, as well as guest appearances from artists like Rick Estrin and Euge Groove. This milestone included sold-out performances at the Fox Theater in Oakland, captured on the live recording 50 Years of Funk & Soul: Live at the Fox Theater, which showcased the band's enduring energy with founding bassist Francis "Rocco" Prestia, who had returned to performing after recovering from a 2014 transplant. The celebrations underscored Tower of Power's longevity, with consistent annual tours and recordings that kept their at the forefront of and revivals. Entering the 2020s, Tower of Power issued Step Up in March 2020 on Mack Avenue Records, an album recorded over the prior decade that introduced new Marcus Scott and bassist Marc Van Wageningen (temporarily replacing the ailing Prestia, who passed away later that year), blending fresh originals like "The Story of You and I" with their trademark grooves. In September 2024, they released their first holiday album, It's Christmas, a 11-track collection of classics such as "" and originals infused with soulful arrangements, coinciding with the band's Holidays & Hits Tour. In May 2024, the band announced Jordan John as their new lead singer, succeeding Greene (who joined Santana), enabling a refreshed lineup for their 56th anniversary tour that extended into 2025 with European dates starting in October 2024 across Sweden, Denmark, Norway, and beyond. As of 2025, Tower of Power remains active with ongoing tours, including the extended Holidays & dates through in the U.S., maintaining their tradition of over 200 annual performances worldwide. In June 2025, they contributed their iconic to the collaborative single "God Makes a Way" featuring , Israel & New Breed, and Echo Harbor Worship, a gospel-infused track that highlighted their versatility in contemporary projects. Drummer David Garibaldi retired from in January 2024 after decades of service, with Pete Antunes taking over on drums. This period reflects the band's stable core lineup—anchored by Castillo and Kupka—delivering high-energy shows that affirm their status as pioneers.

Musical Style and Influences

Horn-Driven Funk and Soul

Tower of Power's core sound revolves around its signature five-horn section, comprising two saxophones, a , a , and a , which produces tight, punchy riffs that propel their tracks forward. This ensemble became the band's hallmark, delivering layered, rhythmic horn lines that interlock with precision to create an infectious, danceable energy central to their identity as a and act. In songs like "What Is Hip?", the horns lead with bold, repetitive motifs that emphasize and call-and-response dynamics, underscoring the band's ability to blend instrumental prowess with groove-oriented composition. The group's style fuses James Brown-inspired grooves—characterized by tight, repetitive bass and drum patterns—with soulful, melodic hooks that evoke emotional depth. Drawing from the vibrant Bay Area music scene, they incorporate Latin percussion elements, such as congas and , to add rhythmic complexity and a subtle tropical flair to their urban foundation. plays a pivotal role in this fusion, employing syncopated patterns that lock in with the horns for a propulsive drive, as heard in the interlocking bass and drum lines that support the stabs in their classic recordings. From the raw, high-voltage energy of their output, which captured the gritty immediacy of Oakland's street-level , Tower of Power transitioned in the to more refined arrangements that emphasized smoother integrations and production polish without sacrificing intensity. This evolution allowed them to adapt to changing musical landscapes while preserving the visceral punch of their earlier work. Their live performances have consistently embodied this high-energy , with the horn section's explosive interplay fueling extended jams that maintain the band's reputation for electrifying stage presence. In comparison to contemporaries like , whose horn sections often soared with orchestral grandeur and cosmic themes, Tower of Power stood out through its gritty, urban Oakland vibe, reflecting the blue-collar toughness and raw edge of the city's cultural undercurrents. This grounded approach infused their and with an authentic, streetwise authenticity that differentiated them amid the era's more expansive ensembles.

