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Xaphoon
Xaphoon
Xaphoon
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Xaphoon
Xaphoon
Woodwind instrument
Classification
Hornbostel–Sachs classification422.211.2
(Single reed with cylindrical bore with fingerholes)
InventorBrian L. Wittman
Developed1972
Playing range
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Related instruments
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Maui Xaphoon

The xaphoon (/zæˈfuːn/ zaf-OON) is a chromatic keyless single-reed woodwind instrument invented in 1972, and a registered trademark of its inventor, Brian Lee Wittman. It has a closed cylindrical bore and a very slightly flared bell. The xaphoon has a full chromatic range of two octaves, and overblows at the twelfth like the clarinet.

A B♭ Xaphoon from Maui

History

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The first xaphoon, made out of bamboo in 1972, was a spontaneous effort by Brian Wittman, a saxophonist and multi-instrumentalist from Hawaii, to create an instrument for a young child who liked the sound of the saxophone. After failing to get a satisfactory sound out of an improvised bamboo flute, Wittman cut a mouthpiece opening and attached a tenor sax reed to it. Wittman was impressed by the sound of the simple instrument. After playing it at performances, other musicians were curious and asked him to make more; thus he refined the instrument, patented it,[1] and started to manufacture and sell it.[2]

Overview

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The xaphoon's tone sounds like a clarinet or a saxophone, and is suitable for playing music in similar genres such as jazz or klezmer, although it has also been used to play music of other traditions.[2] It uses a standard tenor saxophone reed. The xaphoon has nine tone holes: eight holes in front, and one hole in back for the left thumb, superficially resembling those of a recorder. The xaphoon's fingerings, however, are significantly different from those of either a saxophone or recorder.

The most common instrument, in C, is 12.5 inches or 32 cm long. Due to having a closed bore instead of an open bore like a recorder, its range is an octave below recorders of comparable length; for example, the soprano recorder's lowest note is C5, while the C xaphoon's is one octave lower at C4.[3] The standard range is two octaves, although experienced players are able to extend the range of the larger sized instruments above that.[4] Due to its short length and large finger-hole size, the pitch of individual notes can be raised and lowered easily, making the xaphoon equally well-suited to play Turkish, Middle Eastern, and other musical scales outside the European tradition. The xaphoon is similar to the chalumeau, a European keyless single-reed instrument that was the ancestor of the clarinet, and has a comparable range. Although it has a complete chromatic scale, the maker considers it a primarily diatonic instrument, capable of playing well in a small number of keys.[2]

Materials and makers

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The xaphoon has been made commercially available by Brian Wittman since 1975; Wittman still makes approximately 1500 bamboo instruments per year by hand at his home on the island of Maui, Hawaii, using local bamboo selected from the forests of the eastern end of the island. The xaphoon is available from Maui Xaphoon (Brian Wittman's company) in the keys of C, B♭, D, and G (as well as any other key via special order).[5]

Due to its popularity, it became impossible to fulfill all orders manually using bamboo,[6] and thus in the spring of 2000, a molded ABS version of the xaphoon following Wittman's patented design was introduced. These instruments are made under license by Indiana Plastics in Elkhart, Indiana, and are marketed under the trade name Xaphoon Pocket Sax. Currently, it is available in the key of C, with its lowest tone middle C. The instrument is sturdy, and the reed can be protected by a cap when not played. By 2010, a total of approximately 60,000 Xaphoons and 60,000 Pocket Saxes had been made.[3]

In the spring of 2012, Wittman began a collaboration with Francesc Sans Sastre, a long-established luthier in Sant Jaume de Llierca, Spain, to produce hand-made wooden xaphoons in strict accordance with the original xaphoon design. These oak and olive wood xaphoons are sold under the name "Xaphoon de Catalunya".

While the popularity of the xaphoon has led to frequent use of the word "xaphoon" to denote any type of small single-reed keyless woodwind instrument, the term remains a registered trade name. Only those instruments produced by Brian Wittman (Maui Xaphoon), Indiana Plastics (Xaphoon Pocket Sax), and Sans Luthier (Xaphoon de Catalunya) are allowed to be called xaphoons.

