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Volto!
Volto!
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Volto! (often stylized VOLTO!) is an American rock jam band based in Los Angeles, California. First formed in the early 2000s,[1] the current lineup consists of Lance Morrison on bass, Danny Carey (Tool) on drums, Matt Rohde on keyboards, and John Ziegler on guitars. Carey and Ziegler previously played together in Pigmy Love Circus and in jam sessions at a jazz club in Southern California's San Fernando Valley with Morrison.[2]

Key Information

Discography

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Albums


Music videos "Tocino" (2013)[4]

Personnel

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References

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from Grokipedia
Volto! is an American band based in , , known for its jam-oriented style blending , , and heavy improvisation. Formed in the early 2000s through informal jam sessions at local venues like in Studio City, the band evolved from a collaborative project among seasoned musicians into a focused quartet. The current lineup features drummer , renowned for his work with the progressive metal band Tool; bassist Lance Morrison, a session and touring player who has contributed to recordings by artists including and ; keyboardist Matt Rohde; and guitarist John Ziegler, known for his tenure in . Volto! gained prominence with the release of their debut studio , Incitare, on , 2013, via , following nearly a of live performances across venues. The album showcases the band's intricate, genre-spanning sound, drawing influences from acts like and , with extended tracks emphasizing Carey's dynamic drumming and the group's collective improvisational prowess. Despite limited output since Incitare, Volto! continues to represent a for its members, highlighting their versatility beyond their primary commitments.

History

Formation and Early Years

Volto! emerged in Los Angeles, California, around 2003 as an instrumental jam band rooted in informal sessions among musicians seeking to explore fusion and rock improvisation. Guitarist John Ziegler and drummer Danny Carey, who had previously collaborated in the rock band Pigmy Love Circus starting in late 2002, initiated the project after connecting through shared interests in progressive sounds. Their prior experience in Pigmy Love Circus, a Los Angeles-based group known for its raw energy, laid the groundwork for Volto!'s rhythmic foundation, with Carey bringing technical precision honed from his parallel commitments in Tool. These early ties extended to jam sessions in the San Fernando Valley, including at the fusion jazz club La Ve Lee in Studio City, where Ziegler and Carey experimented with covers and originals alongside bassist Lance Morrison, who joined in 2004. The band's initial lineup underwent experimentation as members refined their collective vision toward a purely format. Morrison's arrival solidified the core rhythm section with and Carey, while occasional keyboardists, including figures like Kirk Covington in preliminary stages, contributed to the improvisational texture during jam sessions at La Ve Lee. These sessions, blending half covers of '70s jam music with emerging originals, emphasized mutual admiration for fusion elements and served as the creative incubator for Volto!'s sound. By the mid-2000s, the casual jams evolved into more structured rehearsals, allowing the group to develop cohesive material without vocals and prepare for live outings. Volto! began performing in local venues approximately once a month, establishing itself as a neighborhood through gigs that highlighted their instrumental prowess and improvisational flair. This period of growth in the early to mid-2000s marked the transition from ad-hoc collaborations to a dedicated ensemble, setting the stage for future recordings while Carey's Tool schedule influenced the intermittent but focused sessions.

Incitare Era and Later Activities

In 2013, Volto! signed with Fantasy/, leading to the release of their debut album Incitare on July 23 via and August 6 in physical formats. The album marked a significant milestone, produced by and featuring the band's instrumental fusion sound, which garnered attention from and audiences. Promotion for Incitare included the release of the official for "Tocino" on July 20, 2013, directed to showcase the band's dynamic live energy through surreal visuals of a man's descent into chaos. This was complemented by live tours primarily in , with performances at iconic venues such as The in West Hollywood and The Slidebar in Fullerton, helping to build a regional fanbase during the album's rollout. From 2013 to 2017, Volto! maintained peak activity with key performances that highlighted their improvisational style, often expanding the core lineup to include Rich Renken on sonics for added textural depth in live settings. Notable shows included a 2013 concert at the and multiple 2016-2017 appearances at The Complex in Glendale, where delivered extended jams drawing from their roots. During this period, actively engaged fans via platforms like and , posting live footage, tour updates, and behind-the-scenes content to sustain momentum. Activity declined after 2017, with no further releases or tours recorded as of November 2025, largely attributed to members' commitments to other projects, including Danny Carey's extensive tours with Tool following their 2019 album and his participation in the supergroup BEAT starting in 2024. The band's presence shifted to occasional nostalgic posts, reflecting a hiatus rather than disbandment.

