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Khan Asifur Rahman Agoon, known as Agun (born 1971) is a Bangladeshi musician.[1][2] The son of actor Khan Ataur Rahman (d. 1997) and singer Nilufar Yasmin (d. 2003),[3] he is notable for songs like "Baba Bole Chhele Nam Korbe", "Amar Shopno Gulo" and "O Amar Bondhu Go".[4]

Key Information

Career

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In 1988, Khan Asifur Rahman Agoon started his career in music as the vocalist of a band named Sudden and released an album titled "Auchena", two years later in 1990.[4] He retired from the band and went solo in 1992.[2] Since then, he performed as playback singer in films including Keyamot Theke Keyamot (1993) and Dui Duari (2000).[2][5]

Agoon also played roles in films like Akhono Onek Raat, '71 Er Ma Jononi and television dramas including Ojana Shoikotey and Ronger Manush.[2][6]

Personal life

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In 1998, 1 month after Khan's father died, he eloped and married Farhana Haque Tanna. He has two children, Michhil (b. 2000) & Moshal (b. 2009).[7][8]

Awards

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Discography

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Film songs

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Year[9] Film Song Composer(s) Songwriter(s) Co-artist(s)
1989 Sakkhi Proman "Churi Baaje Jhun Jhun Jhun" Ahmed Imtiaz Bulbul Jhumu Khan
1993 Keyamat Theke Keyamat "Ekhon To Somoy" Alam Khan Moniruzzaman Monir Runa Laila
"O Amar Bondhu Go"
"Baba Bole Chhele Naam Korbe" solo
1994 Bikkhov [10] "Ami Tomake Jeno" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Runa Laila
"Ekattorer Maa Jononi" Runa Laila, Shakila Zafar, Khalid Hasan Milu
Ontore Ontore "O Dadi O Dadi" Alam Khan Moniruzzaman Monir solo
Tumi Amar "Dekha Na Jole Ekdin" Abu Taher Moniruzzaman Monir Kanak Chapa
"Amar Jonmo Tomar Jonno" Samina Chowdhury
1995 Asha Bhalobasha "Prem Preeti Aar Bhalobasha" Abu Taher Moniruzzaman Monir Runa Laila
"Aro Aage Keni Elena"
Dost Amar Dushmon "Sekaleo Bondhu Chhilo" Abu Taher Gazi Mazharul Anwar, Moniruzzaman Monir, Jahanara Bhuiyan Khalid Hasan Milu
Banglar Commando "Dost Dost Dost Tui Je Amar Jaan" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Khalid Hasan Milu
"Bhalo Manush Payna Bole Bhaat"
"Sajiye Gujiye De Amay" solo
"Bondhun Teen Din Por" Runa Laila
Ei Ghor Ei Songsar "Sukh Sukh Sukhiya" Alam Khan Milton Khondokar, Mohammad Rafiquzzaman Rizia Parvin
"Tetulpata Tetulpata"
"Amader Chhoto Nodi" Andrew Kishore, Sabina Yasmin
Hridoy Amar "Tomake Ami Rakhbo Dhore" Azad Mintu Liakat Ali Biswas Samina Chowdhury
Hulia "Hajar Bochhor Por" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Shakila Zafar
"Tor Laal Golapi Gaal" solo
Kanyadan "Khan Chachar Jaan Bacha" Anwar Jahan Nantu Delwar Jahan Jhontu solo
Mohamilon "Prothome Bondona Kori" Ahmed Imtiaz Bulbul Shakila Zafar
Muktir Songram "Oi Elo Elo Re, Keu Bujhi Elo Re" Ahmed Imtiaz Bulbul Uttam Akash Shukla Dey
"Jalaiya Gela Moner Agun"
Priyo Shotru "Ruposhi Ogo Ruposhi" Alam Khan Moniruzzaman Monir Runa Laila
