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Pahlevani and zoorkhaneh rituals
Pahlevani and zoorkhaneh rituals (Pahlavani Sport / Zoorkhaneh Sport) is the name inscribed by UNESCO for Varzesh-e pahlavāni (Persian: آیین پهلوانی و زورخانهای 'heroic sport') or Varzesh-e bāstāni (ورزش باستانی 'ancient sport'), a traditional system of athletics and a form of martial arts originally used to train warriors in Iran (Persia). Outside Iran, zoorkhanehs can now also be found in Azerbaijan, and Afghanistan, and were introduced into Iraq in the mid-19th century by the Iranian immigrants, where they seem to have existed until the 1980s before disappearing. It combines martial arts, calisthenics, strength training and music. It contains elements of pre-Islamic and post-Islamic culture of Iran (particularly Zoroastrianism and Gnosticism) with the spirituality of Persian Shia Islam and Sufism. Practiced in a domed structure called the zurkhāneh, training sessions consist mainly of ritual gymnastic movements and climax with the core of combat practice, a style of folk wrestling called koshti pahlavāni.[citation needed]
Traditional Iranian wrestling (koshti) dates back to ancient Persia and was said to have been practiced by Rustam, Iranian hero of the Shahnameh epic. Grappling for combat was considered the particular specialty of the zourkhāneh. The original purpose of these institutions was to train men as warriors and instill them with a sense of national pride in anticipation for the coming battles. The zourkhaneh system of training is what is now known as varzesh-e bastani, and its particular form of wrestling was called koshti pahlevani, after the Parthian word pahlevan meaning hero.[citation needed]
Following the spread of Shia Islam, and particularly after the development of Sufism in the eighth century, varzesh-e pahlavani absorbed philosophical and spiritual components from it.[citation needed]
Varzesh-e bastani was particularly popular in the 19th century, during the reign of the Qajar king Nāser al-Din Shāh Qājār (1848–1896). Every 21 March on Nowruz (the Iranian new year), competitions would be held in the shah's court, and the shah himself would present the champion with an armlet (bazoo-band). The sport declined following the rise of the Pahlavi dynasty in the 1920s and the subsequent modernisation campaigns of Reza Shah, who saw the sport as a relic of Qajarite ritual. Reza Shah's son Mohammad Reza Pahlavi took a different approach, emphasizing Iran's ancient Persian roots as an alternative to the heavily Islam-based identity of less developed nations in the Middle East. He attempted to revive the tradition and practiced it himself, and during his reign, the last national competitions were held.[citation needed]
Following the Iranian Revolution of 1979 the tradition lost some of its popularity as the new regime discouraged anything tied to pre-Islamic paganism, which included the Gnostic chants and rituals of the zourkhāneh. This did not last, however, as the Islamic Republic eventually promoted varzesh-e bastani as a symbol of Iranian pride and culture.[citation needed]
The matter of attracting younger members has been a major discourse for some time. Suggestions have included making practice more upbeat and distributing duties among the younger members instead of adhering strictly to seniority. The IZSF was established in response to this and it is currently the world governing body for all zourkhāneh. In recent years, the sport appears to be gaining popularity in the countries adjacent to Iran, including Iraq and Afghanistan.[need quotation to verify]
One of the Baku's Inner City's entertainment areas was the Zorkhana. Baku's Zorkhana located just a few steps from the Bukhari and Multani caravanserais, towards the Maiden's Tower dates back to at least the 15th century. There were contests accompanied by a trio of musicians who performed traditional Eastern instruments like the kamancha, zurna and naghara. Most of these melodies have long since been forgotten. However, one by the name of "Jangi" (War) is still performed prior to the opening of Azerbaijani national wrestling competitions (Gulash).
