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Wide Awake!
Wide Awake!
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Wide Awake!
Studio album by
ReleasedMay 18, 2018
RecordedSonic Ranch
(Tornillo, Texas)
Electric Lady Studios
(New York City)
Genre
Length38:37
LanguageEnglish
LabelRough Trade[5]
ProducerDanger Mouse
Parquet Courts chronology
Milano
(2017)
Wide Awake!
(2018)
Sympathy for Life
(2021)
Singles from Wide Awake!
  1. "Almost Had to Start a Fight/In and Out of Patience"
    Released: February 22, 2018
  2. "Wide Awake"
    Released: March 8, 2018
  3. "Mardi Gras Beads"
    Released: April 30, 2018
  4. "Total Football"
    Released: June 8, 2018

Wide Awake! (stylized as "Wide Awaaaaake!") is the sixth studio album by American indie rock band Parquet Courts, released on May 18, 2018 on Rough Trade Records.

The album was preceded by the singles "Almost Had to Start a Fight/In and Out of Patience", "Wide Awake", and "Mardi Gras Beads", and succeeded by the single "Total Football".

Background

[edit]

The album was first announced in February 2018 and recorded from December 2017 to January 2018 at Sonic Ranch studios outside Tornillo, Texas. The band recruited Danger Mouse to produce the album, as the band claimed, as a way to push themselves outside of their comfort zone. On recruiting Danger Mouse for the album, Andrew Savage said, "I was writing a record that indebted to punk and funk, and Brian's a pop producer who's made some very polished records. I liked that it didn’t make sense."[6]

In an interview with Billboard, Savage described the album having a funk influence, saying, "there's this duality between joy and anger that I find to be really interesting, and that's something the record kind of deals with at large. ... [H]ardcore could be such an angry music form but could make you feel so positive. There's a lot of moments on the record when all of us are singing at the same time and... that's something I kind of associate with hardcore, or Funkadelic."[7]

Savage characterized opening song, "Total Football", as "a bit like a manifesto; it's got that bold and declarative language, with each line emphasizing the larger ideology". Savage said that the song addresses the "duality of collectivity and individuality", referencing in its title the Total Football system in association football. The title of the album was intended as a "tongue-in-cheek" response to "wokeness".[8] Savage described the closing track, "Tenderness", as being complimentary to the opener, sharing its "manifesto-like" lyrical style. Other songs concern endemic violence, addiction, dysfunction, environmental disaster, and the normalization of these things.[9] Austin Brown said: "In such a hateful era of culture, we stand in opposition to that – and to the nihilism used to cope with that – with ideas of passion and love."[10]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.3/10[11]
Metacritic82/100[12]
Review scores
SourceRating
AllMusicStarStarStarHalf star[13]
The A.V. ClubB+[14]
The IndependentStarStarStarStarStar[15]
NMEStarStarStarStar[16]
The ObserverStarStarStarStar[17]
Pitchfork8.0/10[18]
QStarStarStarStar[19]
Rolling StoneStarStarStarStar[20]
Uncut8/10[21]
Vice (Expert Witness)A[22]

Wide Awake! received critical acclaim upon its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82, based on 28 reviews, indicating "universal acclaim".[12] In a five-star review, Emma Swan of DIY called the album, "a gut-punch of an immediate classic".[23] Writing for Exclaim! magazine, Vish Kanna said that Wide Awake! "is a letter-perfect musical contemplation of modern times, where social uprisings are actually affecting positive change. It's urgent and potent music that's thought-provoking and danceable, and whose rage is measured by a pointed optimism."[24] Roy Trakin, in a rave review for Variety, praised the album for its social conscience in its day and age, stating it "may be the most woke punk-rock record since the heyday of the Clash."[2] Will Hermes in Rolling Stone named Violence as a standout track and described it as "an epic rant about normalized barbarity".[20] In Pitchfork, Mike Powell wrote that at the "heart of the album" is "a tension between the individual and the group, between the angst of freedom and the lull of dependence".[18]

In a more mixed review, Chris Nelson of Mojo wrote that "unsurprisingly, it flies the Wire and Minutemen flags high. More surprising are the occasional nods to funk and '60s bubblegum."[25]

