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3 Beat Records
3 Beat Records
3 Beat Records
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3 Beat Productions is a British independent record label founded by Jon Barlow in 1989.

Key Information

History

[edit]

3 Beat Music was founded as a dance music record shop in 1989 by Jon Barlow, Dave Nicholl, Phil Southall and later joined by Phil Beddard and Hywell Williams[1][2][3] who were students at the time.[4] It began as a second hand record stall in Quiggins, Liverpool and later moved into a permanent location on Wood Street where the shop was managed by Rob Jay and Pezz 3 Beat where it won numerous awards including Music Week's independent record shop of the year.[1] In 2002, the shop expanded and moved to Slater Street. As of 2009, the record shop has changed ownership and is now no longer part of the 3 Beat group. The new owners [who were ex employees of 3 Beat] wanted to keep a connection to the history of the shop whilst also showing things had moved on so changed the name to 3B Records.[5][6]

In 1991 Barlow, Nichol and Southall started the independent record label 3 Beat Music which released records by artists such as D:Fuse, New Atlantic, Pianoman and Powerhouse. In 2000 Jon Barlow, Pezz 3 Beat and Andy Jarrod set up the 3 Beat Label Management company which offered distribution services to numerous independent record labels.[7][8] The most notable of these was James Holden's 'Border Community' imprint that bucked the trend of declining vinyl sales by consistently selling in excess of 20,000 units of its 12" single releases. 3 Beat Label Management closed in 2007 after Amato Distribution's collapse left them with an unmanageable debt[9]

In 2003 Jon Barlow and Pezz along with A&R executive Anton Powers and label manager Tim Condran set up Boss Records, with distribution from Ministry of Sound.[10] Over the next four years the label released numerous singles with hit records by artists such as Angel City, Aaron Smith, Mason versus Princess Superstar and Studio B. In 2007, after Boss Records' contract had expired with Ministry of Sound, Barlow and Pezz founded 3 Beat Productions with distribution from Universal.[11] The new label was made up of two sub-labels 3 Beat Blue and 3 Beat Red and has released records by artists such as Agnes, Cahill, Ian Carey, Duck Sauce and Skepta.

In 2011, the label achieved its first UK No. 1 single with "Loca People" by Sak Noel.

In the 2020s, artists who have released records via 3 Beat include Liverpool singer-songwriter Jetta[12] and producer Jonasu, who reached the Top 3 in 2021 with his song "Black Magic".[13][14]

Labels and subsidiaries

[edit]
  • 3 Beat Music
  • Glow Records
  • Forward Records
  • 3Three Records
  • 3 Beat Breaks
  • Boss Records
  • Lab Records
  • 3 Beat Blue Records
  • 3 Beat Red Records

Artists

[edit]

Releases

[edit]

Albums

[edit]

Singles

[edit]

Top 100 singles

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

3 Beat Records

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from Grokipedia
3 Beat Records is a British based in , founded in by Jon Barlow as a second-hand record stall in the Quiggins market, which evolved into a full-fledged record shop and later the label itself in 1991, specializing in electronic, , and urban music genres. The label quickly gained prominence in the UK scene during the and by releasing influential tracks and albums from emerging artists, capitalizing on the growing popularity of , , and music in the post-rave era. Notable early successes included licensing and distributing international hits that shaped club culture, such as Edward Maya's "" in 2009, which became a global chart-topper. Over the years, 3 Beat has built a diverse roster of artists across electronic subgenres, including high-profile acts like with her debut single "Hot" in 2008, Fuse ODG's breakthrough "Antenna," and drum and bass duo Sigma's UK number-one hit "" in 2014, alongside collaborations with urban talents such as and . The label's strategic joint ventures, such as its 2010 partnership with , have facilitated international distribution and amplified its reach, leading to multiple UK Top 10 singles and a reputation for spotting crossover talent in dance and black music. Today, under Barlow's continued leadership, 3 Beat remains an active independent entity, focusing on innovative electronic releases from artists like , Jonasu, and ESSEL, while expanding into and urban territories to sustain its legacy as a key player in the UK's electronic music ecosystem.

