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Yellow Peril
The Yellow Peril (also the Yellow Terror, the Yellow Menace, and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia as an existential danger to the Western world.
The concept of the Yellow Peril derives from a "core imagery of apes, lesser men, primitives, children, madmen, and beings who possessed special powers", which developed during the 19th century as Western imperialist expansion adduced East Asians as the Yellow Peril. In the late 19th century, the Russian sociologist Jacques Novicow coined the term in the essay "Le Péril Jaune" ("The Yellow Peril", 1897), which Kaiser Wilhelm II (r. 1888–1918) used to encourage the European empires to invade, conquer, and colonize China. To that end, using the Yellow Peril ideology, the Kaiser portrayed the Japanese and the Asian victory against the Russians in the Russo-Japanese War (1904–1905) as an Asian racial threat to white Western Europe, and also exposes China and Japan as an alliance to conquer, subjugate, and enslave the Western world.
The sinologist Wing-Fai Leung explained the origins of the term and the racialist ideology: "The phrase yellow peril (sometimes yellow terror or yellow specter) ... blends Western anxieties about sex, racist fears of the alien Other, and the Spenglerian belief that the West will become outnumbered and enslaved by the East." The academic Gina Marchetti identified the psycho-cultural fear of East Asians as "rooted in medieval fears of Genghis Khan and the Mongol invasions of Europe [1236–1291], the Yellow Peril combines racist terror of alien cultures, sexual anxieties, and the belief that the West will be overpowered and enveloped, by the irresistible, dark, occult forces of the East"; hence, to oppose Japanese imperial militarism, the West expanded the Yellow Peril ideology to include the Japanese people. Moreover, in the late-19th and early-20th centuries, writers developed the Yellow Peril literary topos into codified, racialist motifs of narration, especially in stories and novels of ethnic conflict in the genres of invasion literature, adventure fiction, and science fiction.
The cultural stereotypes of the Yellow Peril originated in the late 19th century, when Chinese workers legally immigrated to Australia, Canada, the U.S., and New Zealand, where their work ethic inadvertently provoked a backlash against Chinese communities, for agreeing to work for lower wages than did the local white populations. In 1870, the French Orientalist and historian Ernest Renan warned Europeans of Eastern danger to the Western world; yet Renan had meant the Russian Empire (1721–1917), a country and nation whom the West perceived as more Asiatic than European.
Since 1870, the Yellow Peril ideology gave concrete form to the anti-East Asian racism of Europe and North America. In central Europe, the Orientalist and diplomat Max von Brandt advised Kaiser Wilhelm II that Imperial Germany had colonial interests to pursue in China. Hence, the Kaiser used the phrase die Gelbe Gefahr (The Yellow Peril) to specifically encourage Imperial German interests and justify European colonialism in China.
In 1895, Germany, France, and Russia staged the Triple Intervention to the Treaty of Shimonoseki (17 April 1895), which concluded the First Sino-Japanese War (1894–1895), in order to compel Imperial Japan to surrender their Chinese colonies to the Europeans; that geopolitical gambit became an underlying cause of the Russo-Japanese War (1904–05). The Kaiser justified the Triple Intervention to the Japanese empire with racialist calls-to-arms against nonexistent geopolitical dangers of the yellow race against the white race of Western Europe.
To justify European cultural hegemony, the Kaiser used the allegorical lithograph Peoples of Europe, Guard Your Most Sacred Possessions (1895), by Hermann Knackfuss, to communicate his geopolitics to other European monarchs. The lithograph depicts Germany as the leader of Europe, personified as a "prehistoric warrior-goddesses being led by the Archangel Michael against the 'yellow peril' from the East", which is represented by "dark cloud of smoke [upon] which rests an eerily calm Buddha, wreathed in flame". Politically, the Knackfuss lithograph allowed Kaiser Wilhelm II to believe he prophesied the imminent race war that would decide global hegemony in the 20th century.
In 1854, as editor of the New-York Tribune, Horace Greeley published "Chinese Immigration to California" an editorial opinion supporting the popular demand for the exclusion of Chinese workers and people from California. Without using the term "yellow peril," Greeley compared the arriving "coolies" to the African slaves who survived the Middle Passage. He praised the few Christians among the arriving Chinese and continued:
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Yellow Peril
The Yellow Peril (also the Yellow Terror, the Yellow Menace, and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia as an existential danger to the Western world.