Wide Awake! was named 'album of the year' in an end-of-year list by Australian radio station Double J,[26] and the second-best album of 2018 by Paste.[27] It was named 51st best album of the 2010s by NME.[28]

Accolades

[edit]
Accolades for decade
Publication Accolade Rank
NME Top 100 Albums of the 2010s
Accolades for year
Publication Accolade Rank
EarBuddy Top 50 Albums of 2018
Double J Top 50 Albums of 2018
Drift Top 100 Albums of 2018
Flavorwire Top 25 Albums of 2018
Flood Magazine Top 25 Albums of 2018
Fopp Top 100 Albums of 2018
God Is in the TV Top 100 Albums of 2018
The Music Top 10 Albums of 2018
MusicOMH Top 50 Albums of 2018
NME Top 100 Albums of 2018
No Ripcord Top 50 Albums of 2018
OOR Top 20 Albums of 2018
Paste Top 50 Albums of 2018
The Skinny Top 50 Albums of 2018
Spin Top 51 Albums of 2018
Thrillist Top 40 Albums of 2018
Treble Top 50 Albums of 2018
Under the Radar Top 100 Albums of 2018

Track listing

[edit]

All tracks are written by Parquet Courts.

No.TitleLead vocalsLength
1."Total Football"A. Savage4:01
2."Violence"A. Savage4:05
3."Before the Water Gets Too High"A. Savage4:05
4."Mardi Gras Beads"Brown2:43
5."Almost Had to Start a Fight/In and Out of Patience"A. Savage3:14
6."Freebird II"A. Savage2:55
7."Normalisation"A. Savage2:11
8."Back to Earth"Brown3:54
9."Wide Awake"Brown, M. Savage, A. Savage, Yeaton2:38
10."NYC Observation"A. Savage1:22
11."Extinction"A. Savage1:41
12."Death Will Bring Change"Brown2:42
13."Tenderness"A. Savage3:06
Total length:38:37

Personnel

[edit]

Parquet Courts

[edit]
  • Austin Brown – guitar, vocals, keyboards on "Death Will Bring Change," "Back to Earth," and "Mardi Gras Beads"[45]
  • A. Savage – guitar, vocals, keyboards on "Violence," "Freebird II," "Before the Water Gets Too High"
  • Max Savage – percussion, vocals, synthesizer on "Total Football" and "Normalisation"
  • Sean Yeaton – bass, vocals

Additional personnel

[edit]

Charts

[edit]
Chart (2018) Peak
position
Australian Albums (ARIA)[46] 93
Belgian Albums (Ultratop Flanders)[47] 42
Belgian Albums (Ultratop Wallonia)[48] 117
New Zealand Heatseeker Albums (RMNZ)[49] 9
Scottish Albums (OCC)[50] 19
Swiss Albums (Schweizer Hitparade)[51] 64
UK Albums (OCC)[52] 27
US Billboard 200[53] 122

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
(stylized as Wide Awaaaaake!) is the sixth studio by the American band , released on May 18, 2018, through . Produced by Danger Mouse, the record comprises 13 tracks clocking in at approximately 40 minutes, featuring a fusion of , , and influences characterized by energetic rhythms, angular guitars, and propulsive basslines. Lyrically, it addresses themes of personal independence, , urban violence, economic disparity, and a call for communal love, delivered with a mix of urgency, humor, and optimism that marks a sonic evolution from the band's prior work. The album garnered widespread critical praise for its innovative production, danceable grooves, and incisive social observations, aggregating to an 84 out of 100 on from 20 reviews. Standout tracks like "Total Football," "Violence," and the title single "Wide Awake" exemplify its blend of punk aggression and melodic accessibility, contributing to its recognition in year-end lists for best rock and indie releases. Commercially, Wide Awake! achieved moderate success, peaking at number 20 on the and resonating strongly within independent music circuits, though it did not attain mainstream pop chart dominance. Its collaboration with Danger Mouse represented a pivotal achievement in broadening the band's sound while preserving their raw, confrontational ethos.

