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Abara
Manga
Written byTsutomu Nihei
Published byShueisha
English publisher
MagazineUltra Jump
Original runMay 19, 2005 – March 18, 2006
Volumes2
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Abara (stylized in all caps) is a Japanese manga series written and illustrated by Tsutomu Nihei. It was serialized in Shueisha's seinen manga magazine Ultra Jump from May 19, 2005,[1] to March 18, 2006,[2][3] with its chapters collected in two tankōbon volumes.[4][5]

The series takes place in a dystopian universe characterized by towering edifices. It centers around a particular class of beings, termed Gaunas, who possess the unique ability to mold armaments and protective gear out of bone-like material. The plot centers around one specific Gauna, Kudou Denji.

It was licensed for English release in North America by Viz Media.

Plot

[edit]

In the future, humans are forced to live in cities connected only by a highway and tubes. Some humans mutate into White Gaunas which pose a threat to mankind. To preserve humanity's future, a group of scientists produced time machines powered by nuclear plants called mausoleums, which can send humans to a distant future to ensure their survival. They also use the energy from these plants to teleport all White Gaunas on Earth present to a separate timeline, and entrust their knowledge to the fourth Eon Group, ensuring that at least a pair of humans can escape into the future. However, White Gauna mutation is still prominent, and as they consume the remaining humans, survivors begin to desperately fight over the facilities. As a result, all but one of the mausoleums are destroyed. The fourth Eon Group is wiped out, but not before uploading remnants of their memories onto computers embedded in the Raven, Skull Man, and Stick, with an Observation Bureau created to safeguard the truth of the mausoleums.

Hundreds of years later, the Observation Bureau study the White Gaunas to counter them and engineer a human-Gauna hybrid known as a Black Gauna, possessing White Gauna abilities but with human minds. Two children, Denji and Nayuta, are used as test subjects. As a control device is implanted in Nayuta, Denji escapes, killing several in the process.

Few years later, Tadohomi requests Denji's help to kill a White Gauna before more casualties occur. After Denji is wounded fighting the Gauna, Sakijima tracks down Tadohomi and arrests her for finding his body. The Observation Bureau sends Nayuta to bring Denji back to them by taking advantage of his wounded state. Their boss believes Black Gaunas are untrustworthy and monstrous like their White cousins. Sakijima is ordered by the Ministry to release Tadohomi, deciding to uncover the truth while suspicious of the Bureau.

A White Gauna spawns, but is able to consume humans before the Bureau takes action. They unsuccessfully send a team of humans, before sending Nayuta to subdue the big White Gauna. Prevailing against another White Gauna, Nayuta falls dead soon after. As she is telepathically linked with her twin Ayuta, any damage sustained by Nayuta is also manifested in Ayuta.

Meanwhile, Sakijima gains intel about the fourth Eon Group and Gaunas through a colleague before heading to Kegen Hall. The colleague is shot by a security guard whom Sakijima kills. Sakijima meets Tadohomi who plans to rescue Denji. He saves Tadahomi from guards, and they enter the room where Denji is held. A revived Ayuta awakens, mutating into a White Gauna. Denji fights Ayuta while Sakijima and Tadohomi flee on helicopter. The fourth Eon Group successors seek to activate a missile believed to be capable of killing the big White Gauna by striking its spinal cord. Denji distracts Ayuta as the missile is primed, with the Skull Man trying to attach the host-less Black Gauna on the missile. The Raven fires the missile with himself, killing the big White Gauna.

The nuclear reactor begins failing with the Forbidden Cage's appearance from insufficient energy to teleport the remaining White Gaunas, so the Stick and Raven guide Tadohomi and Sakijima to the House storing the time machine. Ayuta kills the Raven, before being killed by Nayuta. Tadohomi and Sakijima take cover in the House just as an explosion seemingly destroys Nayuta. The Stick also helps the duo activate the time machine. Many years later, the rest of humanity is wiped out either by White Gaunas or by infighting. Tadohomi and Sakijima depart the overgrown House and look up into the sky. Two Black Gaunas, revealed to be Denji and Nayuta, continue to battle with the White Gaunas, stranded in a separate dimension.

