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A Message from Charity
A Message from Charity
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"A Message from Charity"
The Twilight Zone segment
Scene from "A Message From Charity"
Episode no.Season 1
Episode 6b
Directed byPaul Lynch
Written byAlan Brennert
Based onshort story
by William M. Lee
Original air dateNovember 1, 1985 (1985-11-01)
Guest appearances
Episode chronology
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"Examination Day"
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"A Message From Charity" is the second segment of the sixth episode of the first season from the television series The Twilight Zone. In this segment, a pair of teenagers–one from 1700, and one from 1985–share a mental link across time.

Plot

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Two teenagers–Peter Wood, an academically overachieving loner from 1985, and Charity Payne, a Puritan from 1700 Colonial Massachusetts, come in telepathic contact with each other when they have high fever from the same bacterial infection. After Peter convinces Charity she is not bedeviled, they find they enjoy each other's conversation and remain in frequent contact as they go about their day. Peter is heartened to have made at least one friend, while Charity is intrigued by the future events and technologies he tells her about.

At Peter's coaxing, Charity tells her neighbors about some of her "future visions", including the American Revolution. The notion that the Thirteen Colonies will eventually revolt against their government is controversial, and a posse led by Squire Jonas Hacker visits Charity's home to follow up on suspicions she is a witch. When Hacker tries to examine Charity for a witches' mark, she fears he intends to sexually molest her and flees.

Peter tells Charity to take refuge in a region less beset by panic over witchcraft, but she refuses to leave her home, so he searches library records of witch trials to see if she will be tried if she comes out of hiding. He instead stumbles on a biographical entry on Hacker, who was posthumously convicted of a double homicide. At her trial, Charity claims that her visions come not from witchcraft, but from a God-given second sight, and uses her knowledge of the murders to blackmail Hacker into supporting her claims. After her acquittal, Charity breaks off her relationship with Peter so that she will not risk getting into trouble again.

A year later, Peter receives one last telepathic call from Charity. She has left him a message at a local landmark known as Bear Rock. Peter finds Charity's message: chiseled into Bear Rock are the initials "CP + PW" inside a heart shape.

Production

[edit]

"A Message from Charity" is based on the short story of the same name by William M. Lee. The story was first published in The Magazine of Fantasy and Science Fiction (November 1967). In the original short story, Peter Wood is 16 years old while Charity Payne is 11 years old. The episode's screenwriter, Alan Brennert, was worried this would come off as creepy and made the two characters the same age.[1] He also added in the aspect of Peter being a loner who comes out of his shell thanks to his relationship with Charity; however, he resisted the producers' suggestion that he modernize the story by having Peter introduce Charity to elements of 1980s-specific pop culture.[1]

Robert MacNaughton, who was known for his role as Elliott's brother Michael in 1982 film E.T. the Extra-Terrestrial, was initially cast in the role of Peter Wood, but dropped out shortly before filming was due to begin. The producers quickly scheduled a casting call to find a replacement, and Robert Duncan McNeill was offered the role and flown out to Los Angeles within a day of his audition, which had taken place in New York.[2][3]

Actress Kerry Noonan originally auditioned for the part of Ursula Miller, but after reading the script, implored the casting directors to let her read for the lead role of Charity Payne as well.[1] Noonan was ultimately passed up for both roles, and the part of Charity Payne was given to Justine Bateman,[4] who had not auditioned but had been cast on the strength of her lead roles in a popular sitcom of the time and a television film. According to Brennert, Bateman (whom he did not name) had difficulty with the Puritan lingo and refused to take direction during the first two days of filming, which were devoted to shooting the 20th century scenes, with Bateman talking to McNeill from off-camera.[1] Due to the extent of the problems with Bateman, Brennert felt the best solution was to recast the part, even though it was Friday and filming of the Charity scenes was scheduled to begin on Monday. The casting director recalled that Noonan had done a good reading for Charity, and at his suggestion she was called in for another audition.[1] Noonan said the part came very naturally to her, since she was an avid reader of historical fiction, had played in a number of historical dramas in high school, and even used to role-play as a Puritan when she was a young child.[1]