Development

Conception and writing

Following the release of their 2016 album Human Performance, which explored introspective personal themes, Parquet Courts shifted toward broader socio-political concerns in conceiving Wide Awake!, influenced by the turbulent U.S. of , including the Trump presidency's early months and events like the . The band aimed for a more optimistic and confrontational tone, emphasizing and resistance against apathy, violence, , and white privilege, as seen in early song ideas addressing normalization of societal ills. This marked a departure from prior lo-fi toward outward engagement, with promoting hope and love as antidotes to . Songwriting was led by vocalists and guitarists Andrew Savage (A. Savage) and Austin Brown, who developed tracks through iterative demos and personal inspirations before formal production. Savage contributed punk-infused manifestos on themes like economic uncertainty and American violence, drawing from hardcore influences and real-world encounters, such as a tense interaction with a Trump supporter that sparked "Almost Had to Start a Fight/In and Out of Patience." Brown focused on love, grief, and collectivism, incorporating elements from artists like Grace Jones and Parliament, as in "Mardi Gras Beads," which reframed past romantic lyrics into a plea for tenderness amid chaos. Their process emphasized unpolished drafts prioritizing lyrical directness and rhythmic energy, aligning with the album's goal of accessible yet substantive protest. To achieve wider reach beyond their raw, DIY roots, the band decided early to enlist producer Danger Mouse (Brian Burton), seeking his expertise in infusing groove and polish while preserving their edge and subverting mainstream expectations. This choice reflected a deliberate push for danceable, collective-oriented material that could engage broader audiences without diluting core messages of resistance and optimism.

Recording and production

Recording for Wide Awake! took place from December 2017 to January 2018 at in and Studios in . The sessions marked the band's first collaboration with an external producer, Brian Burton—known professionally as Danger Mouse—contrasting their prior self-produced albums. Danger Mouse's involvement emphasized a collaborative approach, functioning primarily as an engineer who guided the band through rhythmic and performance-focused decisions rather than imposing a signature style. Guitarist , who typically handled mixing for , ceded control to Danger Mouse, allowing for step-by-step refinements in groove and overall cohesion while preserving the band's established workflow. This process incorporated expanded elements such as synths and drum machines—driven by keyboardist Sean Yeaton's interests—alongside layered guitars and rhythmic experimentation to introduce and influences without diluting the core punk drive. Mixing was handled by Claudius Mittendorfer, with mastering by at Sterling Sound, resulting in a sharper, more expansive sound that balanced raw energy with danceable rhythms.

Music and lyrics

Musical style

fuses and with funk influences, featuring upbeat tempos, angular guitar riffs, and propulsive bass lines that emphasize danceable rhythms over the band's earlier sparse, lo-fi . The production, handled by Danger Mouse, introduces cleaner mixes and subtle synthetic elements, such as swirling synth textures, which enhance accessibility while preserving the raw energy of live performance-oriented arrangements suitable for both mosh pits and dance floors. Tracks like "" highlight call-and-response vocal structures and repetitive, hook-driven patterns that drive listener engagement through rhythmic repetition and harmonic simplicity layered with complexity. The album's sonic palette draws from diverse rock traditions, incorporating bouncy bass grooves and crunchy chord progressions that evoke historical influences like Gil Scott-Heron's spoken-word delivery in tracks such as "," without adhering to genre purity. This blend results in a versatile sound that shifts fluidly between aggression and groovy, movement-inducing elements.

Lyrical themes

The lyrics of Wide Awake! explore a tension between individual and , often framing societal dysfunction through personal observation rather than prescriptive ideology. In the opening track "Total Football," vocalist invokes the soccer tactic of positional fluidity as a for from rigid expectations, asserting that "collectivism and / Are not mutually exclusive" while rejecting apologies to those uncomfortable with liberation goals. This reflects a communitarian ideal where enhance rather than suppress personal agency, though the lyrics simplify complex social coordination by equating it to artistic or athletic interchangeability without addressing empirical barriers like incentive misalignment or free-rider problems. Tracks like "Violence" confront pervasive American aggression, with Savage describing it in an NPR interview as the album's most explicit treatment of the theme, rooted in "unreached understanding" that manifests daily as "the fruit of scoundrels" and a "forest so dense and rooted in our past." The song links violence to normalization of , classism, and , chanting " is daily life" amid references to identity and systemic , yet offers no causal dissection beyond poetic invocation, aligning with left-leaning attributions of entrenched inequities to historical rather than verifiable outcomes or behavioral incentives. Amid these depictions of despair, the lyrics inject optimism through absurdism and calls for tenderness, as in "Tenderness," which positions the band as replacements for "old stubborn hands" on society's clock, implying renewal via empathy over confrontation. Songs like "Normalization" question thresholds for acceptability—"What do we call normal? What do we call outrageous?"—favoring reflective provocation over didactic solutions, while personal tracks such as "Freebird II" blend economic uncertainty with youthful resilience, avoiding overt collectivist mandates in favor of individualistic navigation of chaos. Overall, the album's words promote wakefulness to ills like climate denial in "Before the Water Gets Too High" without rigorous evidence for proposed communitarian fixes, prioritizing emotional urgency over first-principles causal analysis.