Xaphoon de Catalunya
Xaphoon de Catalunya (closeup)

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Xaphoon

View on Grokipedia
from Grokipedia
The Xaphoon is a compact, single-reed approximately 12 inches long, designed for portability and ease of play, blending the soulful tone of a with the warmth of a and the fingering simplicity of a recorder. It features a keyless, spanning two full octaves, allowing for expressive performances in genres such as , folk, and . Invented in 1972 by musician Brian L. Wittman, a resident of , , the instrument originated as a handcrafted prototype inspired by adapting a simple with a reed to meet a child's request for an accessible . Wittman refined the design over time, securing a U.S. for its ornamental features in , which reflects the instrument's unique cylindrical body, angled mouthpiece, and finger hole configuration. The original Maui Xaphoon Bamboo Sax is sustainably sourced from East rainforests, dried for months, roasted over flame for durability, and individually hand-tuned by piercing with heated iron to achieve precise intonation, starting with a foundational "" note. A more affordable variant, the Maui Xaphoon Pocket Sax, is injection-molded from industrial-strength ABS resin for enhanced consistency and weather resistance, while both models use standard reeds for tone production. Playable by beginners yet versatile for advanced musicians, the Xaphoon employs intuitive recorder-style fingering across its nine finger holes, producing deep, mellow sounds that resonate two octaves lower than typical flutes, making it ideal for practice, travel, or settings. Available primarily in the key of C, with options in Bb, D, and low G for models, over 120,000 units (combined and ) had been produced as of 2010, emphasizing handmade authenticity and made-in-USA craftsmanship without tariffs.

General Description

Instrument Overview

The Xaphoon is a chromatic, keyless single-reed designed as a compact hybrid that combines elements of a and recorder, often described as a pocket-sized sax. It features a simple, portable form factor resembling a small tube with finger holes, enabling musicians to produce a full through a diatonic-based fingering system extended via half-hole techniques and overblowing. In its standard model tuned to the key of C, the Xaphoon measures approximately 12 inches (30 cm) in length, with the lowest note being C4 and a total range spanning two octaves. It employs a single reed for vibration, which contributes to its responsive and expressive playability despite the instrument's diminutive size. The Xaphoon's tonal qualities are characterized by a warm, reedy that blends the clarity and warmth of a with the soulful richness of a , while allowing for breathy flute-like nuances and note bending suitable for , folk, , and non-tempered scales. This versatile sound profile makes it ideal for both melodic lines and improvisational expression in various genres.

Comparison to Other Instruments

The Xaphoon employs a single-reed mechanism akin to that of the , resulting in a reedy with soulful qualities that evoke the saxophone's expressive voice, though its smaller scale and absence of keys distinguish it as a more compact and simplified instrument. Unlike the 's conical bore, which contributes to its harmonic richness and overblowing, the Xaphoon features a cylindrical bore with a slight flare at the bell, producing a tone that is warm and earthy rather than the 's brighter projection. In relation to the clarinet, the Xaphoon shares a reedy tone and overblows at for octave jumps, enabling a full chromatic two- range without complex keywork, though it lacks the clarinet's intricate fingering and cylindrical precision for extended registers. This similarity positions the Xaphoon as a modern descendant of the , the clarinet's keyless ancestor, but its round mouthpiece and integrated design simplify playability compared to the clarinet's ligature-bound reed setup. Contrasting with the recorder, the Xaphoon replaces the mouthpiece with a single reed, allowing for greater dynamic control, louder projection, and saxophone-like expressiveness, while demanding more breath pressure and offering a deeper, more versatile sound than the recorder's whistle-like purity. Its fingering resembles the recorder's for basic scales but incorporates adjustments for chromatics via half-hole techniques, without an octave key, making it nimbler yet more challenging for recorder players transitioning to reed instruments. A key advantage of the Xaphoon lies in its portability, measuring about 31 cm in length and fitting easily into a pocket, in stark contrast to the full-sized or , which are cumbersome for travel or spontaneous performance. This design suits improvisational settings, from outdoor folk sessions to on-the-go practice. Acoustically, the Xaphoon occupies a niche that bridges folk traditions—rooted in its bamboo construction and earthy resonance—with influences, thanks to its reed-driven suitable for genres like and improvisational , unlike the clarinet's primary association with classical repertoires.