Reception

[edit]

The manga was nominated for an Eisner Award in the category "Best U.S. Edition of International Material—Asia" in 2019.[6]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Abara

View on Grokipedia
from Grokipedia
Abara is a horror series written and illustrated by , serialized in Shueisha's magazine from May 19, 2005, to March 18, 2006, and collected into two volumes. The story unfolds in a dystopian future where Earth is semi-destroyed, forcing humanity to reside in interconnected megacities linked by highways and tubular structures, amid conflicts involving creatures known as s. s are monstrous beings capable of shaping bone into armor and weapons; the narrative centers on protagonist Denji Kudou, a human test subject who transforms into a hybrid "Black " alongside others, battling both White s—mutated humans—and rival hybrids in a struggle for survival and identity. Nihei, renowned for his intricate, high-contrast artwork in works like Blame! and Biomega, employs Abara's 11 chapters to explore themes of , technological , and existential horror through visually striking depictions of biomechanical forms and vast . The series' English-language release, titled Abara: Complete Deluxe Edition, was published as a single hardcover volume by on December 18, 2018, featuring full-color pages, foldouts, and dynamic black-and-white illustrations, rated 'T+' for older teens. Abara has garnered a for its intense action sequences and influential body horror elements, inspiring later mangaka such as of Chainsaw Man.

Publication

Serialization and volumes

Abara was initially announced on April 20, 2005, as a new work by set to begin serialization in Shueisha's magazine. The series, targeted at a seinen audience, ran from the June 2005 issue (on sale May 19, 2005) to the April 2006 issue (on sale March 18, 2006). This shorter format marked a departure from Nihei's earlier long-form narratives like Blame!, allowing for a more contained exploration of his signature dystopian themes. The manga consists of 11 chapters in the main story, plus a two-part bonus story "Digimortal" (chapters 12–13), which were compiled into two tankōbon volumes published by Shueisha under the Young Jump Comics Ultra imprint. Volume 1, encompassing chapters 1 through 6 and spanning approximately 200 pages, and Volume 2, covering chapters 7 through 13 (including the bonus "Digimortal") and approximately 218 pages, were both released on May 19, 2006. A deluxe re-edition was published by Kodansha on August 21, 2015 (ISBN 978-4-06-377319-4). A new edition was released on February 7, 2025.

International releases

In English, Viz Media released Abara: Complete Deluxe Edition as a single hardcover volume on December 18, 2018, collecting both original volumes with a revised and superior quality featuring full-color pages and foldout illustrations. The edition's is 978-1-9747-0264-0, and its emphasizes a dynamic depiction of the protagonist Denji in a metallic hue, differing from the more subdued Japanese covers. A digital version became available simultaneously for $19.99 through Viz.com, the VIZ App, and platforms including Nook, Kobo, Kindle, iBooks, [Google Play](/page/Google Play), and . The French edition by Glénat Éditions began in 2007, with Abara Tome 1 published on April 4 ( 978-2-7234-5942-6) and Tome 2 on June 20 ( 978-2-7234-5943-3), each in standard format with black-and-white interiors. These volumes used adapted from the Japanese originals but with localized . A deluxe edition followed on March 1, 2023 ( 978-2-344-05518-2), compiling the full series in a larger format with additional content like the "Digimortal" and a postface. In Poland, J.P. Fantastica (JPF) issued Abara in 2014 as a single softcover volume on November 5 (ISBN 978-83-7964-512-0), compiling the series in the JPF Mega Manga line with a translation by Tomasz Rola. The cover featured a localized design highlighting the skeletal Gauna motifs, distinct from earlier editions. As of November 2025, official digital releases remain limited to the English edition, with no verified e-book versions in French, Polish, or other major European languages like German and Spanish despite physical publications in those markets by publishers such as Egmont Manga (German, 2010–2011) and Panini España (Spanish, original 2009; master edition 2022). No official adaptations, such as anime or live-action, have been produced in any international market. The timing of the 2018 English release aligned with growing global interest in Tsutomu Nihei's oeuvre following the 2014–2015 anime adaptation of Sidonia no Kishi.