Songwriting and Arrangements

Tower of Power's songwriting has long been dominated by the creative partnership of founding members Emilio Castillo and Stephen "Doc" Kupka, who have composed the majority of the band's original material since its inception in 1968. Their collaborations often explore themes of urban life in Oakland, personal relationships, and social commentary, reflecting the band's East Bay roots and the socio-economic realities of the era. For instance, in "What Is Hip?" from the 1973 self-titled album, Castillo and Kupka critique materialism and superficial trends, posing rhetorical questions about authenticity in a consumer-driven society where "hipness" is tied to appearances rather than substance. The duo's arrangements emphasize dynamic interplay, particularly through call-and-response horn patterns that drive the rhythmic momentum, complemented by layered backing vocals and opportunities for extended solos. This approach is prominently featured on the 1974 album , where tracks like "Oakland Stroke" showcase the band's ability to blend tight ensemble sections with improvisational flair, allowing musicians to extend grooves beyond studio constraints. In live settings, these arrangements incorporate , enabling spontaneous extensions of themes and solos that heighten the energetic, communal feel of performances. The 1974 album (released 1975) further highlights this versatility through original songs, reinterpreted with the band's signature horn-driven extensions and improvisational touches. Early production choices under Warner Bros. Records lent a polished sheen to the band's sound, with albums like Bump City (1972, produced by Ron Capone and the band) and Tower of Power (1973, produced by the band) emphasizing crisp horn charts and balanced mixes that amplified the songwriting's funk-soul essence. By the 1990s, Tower of Power shifted toward self-production, as on Monster on a Leash (1991), resulting in a rawer, more organic aesthetic that prioritized live-band energy over studio gloss. Drawing structural influences from Motown's tight song forms and Stax's gritty ensemble dynamics, the band's modern output, such as the 2020 album Step Up, updates these foundations sparingly with digital elements like subtle synthesis for texture; their 2024 album It's Christmas incorporates holiday standards and originals in a similar analog-focused, horn-centric manner, maintaining a focus on analog warmth and horn-centric arrangements.

Band Members

Current Members

The current lineup of Tower of Power as of November 2025 features a core of veteran horn players anchored by recent additions to the rhythm and vocal sections, preserving the band's renowned funky groove and brass-driven energy.
  • Emilio Castillo (tenor saxophone, vocals): Founding member who co-leads the band and has performed continuously since its inception in 1968.
  • Stephen "Doc" Kupka (baritone saxophone): Founding member and primary songwriter alongside Castillo, active since 1968.
  • Tom E. Politzer (tenor saxophone): Lead tenor saxophonist who joined in 2002 and has been a fixture in the horn section for nearly three decades.
  • Adolfo Acosta (trumpet): Trumpeter who has contributed to the band's live and recorded sound since 2000.
  • Jerry Cortez (guitar, backing vocals): Guitarist providing rhythmic drive and harmonies, a member since 2010.
  • Marc van Wageningen (bass): Dutch bassist delivering the band's signature slapping funk lines, full-time member since 2018.
  • Dave Richards (trumpet, trombone): Lead brass player added to bolster the horn section, officially joining in 2024 after prior touring contributions.
  • Pete Antunes (drums): Versatile drummer bringing a powerful backbeat, officially integrated as a core member in 2024 following sub appearances.
  • Jordan John (lead vocals): Dynamic frontman handling principal vocals, who joined the band in 2024 to front their high-energy performances.
  • Mike Jerel (keyboards, backing vocals): Keyboardist adding lush organ and synth textures, a recent addition supporting the ensemble's soulful arrangements.
This configuration emphasizes continuity from the band's origins while incorporating fresh talent to sustain their touring schedule and live shows.