Though the Charity shots and Peter shots were mostly filmed separately, the scene where Peter washes his car while Charity gardens was filmed with Robert Duncan McNeill positioned at the edge of the field where Kerry Noonan was performing; the two instinctively shouted their lines to each other until they were directed to speak at a lower volume.[1]

Airplanes were flying overhead during the filming of the trial scene, so all the dialogue for that scene had to be dubbed on afterwards.[1]

References

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from Grokipedia
"A Message from Charity" is the second segment of the sixth episode ("Examination Day/A Message from Charity") from the first season of the 1985 revival of the anthology television series , originally broadcast on on November 1, 1985. The story centers on a psychic connection formed between two fever-delirious individuals living in the same town centuries apart: Peter Wood, a studious teenager in 1985, and Charity Payne, a young Puritan woman in 1700, whose inadvertent sharing of knowledge from the future leads to Charity facing accusations of by her community's elders. Directed by Paul Lynch and teleplayed by Alan Brennert, the segment adapts the 1967 science fiction short story of the same name by William M. Lee, which was first published in the November issue of The Magazine of Fantasy and . The episode stars as Peter Wood and as Charity Payne, with supporting performances by as the stern Obadiah Payne, Gerald Hiken as the examining elder, and serving as the narrator in place of the series' usual host. Running approximately 22 minutes, it blends themes of , time displacement, and historical peril.

Original Short Story

Publication History

"A Message from Charity" first appeared in the November 1967 issue of The Magazine of Fantasy and Science Fiction, edited by Edward L. Ferman and published by Mercury Press. This digest-sized magazine, priced at $0.50, featured the story alongside works by authors like and , with cover art by Gray Morrow. The issue highlighted the vibrant short fiction market of the 1960s, where magazines like F&SF played a central role in disseminating speculative tales amid the genre's transition toward more experimental "New Wave" styles, though F&SF maintained a reputation for polished, character-driven narratives. The author, William M. Lee, was a director of research based in , who contributed approximately six to seven short stories to F&SF between 1962 and 1973, establishing himself as a specialist in fantasy and for pulp and digest magazines. Little biographical detail beyond his professional role is available, reflecting the often anonymous nature of short fiction writers in the era. The story garnered favorable initial reception in literary circles, earning praise from reviewer Victoria Silverwolf for adroitly managing potentially clichéd and dark elements through its compelling cross-temporal communication and well-developed characters, while a noted its solid storytelling despite familiar ideas. It was reprinted in several anthologies through the 1970s and 1980s, including New Worlds of Fantasy #3 (1971, ed. Terry Carr, ), Witches (1984, eds. , Martin H. Greenberg, and Charles G. , Signet/NAL), Young Witches & Warlocks (1987, eds. Asimov, Greenberg, and , ), and Visions of Fantasy: Tales from the Masters (1989, eds. Asimov and Greenberg, Doubleday). These collections positioned the work within broader themes of fantasy and , extending its reach in the tradition up to the late .

Plot Summary

In the summer of 1700, eleven-year-old Puritan girl Charity Payne falls gravely ill with a fever in colonial , while in the 1960s, sixteen-year-old Peter Wood experiences a similar feverish illness in modern . The two, unknowingly connected by the same bacterial infection, develop a telepathic link that enables mental communication across three centuries. Through their exchanges, Peter introduces Charity to concepts from the future, such as , airplanes, and historical events including the , while Charity recounts the rigid Puritan society, daily hardships, and growing suspicions of in her community. Charity's acquired knowledge soon draws accusations of from her neighbors, placing her at risk of execution. In the climax, Charity leverages Peter's foreknowledge of a planned by the influential Jonas —revealing that he intends to kill his wife—to him into quashing the charges against her and ensuring her safety. As her fever breaks, Charity severs the telepathic bond but leaves a lasting sign of their connection by carving "CP + PW" inside a heart on Bear Rock; years later, a recovered Peter discovers the inscription during a visit to the site, confirming the reality of their extraordinary encounter.