Story

Setting

The world of Abara is a dystopian characterized by vast, decaying urban landscapes dominated by colossal gothic structures and ancient tombs whose builders and purpose remain unknown, fostering an atmosphere of industrial and perpetual . Cramped alleys and towering megastructures evoke a post-apocalyptic environment where humanity clings to survival amid constant environmental decay and hidden dangers lurking in the shadows. Humanity's history spans multiple "eons" marked by repeated apocalypses, with invasions having caused the fall of civilization at least three times in the past, leaving the current era in a fragile state of recovery under ongoing peril from these entities. The are mutated or extraterrestrial beings capable of devouring humans and reshaping ingested into bone-like armor, weapons, and even architectural forms; they are divided into predatory White Gauna, which drive the cycles of destruction, and engineered Black Gauna, developed by humans as biomechanical countermeasures to combat their kin while retaining human cognition. Central to human resistance is the Observation Bureau, a secretive government agency tasked with monitoring and countering Gauna threats through advanced anti-Gauna technologies and engineered transformations. Complementing this are the Chronicle Groups (also referred to as Eon Groups), enigmatic organizations linked to cycles of rebirth and temporal preservation, which safeguard human knowledge across eons by entrusting memories and survival protocols to successors in efforts to perpetuate the species amid recurring cataclysms. The world's lore incorporates biomechanical enhancements, such as Gauna-derived skeletal armors, and conceptual time manipulation tied to the eons, reflecting Nihei's signature megastructure aesthetic seen in his earlier works.

Plot

Abara's plot centers on Denji Kudou, a reluctant operative with the ability to transform into a —a entity that manifests ribcage-derived armor for —who is involved with the Observation Bureau to counter the rampaging White Gaunas terrorizing the last remnants of humanity in a vast, decaying metropolis. The narrative arc escalates from localized urban defenses to high-stakes confrontations incorporating evolution and time displacement mechanics, driven by the creatures' insatiable predatory instincts and the organization's desperate countermeasures. In Volume 1, Denji's transformation capability is first revealed amid an abrupt assault by a White on city infrastructure, prompting his enlistment in a targeted hunt for a specific, highly destructive specimen evading capture. As Denji engages in visceral clashes that level sections of the , his hybrid human-Gauna sparks profound internal turmoil, amplifying the physical toll of battles where osseous appendages clash in biomechanical fury—Gaunas being metamorphic beings that extrude skeletal weaponry from their forms. Initial disclosures hint at the Gaunas' genesis through illicit human experimentation, blending genetic tampering with viral mutations to forge weapons against existential threats, though these origins remain partially obscured amid the chaos. Volume 2 intensifies the peril with the emergence of powerful White adversaries, whose adaptive prowess outstrips prior encounters and forces the Bureau to deploy prototype time displacement devices, hurling combatants into fractured temporal layers and alternate historical epochs. The volume chronicles escalating skirmishes across distorted realities, culminating in Denji and the Black hybrid Nayuta being isolated in a separate to continue battling the White Gaunas, while Tadohomi and Sakijima escape to another reality using the last time machine. The conclusion underscores motifs of evasion and perpetual ruin, as the survivors grapple with an unending loop of mutational outbreak and , leaving the city's fate hanging in precarious ambiguity.

Characters

Protagonists

Denji Kudou is the central of Abara, depicted as a reluctant factory worker yearning for a quiet, unassuming life amid the dystopian city's chaos. As a product of clandestine experiments conducted by the Observation Bureau, he was genetically altered from childhood into a Black Gauna hybrid designed to counter the threat of White Gaunas. This partial transformation leaves him in a liminal state between human and monster, rendering him vulnerable due to his incomplete integration of Gauna traits, yet granting him the ability to involuntarily shift into a combat form. In his baseline human appearance, Kudou presents as gaunt and withdrawn, with a slender build that underscores his isolation. Upon transformation, however, he assumes a massive, armored state armored in dense, bone-like plating that enhances his physical prowess, including for shattering structures and rapid regeneration to heal severe wounds mid-battle. These Black Gaunas, engineered as countermeasures within the story's setting, allow Kudou to mold osseous materials into protective gear and improvised weapons. His narrative development traces a path from apathetic detachment—avoiding conflict despite his forced role as a defender—to a resolute protectiveness, motivated by personal connections forged through adversity. Nayuta functions as Denji Kudou's female counterpart and key ally, similarly originating as a human test subject in the Bureau's program to produce stable Black hybrids against the White incursions; she is the twin sister of Ayuta. Unlike Kudou's imperfect , her transformation is more seamless, endowing her with advanced regenerative abilities that enable rapid recovery from or explosive trauma, often tied to an implanted control device in her physiology. She exhibits a childlike innocence and inability to speak, fostering a profound emotional bond with Kudou rooted in their shared experimental origins and mutual dependence. Physically, Nayuta's human form is fragile and ethereal, contrasting her Gauna manifestation as a lithe, weaponized entity with flowing, blade-like appendages capable of synchronized assaults alongside Kudou. Her arc emphasizes resilience and partnership, culminating in time-displaced endurance and joint combat efforts that highlight her role in amplifying the protagonists' survival against overwhelming odds.