"Etodin Khujechhi Jare" solo
1996 Akheri Mokabela "I Love You" Abu Taher Moniruzzaman Monir Sabina Yasmin
"Ami Bhalobashar"
Bashira "Bhulnona Bhulbona Bondhu" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Shakila Zafar
Bichar Hobe "Ami Je Tomar Ke" Alam Khan Milton Khondokar Sabina Yasmin
"Shokter Bhokto" solo
Chaowa Theke Paowa[11] "Tuntuni" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul solo
Jibon Songsar "Ei Chokh Ei Buk" Abu Taher Jakir Hossain Raju Sabina Yasmin
"Prithibite Sukh Bole"
Mayer Adhikar "Meye Noyto Pagli Re Ahmed Imtiaz Bulbul, Moniruzzaman Monir Ahmed Imtiaz Bulbul Runa Laila, chorus
Nirmom "Jonom Jonom Apon Kore" Alam Khan Milton Khondokar Akhi Alamgir
"Kukkudu Kukkudu"
Satyer Mrityu Nei "Ei Poth Amar" Alauddin Ali Masud Karim solo
"Sukher Arek Naam" Akhi Alamgir
Shopner Prithibi "Brishti Re Brishti" Alauddin Ali Moniruzzaman Monir Sabina Yasmin
1997 Baba Keno Chakor "Ami Bondhu Seje Thakbo" Alauddin Ali Mohammad Rafiquzzaman Mitali Mukherjee
Beimani "Ogo Dushtu Chhele" Alauddin Ali Shakila Zafar
"Besh Korechhi Prem Korechhi"
"Pichhu Niyechhe Kichhu Lok" Runa Laila
Chiroshotru "Ore O Moner Shikari" Abu Taher Moniruzzaman Monir Dolly Sayontoni
"Chokh Bujile Duniya Andhar" Rizia Parvin
Coolie "Rongin Rongin Duniyate" Alam Khan Moniruzzaman Monir Runa Laila, Andrew Kishore
"Janona Janona Tumi" Dolly Sayontoni
Dorodi Sontan "Priyotoma Go" Shawkat Ali Emon Gazi Mazharul Anwar, Jewel Mahmud, Kabir Bakul Baby Naznin
Ekhono Onek Raat "O Amar Jonmobhumi" Khan Ataur Rahman Khan Ataur Rahman solo
"Amra Surjota Kere Enechhi"
Ke Aporadhi "Tomra Dekho Go Asiya" Anwar Parvez Kabir Bakul Rizia Parvin
Khudhar Jaala "Matir Putul Hoiya Jonmo Bhober Songsare" N/A Enayet Karim Rizia Parvin
"Tomra Ektara Bajaiyo Na" Shakila Zafar
Prem Piyasi "Ek Jibone Amar Mitbena" Abu Taher Moniruzzaman Monir Runa Laila
"Ki Je Tumi Chao" Sabina Yasmin
"Ami Konodin Robona Dure"
1998 Ghater Majhi "Tora Dekh Dekhre Chahiya" Tansen Khan Moniruzzaman Monir chorus
Kalo Choshma "Ei Khobor Chhapaiya Dimu" Shawkat Ali Emon Kabir Bakul Dolly Sayontoni
"Nacho Nacho Sob Sundorir" solo
Matribhumi "Amra Khuni Ashami" Ahmed Imtiaz Bulbul Nadeem Mahmud, Md. Rafiq and Kabir Bakul solo
Mayer Kosom "Ami Je Tomay Koto" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Shakila Zafar
"Chun Lagaiya Khaiyo" solo
Mukti Chai "Amra Hukumer Golam" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul solo
"Aajke Sobai Bolo Chichinf Fak" Shakila Zafar
Ochol Poisha "Ek Polok Dekhe Tomay" Alauddin Ali Mohammad Rafiquzzaman Runa Laila
"Eto Bhalobasha Dile"
Ogni Sakkhi "Sara Duniya Tomar Moton" Dolly Sayontoni
"Tumi Amar Premer Sowdagor"
Ranga Bou "Sundori Go Tor Jeno" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Shakila Zafar
"Gorom Tele" Dolly Sayontoni
Ruti "Batti Nibhlo Andhar Hoilo" Shawkat Ali Emon Enayet Karim Shakila Zafar
"Amar Naam Aam Gachh" Shanta Srabonti
Teji "Khaiche Amay Khaiche Re" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul N/A
"Ghor Naire Bari Naire"
"O Tor Bape Raji" Roxy
Tejjo Putro "Sundori O Sundori Tumi Shopner Rajkumari" Ali Hossain Mohammad Moniruzzaman solo