Former Members

Tower of Power has experienced extensive lineup turnover since its formation in , with over 60 musicians having contributed to recordings and tours across its history, though the has remained one of the more stable elements of the group. Departures in the were often linked to and alcohol issues affecting several key members, while the 1980s saw changes driven by creative differences and shifts in label affiliations. Rufus Miller served as the band's original lead vocalist from 1968 to 1972, providing the frontman role on their debut album East Bay Grease (1970) and the breakthrough Bump City (1972), where his gritty soul delivery helped define the group's early raw energy. Lenny Williams joined as lead vocalist in 1973 and stayed until 1975, lending his powerful, emotive voice to hit singles like "So Very Hard to Go" from the self-titled album Tower of Power (1973), as well as Back to Oakland (1974) and Urban Renewal (1975), during the band's commercial peak. Bruce Conte played guitar from 1972 to 1979, contributing sharp, funk-infused riffs to seven albums including , Tower of Power, , and Urban Renewal, solidifying the band's signature groove in its most successful era. Chester Thompson handled keyboards from 1973 to 1983, adding organ and layers that enriched the horn-driven sound on albums like (where he co-wrote "Squib Cakes") and through the 1980s transition period, before departing amid lineup shifts. Michael Jeffries was from 1978 to the mid-1980s, fronting during a challenging phase of label changes and recording four albums, including We Came to Play! (1978) and 1980 (1980), with his smooth R&B style adapting to the group's evolving soul-funk direction. Greg Adams, on from 1972 to 1995, was a cornerstone of the for over two decades, arranging and performing on 14 albums from onward and helping maintain the band's trademark brass punch; he later founded the East Bay Soul horn collective drawing from his Tower of Power experience.

Discography

Studio Albums

Tower of Power has released 19 studio albums since their formation, showcasing their signature horn-driven funk, soul, and R&B sound across various labels and eras. Their early work with Warner Bros. established their commercial breakthrough, while later independent releases highlighted their enduring creativity and evolution.
YearAlbumLabelPeak Chart PositionNotes
1970East Bay GreaseStax Records#106 (Billboard 200)Debut soundtrack album featuring original material from their stage production, marking the band's first recording effort with a focus on East Bay funk grooves.
1972Bump CityWarner Bros. Records#85 (Billboard 200)The band's major-label debut, introducing hits like "You're Still a Young Man" and solidifying their brass-heavy style.
1973Tower of PowerWarner Bros. Records#58 (Billboard 200), #17 (Billboard R&B)Breakthrough album featuring the signature track "What Is Hip?", which became a funk anthem and propelled the band to national prominence.
1974Back to OaklandWarner Bros. Records#52 (Billboard 200), #24 (Billboard R&B)Follow-up with hits including "So Very Hard to Go," emphasizing soulful ballads alongside funky rhythms; certified gold.
1974Urban RenewalWarner Bros. Records#27 (Billboard R&B)Covers album reinterpreting soul and R&B classics like Ray Charles' "I Believe to My Soul," showcasing the band's interpretive horn arrangements.
1975In the SlotWarner Bros. Records#72 (Billboard Soul)Explores deeper funk grooves with tracks like "Drop It Out," reflecting the band's live energy in a studio setting.
1976Ain't Nothin' Stoppin' Us NowWarner Bros. Records#80 (Billboard 200), #23 (Billboard R&B)Title track became a motivational hit; album blends disco influences with core funk elements during a transitional period.
1978We Came to Play!Columbia Records—Return to uptempo funk with horn showcases, produced during lineup shifts but maintaining the band's rhythmic drive.
1979Back on the StreetsColumbia Records#106 (Billboard 200), #28 (Billboard R&B)Features guest appearances and a mix of ballads and grooves, capturing the late-1970s soul sound.
1987PowerCypress Records—Comeback album after a hiatus, revitalizing the classic sound with modern production touches.
1991Monster on a LeashEpic Records—Emphasizes raw energy and horn sections, produced by the band to recapture their Oakland roots.
1993T.O.P.Rhythm Records—Self-produced effort highlighting instrumental prowess and original compositions in a jazz-funk vein.
1995Souled OutEpic Records—Features new vocalist Brent Carter, blending classic funk with contemporary R&B elements.
1997Rhythm & BusinessEpic Records—Focuses on rhythmic grooves and business-themed tracks, maintaining the band's funky brass style.
2003Oakland Zoneself-released / Red Distribution—Tribute to their hometown with guest spots from Bay Area artists, focusing on contemporary funk.
2009Great American Soulbook429 Records#10 (Billboard Jazz Albums)Covers album of classic soul songs with guest vocalists including Tom Jones and Joss Stone.
2018Soul Side of TownArtistry Music#1 (Billboard Jazz Albums), #13 (Billboard Independent)First album in 15 years, earning critical acclaim for its soulful return and marking their first #1 on a Billboard chart.
2020Step UpArtistry Music#1 (Billboard Jazz Albums)Builds on recent momentum with upbeat tracks and collaborations, reinforcing their live-performance heritage in studio form.
2024It's ChristmasTower of Power Records—Holiday album featuring classics and originals infused with the band's funky brass style, their first seasonal release.