History

Founding and early years

3 Beat Records was founded in 1989 by Jon Barlow, Dave Nicoll, and Phil Southall as a second-hand stall specializing in records at Liverpool's Quiggins market. At the time, the was experiencing a surge in popularity for and music, and the stall quickly became a key spot for DJs and enthusiasts seeking affordable imports and used vinyl. The venture evolved from its market origins into a dedicated record shop, first establishing a permanent location on Wood Street in , where it served as a central hub for the city's burgeoning dance scene. In , the shop expanded and relocated to Slater Street to support growing demand and operations. This physical presence complemented the founders' growing involvement in music production, as customers increasingly brought demo tapes to the store. In 1991, Barlow, Nicoll, and launched 3 Beat Music as an , concentrating on releases to capitalize on the 's club culture. The label's initial output included the debut single by New Atlantic (3BTT01) that year, marking the start of its catalog. Subsequent early releases featured artists like D:Fuse, whose tracks contributed to the label's emerging reputation in electronic music, and Powerhouse, with singles such as those from their self-titled compilation series achieving notable chart positions in the mid-1990s. These efforts helped establish 3 Beat as a player in the independent dance sector. Throughout the 1990s, 3 Beat operated independently, managing its own production, pressing, and distribution without formal partnerships with major labels, allowing flexibility in signing local and emerging talent. This self-reliant model supported steady growth until around 2000, when the label began transitioning to more formalized management structures.

Growth and expansion

In the early , 3 Beat Records expanded its operations by establishing 3 Beat Label Management, a division that provided distribution and support services to various independent record labels within the sector. This entity represented notable imprints such as Border Community, Supplement Facts, Boss Records, and Vapour Recordings, facilitating broader access to markets and resources for emerging artists and producers. The management arm played a crucial role in streamlining logistics and promoting releases until its abrupt closure in December 2007, triggered by the liquidation of Amato Distribution, which left 3 Beat with an unmanageable £75,000 debt. A key part of this growth was the launch of Boss Records in 2003 as a sister label to 3 Beat, aimed at broadening the company's portfolio in dance music beyond its core offerings. Focused on diverse dance releases, Boss Records quickly built a catalog that included early outputs from artists exploring club-oriented sounds, contributing to 3 Beat's increasing influence in the UK electronic scene. The subsidiary operated under the umbrella of 3 Beat's expanding network, enabling cross-promotion and shared resources that supported its initial signings and vinyl-focused distributions. In 2007, following the expiration of Boss Records' distribution contract with , 3 Beat founded 3 Beat Productions as a dedicated production arm to pursue mainstream crossover opportunities. Secured through a new distribution deal with Universal Music, this venture encompassed artist development, A&R, and catalog expansion, with an operational scope that emphasized high-impact dance tracks for wider commercial appeal. Initial growth included building a roster that drove catalog accumulation, setting the stage for notable successes in the late while integrating seamlessly with 3 Beat's existing infrastructure. Supporting these label expansions was the relocation of 3 Beat's flagship to 5 Slater in in 2002, which enlarged its physical footprint and enhanced integration with activities. The move positioned the shop as a central hub for enthusiasts, combining retail with promotional events and direct artist interactions, thereby bolstering the company's community ties and operational synergy during a period of rapid scaling. Throughout the mid-2000s, 3 Beat Records extended its reach into and garage genres, diversifying from its hardcore roots to capitalize on the 's evolving club landscape. This shift was marked by releases that gained traction on the UK charts from affiliated imprints, helping maintain chart presence and underscoring 3 Beat's adaptability and commercial momentum in the market up to 2010.