Antagonists and supporting characters

The primary antagonistic forces in Abara are the White Gaunas, monstrous entities that function as a hive-like collective, rampaging through urban populations and consuming inhabitants in acts of mass destruction. These creatures represent an uncontrollable evolutionary threat, having precipitated the collapse of human civilization on multiple occasions throughout history. Their biology enables rapid adaptation and predation, with variants such as the initial rampaging White Gauna in the story's opening volume emerging through breaches in reality to initiate widespread invasions and casualties. Tadohomi emerges as a central supporting figure affiliated with a secretive government observation bureau, coordinating defensive measures against White Gauna incursions by enlisting specialized allies for elimination operations. Her role underscores the institutional response to these threats, including efforts to contain outbreaks before they escalate into full-scale extinctions, though her actions occasionally intersect with moral ambiguities in the bureau's engineered countermeasures. Sakijima functions as a dedicated law enforcement operative, offering technical and investigative support while navigating bureaucratic obstacles to expose hidden aspects of the Gauna conflicts. As a handler within the Observation Bureau, he provides moral guidance and logistical aid, facilitating alliances that propel the forward amid escalating invasions. Halogen Übler is a lead research scientist and member of the who underwent cybernetic modifications 50 years prior to the story's events. Involved in and operations to support the Inquisition's goals, he is targeted by a resistance organization and the assassin known as Digimortal. Minor supporting elements include the biomechanical assassin Digimortal in the appended one-shot narrative, embodying the fusion of technology and mutation that echoes the main story's themes of survival against otherworldly horrors. (Note: Limited details available; based on volume inclusion.) Collectively, these antagonists propel the external perils of uncontrolled and , while the supporting characters drive plot advancement via fragile coalitions, covert operations, and occasional shifts in loyalty that heighten the stakes of dystopian confrontation.

Themes and analysis

Body horror and mutation

In Abara, the represent a core element of through their metamorphic abilities, where human hosts undergo involuntary transformations into biomechanical entities, extruding bone-like armor and reconfiguring organs in visceral, uncontrollable bursts. These changes, as seen in protagonist 's activations as a Black Gauna, emphasize a profound loss of bodily autonomy, with flesh tearing and skeletal structures erupting suddenly to form weapons and protective layers amid the chaos of . Tsutomu Nihei employs stark artistic techniques to amplify the horror of these mutations, utilizing heavy shadows, intricate textures of ripping skin, and asymmetrical, elongated forms that distort human proportions into nightmarish hybrids of and . Close-up panels capture the fluidity of these sequences, depicting oozing, gooey transitions that blend organic decay with mechanical rigidity, creating a sense of immediate, unrelenting physical violation. Narratively, mutations function dually as empowering weapons against invading White —parasitic entities that consume humans—and as inescapable curses that accelerate bodily degradation, trapping individuals in a cycle of survival-driven monstrosity within the dystopian . This duality underscores the theme of physical , where transformation offers temporary strength but erodes the boundaries of humanity, forcing characters like Denji into perpetual conflict with their altered forms. Compared to Nihei's earlier works like Blame!, the mutations in Abara shift from predominantly cybernetic and silicon-based horrors to more immediate, organic biological alterations, heightening the intimacy and grotesqueness of the body's betrayal.

Dystopian survival and identity

In Abara, survival motifs underscore the futility of humanity's repeated confrontations with existential threats, as cycles of destruction and rebirth span eons through advanced time manipulation technologies that repeatedly fail to eradicate the menace. The narrative portrays a world where humanity's resilience is tested not through triumph but through perpetual evasion, with time machines enabling escapes into the future or alternate dimensions, only to perpetuate the same apocalyptic patterns. This cyclical apocalypse highlights a philosophical resignation to inevitable decay, where each rebirth merely delays the represented by the Gauna, symbols of unrelenting otherness invading human . Identity themes in the story revolve around the protagonists' hybrid existence, which blurs the boundaries between human and monster, prompting profound questions about what constitutes humanity in the face of and assimilation. Black , engineered as human-White hybrids, retain human while wielding monstrous forms, embodying a fractured self that challenges essentialist notions of identity amid ongoing transformation. This serves as a lens for exploring otherness, where the integration of alien elements into the self fosters resilience but also alienation, forcing characters to reconcile their dual natures in a reality that no longer distinguishes between savior and devourer. The isolated functions as a for the alienation of modern life, enclosing inhabitants in a of decaying structures that symbolize societal disconnection and . Organizations exemplify desperate authoritarian control, deploying and temporal interventions to impose order on chaos, yet their efforts only amplify the critique of bureaucratic overreach and the erosion of individual agency in dystopian isolation. This setup reflects broader philosophical concerns about human resilience under oppressive systems, where survival demands submission to institutional power that mirrors the very threats it seeks to combat. Symbolic elements such as time displacement represent humanity's futile quest for renewal, offering escape from physical and societal decay into isolated dimensions that promise rebirth but ultimately reinforce the cycle of . By warping time to revisit origins or branch into new realities, the story philosophically interrogates renewal as an , where each displacement underscores the persistence of otherness and the limits of human ingenuity against inexorable forces. This motif culminates in a on resilience as acceptance of perpetual struggle, rather than conquest, in a defined by endless recurrence.

Reception

Critical response

Critics have widely praised Tsutomu Nihei's artwork in Abara for its dynamic and expressionistic depiction of action sequences, often highlighting the biomechanical designs of the creatures and their transformations. In a 2018 review, described the series as an "exhilarating posthuman ," noting Nihei's use of "epic widescreen setpieces of sudden, shocking, bloody violence" and a "touch of in his biomechanoid beings that his characters mutate and transform into." The included Abara: Complete Deluxe Edition in its list of the best of 2019, recognizing its atmospheric, shadowy art that evokes a gritty, post-apocalyptic world. However, the narrative has drawn criticisms for its plot confusion, stemming from minimal dialogue and rapid pacing that leave key elements underdeveloped. A 2019 review in No Flying No Tights pointed out the story's "style over substance" approach, with unresolved questions about the origins of the White Gauna and the Four Aeon Guild contributing to an ambiguous ending that frustrates some readers. Fan discussions on platforms like have echoed these concerns, with users frequently expressing bewilderment over the vague plot progression and open-ended conclusion, though many appreciate the visual spectacle despite the narrative opacity. Among fans, Abara holds a mixed but generally positive reception, evidenced by an average rating of 3.6 out of 5 on based on 901 ratings and 6.68 out of 10 on based on 13,279 users as of November 2025. Many laud its short format as well-suited to Nihei's strengths in visual storytelling and high-octane action, but others find the plot underdeveloped in comparison to his longer works like Blame!. The Viz Media edition of Abara: Complete Deluxe Edition, released in December 2018, achieved strong commercial performance, bolstered by its nomination for the 2019 Eisner Award in the Best U.S. Edition of International Material—Asia category. This recognition contributed to heightened visibility and demand, aligning with Viz's overall sales growth that year.

Awards and recognition

Abara received a nomination for the 2019 Comic Industry Award in the category of Best U.S. Edition of International Material—Asia for its Complete Deluxe Edition published by . The nomination was announced on April 26, 2019, and while it did not win—the award went to by —it contributed to increased visibility for the series in North American markets. The has been highlighted in various retrospectives on Tsutomu Nihei's oeuvre. In a article by Sabukaru, Abara was described as a "dark sci-fi classic" that bridges the expansive world-building of Blame! with the biomechanical hybrid themes explored in Biomega, underscoring its role in Nihei's evolution as a dystopian storyteller. Similarly, a 2018 feature on TheOASG praised the deluxe edition's design for effectively capturing the beauty inherent in the 's horror elements, emphasizing its aesthetic impact. A Master Edition was released in Italian by on July 4, 2024, further extending its international reach. Despite these international nods, Abara has not received major Japanese manga awards, such as the . In terms of legacy, Abara's concept has influenced subsequent works in the genre, notably cited by as a key inspiration for the monstrous designs and action in , where he aimed to create a "pop ABARA." This recognition highlights the manga's enduring impact on sci-fi horror manga creators.

References

  1. https://www.lastdodo.com/en/items/9220341-abara-complete-deluxe-edition
  2. https://sabukaru.online/articles/a-dark-sci-fi-classic-abara-by-tsutomu-nihei
  3. https://myanimelist.net/manga/1400/Abara
  4. https://rue-morgue.com/viz-media-announces-the-release-of-abara-complete-deluxe-edition/
  5. https://majorspoilers.com/2018/11/14/viz-media-announces-the-release-of-abara-complete-deluxe-edition/
  6. https://www.goodreads.com/book/show/39859429-abara
  7. https://www.animenewsnetwork.com/news/2005-04-20/new-manga-from-tsutomu-nihei
  8. https://www.animenewsnetwork.com/encyclopedia/manga.php?id=7648
  9. https://www.amazon.co.jp/%E6%96%B0%E8%A3%85%E7%89%88-ABARA-KC%E3%83%87%E3%83%A9%E3%83%83%E3%82%AF%E3%82%B9-%E5%BC%90%E7%93%B6-%E5%8B%89/dp/4063773191
  10. https://www.amazon.co.jp/%E6%96%B0%E8%A3%85%E7%89%88-%EF%BC%A1%EF%BC%A2%EF%BC%A1%EF%BC%A2%EF%BC%A1-%E3%82%A2%E3%83%95%E3%82%BF%E3%83%8C%E3%83%BC%E3%83%B3%E3%82%B3%E3%83%9F%E3%83%83%E3%82%AF%E3%82%B9-%E5%BC%90%E7%93%B6%E5%8B%89-ebook/dp/B0DV52B2NR
  11. https://www.animeherald.com/pressrelease/abara-complete-deluxe-edition-manga-hits-stores-on-12-18-2018/
  12. https://www.amazon.com/Abara-1-Tsutomu-Nihei/dp/272345942X
  13. https://www.amazon.com.au/Abara-2-Seinen-Manga-French/dp/2723459438
  14. https://www.glenat.com/glenat-manga/abara-deluxe-9782344055182/
  15. https://gildia.pl/231804-abara.html
  16. https://www.amazon.com/ABARA-MASTER-EDITION/dp/8411019764
  17. https://books.google.com/books/about/Abara_Complete_Deluxe_Edition.html?id=f459DwAAQBAJ
  18. https://www.animenewsnetwork.com/feature/2018-12-03/the-fall-2018-manga-guide/abara/.140302
  19. https://neotokyo2099.com/2019/01/19/manga-reviews-2000s-abara-complete-deluxe-edition-story-art-by-nihei-tsutomu-a-neo-tokyo-2099-manga-review/
  20. https://www.tcj.com/reviews/abara/
  21. https://bleedingcool.com/comics/abara-review/
  22. https://noflyingnotights.com/blog/2019/08/23/abara-complete-deluxe-edition/
  23. https://www.midtowncomics.com/product/1754302
  24. https://genkinahito.wordpress.com/2013/04/15/abara-decay-and-rebirth/
  25. https://en.namu.wiki/w/%25EC%2595%2584%25EB%25B0%2594%25EB%259D%25BC
  26. https://m.derivefigurine.com/en/abara/29350-pack-figures-kudou-denji-nayuta-black-gaunas-4580780630087.html
  27. https://www.confreaksandgeeks.com/abara-complete-deluxe-edition-review/
  28. https://myanimelist.net/character/17430/Halogen_%C3%9Cbler
  29. https://www.tcj.com/the-best-comics-of-2019/
  30. https://www.reddit.com/r/Netsphere/comments/10kgsgt/new_to_niheis_work_can_someone_please_explain/
  31. https://app.thestorygraph.com/book_reviews/7635e174-e731-49dc-b3bf-97e8bcc2e322
  32. https://www.animenewsnetwork.com/news/2019-04-26/abara-laid-back-camp-tokyo-tarareba-girls-more-nominated-for-eisner-awards/.146199
  33. https://icv2.com/articles/news/view/42593/viz-sales-grew-manga-market-expanded-2018-top-opportunities-2019
  34. https://www.hollywoodreporter.com/lifestyle/arts/2019-eisner-awards-complete-winners-list-1225835/
  35. https://www.theoasg.com/articles/capturing-the-beauty-and-horror-of-abara/11539
  36. https://www.goodreads.com/work/editions/61651497
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