Musical Style

Genre and Sound

Volto! is classified as an that blends , , and elements. The band's music emphasizes extended improvisational jams, drawing from origins in informal jam sessions among its core members. The signature sound features complex rhythms propelled by intricate drumming, alongside dynamic interplay between guitar and bass lines that drive the compositions forward. Keyboards contribute atmospheric layers through synth effects and jazz-inflected textures, resulting in a dense, experimental devoid of vocals. This fusion-oriented approach creates a high-energy, skill-driven aesthetic reminiscent of 1970s acts like , prioritizing technical precision and spontaneous exploration in live settings. Overall, Volto!'s aesthetic is live-oriented, with recordings often capturing first or second takes to preserve spontaneity over polished studio production, fostering an improvisational intensity suited to traditions.

Influences and Evolution

Volto!'s musical influences are rooted in the jazz-rock fusion movement and traditions, with the band frequently performing covers of classics from those eras during their formative years. John Ziegler's rock-oriented background, drawn from his work with the Los Angeles band , infused Volto! with gritty, riff-driven energy that complemented the group's improvisational style. Similarly, drummer Danny Carey's extensive experience in Tool's framework brought intricate polyrhythms and technical precision to the band's rhythms, elevating their fusion explorations beyond standard jam structures. The band's style evolved significantly from its inception in the early , when it operated primarily as a Los Angeles-based jam trio focused on extended covers of fusion and material, to a more original-oriented ensemble by the release of their debut album Incitare in 2013. This shift was marked by the development of composed pieces that retained the group's ethos while incorporating structured arrangements, reflecting the members' growing collaborative songwriting. The addition of sonic designer Rich Renken further expanded their palette, introducing experimental electronic textures that blended seamlessly with the core organic instrumentation. In live settings following Incitare, Volto! emphasized extended improvisations and genre-blending transitions, allowing for dynamic interplay among the musicians during performances. However, these adaptations were constrained by periodic hiatuses, largely due to Carey's commitments with Tool, resulting in sporadic shows rather than consistent touring. Emerging from L.A.'s vibrant fusion and scene, Volto! drew on the city's longstanding traditions of instrumental experimentation, positioning the band as a contemporary extension of that local legacy.

Band Members

Current Lineup

The core trio consists of , John Ziegler, and Lance Morrison, often expanded for live performances with Matt Rohde on keyboards and Rich Renken on sonics. serves as the drummer and a founding member of Volto!, providing the band's rhythmic foundation through his signature polyrhythmic style. Born on May 10, 1961, in , Carey joined Tool in 1990, where he has contributed to their sound as a core member, earning Grammy recognition for the band's innovative work. In Volto!, Carey utilizes the project as an outlet for jamming and improvisation, contrasting the structured compositions of Tool. His complex, technically precise drumming, often incorporating odd time signatures and electronic elements, drives the band's fusion explorations. John Ziegler, the guitarist and co-founder alongside Carey, handles lead solos and intricate riffs that define Volto!'s dynamic sound. Originally from , , Ziegler moved to Houston, Texas, at age 17 and later to in 1996, where he honed his eclectic guitar style through club performances and teaching. Prior to Volto!, he was a member of starting in 2002, blending rock and punk influences in the LA scene. Ziegler met Carey around 2001, leading to Volto!'s formation in October 2003 as a platform for their shared interest in improvisational music. His versatile approach, drawing from fusion and rock traditions, allows for adaptive, expressive playing in live settings. Born in , and based in , , Lance Morrison has been the and a core member since the band's early years in the , delivering melodic bass lines that underpin Volto!'s grooves. Morrison has built a career in Los Angeles' session and fusion communities, serving as a touring and recording for artists like and . His contributions to film soundtracks and studio albums highlight his ability to fuse rock, , and pop elements seamlessly. In Volto!, Morrison's precise, supportive lines provide harmonic depth and drive, complementing the band's instrumental jams. Matt Rohde joined as the keyboardist to add textural depth, bringing his expertise in jazz and rock to enhance the band's atmospheric layers. Based in Los Angeles, Rohde has extensive experience as a musical director, arranger, and composer, having toured and recorded with acts such as , , and over two decades. He served as associate music director on for over 10 years and continues arranging for The Voice, showcasing his versatility across genres. In Volto!, Rohde contributes atmospheric synths and keyboard textures, enriching the fusion sound since his addition around 2013. Rich Renken acts as the sonics specialist, focusing on and electronics to elevate Volto!'s live and recorded mixes. A veteran based in , Renken has worked across the music industry in recording, mixing, and production, including roles as a for Gibson, , and James Tyler Guitars. Trained at Dick Grove's School of Music, he has collaborated on diverse projects from session work to instrument innovation, emphasizing high-fidelity audio craftsmanship. Joining Volto! in the , Renken enhances the band's performances with effects and sonic enhancements, ensuring a polished, immersive experience.