"Abujh Monta Bojhena" Kanak Chapa
1999 Bhoyongkor Bishu "Jole Agun Bukete" Shawkat Ali Emon Kabir Bakul solo
Jobordokhol "Swadhinata Amar Swadhinata" Ahmed Imtiaz Bulbul Shakila Zafar, Khalid Hasan Milu
Lonkakando N/A Alam Khan Moniruzzaman Monir N/A
Love In Bangkok "Bangkok Shohor Aisha" Ahmed Imtiaz Bulbul Shakila Zafar
Parle Thekao "Jotodin Ei Dehe Thakbe Dom" Abu Taher Moniruzzaman Monir, Jahanara Bhuiyan Runa Laila
"Badsha Re Badshah, Ami Aaj Badshah" Dolly Sayontoni
Miss Diana "Sona Bondhu Tui Amare" Alauddin Ali Baby Naznin
2000 Bishakto Nagin "Piriti Jole Dhoirachhe" Ahmed Imtiaz Bulbul Rizia Parvin
Giringibaj "Golemale Golemale Pirit Korona" Abid Rony N/A chorus
Karishma "Dure Gele Bukta" Alauddin Ali Gazi Mazharul Anwar, Mohammad Rafiquzzaman, Moniruzzaman Monir Baby Naznin
"Ke Tumi Janina" Kanak Chapa
Kukkhato Khuni "Kol-e Tip Diley Pani Pore" Shawkat Ali Emon Kabir Bakul solo
Sabdhan "Duita Pagli Paichhe" Ahmed Imtiaz Bulbul solo
Tero Panda Ek Gunda "Tero Panda, Ek Gunda" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul chorus
"Saban Doila Dimu" solo
Uttarer Khep "Ami Boro Eka Eka" Sheikh Sadi Khan solo
2001 Dushmon Dorodi "Biyar Sajoni Sajo" Ahmed Imtiaz Bulbul chorus
E Badhon Jabena Chhire "O Babago Baba" Abu Taher solo
"Sohage Adore Rekhechho Bedhe"
Gono Dushmon "Ek Duniya Chay Amare" Ahmed Imtiaz Bulbul Ahmed Imtiaz Bulbul Runa Laila
"Amar Bilai Amare Koy" Anima D'Costa
Kothin Shasti "Engine Ta Ektu Gorom" Ali Akram Shuvo Kabir Bakul solo
"Na Na Chhuiyona" Shakila Zafar
Mejaj Gorom "Norom Norom Gaal Dekhe" Emon Saha Baby Naznin
Moron Niye Khela "Bajere Baje Dhol Re" Alauddin Ali Bipasha
"Modhur Lobhe Oli Re"
Thekao Mastan[12] "Dhal Tora Dhal" Ali Akram Shuvo Moniruzzaman Monir solo
2002 Boba Khuni "Chokhero Majhe Ki Re" Ali Akram Shuvo Moniruzzaman Monir, Jahanara Bhuiyan Runa Laila
"Konta Dhoira Konta Chhari" Baby Naznin
Oder Dhor "Jala Amar Jala Re" Alauddin Ali Moniruzzaman Monir, Masum Babul Rizia Parvin
2003 Chai Khomota "Chai Khomota" Alam Khan Obaydul Goni Chondon solo
"Chai Khomota" (bit.)
2005 Khude Joddha[13] "Ami Je Tomar" Ali Akram Shuvo Anima D'Costa
Takar Nesha "Turaru, Turaru, Prem Kahini Holo Shuru" Shawkat Ali Emon Dolly Sayontoni
2008 Ek Takar Bou "Ekta Nouka Kine Debo" Shawkat Ali Emon Kabir Bakul solo
2009 Bolona Kobul "Mor Naam Abul" Shawkat Ali Emon N/A Mim
Jonmo Tomar Jonno "Piriti Dimu Jodi Tui Chas" Momtaz
2010 5 Takar Prem "Tumi Shunno Akashe" Shawkat Ali Emon Kabir Bakul solo
"Holdi Baato Mehndi Baato" Baby Naznin
2012 Ek Mon Ek Pran "Tomra Thako Upor Tolay" Shawkat Ali Emon Kabir Bakul Andrew Kishore
N/A Jobab De "Bhalobeshe Tomake Diyechi To Mon" N/A
N/A Matir Putul "Monta Tiktik Kore" Rizia Parvin
N/A Tumi Je Amar "Asha Hoye Chhile Tumi" Alam Khan Moniruzzaman Monir Kanak Chapa
"Oi Dhola Chherita Amar" solo
N/A Sobuj Coat Kalo Choshma "Prithibir Shuru Theke Prem Chhilo" Shakila Zafar
"O Priyo Tumi Kachhe Ese Bolo"
N/A Teji Sontan "Ei Modhur Raate Tomar Sathe" Abu Taher Moniruzzaman Monir, Jahanara Bhuiyan Baby Naznin
"Gange Aisachhe Noya Paani" Dolly Sayontoni

