Hubbry Logo
search
search button
Sign in
Historyarrow-down
starMorearrow-down
Hubbry Logo
search
search button
Sign in
Working Class Woman
Community hub for the Wikipedia article
logoWikipedian hub
Welcome to the community hub built on top of the Working Class Woman Wikipedia article. Here, you can discuss, collect, and organize anything related to Working Class Woman. The purpose of the hub is to connect people, foster deeper knowledge, and help improve the root Wikipedia article.
Add your contribution
Inside this hub
Working Class Woman
Working Class Woman
Studio album by
Released5 October 2018 (2018-10-05)
Recorded
  • Montreal, Canada
  • Berlin, Germany
Genre
Length42:51
LabelNinja Tune
Producer
  • Marie Davidson
  • Pierre Guerineau
  • Asaël Robitaille
  • Cristobal Urbina
Marie Davidson chronology
Adieux au Dancefloor
(2016)
Working Class Woman
(2018)
Renegade Breakdown
(2020)

Working Class Woman is the fourth solo studio album by French-Canadian musician Marie Davidson.[4] It was released on Ninja Tune on 5 October 2018.[5]

Production

[edit]

The album was created in Montreal and Berlin.[6] Marie Davidson says: "It comes from my brain, through my own experiences: the suffering and the humour, the fun and the darkness to be Marie Davidson."[7]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.0/10[8]
Metacritic85/100[9]
Review scores
SourceRating
AllMusic[10]
Exclaim!9/10[11]
The Guardian[2]
NME[12]
Now4/5[13]
Pitchfork7.8/10[3]
Q[14]
Resident Advisor4.0/5[15]
The Skinny[16]
Tom Hull – on the WebA−[17]

At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 9 reviews, indicating "universal acclaim".[9]

Paul Simpson of AllMusic gave the album 4 stars out of 5, saying: "With greater emotional depth and sonic clarity than her past recordings, Working Class Woman is an exciting breakthrough for Davidson."[10] Sophie Kemp of Pitchfork wrote: "The lines between seriousness and humor are blurry, and that's kind of the point, where the album excels is in Davidson's ability to very much intentionally confuse her listener."[3] Briony Pickford of The Skinny gave the album 5 stars out of 5, describing it as "a mix of successful, feminist personas commenting over relentless drums and chaotic synths."[16]

Accolades

[edit]

At the end of the year, the album was included in several best-albums-of-2018 lists, ranking in such lists by Now Magazine (3rd),[18] Bleep (8th),[19] Mixmag (10th),[20] The Quietus (14th),[21] Bandcamp Daily (19th),[22] The 405 (28th),[23] The Skinny (31st),[24] Loud and Quiet (36th),[25] FACT (43rd),[26] Noisey (73rd),[27] Fopp (100th),[28] Resident Advisor (1 of 40 unranked albums),[29] and XLR8R (1 of 35 unranked albums).[30] It also featured in Exclaim!'s best dance and electronic albums of 2018 list,[31] and PopMatters' best electronic music albums of 2018 list.[32]

Track listing

[edit]

All music composed by Marie Davidson; all words written by Davidson; all tracks produced by Davidson and Pierre Guerineau, except where noted.

No.TitleLength
1."Your Biggest Fan"4:25
2."Work It"4:20
3."The Psychologist"4:47
4."Lara"3:07
5."Day Dreaming"4:12
6."The Tunnel"3:37
7."Workaholic Paranoid Bitch"4:52
8."So Right" (Davidson, Guerineau, Asaël Robitaille, Cristoball Urbina)5:06
9."Burn Me"5:15
10."La Chambre Intérieure"3:08

Personnel

[edit]

Credits adapted from the liner notes of Working Class Woman.[33]

References

[edit]
[edit]
Add your contribution
Related Hubs