Live Albums

Tower of Power has released several live albums that capture the band's renowned high-energy performances, emphasizing their horn-driven and sound in front of audiences. These recordings highlight the group's improvisational flair, extended solos, and direct engagement with fans, often without studio overdubs to preserve the raw concert atmosphere. The band's debut live album, Live and in Living Color, was released in 1976 by Records as their final project with the label. Recorded during 1975 shows, including at Sacramento Memorial Auditorium, it features five extended tracks drawn from their early hits, such as an eight-minute rendition of "What Is Hip?" that spotlights the horn section's interplay and drummer David Garibaldi's intricate grooves. The album underscores the band's peak 1970s lineup, with vocalist and guitarist Bruce Conte delivering dynamic vocals and riffs amid enthusiastic crowd responses. In 1999, Tower of Power issued Soul Vaccination: Tower of Power Live through , capturing performances from their 1998 world tour, including dates in October at venues. This double-disc set, featuring 15 tracks, showcases the 1990s configuration with vocalist Brent Carter and keyboardist , delivering staples like "Down to the Nightclub" and "Soul with a Capital 'S'" alongside audience call-and-response moments and extended horn solos by and Stephen "Doc" Kupka. The recording emphasizes the band's enduring live vitality, with no enhancements to maintain authenticity. Marking their 50th anniversary, 50 Years of Funk & Soul: Live at the Fox Theater – Oakland, CA – June 2018 was released in 2021 by Artistry/Mack Avenue Records. Recorded over two nights at the , this 22-track album features the current lineup performing career-spanning material, including fresh takes on "On the Serious Side" and "Diggin' on ," with prominent audience interactions and horn flourishes that reflect the band's hometown roots and improvisational prowess. It serves as a comprehensive document of their live evolution, blending classic grooves with celebratory energy.

Compilation Albums

Tower of Power's compilation albums have played a key role in sustaining the band's legacy by aggregating their signature horn-driven and tracks from earlier studio releases, making their music more accessible to new audiences and reinforcing their commercial viability through retrospective packaging. These collections often focus on high-impact singles and album cuts from the era, when the band achieved peak popularity, and have contributed to ongoing sales in the digital age by highlighting their enduring appeal in and R&B genres. A prominent example is The Very Best of Tower of Power: The Warner Years, released in 2001 by Rhino Records as a single-disc compilation featuring 16 remastered tracks recorded between 1972 and , including hits like "What Is Hip?" and "," which capture the band's classic sound and have helped introduce their Warner-period material to subsequent generations. This album underscores the commercial importance of such retrospectives, as it draws from the same foundational recordings that propelled Tower of Power's original albums to strong chart performance and RIAA gold certification for the era's output. Another significant anthology is What Is Hip? The Tower of Power Anthology, a 1999 Rhino two-CD set compiling 38 tracks from the band's formative years up to the late 1970s, emphasizing early hits and B-sides that showcase their evolution from local Oakland act to national funk icons, thereby serving as a comprehensive commercial overview for collectors and casual listeners alike. In 2002, Warner Bros. issued Soul with a Capital "S": The Best of Tower of Power, a 20-track collection spanning their 1970s output with selections like "Down to the Nightclub" and "Soul Vaccination," which highlights the band's rhythmic precision and horn arrangements while reinforcing their role as session musicians through integrated guest appearances. These compilations collectively demonstrate how Tower of Power's retrospective releases have maintained chart relevance and sales momentum, often achieving gold status through aggregated Warner-era material that reflects the band's high-impact contributions to funk.
Compilation AlbumRelease YearLabelKey Focus
2001Rhino16 tracks from 1972–1975 Warner recordings, emphasizing hits and remasters
1999Rhino38 tracks across 2 CDs, early career hits and rarities
2002Warner Bros.20 tracks from 1970s, soul-funk highlights with arrangements