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Khan Asifur Rahman Agoon, known professionally as Agun (born 1971), is a Bangladeshi , singer, and . The son of Khan Ataur Rahman (died 1997) and singer Nilufar Yasmin (died 2003), Agun began his music career in 1988 as a member of the band Sudden, releasing his debut solo album Auchena in 1990. He transitioned to a solo career in 1992 and is known for popular songs such as "Baba Bole Chhele Nam Korbe", "Amar Shopno Gulo", and "O Amar Bondhu Go". Agun has also worked as a in Bengali films, including Keyamot Theke Keyamot (1993) and Dui Duari (2000), and appeared in acting roles in films like Akhono Onek Raat and TV dramas such as Ojana Shoikotey. He married Farhana Haque Tanna in 1998 and has two children.

Early life

Family background

Khan Asifur Rahman Agoon, professionally known as Agun, was born on February 9, 1971, in , . He is the son of the renowned and director Khan Ataur Rahman, who passed away on December 1, 1997, and the celebrated singer Nilufar Yasmin, who died on March 10, 2003. His father was a multifaceted figure in Bangladeshi cinema, contributing as an , director, , and , while his mother was a prominent known for her contributions to Bengali music during the mid-20th century. Agun grew up alongside his half-sister, Rumana Islam, from his father's previous marriage, who is also a noted singer in the . The siblings were part of a family deeply embedded in the entertainment world, with their parents' professions creating a nurturing environment rich in artistic influences. Khan Ataur Rahman and Nilufar Yasmin's marriage in 1968 produced Agun and solidified the household's connection to both film and music, as the couple collaborated professionally and raised him immersed in creative pursuits. This prominent artistic household provided Agun with early exposure to music and film from a young age, as he observed his father's directorial work on sets and his mother's recording sessions. The family's dynamics, marked by collaborative talents and industry prominence, laid the foundation for Agun's own inclinations toward the arts, though his specific career path developed later.