History

Invention by Brian Wittman

Brian Lee Wittman, a Hawaii-based and craftsman, invented the Xaphoon in 1972 as a custom instrument for a young child. The motivation stemmed from the child's fascination with music after hearing Wittman play the , prompting a desire for a smaller, more accessible version that could be easily carried and played without complex mechanisms. Wittman aimed to blend the simplicity of recorder-style fingering with the tonal qualities of a reed, creating a portable suitable for beginners. Wittman hand-carved the first prototype from a single piece of local sourced near his home in , , using basic tools like a to shape the mouthpiece and finger holes. This initial experimentation drew on Hawaiian traditions for the body material and incorporated influences from global wind instruments, such as the recorder's and the saxophone's reed system, to produce a basic scale with a warm, reedy tone. The prototype featured a rudimentary reed secured by string, resulting in an initial sound that was thin and breathy but promising. Early feedback from local Maui musicians was enthusiastic, highlighting the instrument's unique blend of flute-like portability and saxophone timbre, which encouraged Wittman to iterate on the design. These refinements focused on optimizing the bore shape for better airflow and adjusting reed placement to enhance intonation and playability across the scale, transforming the rough prototype into a more reliable instrument.

Commercialization

Following the initial prototyping in the early 1970s, Brian Wittman began commercial sales of the Xaphoon in 1976, producing small batches by hand in his workshop to meet growing interest from local musicians. This handmade approach allowed for customization while limiting output to accommodate the instrument's niche appeal as a portable woodwind. Early production focused exclusively on models, with Wittman personally selecting and crafting each unit to ensure playability. To safeguard the instrument's distinctive single-piece design and integrated reed mechanism, Wittman secured U.S. Design Patent USD262035, issued on November 24, 1981, which covered the unique ergonomic shape and functional elements. Complementing this legal protection, Wittman registered "Xaphoon" as a , introducing the "Maui Xaphoon" branding to denote authentic, handcrafted originals and distinguish them from later imitations. The Xaphoon's market expansion occurred organically through word-of-mouth within musical communities, including circles and enthusiasts, leading to international demand by the 1990s. Wittman has produced over 40,000 bamboo Xaphoons, reflecting steady growth without large-scale marketing. Around 2000, a plastic variant was introduced to increase production consistency. Production challenges arose from the natural variability in dimensions and tone quality, which Wittman addressed by selectively sourcing mature culms from East rainforests to maintain consistent sound and durability.

Design and Construction

Anatomy of the Xaphoon

The Xaphoon consists of a single-piece body constructed as a straight tube with a cylindrical bore that maintains a consistent throughout most of its length, terminating in a very slightly flared bell at the distal end. This body measures approximately 12.5 inches (31.75 cm) in length for the standard C model, providing a compact, portable form factor. The mouthpiece is integrated directly into the proximal end of the body, featuring a shallow slot designed to accommodate a standard single reed, which is secured using a ligature for a tight seal and optimal vibration. Below the mouthpiece, the instrument has eight finger holes on the front surface—five positioned for the left hand (closest to the mouthpiece) and three for the right hand—plus one additional thumb hole on the back surface under the left thumb, enabling straightforward finger coverage without complex mechanisms. These holes are strategically placed to facilitate a primarily through the seven uppermost front holes, with the thumb hole and cross-fingering techniques providing chromatic extensions across the full range. The bell at the lower end is subtly expanded to enhance sound projection and contribute to the instrument's warm, saxophone-like timbre, while the overall internal acoustics stem from the cylindrical bore design, which supports a complete two-octave chromatic range through overblowing at the twelfth harmonic without the need for vents or keys. This acoustic configuration allows for efficient airflow and , blending qualities of and recorder tones.

