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Bobby Vinton
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Key Information
Stanley Robert Vinton (born April 16, 1935) is an American singer and actor, who hosted his own self-titled TV show in the late 1970s. As a teen idol, he became known as "The Polish Prince", as his music paid tribute to his Polish heritage. One of his most popular songs is "Blue Velvet" (a cover of the 1951 song recorded by Tony Bennett) which reached No. 1 on the Billboard Hot 100 in 1963, No. 1 in Canada (5 weeks), and number 2 in the UK in 1990.
Early life
[edit]Vinton was born in Canonsburg, Pennsylvania, the only child of locally popular bandleader Stan Vinton and Dorothy Studzinski Vinton.[1] He is of Polish and Lithuanian descent. The family surname was originally Vintula, and was changed by Vinton's father.[2] Vinton's parents encouraged their son's interest in music by giving him his daily 25-cent allowance after he had practiced the clarinet.[3]
At 16, Vinton formed his first band, which played clubs around the Pittsburgh area. With the money he earned, he helped finance his college education at Duquesne University, where he graduated with a degree in musical composition.[1] While at Duquesne, he became proficient on all of the instruments in the band: piano, clarinet, saxophone, trumpet, drums, and oboe.[4] When Vinton became an active musician, it was common for people to become confused with the bands of father and son, for both were named Stanley. Vinton's father suggested his son use his middle name of Robert professionally to clear up the confusion.[5]
Vinton's birthplace of Canonsburg, Pennsylvania, is also the birthplace of Perry Como.[6][7] Vinton's hometown named two streets, Bobby Vinton Boulevard and the shorter adjoining Bobby Vinton Drive, in his honor. These streets were built in the late 1970s; prior attempts to name a residential street after him failed. The residents had not cared for the singer always claiming Pittsburgh as his home town on TV interviews. Como always claimed Canonsburg as his hometown, so hundreds of people changed their address when the town renamed a street in the east end after Perry Como. The Canonsburg town fathers had plans to erect a statue in Vinton's honour, but Vinton himself vetoed the idea, noting that the $100,000 planned cost could go to far more important town needs.[8]
Career
[edit]1950s
[edit]According to his autobiography, Bobby was inspired to record his music by the Elvis Presley movie Jailhouse Rock. He formed his own record label, Bobby Records, in October 1958. His first release was "Twilight Time", backed with "Hallelujah". Bobby sang on the B-side of the 45 rpm release, making this his first commercially released vocal recording. This record did not chart. In March 1959, Bobby recorded for the Melody label out of Philadelphia, listed as "Bobby Vinton and his Orchestra" for the first time. His release of "Harlem Nocturne", backed with "Always in My Heart" with a vocal by Bobby, attracted attention in Pennsylvania. His 'young man with a big band' style was established here, and "Always In My Heart" was a song he returned to. In August 1959, Bobby moved to another larger record company, Alpine Records. He released two self-written singles for Alpine, the first being "You'll Never Forget" backed by "First Impression". The second Alpine release was "A Freshman and a Sophomore", backed with the self-written "The Sheik"; this was released in February 1960. Both Alpine releases garnered Billboard magazine mentions.
1960s
[edit]
After two years of service in the United States Army, in which he served as a chaplain's assistant, Vinton was signed to Epic Records in 1960 as a bandleader: "A Young Man With a Big Band". The break for the Epic Records contract had come after Vinton and his band appeared on Guy Lombardo's TV Talent Scouts program.[1][9] Since March 20, 1961, his released three singles. Titled "Posin'" "Little lonely one" and "Well I ask ya",these records were his vocal recordings, and the flip sides were credited to "Bobby Vinton And His Orchestra". Despite the big label backing, the three singles were not successful, and two albums, Bobby Vinton Dancing At The Hop and Bobby Vinton Plays for his Lil Darlin's did not sell well. With Epic ready to drop him from its roster, Vinton found the material for his first hit single literally sitting in a reject pile.[3] The song was titled "Roses Are Red (My Love)".[10] Vinton had to do his own promotion for the song; he bought one thousand copies and hired a young woman to deliver a copy of the record and a dozen red roses to every local DJ.[1][11] It spent four weeks at number one on the Billboard Hot 100. The song was also a hit on the Country and R&B charts. The success of the song pushed Epic to renew Vinton's contract and change his status from bandleader to solo singer.[10]
Arguably, Vinton's most famous song is 1963's "Blue Velvet", originally a minor hit for Tony Bennett in 1951, that also spent three weeks at the number one positions in Billboard, Cash Box, and Record World magazines. In 1986, 23 years later, David Lynch named his movie Blue Velvet after the song.[10] In 1990, "Blue Velvet" reached number 2 on the UK Singles Chart, after being featured in a Nivea commercial. The 1990 reissue also hit number 3 in the Irish Singles Chart and number 7 in Australia.
In 1964, Vinton had two number 1 hits, "There! I've Said It Again" (a number 1 hit in 1945 for Vaughn Monroe) in January and "Mr. Lonely" in December. Vinton's version of "There! I've Said It Again" is noteworthy for being the last U.S. Billboard number-one single of the pre-Beatles era, deposed from the Hot 100 summit by "I Want to Hold Your Hand". Also noteworthy is the fact that Vinton continued to have big hit records during the British Invasion, scoring 16 top-ten hits, while Connie Francis, Ricky Nelson, the Shirelles, and other major artists of the early 1960s struggled to reach even the Top 40.
Vinton wrote and composed "Mr. Lonely" during his chaplain's assistant service in the U.S. Army in the late 1950s. The song was recorded during the same 1962 session that produced "Roses Are Red (My Love)", and the two songs launched Vinton's singing career. It was released as an album track on the 1962 Roses Are Red (and other songs for the young & sentimental) LP. Despite pressure from Vinton to release it as a single, Epic instead had Buddy Greco release it and it flopped. Two years and millions of records sold later, Bobby prevailed on Epic to include "Mr. Lonely" on his Bobby Vinton's Greatest Hits LP. Soon DJs picked up on the song and airplay resulted in demand for a single release. "Mr. Lonely" shot up the charts in the late fall of 1964 to reach number 1 on the Hot 100 on December 12, 1964. Epic then released the LP Bobby Vinton Mr. Lonely; the song had now appeared on three Bobby Vinton albums released within two years. The song continued to spin gold for Vinton, its author-composer, in the 50+ years to date since reaching number 1; Harmony Korine named his 2007 film Mister Lonely after the latter and features the song in the film's opening, and it was also the basis for Akon's 2005 hit, "Lonely".
In 1965, Vinton continued his "Lonely" success streak with the self-written "L-O-N-E-L-Y". "Long Lonely Nights" peaked at number 17 and spawned an album, Bobby Vinton Sings for Lonely Nights. Vinton's self-written 1966 hit "Coming Home Soldier" hit No. 11 on the Hot 100 and was a favorite on request shows on the American Forces Network during the Cold War and Vietnam era, often called in by soldiers about to board the Freedom Bird that would take them back to the "Land of the Round Doorknobs". Vinton's lush 1967 remake of "Please Love Me Forever", which reached number 6 and sold over a million copies, began a string of twelve consecutive Hot 100 hits, all remakes, over a little less than five and a half years.[10] His 1968 hit "I Love How You Love Me" surged to number 9, sold over one million copies, and was awarded a gold record by the RIAA.[12]
1970s
[edit]In the 1970s, Vinton continued to hit the Top 40, notably with "Ev'ry Day of My Life", a No. 2 Adult Contemporary hit also awarded the Jukebox single of the year award which was produced by Jimmy Bowen and CBS recording engineer Jim Reeves, which peaked at number 24 on April 29, 1972, and "Sealed With a Kiss" hitting number 19 on August 19–26, 1972.[5] Despite the success of the two hits, Epic Records decided to drop Vinton from his contract the following year, claiming that his days of selling records were over.
Undeterred, Vinton spent $50,000 of his own money on "My Melody of Love", partially self-written and partially sung in Polish.[10] The suggestion for the song came from Vinton's mother.[2][5] After six major labels turned Vinton down, Lindy Blaskey, Managing Director of A&R at ABC/Dunhill Records, bought Vinton's idea, and the result was a multi-million-selling single of simple lyrics that hit number 3 on the Billboard Hot 100, number 2 on the Cashbox Top 100 chart, and number 1 on the AC chart in 1974.[2][13] A gold album, Melodies of Love, followed as well as one final Top 40 pop hit (the traditional "Beer Barrel Polka", also sung partially in Polish, b/w "Dick And Jane" in 1975). Vinton went on to record an additional four albums for ABC Records, three of which hit the Billboard Hot 200 albums chart. Epic Records rediscovered Vinton in the wake of his newfound success, releasing two albums of previously recorded material, both of which hit the top album charts. In addition, in a throwback to his career start in the 1950s, his two albums on Ahed were released in Canada. Party Music (1976) went platinum and 100 Memories (1979) was successful. In 1975, Vinton exploded onto televisions across the United States and Canada with a successful half-hour variety show, The Bobby Vinton Show, which aired from 1975 to 1978 and of which "My Melody of Love" was the theme song; ABC Records subsequently released an album of songs performed on the show.[14]
In 1978, Vinton wrote his autobiography, titled The Polish Prince, which became a bestseller. In the same year, CBS-TV aired Bobby Vinton's Rock N' Rollers, a one-hour special that achieved top ratings.
1980s–1990s
[edit]While appearing at Pittsburgh's Three Rivers Stadium prior to Game 4 of the 1990 National League Championship Series between the Pittsburgh Pirates and Cincinnati Reds, Vinton delivered a mixed-up rendition of "The Star-Spangled Banner" that left out many of the words and was off-key. Controversy ensued after CBS broadcaster Jack Buck said on air, "Well, when you're Polish and live in Pittsburgh, you can do anything you want with the words!"[15][16]

Honors and achievements
[edit]In the early 1990s, Vinton found himself booked as a guest star at the Roy Clark Theatre in Branson, Missouri. He was unsure of his ability to draw at what was then a country-western-themed resort, and was shocked at the massive turnout for his concerts there. He was so impressed with the Branson model that he invested millions in building the Bobby Vinton Blue Velvet Theatre and enjoyed ten successful years there. In 2002 the theatre was sold to David King, creator and producer of Spirit of the Dance.[9][11] Vinton returned to Branson periodically for limited engagements at the theatre.
Billboard Magazine called Bobby Vinton "the all-time most successful love singer of the 'Rock-Era'". From 1962 to 1972, Vinton had had more Billboard number 1 hits than any other male vocalist, including Elvis Presley and Frank Sinatra. In recognition of his recording career, Vinton was awarded a star on the Hollywood Walk of Fame, located at 6916 Hollywood Blvd.
Vinton's alma mater, Duquesne University, awarded him an honorary doctorate in music in 1978.[4][14]
Acting
[edit]Vinton appeared in seven acting roles during his singing career, commencing with the beach party movie Surf Party in 1964. In 1965, he played George Reynolds in the episode "Patty and the Newspaper Game" of ABC's sitcom The Patty Duke Show. He was also cast as Jeff McCandles in the 1971 John Wayne film Big Jake and as Ben Young in another Wayne film, The Train Robbers (1973). His last role as a character was as Bobby Gaines in the 1983 episode "Chance of a Lifetime" of the NBC family drama television series Boone, starring Tom Byrd, while his last scripted role as himself was in 1997, appearing in part one of the three part series finale of Coach.
Personal life
[edit]Vinton and his wife, Dolores, have been married since December 17, 1962. They reside in Englewood, Florida, and have five children.[1][9] In 2015, after contracting a serious case of shingles, Vinton retired from live performing and recording.[17] He spoke to his fans and friends in February 2018 on The Cousin Brucie Show on Sirius XM radio, and encouraged all to get a shingles vaccination.
Discography
[edit]Filmography
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1964 | Surf Party | Len Marshall | also theme song ("If I Were an Artist") |
| 1965 | The Patty Duke Show | George Reynolds | Episode: "Patty and the Newspaper Game" |
| 1965 | Harlow | Theme song ("Lonely Girl") singer | Voice only |
| 1971 | Big Jake | Jeff McCandles | |
| 1973 | The Train Robbers | Ben Young | |
| 1976 | The Duchess and the Dirtwater Fox | Theme song ("Lemondrops, Lollipops and Sunbeams") singer | Voice only |
| 1980 | The Gossip Columnist | Marty Kaplan | Television film |
| 1983 | Boone | Bobby Gaines | Episode: "Chance of a Lifetime" |
| 1985 | Benson | Himself | season 6 episode 17 "Solid Gold" |
| 1997 | Coach | Himself | Episode: "Leaving Orlando: Part 1" |
Bibliography
[edit]- Vinton, Bobby (1978). The Polish Prince. M. Evans. ISBN 0-87131-270-0.
References
[edit]- ^ a b c d e Bishop, Pete (June 5, 1983). "Bobby Vinton Finds That Hits Can Be Elusive". The Pittsburgh Press. Retrieved May 2, 2011.
- ^ a b c "The Whirling Disks". Reading Eagle. August 10, 1975. Retrieved May 2, 2011.
- ^ a b Wilson, Earl (June 2, 1970). "Last Night". Pittsburgh Post-Gazette. Retrieved May 2, 2011.
- ^ a b "Vinton gets a doctorate". The Gettysburg Times. October 10, 1978. Retrieved May 2, 2011.
- ^ a b c Rogers, John (July 27, 1999). "'Polish Prince' Reigns in a Country Town". Lakeland Ledger. Retrieved May 2, 2011.
- ^ Funk, Harry (May 14, 1999). "A celebration for Mr. C." Observer-Reporter. Washington, PA. Retrieved November 25, 2010.
- ^ Hazlett, Terry (January 13, 2009). "National music spotlight fell on area thanks to Vinton and Powers". Canonsburg Friends. Retrieved June 9, 2014.
- ^ "Vinton: Tribute Is Just Too Much". The Beaver County Times. Beaver, PA. December 28, 2004. Retrieved June 27, 2010.
- ^ a b c Rizzo, Marian (March 22, 2002). "After 40 Years, Bobby Vinton Isn't Slowing". Ocala Star-Banner. Retrieved May 2, 2011.
- ^ a b c d e Larkin, Colin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 1220. ISBN 978-1-8522-7745-1.
- ^ a b Hayes, John (March 2, 2002). "Bobby Vinton still smooth as blue velvet". Pittsburgh Post-Gazette. Retrieved May 2, 2011.
- ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 250. ISBN 978-0-2142-0512-5.
- ^ Hyatt, Wesley (1999). The Billboard Book of Number 1 Adult Contemporary Hits. Billboard Publications. ISBN 978-0-8230-7693-2.
- ^ a b "Vinton enjoys career as multi-talented performer". Portsmouth Daily Times. August 4, 1990. Retrieved May 2, 2011.
- ^ "Vinton, Buck Apologize for Wayward Words: Baseball: Singer flubbed national anthem and sportscaster's remarks angered Polish community". Los Angeles Times. Associated Press. October 11, 1990. Archived from the original on October 17, 2015.
- ^ "Polish group takes broadcaster Buck to task". Chicago Sun-Times. October 11, 1990. Archived from the original on October 21, 2012. Retrieved March 22, 2021.
- ^ Robinson, Aimee (August 15, 2022). "Bobby Vinton health: 'Serious' condition forced singing star into retirement". Daily Express. London. Retrieved March 22, 2023.