Education and early influences

Agun, born Khan Asifur Rahman on February 9, 1971, in , , received his early education in the city amid a vibrant cultural environment shaped by his family's artistic legacy. Growing up in , he was immersed in music from childhood, as his mother, the renowned playback singer Nilufar Yasmin, practiced daily at home, filling the household with melodies that became a constant backdrop to his formative years. His father, the acclaimed Khan Ataur Rahman, frequently hosted film industry discussions and creative gatherings, turning their home into a lively cultural hub that exposed young Agun to the worlds of performance and storytelling. These familial influences sparked Agun's innate interest in the arts during his school years in , where music and literature began to intertwine with his daily life. He developed an early hobby of reading extensively, drawn particularly to the poetic and narrative works of Rabindranath Tagore, , and , which nurtured his sensitivity to rhythm, emotion, and expression. Participation in family events and informal artistic activities further honed his creative inclinations, blending the disciplined world of with the spontaneity of performance. Specific details about his formal schooling institutions are not widely documented. By the late , as Agun completed his adolescence, this blend of formal schooling and profound early exposures seamlessly guided his shift toward professional pursuits in music and .

Musical career

Beginnings with Sudden

Agun entered the music industry in 1988 by joining the band Sudden as its lead vocalist, drawing on the musical influences from his family background as the son of renowned singer Nilufar Yasmin. The band was formed that year with five members, marking Agun's professional debut in a group setting. As the frontman, Agun's powerful and emotive vocals became a defining element of Sudden's performances and recordings. Sudden released its debut album, Auchena, in , which captured the attention of audiences and established the band as an emerging force in Bangladeshi music. The album's tracks showcased Agun's vocal versatility, blending heartfelt lyrics with melodic arrangements that resonated with listeners during the early music scene. This release highlighted the band's potential and contributed to its growing popularity through live shows and radio play. The band's style drew from rock and pop influences prevalent in Bangladeshi at the time, fusing Western-inspired rhythms with local Bengali sensibilities to create accessible yet energetic compositions. Agun's role extended beyond singing, as he collaborated on song selection and delivery, infusing the material with personal expression that emphasized themes of and emotion. This approach aligned with the era's pop- trends, where bands experimented with electric guitars, synthesizers, and orchestral touches to appeal to urban . Sudden remained active until 1992, during which time Agun honed his craft within the collaborative band environment before departing to pursue individual opportunities. His exit allowed him to explore solo endeavors, but the experience with Sudden laid the foundation for his subsequent career achievements. The band's brief but impactful run underscored Agun's early contributions to the evolving Bangladeshi rock-pop landscape.

Solo career and playback singing

After leaving the band Sudden in 1992, Agun transitioned to a solo career, releasing his first independent works that marked a shift from group performances to individual artistry. His early solo efforts built on the rock foundations of his band days, incorporating more personal and melodic elements that resonated with Bangladeshi audiences. Among his notable solo songs, "Baba Bole Chhele Nam Korbe" stands out for its emotional depth and popularity, released as a single in recent years. Similarly, "Amar Shopno Gulo," a heartfelt track from his 2016 of the same name, became a chart-topping hit, blending pop and folk influences with lyrics reflecting dreams and longing. Another key release, "O Amar Bondhu Go," a 2024 folk single, showcases his versatility in evoking and through simple yet poignant melodies. Agun's playback singing career began with his debut in the 1993 film Keyamot Theke Keyamot, where he provided vocals that contributed to the movie's success. He continued this role in subsequent films, notably lending his voice to Dui Duari in 2000, a project that highlighted his ability to adapt to cinematic narratives with soulful renditions. Over time, his style evolved from the energetic rock of Sudden to more melodic and fusion-oriented playback work, as well as solo tracks merging pop and folk traditions, allowing him to explore themes of emotion and . In recent years, Agun has remained active with album releases such as Shanai in 2017, which featured introspective songs, and Bristy Eseche Mone in 2023, emphasizing rainy-season motifs and personal reflection through acoustic arrangements. He continued releasing singles in 2024 and 2025, including "Eto Din Khujechi Jare" (2025). These works underscore his ongoing commitment to evolving within Bangladesh's music scene.