Materials and Manufacturing Process

The Xaphoon is primarily crafted from for its original version, with stalks sustainably sourced from the rainforests of East , . These stalks are carefully selected based on their appropriate length and diameter to suit the instrument's single-piece "one stick" design, ensuring natural and structural integrity. To prevent cracking and stabilize the material, the is cut to size and dried for at least six months before further processing. The shaping process begins with the mouthpiece, where the solid end of the is cut at a precise angle and rounded into a parabolic , with the interior carved to create a tight seal for the reed. The body is then roasted over a flame to achieve a burnt finish that enhances durability. Finger holes are created by piercing the with a red-hot iron rod, positioned according to the instrument's length, diameter, and overall to achieve accurate intonation. The cylindrical bore is formed during this hand-carving and drilling stage, all performed manually from a single stalk to maintain the instrument's organic acoustic properties. Finishing involves applying followed by to the surface, which is then hand-sanded to a smooth, flat finish, improving resistance to while preserving the natural tone without synthetic coatings that could alter the sound. This treatment enhances the instrument's longevity and tonal quality. For modern production, synthetic versions use ABS plastic, molded through high-precision injection processes in , by Indiana Plastics to replicate the 's sound characteristics consistently. Introduced around 2000 under license, this method allows for of 4,000 to 5,000 units annually as of , ensuring uniformity in dimensions and playability across instruments. Quality control is integral to both bamboo and plastic manufacturing, with each instrument tuned using a chromatic auto-tuner to verify precise intonation across the full in keys such as C, B♭, and D. For bamboo models, adjustments are made during hole piercing and post-roasting to account for natural variations in wall thickness and material density, ensuring reliable performance. Plastic models benefit from the molding process's , minimizing deviations for ensemble use.

Playing the Xaphoon

Basic Technique

To play the Xaphoon, the involves forming a light seal around the integrated mouthpiece with the lips, where the lower lip is curled slightly over the lower teeth to cushion the reed while the upper teeth rest directly on the mouthpiece surface. The reed, typically a #2½ tenor saxophone reed, must first be moistened by soaking it in water for several minutes to soften it and promote , then carefully aligned so its edges fully cover the mouthpiece opening without overhanging, and secured using the provided ligature. New reeds may require a brief break-in period of gentle playing to achieve optimal responsiveness, as initially stiff reeds can produce a fuzzy tone until conditioned. The instrument is held in a relaxed posture similar to a recorder, with the left hand positioned uppermost near the mouth—thumb covering the back thumbhole (hole 2) and index, middle, ring, and pinky fingers sealing the front holes (1, 3, 4, 5) using light, even pressure to avoid leaks—while the right hand supports below, pinky covering hole 9 and other fingers covering holes 6 through 8. Finger pressure should remain minimal and relaxed, with fingertips or pads fully but gently closing each hole to ensure clear tone production; excessive force is unnecessary and can hinder playability. For the first notes on the standard C Xaphoon, cover all nine holes completely with relaxed fingers and blow steadily to produce the lowest note, C4, which forms the foundation of the . Sequentially uncover holes starting from the bottom (hole 9 under the right pinky for , then 8 for , and so on) to ascend the scale, practicing each transition slowly to build familiarity with the fingerings represented as 123456789 for C and 12345678- for . Breath support relies on steady, forceful airflow directed from the diaphragm to vibrate the reed, requiring more air pressure than non-reed instruments like recorders but allowing control of through consistent rather than throat tension. Beginners should start with short bursts of air to produce without forcing, gradually building diaphragmatic capacity through repeated low-note practice to maintain even tone and avoid initial overblowing that can cause squeals.