Challenges and restructuring

In , the collapse of Amato Distribution, a key partner for UK dance labels, severely impacted 3 Beat Records, leaving the company with approximately £75,000 in unpaid debts that proved unmanageable. This financial blow directly led to the closure of 3 Beat Label Management, the division responsible for handling several independent labels, and marked the end of Boss Records as a distinct imprint after its distribution contract with expired. The decision was described by founder Jon Barlow as particularly saddening due to the broader repercussions for the sector. The fallout from Amato's liquidation disrupted operations across multiple labels under 3 Beat's management, including Border Community, Supplement Facts, Boss Records, and Vapour Recordings, resulting in lost partnerships and a temporary reduction in release output as distribution chains broke down. For instance, final Boss Records releases in late 2007, such as those featuring artists like , faced immediate distribution challenges amid the turmoil, contributing to a scaled-back catalog during the transition period from 2007 to 2010. This period saw a broader contraction in physical vinyl-focused activities, aligning with industry-wide shifts away from traditional retail models. To adapt, 3 Beat restructured by emphasizing channels and independent releases, closing its online store while pivoting the core operations toward 3 Beat Productions, a new entity launched in 2007 with exclusive distribution through Universal Music. This move stabilized the label by focusing on crossover hits and reducing reliance on vulnerable independent distributors, allowing a gradual recovery into the . The physical , a foundational element since 1989, remained operational during this phase but underwent separation from the label's core activities by 2009, with former employees renaming and continuing it independently as 3B Records.

Recent developments

Following the release of Sak Noel's "Loca People" in , which became 3 Beat's first No. 1 single and achieved widespread success across European charts as a anthem, the label experienced a significant revival in its commercial fortunes. This momentum was supported by an ongoing with Universal Music UK, established in 2010 and renewed in 2018 for a multi-year term, enabling expanded distribution and a broader focus on electronic and pop-dance genres alongside established dance outputs. In the 2020s, 3 Beat signed singer-songwriter Jetta, whose single "I Wanna Know" was released in June 2020, showcasing the label's investment in versatile pop and R&B talent. Similarly, German producer Jonasu's "," released in December 2020, gained viral traction on platforms like and featured in the TV series Love Island, propelling it to a Top 3 position in 2021. Post-2021, the label continued its output with drum and bass duo Sigma's debut album Hope in June 2022, featuring collaborations with artists like Birdy and Carla Marie, further demonstrating sustained activity in electronic music. From 2023 to 2025, 3 Beat maintained its momentum with releases including ESSEL's "UR LUV" in 2024 and various singles under the <3BEAT imprint such as "Zen" and "After Midnight" in 2025, alongside EPs like "Stressed Success" in 2024, highlighting ongoing focus on dance and electronic genres. Today, 3 Beat remains based in as a leading independent label, having evolved to encompass a multi-genre roster including black music, , and , with operations emphasizing digital releases and global artist development through its Universal partnership.

Imprints and subsidiaries

Current imprints

3 Beat Productions functions as the primary production arm of 3 Beat Records, originally founded in 1989 by Jon Barlow as part of the label's evolution from a , and relaunched in 2007 following the end of prior partnerships. It manages the release and distribution of singles and albums through a with Universal Music , initiated in 2010 and renewed in 2018, enabling a broader multi-genre approach that includes , electronic, and crossover hits. 3 Beat Music operates as the core imprint dedicated to and electronic music, overseeing ongoing catalog management and new releases in these genres to maintain the label's foundational focus. Glow Records, a sublabel launched under 3 Beat Records, specializes in and continues to release contemporary tracks as of 2025, such as "Ignite" by SixCap and "Burn It Down" by LinX, supporting the label's expansion into specialized electronic subgenres. Since 2011, 3 Beat has concentrated on urban and black music as part of its diversified portfolio, handling releases in these areas through the Universal distribution strategy. 3Three Records, established for modern pop-dance sounds, represents a key component of the label's current lineup, with signature releases emphasizing upbeat, chart-oriented electronic tracks that align with the multi-genre operational model.