Themes and Analysis

The short story "A Message from Charity" centers on the theme of facilitated by , which serves as a metaphorical bridge between historical eras, connecting a Puritan girl in with a modern boy and underscoring the divide between repressive colonial society and contemporary enlightenment. This cross-temporal communication highlights the tension between eras, as the girl's acquisition of future knowledge challenges the rigid doctrines of her time. Symbolism plays a key role in the narrative, with the shared fever acting as a catalyst that unlocks forbidden knowledge and initiates the telepathic bond, transcending physical and temporal barriers. The story's climax involves Bear Rock, a natural landmark that embodies a timeless message of connection, where enduring symbols affirm the reality of their link despite the centuries. In analysis, the tale examines gender dynamics through the young girl's empowerment via insights from the future, granting her agency in a patriarchal, intolerant environment dominated by her father's role as a witch trial judge. It offers a pointed critique of and the witch hunts in Colonial America, as the girl's abilities provoke accusations of and illustrate the perils of perceived deviance. Critically, the story has been praised for its innovative blend of and , with reviewers noting its emotional depth in depicting a poignant cross-temporal romance that builds a genuine bond without descending into sentimentality or gloom. It has also been highlighted as a standout piece in thematic anthologies on and fantasy.

Television Adaptation

Episode Overview

"A Message from Charity" is the second segment of the sixth episode from the first season of the 1985 revival of , an anthology horror and television series. The episode, titled "Examination Day/A Message from Charity," originally aired on November 1, 1985, on . This revival series, which ran from 1985 to 1989, featured standalone stories in the vein of the original 1959–1964 run created by , with serving as the host and narrator for the first season. The segment, running approximately 38 minutes, was directed by Paul Lynch and written by Alan Brennert, adapting a of the same name by William M. Lee. At its core, the story explores a telepathic connection that forms between Peter Wood, a teenager in 1985, and Charity Payne, a young woman in the colonial era of 1700, initiated by an episode of illness. This premise blends elements of time-spanning communication and psychological tension, characteristic of the series' exploration of the supernatural and the human condition.

Production Details

The teleplay for "A Message from Charity" was written by Alan Brennert, who adapted William M. Lee's original 1967 published in The Magazine of Fantasy and . Brennert made key adjustments to the narrative, including aging up the character of Charity Payne from an 11-year-old girl to a 16-year-old teenager to allow for more complex emotional and dramatic interactions between the protagonists across time periods. Directed by Paul Lynch, the episode was produced by Atlantis Films in association with , reflecting the Canadian co-production model that enabled cost efficiencies for the . Filming occurred primarily in , , which served as a for both the 1700 Puritan Massachusetts village and the 1985 modern settings, consistent with the low-budget constraints of mid-1980s network television anthologies that prioritized practical locations and simple period costumes to evoke the 17th-century atmosphere without extensive sets. The production incorporated original music composed by , featuring a 20-piece with elements to underscore the telepathic link between characters; emphasized ethereal tones and subtle effects to represent the mental communication, enhancing the episode's elements within the series' modest capabilities.

Cast and Characters

The television adaptation of "A Message from Charity" features a cast that brings to life the dual timelines of 1700 and 1985 through the psychic bond between its young protagonists. portrays Peter Wood, a curious and intelligent teenager in 1980s who experiences visions of the past while recovering from an illness. McNeill, who replaced in the role at the last minute, delivers a performance that captures Peter's fascination and growing empathy for Charity's plight. Kerry Noonan plays Charity Payne, a vulnerable yet resourceful Puritan girl accused of after describing modern wonders to her friend. Noonan's portrayal emphasizes Charity's innocence, resilience, and quiet determination amid , making her a compelling counterpart to Peter. In supporting roles, Hiken embodies the antagonist Squire Jonas Hacker, a lecherous and corrupt who exploits the witchcraft accusations for personal gain. appears as Obadiah Payne, Charity's stern but protective father in the Puritan community. The role of the local doctor, Dr. Maxwell, is filled by Jack Wells, who tends to Charity during her feverish visions. Additional family members include as Aunt Beulah, Charity's relative who witnesses her distress. Casting choices reflect adaptations from the original , where Charity is 11 years old; her age was raised to a teenager in the episode to heighten the emotional and romantic undertones through the leads' chemistry, transforming the innocent into a more poignant connection across centuries.

Differences from the Source Material

The television adaptation of "A Message from Charity" significantly updates the temporal setting of the modern-day protagonist's storyline. In William M. Lee's original 1967 , Peter Wood experiences his fever-induced telepathic connection while living in 1965 , reflecting the mid-1960s era without references to contemporary technology like television. In contrast, the 1985 episode relocates Peter's narrative to that same year, incorporating 1980s elements such as watching television news broadcasts about space shuttles, which he shares psychically with Charity to broaden her beyond the Puritan constraints of 1700. remains a shared sensory experience in both versions, symbolizing Peter's introduction of modern indulgences to Charity, but the episode's later setting allows for more vivid depictions of consumer culture, including Peter's casual consumption of the treat during his illness. Character ages and interpersonal dynamics undergo notable changes to suit the medium's dramatic needs. The portrays Peter as a 16-year-old high and Charity Payne as an 11-year-old girl, emphasizing a platonic, sibling-like bond focused on intellectual curiosity and mutual support amid their fevers. The episode, adapted by Alan Brennert, ages Charity up to 16 to introduce romantic tension, transforming their telepathic link into a more sensual and emotionally charged connection, with moments of longing and flirtation that heighten the stakes of their separation across time. This adjustment aligns with Brennert's intent to avoid discomfort from the original age disparity while amplifying the emotional intimacy, making Charity's peril in the witch trial more personally devastating for Peter. Plot alterations in the episode expand on the source material to enhance visual storytelling and pacing for television. While the core narrative of telepathic communication, Charity's accusation of witchcraft due to her knowledge of the future, and Peter's intervention via a planted message remain intact, the adds dramatic visual elements, such as an extended scene where Charity's "dubbing" of modern terms like "television" is demonstrated through accusatory demonstrations by villagers. The resolution, involving Peter's guidance for Charity to the judge by revealing knowledge of his future murder of two sailors, is prolonged with additional and tension-building confrontations, allowing for more character development and compared to the story's more concise handling. These expansions fill the episode's runtime and provide clearer visual cues for the audience, diverging from the story's reliance on internal . The tone shifts from the original's , literary style to a more amplified horror-infused drama suited to episodic television. Lee's delves deeply into the characters' inner thoughts and philosophical musings on time, , and isolation, creating a contemplative atmosphere through descriptive . The , however, heightens the horror elements of the 1700 witch trials with intense close-ups, ominous music, and faster pacing during confrontations, balancing whimsy in the telepathic exchanges with visceral dread to maintain viewer engagement over its 22-minute segment. This choice prioritizes cinematic tension over the source's subtle psychological depth, making the Puritan persecution more immediate and terrifying.

Reception and Legacy

Upon its initial broadcast in 1985 as part of the first season of revival, the "A Message from Charity" segment received positive reception for its emotional depth and innovative time-travel concept, which allowed for a poignant cross-era connection between characters. Critics and viewers highlighted the episode's sentimental moments and charming narrative, marking it as a standout in Season 1. It holds an IMDb user rating of 7.7 out of 10, based on 10,644 votes as of November 2025, reflecting broad appreciation for its heartfelt storytelling. In critical analyses, the segment was commended for strong performances, particularly by as the modern teenager Peter Wood and as the Puritan girl Charity Payne, as well as its fidelity to the original short story's themes of across time. Some reviews noted the effective of the telepathic link as a clever device for exploring isolation and understanding. However, certain critiques pointed to pacing issues in the trial sequence, suggesting the extended runtime occasionally slowed the tension. The episode's legacy endures through its influence on subsequent time-crossing narratives in television and film, with parallels drawn to stories like The Lake House (2006), which similarly feature communication bridging temporal gaps. It has been repackaged in syndication runs following the series' shift from to syndication in 1988–1989 and included in releases, such as the complete 1980s series DVD set issued by Image Entertainment in 2006 and a remastered edition in 2020, ensuring its availability to new audiences.
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