Range and Overblowing

The Xaphoon in the key of C offers a standard chromatic range spanning two full s, from C4 to C6. This range covers the fundamental needs for most , with the lower octave and a half (C4 to D5) sufficing for approximately 99.9% of songs. Advanced players can extend the range slightly beyond C6 through refined control, though such notes demand exceptional precision. Accessing the upper register involves overblowing, achieved by increasing air pressure, applying greater lip pressure to the reed, and inserting the mouthpiece slightly deeper into the mouth. This technique doubles the reed's vibration frequency, producing the above the fundamental notes using the same fingerings. Unlike conical-bore instruments such as the , the Xaphoon's cylindrical bore and single-reed design facilitate this octave shift, similar to some simple-system flutes but distinct from the clarinet's twelfth-based register change. The instrument's diatonic base in C major is extended to full chromatic capability without mechanical keys, relying on half-hole techniques—partially uncovering a with the fingertip—and cross-fingerings, where non-adjacent holes are alternately covered or vented. For example, C♯ is produced by half-holing the eighth , while B natural uses a cross-fingering pattern covering holes 1, 2, 4, and 5 while venting 3 (fingering: 12-45----). These methods allow across the entire range, though they require practice for clean intonation. Tuning on the Xaphoon is primarily adjusted via lip pressure: greater pressure sharpens the pitch, while reduced pressure flattens it, enabling adaptations from the instrument's natural temperament suited to folk scales toward equal temperament for jazz or ensemble playing. Reed strength also influences overall tuning, with stiffer reeds (e.g., #3 or #4) yielding sharper responses and softer ones (#2½) more flexible for bending. The upper register, from high G to C6, poses challenges due to its sensitivity to embouchure variations; imprecise control can result in squeaks or unstable tone, necessitating consistent air support and minimal lip adjustment for smooth transitions. Transposing models shift this range accordingly—for instance, the B♭ model spans B♭3 to B♭5, and the D model from D4 to D6—maintaining the two-octave chromatic span but altering the starting pitch for compatibility with different musical keys.

Variants and Manufacturers

Original Bamboo Xaphoon

The Original Bamboo Xaphoon, also known as the Xaphoon, is handcrafted exclusively by its inventor, Brian Wittman, in his workshop in , , using sourced from the East Maui rainforests. Production involves selecting raw stalks, which are dried for at least six months before being cut, carved, roasted over a flame for a distinctive burnt finish, and meticulously hand-tuned without templates due to the natural variations in each stalk's dimensions and internal structure. This artisanal process ensures that every instrument retains the organic imperfections of the , contributing to its unique resonance and tonal variability, while emphasizing through the use of responsibly harvested materials. Key to its design is the single-piece , which provides a natural, unvarnished aesthetic with hand-finished surfaces showcasing individual grain patterns and a subtle, toasted exterior. Available in standard keys of C, B♭, D, and low G, these models offer a full two-octave , with options including a Signature Series for limited editions that highlight Wittman's personalized and custom tuning. The instrument's compact form, typically around 12 inches in length, makes it highly portable and ideal for musicians seeking an authentic, eco-conscious woodwind. The sound profile of the Original Bamboo Xaphoon is characterized by a warm, rich that blends the soulful depth of a with the clarity of a , influenced by the 's natural wall thickness, mouthpiece shape, and inherent imperfections, which introduce subtle breathiness and variability across instruments. This organic tone excels in acoustic environments and outdoor performances, where its resonant, non-amplified quality shines without overpowering surroundings. Since its invention in , Wittman has produced tens of thousands of these models, maintaining a focus on handmade quality over . They are available for purchase directly through Wittman's official website, xaphoon.com, often in limited quantities to preserve the instrument's exclusivity and sustainable ethos.

Plastic and Wood Versions

The plastic version of the Xaphoon, known as the Pocket Sax, was introduced in 2000 as an injection-molded alternative to the original model to meet increasing global demand. Crafted from durable ABS plastic in , , it offers consistent tuning and intonation across units due to precision manufacturing processes. This design enhances reliability for beginners, providing weather resistance and robustness suitable for travel or outdoor use without the variability inherent in natural materials. The Pocket Sax maintains the keyless, single-reed structure of the Xaphoon and is available solely in the key of C, with options in multiple colors including classic black. In contrast, the wood version, called the Xaphoon de Catalunya, emerged in through a collaboration between inventor Brian Wittman and European distributors, aiming to adapt the instrument for regional preferences using local hardwoods. Handcrafted in a workshop in northern , approximately 80 km north of , it utilizes woods like or for its body, resulting in a refined aesthetic and smoother finish compared to plastic counterparts. models produce a powerful and resonant tone, while olive wood yields a soft, warm, and full sound, both contributing to uniform intonation while preserving the keyless design. Currently available only in the key of C, with a Bb version in development, this variant emphasizes artisanal quality over , though it requires more maintenance to protect against climate changes. Both the and versions facilitate easier production and lower costs relative to handcrafted , broadening accessibility for musicians while upholding the Xaphoon's compact, chromatic two-octave range.
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