Acting career

Film roles

Agun entered Bangladeshi cinema as an actor with his debut in the 1997 family drama Ekhono Onek Raat, directed by his father , where he portrayed the Sabbir. This early role highlighted his natural screen presence, drawing on his heritage to infuse emotional depth into the performance. Throughout his acting career, Agun has primarily taken on and character roles that often reflect his background as a , allowing him to bridge his vocal and performative talents. In the 2012 critically acclaimed Ghetuputra Komola, directed by , he played the character of , a painter, contributing to the 's exploration of rural artistry and . His portrayal added layers of authenticity, particularly in scenes involving cultural expression. Agun continued with notable supporting roles in later films, such as '71 Er Ma Jononi (2014), where he depicted Hashem, the husband of the protagonist (played by ), in Shah Alam Kiron's tribute to the 1971 Liberation War heroines. This performance underscored themes of familial resilience amid historical turmoil. In Mayaboti (2019), directed by Arun Chowdhury, Agun appeared in a special role as a figure, seamlessly integrating his real-life expertise into the narrative alongside leads and . These endeavors have complemented Agun's musical career, particularly through dual contributions in projects where he provided playback , enhancing the between sound and story in Bangladeshi feature films.

Television appearances

Agun ventured into Bangladeshi television primarily in the post-2000s era, balancing his prominent music career with select acting roles in dramas that explored socio-cultural themes. His television appearances include notable contributions to productions like Ojana Shoikotey and Ronger Manush, where he portrayed characters that highlighted everyday societal dynamics and interpersonal relationships. In Ronger Manush, a 2004 drama serial directed by Salauddin Lavlu and written by Masum Reza, Agun joined an ensemble cast featuring ATM Shamsuzzaman, Wahida Mollick Jolly, Pran Roy, Tania, Bonnya Mirza, and . The series, aired on , centered on entertaining narratives with hilarious dialogues depicting colorful community life and cultural nuances, marking Lavlu's directorial debut in telenovelas. Agun's role added to the serial's vibrant portrayal of relatable socio-cultural interactions. Similarly, in Ojana Shoikotey, Agun took on a in a socio-cultural that delved into themes of mystery and human connections within , further demonstrating his range beyond music. These appearances garnered positive audience reception, with Ronger Manush achieving landmark popularity for its engaging storytelling and theme song, enhancing Agun's reputation as a multifaceted appreciated for his authentic TV portrayals.

Personal life

Marriage

Agun is married to Farhana Haque Tanna, with whom he has appeared on multiple Bangladeshi television programs discussing their relationship. The couple eloped and married in 1998. The couple has been featured together in celebrity talk shows, highlighting aspects of their personal life as a married pair.

Children

Khan Asifur Rahman Agun, professionally known as Agun, shares his family life with his wife Tanna and their two sons, Michhil (born 2000) and Moshal (born 2009). In a to his late father, the celebrated actor and director , Agun chose names inspired by movement-related terms, with moshal signifying "" and michhil denoting "." Agun's elder son, Michhil, has demonstrated an early interest in music, mirroring the family's artistic legacy; he has made public appearances , including performing guitar and vocals on programs. These occasional showcases highlight Michhil's emerging talent, though Agun has shared few additional details about his children's lives or their impact on his daily routine. Agun prioritizes shielding his family from excessive media attention, as evidenced by the scarcity of personal anecdotes in his s, where discussions typically center on his rather than home life. This approach allows him to balance his commitments in music and while fostering a private environment for his sons' upbringing.