The concept of the Yellow Peril derives from a "core imagery of apes, lesser men, primitives, children, madmen, and beings who possessed special powers", which developed during the 19th century as Western imperialist expansion adduced East Asians as the Yellow Peril. In the late 19th century, the Russian sociologist Jacques Novicow coined the term in the essay "Le Péril Jaune" ("The Yellow Peril", 1897), which Kaiser Wilhelm II (r. 1888–1918) used to encourage the European empires to invade, conquer, and colonize China. To that end, using the Yellow Peril ideology, the Kaiser portrayed the Japanese and the Asian victory against the Russians in the Russo-Japanese War (1904–1905) as an Asian racial threat to white Western Europe, and also exposes China and Japan as an alliance to conquer, subjugate, and enslave the Western world.
The sinologist Wing-Fai Leung explained the origins of the term and the racialist ideology: "The phrase yellow peril (sometimes yellow terror or yellow specter) ... blends Western anxieties about sex, racist fears of the alien Other, and the Spenglerian belief that the West will become outnumbered and enslaved by the East." The academic Gina Marchetti identified the psycho-cultural fear of East Asians as "rooted in medieval fears of Genghis Khan and the Mongol invasions of Europe [1236–1291], the Yellow Peril combines racist terror of alien cultures, sexual anxieties, and the belief that the West will be overpowered and enveloped, by the irresistible, dark, occult forces of the East"; hence, to oppose Japanese imperial militarism, the West expanded the Yellow Peril ideology to include the Japanese people. Moreover, in the late-19th and early-20th centuries, writers developed the Yellow Peril literary topos into codified, racialist motifs of narration, especially in stories and novels of ethnic conflict in the genres of invasion literature, adventure fiction, and science fiction.
The cultural stereotypes of the Yellow Peril originated in the late 19th century, when Chinese workers legally immigrated to Australia, Canada, the U.S., and New Zealand, where their work ethic inadvertently provoked a backlash against Chinese communities, for agreeing to work for lower wages than did the local white populations. In 1870, the French Orientalist and historian Ernest Renan warned Europeans of Eastern danger to the Western world; yet Renan had meant the Russian Empire (1721–1917), a country and nation whom the West perceived as more Asiatic than European.
Since 1870, the Yellow Peril ideology gave concrete form to the anti-East Asian racism of Europe and North America. In central Europe, the Orientalist and diplomat Max von Brandt advised Kaiser Wilhelm II that Imperial Germany had colonial interests to pursue in China. Hence, the Kaiser used the phrase die Gelbe Gefahr (The Yellow Peril) to specifically encourage Imperial German interests and justify European colonialism in China.
In 1895, Germany, France, and Russia staged the Triple Intervention to the Treaty of Shimonoseki (17 April 1895), which concluded the First Sino-Japanese War (1894–1895), in order to compel Imperial Japan to surrender their Chinese colonies to the Europeans; that geopolitical gambit became an underlying cause of the Russo-Japanese War (1904–05). The Kaiser justified the Triple Intervention to the Japanese empire with racialist calls-to-arms against nonexistent geopolitical dangers of the yellow race against the white race of Western Europe.
To justify European cultural hegemony, the Kaiser used the allegorical lithograph Peoples of Europe, Guard Your Most Sacred Possessions (1895), by Hermann Knackfuss, to communicate his geopolitics to other European monarchs. The lithograph depicts Germany as the leader of Europe, personified as a "prehistoric warrior-goddesses being led by the Archangel Michael against the 'yellow peril' from the East", which is represented by "dark cloud of smoke [upon] which rests an eerily calm Buddha, wreathed in flame". Politically, the Knackfuss lithograph allowed Kaiser Wilhelm II to believe he prophesied the imminent race war that would decide global hegemony in the 20th century.
In 1854, as editor of the New-York Tribune, Horace Greeley published "Chinese Immigration to California" an editorial opinion supporting the popular demand for the exclusion of Chinese workers and people from California. Without using the term "yellow peril," Greeley compared the arriving "coolies" to the African slaves who survived the Middle Passage. He praised the few Christians among the arriving Chinese and continued: