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Al Capps
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Al Capps
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Allan Alfonzo Capps (April 26, 1939 – June 7, 2018)[1] was an American record producer, arranger, songwriter, multi-instrumentalist, and vocalist. Beginning in the 1960s and 1970s, he produced and arranged albums for popular artists such as Cher, Andy Williams, Helen Reddy, José Feliciano, Vicki Lawrence, and Liza Minnelli, and delivered film music for more than twenty films. As a musician, he played on albums by The Everly Brothers, Gábor Szabó, and Frank Sinatra. Later in life, he made music for commercials of international brands.

Biography

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Capps produced and arranged albums for many artists, including Andy Williams, Helen Reddy, Vikki Carr, José Feliciano, Liza Minnelli, The Osmonds, Cher, Jennifer Warnes, The Lennon Sisters, The Ventures, and The Cats. In the seventies he was a fixed arranger of Snuff Garrett.[2][3][4]

During sessions he sometimes took part in the background choir, such as on the album Introducing of Sparks. He also is a multi-instrumentalist and played on records by The Everly Brothers, Gábor Szabó, Bobby Vinton, and Frank Sinatra among others. He also recorded music himself, such as in 1971 the promo single of Jesus Christ, Superstar (cover version).[3][4]

He made film music for more than twenty films, including The Windsplitter (1971), Sasquatch, the Legend of Bigfoot (1977), Buffalo Rider (1978), Smokey and the Bandit II (1980), Sharky's Machine (1981), The Cannonball Run (1981), Stroker Ace (1983), and Flawless (1999), and a handful of television films.[3][5]

Capps was working in the music industry as late as 2014.[2] In 2007 he issued the album Great Easy-Listening Hits Of The '60s under the name The Al Capps Orchestra.[citation needed] In his later years he also made music for commercials of brands such as Pepsi, Mercedes Swatch, Cadillac, Budweiser, and Hilton.[2]

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Al Capps

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Al Capps is an American record producer, arranger, songwriter, composer, multi-instrumentalist, and vocalist known for his extensive work in film scoring and popular music production from the 1970s onward. Born on April 26, 1939, in Arkansas, United States, Capps pursued a multifaceted career in the music industry before passing away on June 7, 2018, in Los Angeles, California. He was active as a producer and arranger during the 1970s, releasing singles and contributing to various projects, while also performing with groups and establishing himself as a versatile music professional. Capps became particularly prominent for his contributions to Hollywood film soundtracks, most notably arranging, orchestrating, and conducting music for action-comedy features including The Cannonball Run (1981), Cannonball Run II (1984), and Stroker Ace (1983), where he often handled orchestration and conducting duties to support high-energy chase sequences. His film work extended to other titles such as Sasquatch: The Legend of Bigfoot (1976), Buffalo Rider (1976), and Running Hot (1984), as well as additional roles in films like Smokey and the Bandit II and Sharky's Machine. He also achieved recognition as a songwriter for co-composing the 1973 hit "Half-Breed," performed by Cher, which gained lasting popularity and later appeared in various soundtrack usages. Capps' compositions and arrangements continued to influence later media, including placements in films such as Lords of Dogtown (2005).

Early life

Birth and family background

Allan Alfonzo Capps was born on April 26, 1939, in Arkansas, United States. He was the son of Alfonzo Capps and Opal (Long) Capps. Both parents predeceased him, having passed away prior to his own death in 2018. Publicly available sources provide few additional details on his family background or early childhood in Arkansas beyond these basic facts.

Career

Early career and session work

Al Capps began his professional career in the music industry during the 1960s, establishing himself as a versatile session multi-instrumentalist and vocalist in Los Angeles. He contributed to recordings by prominent artists of the era, including The Everly Brothers, Gábor Szabó, Bobby Vinton, and Frank Sinatra, providing instrumental support and occasional vocal parts as part of the city's bustling session scene. Among his early documented credits are serving as musical director for the 1969 television movie Andy's Love Concert and working as an uncredited orchestrator on the 1968 film The Wrecking Crew. He also provided background vocals on Sparks' Introducing Sparks album. These session experiences as a player and contributor laid the foundation for his emergence as a producer and arranger in the following decade.

Production and arranging for recording artists

Al Capps became a sought-after record producer and arranger in the 1960s and 1970s, contributing to albums for numerous prominent recording artists across pop, easy listening, and other genres. He frequently served as the primary arranger for producer Snuff Garrett during the 1970s, handling string and orchestral arrangements on many of Garrett's productions for major labels. Among the artists for whom Capps produced and/or arranged were Cher, Andy Williams, Helen Reddy, José Feliciano, Vikki Carr, Liza Minnelli, and Vicki Lawrence. Additional collaborations included work with The Lennon Sisters, Johnny Mathis, Sammy Davis Jr., and Bobby Vinton. His arranging style often featured lush orchestrations and vocal harmonies suited to the MOR and adult contemporary sounds popular at the time. Capps received a Grammy nomination in 1983 for Best Vocal Arrangement for Two or More Voices for his work on Manhattan Transfer's recording of "Route 66." This recognition highlighted his skill in vocal arranging even later in his career. His production and arranging credits extended to various other acts, including The Ventures and international groups like The Cats, demonstrating his versatility across instrumental and vocal projects.

Songwriting and notable compositions

Al Capps gained recognition as a songwriter through several notable compositions, particularly in the early 1970s. He co-wrote the hit song "Half-Breed," recorded by Cher in 1973, which became one of her signature tracks and a major chart success. He also served as arranger on the recording. Capps released his own single "Shangri-La" in 1973 on Bell Records, which reached number 119 on Billboard's Bubbling Under Hot 100 chart in May of that year. In addition to these, Capps recorded a promotional cover of material from the rock opera Jesus Christ Superstar in 1971. His songwriting extended to film placements, including the tracks "On The Road" (which he also performed) and "I Feel A Heartache Comin' On," both featured in the 1983 movie Stroker Ace.

Film and television scoring

Al Capps contributed to film and television music as a composer, conductor, and arranger across numerous projects, delivering film music for more than twenty films. His work often involved close collaboration on action-comedy and independent productions, where he provided original scores or oversaw musical direction. Early in his screen career, Capps composed and conducted for independent features such as The Windsplitter (1971), Sasquatch: The Legend of Bigfoot (1976), and Buffalo Rider (1976). He also scored the television movie Twice in a Lifetime (1974). In the late 1970s and 1980s, he frequently served as conductor on high-profile films, including Smokey and the Bandit II (1980), and took on conductor and music arranger duties for Sharky's Machine (1981), The Cannonball Run (1981), and Stroker Ace (1983). For The Cannonball Run (1981), he additionally received an uncredited composer credit. Capps composed for Cannonball Run II (1984) and Stroker Ace (1983), while also conducting on the latter. His television work extended to composing for the series Familiada (1994). Some of these projects overlapped with his production associations, particularly on films linked to producer Snuff Garrett. In later years, his earlier songwriting found placement in soundtracks, including "Half Breed" in Flawless (1999) and Lords of Dogtown (2005).

Commercial music and later career

In his later career, Al Capps composed music for numerous television and radio commercials and advertising campaigns. He created music for major brands including Pepsi, Mercedes Swatch, Cadillac, Budweiser, Hilton, and Milk. Building on his prior experience in film scoring, Capps contributed to production music libraries intended for media synchronization. His credits in the 1990s include instrumental volumes such as Blues Vol. 1 (1990, co-credited with Howard Pfeifer) and Warm / Romantic - Volume 2 (1990, co-credited with John Hobbs, Carl Verheyen, and Jonathan Merrill). In 2007, under the name The Al Capps Orchestra, he released Great Easy-Listening Hits Of The '60s, an album of easy-listening arrangements of popular 1960s songs issued by Reader's Digest Music. Capps remained active in the music industry into his later years.

Personal life

Family and personal traits

Al Capps was married to Judith Capps, who predeceased him. He was survived by his daughter Lisa Capps, his granddaughter Georgia Brewer, and his son-in-law Don Brewer, while his son Aaron Allan Capps also predeceased him. Capps was known for his calm and humble nature, along with acts of kindness, words of compassion, and a strong work ethic that earned him widespread respect in the music industry, where he was someone everyone wanted to work with. He emphasized the value of kindness, stating in 2009, "I think a little bit of kindness and a smile makes all the difference in the world."

Death

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