Singles

Tower of Power's singles discography highlights their breakthrough in the and scenes during the 1970s, with several tracks achieving notable success on . The band's early releases emphasized horn-driven grooves and established their reputation for infectious rhythms that crossed over from R&B to pop audiences. Key singles from this era include "Down to the Nightclub," released in 1972, which peaked at No. 66 on the and No. 23 on the chart, backed by the B-side "Soul Vaccination." The following year, 1973, saw "What Is Hip?" reach No. 91 on the and No. 39 on the chart, with "This Time It's Real" as the B-side; the track's questioning lyrics and tight ensemble playing became a live staple for . Another 1973 single, "So Very Hard to Go," marked their highest pop crossover, peaking at No. 17 on the and No. 11 on the chart, paired with the B-side "Clean Slate"; its soulful balladry and horn accents contributed to over 18 weeks on the pop chart. In 1974, "Don't Change Horses (In the Middle of a Stream)" charted at No. 26 on the and No. 22 on the chart, with "I Got the Chop" on the B-side, showcasing the band's evolving arrangements amid personnel changes. Later that year, "Soul with a Capital 'S'" was released as a promotional single from their album, emphasizing funky brass lines though it did not chart prominently. By 1976, "Ain't Nothin' Stoppin' Us Now," a featuring vocalist Hubbard on the title track from their Columbia debut , aimed at revitalizing their sound but failed to crack the , instead gaining traction through radio play and live performances. Their involvement in the 2025 collaborative single "God Makes a Way," featuring Echo Harbor Worship, Israel & New Breed, and , marked a gospel-infused return, released via and peaking in niche Christian charts.
SingleYearBillboard Hot 100 PeakBillboard Hot R&B/Hip-Hop PeakB-Side
Down to the Nightclub19726623Soul Vaccination
What Is Hip?19739139This Time It's Real
19731711Clean Slate
Don't Change Horses (In the Middle of a Stream)19742622I Got the Chop
Soul with a Capital 'S'1974---
Ain't Nothin' Stoppin' Us Now1976---
God Makes a Way (collaboration)2025---

Collaborations

As Session Musicians

Tower of Power's has long been in demand as session musicians, contributing their signature tight, punchy arrangements to over 100 recordings across genres, a testament to their precision and rhythmic drive that echoed the band's own funk-rooted style. In the early 1970s, the section frequently collaborated on projects tied to promoter Bill Graham, including horns on Cold Blood's albums like Absolute Perfection (), enhancing the Bay Area soul-funk sound of Graham-managed acts. A pivotal early session came with Santana's (), where the horns appeared on tracks such as "Song of the Wind," with arranger Greg Adams tailoring an esoteric arrangement at Santana's request, marking one of the section's first major outside credits. The group's contributions extended to rock acts, notably providing the brass punch on Heart's "Even It Up" from (1980), infusing the track with a soulful, funky edge that complemented Ann Wilson's powerful vocals. During the 1980s pop surge, they bolstered ' blockbuster (1983), delivering iconic horn lines on "" and other hits, helping propel the album to multi-platinum status. Their versatility shone in fusion and pop sessions, such as those with guitarist on albums like Rit (1981), where their brass added dynamic layers to smooth jazz-rock tracks. Notable additional contributions include horns on Journey's "Wheel in the Sky" from Infinity (1978) and backing on live performances of "," showcasing their broad influence across rock and soul.