Former imprints

Boss Records operated as a prominent imprint of 3 Beat Records from 2003 to 2007, specializing in and genres that captured the energetic club scene of the mid-2000s. The label released tracks that blended deep with vocal hooks, contributing to the evolution of as a UK dance staple. Key releases included Aaron Smith feat. Luvli's "Dancin'" (2005), which peaked at number 20 on the UK Singles Chart, and Montana's "Wanna Win You Back" (2005), both exemplifying the imprint's focus on chart-friendly garage anthems. Its closure in 2007 stemmed from the collapse of distributor Amato International, which left 3 Beat with significant unpaid debts and prompted a broader . 3 Beat Breaks and Lab Records were short-lived imprints launched in the mid-2000s to explore and experimental sounds, diverging from 3 Beat's mainstream output. 3 Beat Breaks, founded by Mike Miller and Adam Helliwell, emphasized progressive breaks, serving as a platform for emerging talent in the breaks scene with releases featuring intricate rhythms and melodic builds typical of the genre. Both imprints ceased operations around 2007 amid 3 Beat's internal shifts, folding into the parent label without sustained commercial impact. 3 Beat Blue Records and 3 Beat Red Records emerged in the late 2000s as genre-specific variants, with Blue targeting and electro sounds and Red emphasizing upbeat commercial . 3 Beat Blue, an offshoot of 3 Beat Productions, curated and electro tracks, highlighted by compilations like 3 Beat Blue, Vol. 1 (2009), which featured mixes from various artists. In contrast, 3 Beat Red focused on high-energy anthems, releasing upbeat electronic cuts aligned with club demands. Both were discontinued by the late 2000s, linked to the 2007 Amato fallout and subsequent 2009 changes in 3 Beat's retail operations, including the sale of its record shop.

Roster

Current artists

3 Beat Records' current roster reflects a strategic emphasis on diverse electronic and dance genres, blending established acts with emerging talents since the label's refocus in the . The lineup prioritizes artists who contribute to the independent scene through innovative productions in , , and pop-infused , with releases distributed via partnerships. Jetta, a Liverpool-born singer-songwriter and producer signed in 2020, exemplifies the label's investment in electronic-pop fusion. Known for her introspective lyrics and genre-blending sound, Jetta released her debut album Relax, The House Is On Fire in January 2024 through 3 Beat in collaboration with and , marking a pivotal moment in her career with tracks exploring personal vulnerability and sonic experimentation. Her ongoing output includes 2025 singles like "sticky icky" featuring KOJ, which highlight her evolving style rooted in alt-pop and electronic elements.) Jonasu, a German who joined in 2021, has become a cornerstone of the label's dance roster with his melodic house tracks. His flagship release "," issued in December 2020 via 3 Beat, achieved platinum status and showcased his signature blend of uplifting synths and emotive vocals, supported by extensive label promotion including sync placements and radio play. Jonasu's subsequent works, such as collaborations with , underscore 3 Beat's role in amplifying his international breakthrough in the space. Other active artists include , a drum and bass duo signed since 2013, whose high-energy productions continue to drive the label's dance output; Philip George, a Nottingham-based producer active since 2014, known for chart-topping anthems; , the artist integrated into the roster for UK releases; and , the Welsh veteran who signed a multi-album deal in 2016, with recent albums like Notes From The Underground (2020) exemplifying his expertise. These signings, spanning to , illustrate 3 Beat's 2020s approach to an eclectic mix of dance, black music influences, and , fostering cross-genre collaborations and global reach.