Discography

Studio albums

Agun's studio albums consist of one band release with Sudden and a series of solo projects that highlight his evolution as a Bengali , primarily in pop and folk-infused styles. His debut, Auchena (1990), was recorded with the band Sudden and introduced Agun's vocal style to Bangladeshi audiences, earning positive reception for its fresh sound. Agun transitioned to solo work with Nightingales in 2000, a collaborative effort with Saif and Polash featuring 12 tracks that blend melodic pop elements. In 2015, he released Amar Shopnogulo, a solo containing 12 songs, followed by Kemon Acho Notun Thikanay later that year, a collaborative with Asif and Andrew Kishor, both emphasizing introspective Bengali compositions. The 2017 solo album Shanai continued this trajectory with melodic arrangements, while Ager Moton Nei, also from 2017, offered reflective tracks on change. More recent releases include the 2023 solo album Bristy Eseche Mone, capturing nostalgic themes through 10 songs. He received the for Best Male in 1997. In 2025, Agun released the single Priya Priya, known for its romantic pop vibes.
YearAlbum TitleTypeLabel/Notes
1990AuchenaBand (Sudden)Debut release; well-received by audiences.
2000NightingalesSolo/Collaborative12 tracks with Saif and Polash; Doyel Products.
2015Amar ShopnoguloSolo12 songs; Sangeeta.
2015Kemon Acho Notun ThikanayCollaborativeWith Asif and Andrew Kishor; Sangeeta.
2017ShanaiSoloSangeeta.
2017Ager Moton NeiSoloAudio album; Sangeeta.
2023Bristy Eseche MoneSolo10 tracks; Sangeeta.
2025Priya PriyaSingleLMG BD.

Film songs

Agun debuted as a in the Bangladeshi film Keyamot Theke Keyamot (1993), contributing the popular track "Baba Bole Chhele Nam Korbe," composed by Anand-Milind and Alam Khan with lyrics by Moniruzzaman Monir. He also sang the "O Amar Bondhu Go" in the same film alongside . In Dui Duari (2000), Agun lent his voice to "Mathay Porechi Sada Cap," a lively composition by Maksud Jamil Mintu that highlighted his versatile range in romantic and upbeat numbers. Throughout his career, Agun has sung playback for numerous Bangladeshi films, often collaborating with composers like Alam Khan and co-singers including and , infusing tracks with a soulful style that emphasizes emotional depth and melodic richness. He received the Bachsas Award for Best Male in 1997.

Awards and honors

Music awards

Agun has received recognition for his contributions to playback singing in Bangladeshi cinema through the prestigious Bachsas Awards, administered by the Bangladesh Cine-Journalists Association (BACHSAS). These awards, established in 1972 as the first major film honors post-independence, emphasize creative works with social relevance and hold significant stature in the nation's film and music sectors, predating even the National Film Awards. Agun won the Best Singer award at the Bachsas ceremony in for his performance of the song "Uttarer Khep" from the film of the same name, underscoring his ability to deliver emotive renditions that resonated with audiences. The award, shared in the music category alongside singer , affirmed his status among leading playback artists, contributing to the awards' tradition of celebrating vocal excellence in cinematic contexts.

Acting recognitions

Agun's acting endeavors, while not as prolific as his musical career, have garnered appreciation within Bangladeshi cinema and television for adding depth to ensemble casts in notable productions. His supporting role in the 2012 film Ghetuputra Komola, directed by , contributed to the movie's critical reception and its selection as Bangladesh's official entry for the Best Foreign Language Film category at the . In television, Agun's appearances in dramas such as Ojana Shoikotey and Ronger Manush have been highlighted in media coverage as examples of his selective approach to roles that align with his artistic persona. These performances have helped elevate his reputation beyond music, demonstrating versatility that resonates with audiences familiar with his vocal work. Although Agun has not received dedicated national acting awards like the Bangladesh National Film Award or BACHSAS honors specifically for his on-screen roles, his contributions to films including Ekhono Anek Raat and '71 Er Maa Jononi have been noted for enhancing narrative authenticity in historical and dramatic contexts. This broader recognition underscores how his complements his primary identity as a , broadening his appeal in the entertainment landscape.

References

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