Guest Appearances and Tributes

Tower of Power has a history of dynamic live collaborations that highlight their signature horn-driven sound alongside other prominent artists. The band has shared stages with rock icons such as and during various tours and performances, bringing their and energy to diverse lineups. In 2008, Tower of Power marked their 40th anniversary with a celebratory live concert at Auditorium in , which paid homage to their deep roots in and traditions, including early influences from Motown-era sounds stemming from their original incarnation as The Motowns. The event featured a comprehensive set of their hits and was captured for a DVD release, emphasizing their in the genre. More recently, Tower of Power joined forces for high-profile joint live events. In December 2024, they launched their Holidays & Hits tour, blending chart-topping classics with seasonal favorites across multiple U.S. dates. The tour continued into 2025, incorporating special collaborative elements to celebrate the holiday season. In a notable 2025 highlight, the band is scheduled to perform alongside and Latin Jazz Band for a holiday concert at the in , on December 20, hosted by of , fusing , , and Latin rhythms in a festive setting. Tower of Power's early Grammy recognition also tied into live showcases of their work. The band delivered energetic performances at major events, reinforcing their impact in the R&B and scenes.

Legacy

Awards and Honors

Trumpeter Greg Adams, a longtime member of Tower of Power, received a Grammy Award nomination in 1975 for Best Arrangement, Instrumental and Vocals for the track "What Is Hip?" from the band's self-titled 1973 album. The band's commercial success is reflected in RIAA certifications. Their 1973 self-titled album Tower of Power achieved gold status for sales exceeding 500,000 copies. In 2004, the band received a Lifetime Achievement Award from the Music Awards, honoring their enduring contributions to R&B and . In recognition of the band's 50th anniversary, Oakland Mayor issued a in 2018 declaring May 31 as "Tower of Power Day," celebrating their role in defining the "Oakland sound." Although Tower of Power has been eligible for induction since 1996 and remains under consideration by fans and advocates, the band has not yet been inducted into the Rock & Roll Hall of Fame as of 2025.

Cultural Impact and Influence

Tower of Power played a pivotal role in the funk explosion, blending soulful grooves with prominent horn sections that helped bridge the gap between traditional soul and the emerging era, influencing acts like through their rhythmic precision and brass-driven energy. Their sound, characterized by syncopated bass lines and dynamic horns, contributed to the era's vibrant scene in Oakland, where they emerged as a key force in expanding the genre's reach beyond regional boundaries. The band's music has had a significant impact on hip-hop through sampling, with tracks like "Oakland Stroke" from their 1974 album noted for its iconic drum groove. Similarly, their 1973 hit "What Is Hip?" has been referenced in hip-hop. Tower of Power's has inspired neo-funk and modern jam bands, serving as a blueprint for groups like , with whom they have collaborated on recordings and performances, echoing the revival of horn-heavy grooves akin to ' legacy. Their enduring influence extends to educational settings, where school and ensembles often emulate their arrangements; for instance, the Jazz Orchestra has paid direct tribute to the band, highlighting how TOP's challenging yet accessible horn charts motivate young musicians. This pedagogical reach is evident in workshops, such as the one at , where TOP members demonstrated techniques to student bands. As of 2025, Tower of Power maintains a strong presence, headlining events like the 20th Annual Scranton Jazz , and announced their "Holiday & Hits" tour, underscoring their ongoing relevance in live music circuits. Their compositions continue to be covered by jam-oriented acts, including , who have performed songs like "Down to the Nightclub" and "You Strike My Main Nerve" in concert, further cementing TOP's cross-genre legacy.

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