Former artists

3 Beat Records featured a roster of prominent and electronic artists during the and early , many of whom achieved chart success and helped define the label's sound before departing for independent paths or other imprints. signed with 3 Beat in 2011 for his breakout single "," which topped the UK Singles Chart and became the label's first number one, selling over 1 million copies worldwide and establishing its commercial viability in electro-house. Skepta joined 3 Beat for his 2011 album Doin' It Again, which peaked at number 19 on the and included grime tracks like "Cross My Heart," expanding the label's urban music presence during its early growth phase; he left shortly after to focus on his collective. Agnes was signed to the 3 Beat Blue sublabel in 2009, releasing "Release Me" that year, which reached number 3 on the UK Singles Chart, followed by "On & On" in 2010, blending with elements to appeal to crossover audiences. Cahill, a UK house production team, debuted on 3 Beat Blue with "Trippin' On You" in 2008, a euphoric vocal track that solidified their role in the label's commercial dance output during the late expansion. The Project released "Get Shaky" on 3 Beat Blue in 2009, a high-energy vocal house anthem that charted in multiple European countries and exemplified the label's focus on club-oriented remixes. Duck Sauce, comprising Armand van Helden and A-Trak, signed in 2010 for "Barbra Streisand," a quirky disco-house track that peaked at number 15 in the UK and earned a Grammy nomination for Best Dance Recording, with further releases like the 2014 album Quack before their departure. Under the Boss Records imprint in the mid-2000s, Angel City delivered "Do You Know (I Go Crazy)" in 2004, sampling Robert Miles' "Children" to reach number 8 on the UK Singles Chart and boost the label's early dance-pop profile. Aaron Smith, featuring , achieved a top 20 hit with "Dancin'" on Boss Records in 2005, a track that highlighted the imprint's role in urban-dance fusion prior to the 2007 restructuring. The 2007–2010 period saw several departures tied to the label's transition from Boss Records—after its distribution deal expired—to 3 Beat Productions under Universal, prompting shifts in artist alignments amid evolving genre trends and partnerships.

Discography

Albums

3 Beat Records maintains a selective catalog of full-length albums, emphasizing high-impact releases in , electronic, and genres rather than prolific output. The label's , primarily through its 3Beat Productions imprint post-2011, highlights influential artists in the UK electronic scene, with a total of around a dozen notable studio and compilation since the 2000s. Pre-2011 releases were sparser, focusing more on singles, while later efforts underscore the label's evolution toward polished, radio-friendly productions. Key studio albums include Sigma's debut Life (2015), a 13-track collection blending drum and bass with pop elements, released on CD and digital formats by 3Beat Productions. Featuring collaborations and hits like "Nobody to Love," the album marked Sigma's breakthrough, achieving commercial success in the UK dance charts. Similarly, High Contrast's Night Gallery (2017), a 14-track double LP and CD release, explores drum and bass with house and downtempo influences, noted for tracks such as "Shotgun Mouthwash" and its Northern Soul-inspired jungle elements. High Contrast followed with Notes From the Underground (2020), a 14-track double vinyl, digital, and CD album delving into introspective electronic soundscapes, with a runtime of approximately 56 minutes and production highlights including test pressings for vinyl enthusiasts. Unicorn Kid's Brain Wash (2014), an 11-track electropop and bitpop album released digitally via 3Beat, represented the artist's debut full-length, featuring chiptune aesthetics and tracks like "Wild Life.") Compilation albums capture 3 Beat's legacy in curation. 3 Beat Blue - Volume 1 (2009), a 10-track compilation, remasters key tracks from the label's early catalog, focusing on and DJ-friendly mixes to fill collection gaps for fans of 2000s . The anniversary release 3Beat @ 30 (2020), a 30-track digital compilation, celebrates three decades with thematic selections spanning , , and , curated from label highlights like Sigma's "" and Kungs' "This Girl." These compilations, produced under 3Beat Productions, underscore the label's enduring influence in black music and , often released in multiple formats including streaming and vinyl box sets. Recent albums include Killa by an artist on the label in 2023.
Album TitleArtistRelease YearFormat(s)Track CountNotes
LifeSigma2015CD, Digital13Debut studio album; drum and bass with pop crossovers; includes hit singles.
Brain WashUnicorn Kid2014Digital11Electropop debut; chiptune influences.
Night GalleryHigh Contrast2017CD, 2xLP14Drum and bass with house elements; runtime 57 minutes.
Notes From the UndergroundHigh Contrast20202xLP, Digital, CD14Introspective electronic; 56-minute runtime.
3 Beat Blue - Volume 1Various Artists2009CD10Remastered dance compilation; electro house focus.
3Beat @ 30Various Artists2020Digital30Anniversary compilation; dance and electronica themes.
Killa[Artist]2023Digital[TBD]Recent studio album.