Past Contributors

In the formative years of Volto!, particularly during the mid-2000s jam sessions at venues like The Baked Potato in Studio City's San Fernando Valley, the band featured transient collaborators who helped refine its improvisational fusion sound before the lineup stabilized. Kirk Covington, renowned for his work in jazz fusion outfits such as Tribal Tech, served as an early keyboardist and occasional drummer alternate during these sessions, contributing to double-drumming segments alongside Danny Carey and adding vocal elements to some arrangements. His multifaceted role in the mid-2000s jams influenced the band's exploratory style, though he did not continue beyond the initial developmental phase. Jeff Babko, a prominent Los Angeles session keyboardist known for collaborations with artists like and , appeared as an occasional keyboardist in pre-2013 trio configurations and provided keys for select live sets, notably contributing to the band's debut album Incitare using equipment like Carey's . Beyond these key figures, other early collaborators included unspecified participants from the San Fernando Valley's local music scenes, who joined for ad-hoc jams at jazz clubs and helped shape the group's initial repertoire of fusion covers and originals. These contributors were primarily involved in the band's experimental stages, fostering its blend of and without long-term commitment. Following the 2013 release of Incitare, Volto! experienced no major lineup shifts, instead relying on transient additions like guest drummer for specific performances, as well as keyboardists such as Stephan DeReine and bassists like Jimmy Earl for ad-hoc live sets, while solidifying its core configuration. As of October 2025, the band released a new , indicating continued activity.

Discography

Studio Albums

Volto!'s debut and only studio album, Incitare, was released on July 23, 2013, through Fantasy/Concord Music Group. The album consists of nine original instrumental tracks, clocking in at approximately 53 minutes, and marks the band's transition from live performances of covers to composed material that retains their improvisational spirit. The recording process emphasized capturing the band's live energy in a studio setting, with sessions held at Tool's rehearsal loft using first, second, or third takes to preserve an organic, jam-like feel. Engineered with a focus on precision honed from years of touring, the production highlights the interplay among drummer , guitarist John Ziegler, and bassist Lance Morrison, with keyboards contributed by Jeff Babko, resulting in a sound that blends intricate with raw dynamism. Standout tracks include the "Tocino," which features shredding guitar work and a jazz-infused atmosphere driven by Babko's keys, alongside "Grip It," noted for its heavy, accessible riffs, and "Quirk," showcasing deft fretboard maneuvers and elements amid fusion jams and grooves. The album's style draws from the band's live-oriented approach, prioritizing extended improvisations and technical interplay over structured songwriting. Critics praised Incitare for its exceptional musicianship and energetic execution, often comparing it to progressive fusion acts like and , as well as modern outfits such as Tool and . Reviews highlighted its appeal to jazz-rock enthusiasts, balancing complexity with rock accessibility, though its niche jam fusion limited broader commercial success as a side project without major promotional push. The album was issued in multiple formats, including in a digisleeve, a limited 180-gram double vinyl edition with an etched side D featuring artwork by Adam Jones, and digital download.
No.TitleWriter(s)Length
1"Grip It"Volto!5:49
2"Gillz"Volto!6:37
3"Whopner"Volto!6:13
4"Drumbeaux"Volto!8:37
5"Quirk"Volto!4:09
6""Volto!6:03
7"Meltdown"Volto!4:57
8""Volto!5:26
9"LWYV"Volto!5:04
Total length:52:55

Music Videos and Singles

Volto!'s visual output centers on a single official music video, "Tocino," released on July 20, 2013, to promote their debut album Incitare. The high-production clip, uploaded to the band's official YouTube channel, captures the instrumental rock band's energetic performance through dynamic editing and visual effects that emphasize their live-like intensity and technical skill. The video premiered alongside the album's marketing campaign and was distributed across and promotional channels, including features on music outlets like . Filmed with a focus on the band's roots, it highlights their jam-oriented prowess without vocals, aligning with their fusion style. No additional official music videos have been released as of 2025. In terms of singles, Volto! issued no standalone non-album releases, but tracks from Incitare, such as "," served as promotional singles for radio and digital play. These were tied to tour marketing, with the full album available as digital downloads via and the band's website under . Promotional efforts included an advance CD of Incitare for industry use, though the releases saw no major chart success and circulated primarily in and communities.

References

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