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AllMusic's Jason Birchmeier praised the "fairly solid beats" from No Limit's "more competent producers (XL, Ke-Noe, Carlos Stephens)" and C-Murder for delivering some "moderately effective choruses" on the tracks, but criticized the gangsta rap cliches throughout the album, concluding that: "Yes, this is pretty much standard No Limit fare, but it's one of the better late-'90s releases the label churned out and thus worthwhile for fans."[1]Soren Baker of the Los Angeles Times commended C-Murder for using 2Pac's style to relay some "soul-searching and social commentary to his violent tales" and the producers for creating a "steady stream of potent soundscapes that complement C-Murder's gritty vision."[3] Benjamin Meadows-Ingram of Vibe was critical of the poor "gangsta harmony hooks" throughout the overly "smooth production", but highlighted "That Calliope" for its "Halloween theme-esque break" and "rowdy, dirty-South block-party chant" that suggests the label has some staying power, concluding that "Trapped in Crime may reveal a wobbly No Limit camp, but don't expect to see them raise the white flag yet.[5]