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Van Johnson
Charles Van Dell Johnson (August 25, 1916 – December 12, 2008) was an American actor and dancer. He had a prolific career in film, television, theatre and radio, which spanned over 50 years, from 1940 to 1992. He was a major star at Metro-Goldwyn-Mayer during and after World War II, known for his upbeat and "all-American" screen persona, often playing young military servicemen, or in musicals.
Originally a Broadway dancer, Johnson achieved his breakthrough playing a rookie bomber pilot in A Guy Named Joe (1943). Throughout the war years, he became a popular Hollywood star, as the embodiment of the "boy-next-door wholesomeness" playing "the red-haired, freckle-faced soldier, sailor, or bomber pilot who used to live down the street" in such films as The Human Comedy (also 1943) and Thirty Seconds Over Tokyo (1944). After World War II, he continued to play similar heartthrob and military characters, equal parts in serious dramas like The Caine Mutiny (1954), and in light musicals like Brigadoon (1954).
After the end of his contract with MGM, he transitioned largely into television, though he continued to make regular film appearances in featured and supporting parts, earning an Emmy Award nomination for his performance in the miniseries Rich Man, Poor Man. He continued to maintain a regular presence in musical theatre, most notably as Professor Harold Hill in the West End productions of The Music Man and Georges in La Cage aux Folles, before retiring from acting in the early 1990s. At the time of his death in 2008, he was one of the last surviving matinee idols of Golden Age of Hollywood.
Johnson was born in Newport, Rhode Island, the only child of Loretta (née Snyder) and Charles E. Johnson, a plumber and later a real-estate salesman. His father was born in Sweden and came to the United States as a child, and his mother had Pennsylvania Dutch ancestry. His mother was allegedly an alcoholic who left the family when he was a child, and he was not close to his father.
Johnson performed at social clubs in Newport while in high school. He moved to New York City after graduation in 1935 and joined the off-Broadway revue Entre Nous.
Johnson toured New England in a theater troupe as a substitute dancer, but his acting career began in earnest in the Broadway revue New Faces of 1936. He returned to the chorus after that and worked in summer resorts near New York City. In 1939, director and playwright George Abbott cast him in Rodgers and Hart's Too Many Girls in the role of a college boy and as understudy for all three male leads. He had an uncredited role in the film adaptation of Too Many Girls, which costarred Lucille Ball and Desi Arnaz, then Abbott hired him as a chorus boy and Gene Kelly's understudy in Pal Joey.
Johnson was about to move back to New York when Lucille Ball took him to Chasen's Restaurant, where she introduced him to MGM casting director Billy Grady who was sitting at the next table. This led to screen tests by Hollywood studios. His test at Columbia Pictures was unsuccessful, but Warner Brothers put him on contract at $300 a week. He was cast as a cub reporter opposite Faye Emerson in the 1942 film Murder in the Big House. His eyebrows and hair were dyed black for the role. Johnson's all-American good looks and easy demeanor were ill-suited to the gritty movies that Warner made at the time, and the studio dropped him at the expiration of his six-month contract.
Johnson was soon signed by Metro-Goldwyn-Mayer. The studio provided him with classes in acting, speech, and diction. He then had an uncredited part as a soldier in Somewhere I'll Find You (1942). He attracted attention in a small part in The War Against Mrs. Hadley (1942), and this encouraged MGM to cast him in their long-running series Dr. Kildare. These films had starred Lew Ayres as Dr. Kildare and Lionel Barrymore as Dr. Gillespie; Ayres' career was hurt due to being a conscientious objector, so the series focused on Dr. Gillespie mentoring new doctors. Johnson played Dr. Randall Adams in Dr. Gillespie's New Assistant (1942).
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Van Johnson
Charles Van Dell Johnson (August 25, 1916 – December 12, 2008) was an American actor and dancer. He had a prolific career in film, television, theatre and radio, which spanned over 50 years, from 1940 to 1992. He was a major star at Metro-Goldwyn-Mayer during and after World War II, known for his upbeat and "all-American" screen persona, often playing young military servicemen, or in musicals.
Originally a Broadway dancer, Johnson achieved his breakthrough playing a rookie bomber pilot in A Guy Named Joe (1943). Throughout the war years, he became a popular Hollywood star, as the embodiment of the "boy-next-door wholesomeness" playing "the red-haired, freckle-faced soldier, sailor, or bomber pilot who used to live down the street" in such films as The Human Comedy (also 1943) and Thirty Seconds Over Tokyo (1944). After World War II, he continued to play similar heartthrob and military characters, equal parts in serious dramas like The Caine Mutiny (1954), and in light musicals like Brigadoon (1954).
After the end of his contract with MGM, he transitioned largely into television, though he continued to make regular film appearances in featured and supporting parts, earning an Emmy Award nomination for his performance in the miniseries Rich Man, Poor Man. He continued to maintain a regular presence in musical theatre, most notably as Professor Harold Hill in the West End productions of The Music Man and Georges in La Cage aux Folles, before retiring from acting in the early 1990s. At the time of his death in 2008, he was one of the last surviving matinee idols of Golden Age of Hollywood.
Johnson was born in Newport, Rhode Island, the only child of Loretta (née Snyder) and Charles E. Johnson, a plumber and later a real-estate salesman. His father was born in Sweden and came to the United States as a child, and his mother had Pennsylvania Dutch ancestry. His mother was allegedly an alcoholic who left the family when he was a child, and he was not close to his father.
Johnson performed at social clubs in Newport while in high school. He moved to New York City after graduation in 1935 and joined the off-Broadway revue Entre Nous.
Johnson toured New England in a theater troupe as a substitute dancer, but his acting career began in earnest in the Broadway revue New Faces of 1936. He returned to the chorus after that and worked in summer resorts near New York City. In 1939, director and playwright George Abbott cast him in Rodgers and Hart's Too Many Girls in the role of a college boy and as understudy for all three male leads. He had an uncredited role in the film adaptation of Too Many Girls, which costarred Lucille Ball and Desi Arnaz, then Abbott hired him as a chorus boy and Gene Kelly's understudy in Pal Joey.
Johnson was about to move back to New York when Lucille Ball took him to Chasen's Restaurant, where she introduced him to MGM casting director Billy Grady who was sitting at the next table. This led to screen tests by Hollywood studios. His test at Columbia Pictures was unsuccessful, but Warner Brothers put him on contract at $300 a week. He was cast as a cub reporter opposite Faye Emerson in the 1942 film Murder in the Big House. His eyebrows and hair were dyed black for the role. Johnson's all-American good looks and easy demeanor were ill-suited to the gritty movies that Warner made at the time, and the studio dropped him at the expiration of his six-month contract.
Johnson was soon signed by Metro-Goldwyn-Mayer. The studio provided him with classes in acting, speech, and diction. He then had an uncredited part as a soldier in Somewhere I'll Find You (1942). He attracted attention in a small part in The War Against Mrs. Hadley (1942), and this encouraged MGM to cast him in their long-running series Dr. Kildare. These films had starred Lew Ayres as Dr. Kildare and Lionel Barrymore as Dr. Gillespie; Ayres' career was hurt due to being a conscientious objector, so the series focused on Dr. Gillespie mentoring new doctors. Johnson played Dr. Randall Adams in Dr. Gillespie's New Assistant (1942).
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