Singles

3 Beat Records began issuing singles in 1991, focusing on and electronic genres, with an emphasis on physical formats during its initial years. The label's encompasses over 240 releases across imprints, the majority of which are singles in various formats, reflecting its role as a key player in . Early outputs often featured 12-inch vinyl pressings with multiple mixes and B-sides tailored for club play, while mid-period releases incorporated singles alongside vinyl. By the , the shift to digital platforms became prominent, enabling broader accessibility through streaming and downloads. Recent singles include "Pour Me A Drink" (2025) and "Stressed Success" EP (2024). During the early period from 1991 to 2000, 3 Beat Records prioritized high-energy dance tracks on vinyl and CD. For instance, Powerhouse's "Rhythm of the Night," a cover of the Corona hit, was released in 1997 as a and 12-inch vinyl, including remixes and versions as B-sides. Similarly, Pianoman's "Party People (Live Your Life Be Free)," sampling , appeared in 1997 on 12-inch vinyl with dub and extended mixes on the B-side. These releases exemplified the label's commitment to and sounds, typically limited to 500-1000 copies for vinyl runs. In the mid-period from 2001 to 2010, singles from imprints like Boss Records highlighted and garage influences, blending physical and emerging . A representative example is Aaron Smith featuring Luvli's "Dancin'," issued in 2005 via Boss Records on double 12-inch vinyl and , with club-oriented remixes by producers like JJ Flores and Steve Smooth filling the B-sides. This track, produced by Smith, captured the era's vibe and was pressed in limited vinyl quantities before digital promotion grew. Post-2011 singles by current artists often featured digital-first releases with remix packages. Jetta's "Start a Riot," released in 2013, was produced by the singer-songwriter herself alongside collaborators, available primarily as a digital single with acoustic and electronic variants. Such outputs underscore 3 Beat's adaptation to streaming, though select titles retained vinyl editions for collectors. The label's overall singles catalog evolved from analog-centric production to hybrid digital-physical models, aligning with industry shifts toward online platforms.

Charting singles

3 Beat Records has achieved notable success in the UK Singles Chart, with several releases reaching the Top 100 since the label's early days in the . The label's charting singles span genres, evolving from and influences in the 2000s to contemporary and dance tracks in the 2020s, reflecting broader shifts in electronic music trends. Key hits have often blended infectious hooks with club-oriented production, contributing to the label's reputation for commercial dance anthems. One of the label's landmark releases was Sak Noel's "Loca People" in 2011, which debuted at number 1 on the UK Singles Chart on October 2, spending one week at the summit and totaling 11 weeks in the Top 100. The track sold 75,000 copies in its debut week and achieved widespread international success, topping charts in countries including , the Netherlands, and , while amassing over 300 million views for its official video. The video, directed by Sak Noel, sparked controversy for its satirical depiction of a DJ exacting absurd on annoying clubgoers, such as throwing them into a pool or off a cliff, blending humor with exaggerated violence in a stylized club setting. In 2021, Jonasu's "Black Magic" marked another high point, entering the UK Top 40 at number 30 on June 25 before climbing to a peak of number 3, with 10 weeks on the chart overall. Released on December 18, 2020, the track gained traction through streaming platforms, earning a BPI Silver certification for 200,000 units in July 2021 and later Gold for 400,000 units, boosted by its feature on the ITV reality show Love Island. As a high-energy house track with tropical and vocal elements, it exemplified modern dance trends emphasizing feel-good escapism and viral social media appeal. Other notable Top 100 entries include Fuse ODG's "Million Pound Girl (Badder Than Bad)" in 2014, which peaked at number 5 on January 12 after debuting at number 14 the previous week, blending with dance rhythms. Philip George's "" followed in 2015, reaching number 2 and spending multiple weeks in the Top 10, sampling Stevie Wonder's "My Cherie Amour" in a style. Skepta's album Doin' It Again in 2011 charted at number 19 on the , representing the label's foray into grime during the mid-2000s scene. These releases highlight 3 Beat's diverse portfolio, with over a dozen Top 40 hits contributing to its enduring impact on UK .

References

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