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William Gaines
William Maxwell "Bill" Gaines (/ɡeɪnz/; March 1, 1922 – June 3, 1992) was an American publisher and co-editor of EC Comics. Following a shift in EC's direction in 1950, Gaines presided over what became an artistically influential and historically important line of mature-audience comics. He published the satirical magazine Mad for over 40 years.
He was posthumously inducted into the comic book industry's Will Eisner Comic Book Hall of Fame (1993) and the Jack Kirby Hall of Fame (1997).
Gaines was born in Brooklyn, New York, to a Jewish household. His father was Max Gaines, who as publisher of the All-American Comics division of DC Comics was also an influential figure in the history of comics. The elder Gaines tested the idea of packaging and selling comics on newsstands in 1933, and Gaines accepted William Moulton Marston's proposal in 1941 for the first successful female superhero, Wonder Woman.
As World War II began, Gaines was rejected by the U.S. Army, the U.S. Coast Guard and the U.S. Navy, so he went to his local draft board and requested to be drafted. He trained as a U.S. Army Air Corps photographer at Lowry Field in Denver. However, when he was assigned to an Oklahoma City field without a photographic facility, he wound up on permanent KP duty. As he explained in 1976 to Bill Craig of Stars and Stripes, "Being an eater, this assignment was a real pleasure for me. There were four of us, and we always found all the choice bits the cooks had hidden away. We'd be frying up filet mignon and ham steaks every night. The hours were great, too. I think it was eight hours on and 40 off." Stationed at DeRidder Army Airfield in Louisiana, he was reassigned to Marshall Airfield in Kansas and then to Governors Island, New York. Leaving the service in 1946, he returned home to complete his chemistry studies at Brooklyn Polytechnic, but soon transferred to New York University, intent on obtaining a teaching certificate. In 1947, he was in his senior year at NYU when his father was killed in a motorboat accident on Lake Placid. Instead of becoming a chemistry teacher, he took over the family business, EC Comics.
With the publication of Dr. Fredric Wertham's Seduction of the Innocent, comic books like those that Gaines published attracted the attention of the U.S. Congress. In 1954, Gaines testified before the Senate Subcommittee on Juvenile Delinquency. In the following exchanges, he is addressed first by Chief Counsel Herbert Beaser, and then by Senator Estes Kefauver:
Gaines converted Mad to a magazine in 1955, partly to retain the services of its talented editor Harvey Kurtzman, who had received offers from elsewhere. The change enabled Mad to escape the strictures of the Comics Code Authority. Kurtzman left Gaines's employ a year later anyway and was replaced by Al Feldstein, who had been Gaines's most prolific editor during the EC Comics run. (For details of this event and the subsequent debates about it, see Kurtzman's editorship of Mad.) Feldstein oversaw Mad from 1955 through 1986, as Gaines went on to a long and profitable career as a publisher of satire and enemy of bombast.
To celebrate a circulation milestone of 1 million magazines, Gaines took his staff to Haiti. In Haiti the magazine had a single subscriber. Gaines personally delivered his subscription renewal card.
Despite his largesse, Gaines had a penny-pinching side. He would frequently stop meetings to find out who had called a particular long-distance phone number. Longtime Mad editor Nick Meglin called Gaines a "living contradiction" in 2011, saying, "He was singularly the cheapest man in the world, and the most generous." Meglin described his experience of asking Gaines for a raise of $3 a week; after rejecting the request, the publisher then treated Meglin to an expensive dinner at one of New York's best restaurants. Recalled Meglin: "The check came, and I said, 'That's the whole raise!' "And Bill said, 'I like good conversation and good food. I don't enjoy giving raises.'" (According to veteran Golden Age comics artist Sheldon Moldoff, Gaines was not too fond of paying percentages, either.)
William Gaines
William Maxwell "Bill" Gaines (/ɡeɪnz/; March 1, 1922 – June 3, 1992) was an American publisher and co-editor of EC Comics. Following a shift in EC's direction in 1950, Gaines presided over what became an artistically influential and historically important line of mature-audience comics. He published the satirical magazine Mad for over 40 years.
He was posthumously inducted into the comic book industry's Will Eisner Comic Book Hall of Fame (1993) and the Jack Kirby Hall of Fame (1997).
Gaines was born in Brooklyn, New York, to a Jewish household. His father was Max Gaines, who as publisher of the All-American Comics division of DC Comics was also an influential figure in the history of comics. The elder Gaines tested the idea of packaging and selling comics on newsstands in 1933, and Gaines accepted William Moulton Marston's proposal in 1941 for the first successful female superhero, Wonder Woman.
As World War II began, Gaines was rejected by the U.S. Army, the U.S. Coast Guard and the U.S. Navy, so he went to his local draft board and requested to be drafted. He trained as a U.S. Army Air Corps photographer at Lowry Field in Denver. However, when he was assigned to an Oklahoma City field without a photographic facility, he wound up on permanent KP duty. As he explained in 1976 to Bill Craig of Stars and Stripes, "Being an eater, this assignment was a real pleasure for me. There were four of us, and we always found all the choice bits the cooks had hidden away. We'd be frying up filet mignon and ham steaks every night. The hours were great, too. I think it was eight hours on and 40 off." Stationed at DeRidder Army Airfield in Louisiana, he was reassigned to Marshall Airfield in Kansas and then to Governors Island, New York. Leaving the service in 1946, he returned home to complete his chemistry studies at Brooklyn Polytechnic, but soon transferred to New York University, intent on obtaining a teaching certificate. In 1947, he was in his senior year at NYU when his father was killed in a motorboat accident on Lake Placid. Instead of becoming a chemistry teacher, he took over the family business, EC Comics.
With the publication of Dr. Fredric Wertham's Seduction of the Innocent, comic books like those that Gaines published attracted the attention of the U.S. Congress. In 1954, Gaines testified before the Senate Subcommittee on Juvenile Delinquency. In the following exchanges, he is addressed first by Chief Counsel Herbert Beaser, and then by Senator Estes Kefauver:
Gaines converted Mad to a magazine in 1955, partly to retain the services of its talented editor Harvey Kurtzman, who had received offers from elsewhere. The change enabled Mad to escape the strictures of the Comics Code Authority. Kurtzman left Gaines's employ a year later anyway and was replaced by Al Feldstein, who had been Gaines's most prolific editor during the EC Comics run. (For details of this event and the subsequent debates about it, see Kurtzman's editorship of Mad.) Feldstein oversaw Mad from 1955 through 1986, as Gaines went on to a long and profitable career as a publisher of satire and enemy of bombast.
To celebrate a circulation milestone of 1 million magazines, Gaines took his staff to Haiti. In Haiti the magazine had a single subscriber. Gaines personally delivered his subscription renewal card.
Despite his largesse, Gaines had a penny-pinching side. He would frequently stop meetings to find out who had called a particular long-distance phone number. Longtime Mad editor Nick Meglin called Gaines a "living contradiction" in 2011, saying, "He was singularly the cheapest man in the world, and the most generous." Meglin described his experience of asking Gaines for a raise of $3 a week; after rejecting the request, the publisher then treated Meglin to an expensive dinner at one of New York's best restaurants. Recalled Meglin: "The check came, and I said, 'That's the whole raise!' "And Bill said, 'I like good conversation and good food. I don't enjoy giving raises.'" (According to veteran Golden Age comics artist Sheldon Moldoff, Gaines was not too fond of paying percentages, either.)