Release and promotion

Singles and marketing

The rollout for Wide Awake! began with the announcement of the album on February 22, 2018, alongside the release of the "Almost Had to Start a Fight/In and Out of Patience," which featured a lyric video and introduced the record's energetic sound produced by Danger Mouse. This was followed by the title track "Wide Awake!" on March 8, 2018, paired with an official directed by Brother Willis that depicted chaotic urban scenes to underscore themes of alertness amid societal disconnection. The third single, "Mardi Gras Beads," arrived on April 30, 2018, further building anticipation through its festive yet satirical tone. Marketing efforts via highlighted the album's call to reject complacency, positioning it as a rallying cry for individual agency and collective awareness in the face of political and environmental , as described in press statements emphasizing "independence and individuality but also collectivity and ." Band members promoted this messaging in interviews, framing the record's upbeat aggression as constructive outrage rather than . The campaign targeted and punk listeners through in-store performances, such as the release-week show at Rough Trade in on May 17, 2018, and subsequent tour announcements, including a headline run in November 2018. The album launched on May 18, 2018, in multiple formats including digital download, , and vinyl LP, with physical editions like standard black vinyl and limited colored pressings designed to foster fan engagement through tangible collectibles and lyric inserts. These releases, distributed primarily through independent channels, aligned with ' ethos of DIY accessibility while leveraging Rough Trade's network for broader exposure in alternative music scenes.

Commercial performance

Wide Awake! debuted and peaked at number 109 on the US chart. This represented modest improvement over the band's prior studio album, Human Performance (2016), which peaked at number 159 on the same chart. The album also entered the at number 20, holding the position for one week before dropping, with a total of two weeks on the chart. Performance was stronger on niche rankings, including number 8 on the Chart. Internationally, it reached number 42 on the Australian ARIA Albums Chart. Specific first-week sales figures were not publicly detailed by the label , consistent with the band's positioning and lack of major label push, though vinyl and digital formats contributed to sustained catalog availability.

Reception and legacy

Critical reception

Wide Awake! received widespread critical acclaim upon its release on May 18, 2018, with reviewers praising its energetic production, danceable rhythms, and blend of political themes with optimistic undertones. The album holds a Metascore of 82 out of 100 on , based on 28 professional reviews, indicating strong consensus on its vitality and evolution from prior works. Critics highlighted the production by Danger Mouse, which infused the record with a compressed, cartoonish bounce that enhanced its foundations into a more accessible funk-punk hybrid. Pitchfork awarded the album 8.0 out of 10, describing it as "joyfully absurd, danceable " that feels "stupidly, consumingly alive," marking a mature shift where the band's earlier false wisdom gives way to reflective tension between individual and collective experiences. gave it 3.5 out of 5 stars (equivalent to 80/100), commending its "light-touch production" that renders it the band's funkiest and sweetest effort yet, trading some angularity for protest-infused grooves. emphasized the album's balance of outrage and angst with optimism, noting tracks that address white privilege, American violence, and while advocating love and transformation as antidotes, often delivered through danceable beats like pulses and big-band sections. This thematic relevance, paired with the record's propulsive energy, positioned Wide Awake! as a timely evolution in ' catalog.

Accolades and achievements

Wide Awake! achieved commercial success relative to contemporaries, debuting at number 27 on the and charting for four weeks across multiple territories. The album's lead single, "Wide Awake," peaked at number 20 on the UK Singles Chart, marking a breakthrough for in mainstream visibility. The album garnered significant recognition in year-end critics' polls, appearing on Rolling Stone's list of the 50 Best Albums of 2018. It also featured prominently in indie-focused rankings, including Paste's 50 Best Albums of 2018, Earbuddy's 50 Best Albums of 2018, and The Skinny's Top 50 Albums of 2018. Community-driven accolades highlighted its appeal, with Wide Awake! topping the r/indieheads Top 101 Albums of 2018 poll, earning 1,272 points from user votes. In aggregate rankings, the album holds a strong position among ' discography and releases, rated 588th overall and sixth for on Best Ever Albums, based on cross-publication scores. Its production, helmed by acclaimed collaborator Danger Mouse, elevated the band's sonic polish and industry profile within circles. This consistency underscores Wide Awake! as a commercial high point, outperforming prior efforts like in chart longevity and peer sales metrics for the genre.

Criticisms and controversies

Some listeners and reviewers expressed dissatisfaction with the album's lyrical content, viewing its explicit socio-political messaging as overly didactic and ideologically driven at the expense of artistic depth. In a discussion on r/indieheads shortly after the May 18, 2018 release, one user critiqued the as "a collection of unlettered Tweets from teenage socialists," suggesting they embodied a form of political posturing that overshadowed substantive songcraft. Similar sentiments appeared in user reviews on Album of the Year, where the album received scores as low as 50/100, with complaints that the songwriting failed to match the instrumentation's potential, implying a prioritization of messaging over or nuance. The production, handled by Danger Mouse (Brian Burton), introduced funk and disco-punk elements that some fans perceived as a departure from Parquet Courts' rawer punk roots toward a more commercial, polished sound. This shift was described in online forums as "watered down" compared to the band's prior album Human Performance (2016), with added funk deemed insufficient to revitalize perceived inconsistencies in earlier work. Critics of this evolution argued it diluted the group's authenticity, transforming gritty into something "cartoony" and less cohesive, particularly in transitions like "Back to Earth" into the title track. While the album's emphasis on collectivist responses to issues like inequality and drew from mainstream outlets, dissenting analyses highlighted potential oversimplifications in its causal attributions, such as framing societal problems through broad ideological lenses without sufficient attention to individual agency or empirical counterpoints. These views, primarily from fan communities rather than institutional critics, underscore minor but persistent debates over the band's balance of themes and punk ethos, though no large-scale external controversies emerged.

Long-term impact

In 2023, five years after its May 18, 2018 release, Wide Awake! received retrospective analysis underscoring its persistent appeal in indie punk, with commentators noting the album's enduring capacity to fuse politically charged lyrics with propulsive, accessible rhythms that retained freshness amid evolving social tensions. Fan discussions echoed this, affirming the record's structural and thematic integrity held up without diminishing returns, distinguishing it from transient hype. The album marked a pivotal expansion in ' sound, incorporating producer Danger Mouse's polish to broaden their roots into more hi-fi experimentation, which informed later works like 2021's but coincided with the band's trajectory toward curtailed activity, culminating in a 2024 announcement to halt performances beyond existing obligations. This shift positioned Wide Awake! as a creative zenith of their accessible phase, after which internal dynamics and market constraints prompted reevaluation of the quartet format. Within indie rock, Wide Awake! exemplified the genre's resilience in merging overt political critique—on topics like and inequality—with melodic hooks and communal optimism, avoiding dilution into mainstream pop while sustaining niche cult status; however, its influence remained bounded by ' avoidance of broader commercial avenues, limiting ripple effects beyond dedicated indie audiences. Recent appreciations in further evidenced this niche longevity, with writers citing its uncompromised edge as a benchmark for politically engaged yet groove-oriented indie output.

Track listing

No.TitleLength
1."Total Football"4:01
2."Violence"4:05
3."Before the Water Gets Too High"4:05
4."Mardi Gras Beads"2:43
5."Almost Had to Start a Fight/In and Out of Patience"3:14
6."Freebird II"2:55
7."Normalisation"2:11
8."Back to Earth"3:54
9."Wide Awake"2:38
10."NYC Observation"1:22
11."Extinction"1:41
12."Death Will Bring Change"2:42
13."Tenderness"3:06
Total length:38:37

Personnel

[Personnel - no content]

References

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