The traditional gymnasium in which varzesh-e bastani is practiced is known as the zurkhaneh (Persian: زورخانه, also spelled zoorkhāneh and zourkhāneh), literally the "house of strength". These gyms have a very specific and unique architecture and are covered structures with a single opening in the ceiling, with a sunken 1m-deep octagonal or circular pit in the center (gaud). Around the gaud is a section for the audience, one for the musicians, and one for the athletes.[citation needed]
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Pahlevani and zoorkhaneh rituals
Pahlevani and zoorkhaneh rituals (Pahlavani Sport / Zoorkhaneh Sport) is the name inscribed by UNESCO for Varzesh-e pahlavāni (Persian: آیین پهلوانی و زورخانهای 'heroic sport') or Varzesh-e bāstāni (ورزش باستانی 'ancient sport'), a traditional system of athletics and a form of martial arts originally used to train warriors in Iran (Persia). Outside Iran, zoorkhanehs can now also be found in Azerbaijan, and Afghanistan, and were introduced into Iraq in the mid-19th century by the Iranian immigrants, where they seem to have existed until the 1980s before disappearing. It combines martial arts, calisthenics, strength training and music. It contains elements of pre-Islamic and post-Islamic culture of Iran (particularly Zoroastrianism and Gnosticism) with the spirituality of Persian Shia Islam and Sufism. Practiced in a domed structure called the zurkhāneh, training sessions consist mainly of ritual gymnastic movements and climax with the core of combat practice, a style of folk wrestling called koshti pahlavāni.[citation needed]
Traditional Iranian wrestling (koshti) dates back to ancient Persia and was said to have been practiced by Rustam, Iranian hero of the Shahnameh epic. Grappling for combat was considered the particular specialty of the zourkhāneh. The original purpose of these institutions was to train men as warriors and instill them with a sense of national pride in anticipation for the coming battles. The zourkhaneh system of training is what is now known as varzesh-e bastani, and its particular form of wrestling was called koshti pahlevani, after the Parthian word pahlevan meaning hero.[citation needed]
Following the spread of Shia Islam, and particularly after the development of Sufism in the eighth century, varzesh-e pahlavani absorbed philosophical and spiritual components from it.[citation needed]
Varzesh-e bastani was particularly popular in the 19th century, during the reign of the Qajar king Nāser al-Din Shāh Qājār (1848–1896). Every 21 March on Nowruz (the Iranian new year), competitions would be held in the shah's court, and the shah himself would present the champion with an armlet (bazoo-band). The sport declined following the rise of the Pahlavi dynasty in the 1920s and the subsequent modernisation campaigns of Reza Shah, who saw the sport as a relic of Qajarite ritual. Reza Shah's son Mohammad Reza Pahlavi took a different approach, emphasizing Iran's ancient Persian roots as an alternative to the heavily Islam-based identity of less developed nations in the Middle East. He attempted to revive the tradition and practiced it himself, and during his reign, the last national competitions were held.[citation needed]
Following the Iranian Revolution of 1979 the tradition lost some of its popularity as the new regime discouraged anything tied to pre-Islamic paganism, which included the Gnostic chants and rituals of the zourkhāneh. This did not last, however, as the Islamic Republic eventually promoted varzesh-e bastani as a symbol of Iranian pride and culture.[citation needed]
The matter of attracting younger members has been a major discourse for some time. Suggestions have included making practice more upbeat and distributing duties among the younger members instead of adhering strictly to seniority. The IZSF was established in response to this and it is currently the world governing body for all zourkhāneh. In recent years, the sport appears to be gaining popularity in the countries adjacent to Iran, including Iraq and Afghanistan.[need quotation to verify]
One of the Baku's Inner City's entertainment areas was the Zorkhana. Baku's Zorkhana located just a few steps from the Bukhari and Multani caravanserais, towards the Maiden's Tower dates back to at least the 15th century. There were contests accompanied by a trio of musicians who performed traditional Eastern instruments like the kamancha, zurna and naghara. Most of these melodies have long since been forgotten. However, one by the name of "Jangi" (War) is still performed prior to the opening of Azerbaijani national wrestling competitions (Gulash).
The traditional gymnasium in which varzesh-e bastani is practiced is known as the zurkhaneh (Persian: زورخانه, also spelled zoorkhāneh and zourkhāneh), literally the "house of strength". These gyms have a very specific and unique architecture and are covered structures with a single opening in the ceiling, with a sunken 1m-deep octagonal or circular pit in the center (gaud). Around the gaud is a section for the audience, one for the musicians, and one for the athletes.[citation needed]