External links
[edit]- Official website

- Bobby Vinton at AllMusic
- Bobby Vinton discography at Discogs
- Bobby Vinton at IMDb
- Classic bands
Bobby Vinton
View on GrokipediaEarly life
Birth and family background
Bobby Vinton was born Stanley Robert Vinton Jr. on April 16, 1935, in Canonsburg, Pennsylvania, a small industrial town southwest of Pittsburgh.[5] He was the only child of Stanley Vinton Sr. and Dorothy Studzinski Vinton, both of Polish descent, with his grandparents having immigrated from Poland at the turn of the 20th century.[6][5][7] Vinton's family background was deeply rooted in Polish-American traditions, which later influenced his musical identity as "The Polish Prince."[7] The Vinton household was immersed in music, largely due to his father's profession as a popular local bandleader who conducted the Stan Vinton Orchestra in the Pittsburgh area during the big band era.[8][9] Stan Vinton's career exposed the family to lively performances and a vibrant musical environment from an early age, fostering young Stanley's initial encounters with big band sounds and polka rhythms common in Polish-American communities.[8][6] This setting shaped the family's dynamics around entertainment and performance, with music serving as a central pillar of daily life.[9]Education and early musical influences
Vinton attended Canonsburg High School in Canonsburg, Pennsylvania, where he graduated in 1952. During his high school years, he played trumpet in the school band and orchestra, gaining early experience in ensemble performance. By age 16, he formed his first band, performing at school dances and local events around the Pittsburgh area, which helped cultivate his leadership skills as a musician.[6][10] Coming from a musical family—his father was a local bandleader—Vinton's early exposure to big band sounds laid the foundation for his interest in performance. After high school, he enrolled at Duquesne University in Pittsburgh, studying music and graduating in 1956 with a degree in musical composition. While at Duquesne, Vinton formed a band with fellow students, playing rock and roll covers at college functions, weddings, and other local venues to help finance his education; during this time, he became proficient on multiple instruments, including piano, clarinet, saxophone, trumpet, drums, and oboe. He was particularly influenced by the emerging rock and roll scene, drawing inspiration from artists like Elvis Presley after watching the film Jailhouse Rock.[11][6][12] Following his graduation, Vinton served in the U.S. Army from 1957 to 1959 as a chaplain's assistant at Fort Dix, New Jersey, a period that inspired his songwriting, as the isolation of his role led to the creation of "Mr. Lonely."[5][13]Music career
1950s–early 1960s: Beginnings
In the late 1950s, following his discharge from the U.S. Army where he served as a chaplain's assistant, Bobby Vinton reunited with college friends to form the independent record label Band-Vox in 1959.[14] They self-produced and released Vinton's debut single, "Love Me," an instrumental track that received minimal airplay and failed commercially, highlighting the challenges of breaking into the music industry without major label backing.[14] Vinton's fortunes shifted slightly in 1960 when a talent scout discovered him during a Pittsburgh performance and arranged a demo for CBS Records, leading to a signing with its subsidiary Epic Records as a bandleader billed as "A Young Man with a Big Band."[5] His early Epic releases, including the 1961 album Dancing at the Hop and singles like "Little Lonely One," garnered little attention amid the rock 'n' roll surge led by artists such as Elvis Presley and The Beatles.[5] In 1962, Vinton's cover of "Devil or Angel" became his first modest chart entry, peaking at number 72 on the Billboard Hot 100, but it did not signal widespread success and underscored ongoing struggles with promotional support from the label.[5] To carve a niche in the competitive landscape, Vinton began cultivating the "Polish Prince" persona in the early 1960s, drawing on his Polish-American heritage from Canonsburg, Pennsylvania, to blend sentimental pop ballads with polka rhythms and waltz influences—a deliberate contrast to the era's dominant hard-edged rock sounds.[6] This shift reflected his classical training in musical composition from Duquesne University and aimed to appeal to audiences seeking nostalgic, romantic fare, though it initially met with resistance as Epic considered terminating his contract due to lackluster sales.[6]1960s: Breakthrough hits
Vinton's breakthrough came in 1962 with "Roses Are Red (My Love)," a sentimental ballad that topped the Billboard Hot 100 for four weeks and marked his emergence as a major pop artist.[15] This hit was swiftly followed by "Rain Rain Go Away," which peaked at No. 12 on the same chart later that year, and "Blue Velvet" in 1963, another No. 1 single that held the top spot for three weeks and showcased his knack for reviving older standards with a fresh, emotive delivery.[16][1] These early successes established Vinton as a reliable hitmaker amid the shifting musical landscape of the early 1960s. Building on this momentum, Vinton delivered a string of Top 10 hits in 1963 and 1964, including "Blue on Blue" at No. 3, "There! I've Said It Again" reclaiming No. 1 for four weeks in early 1964—his second chart-topper—and "Mr. Lonely," another No. 1 that resonated with themes of isolation and became one of his most enduring tracks.[17][18][19] His recordings blended pop sensibilities with doo-wop harmonies from his earlier influences and lush orchestral arrangements, creating a polished, romantic sound that appealed to a broad audience seeking contrast to the emerging rock 'n' roll dominance.[20] By the end of the decade, Vinton had solidified his commercial impact through these breakthrough singles. Extensive tours and live performances further cemented his status as a teen idol, where his clean-cut image and charismatic stage presence drew crowds of young fans, earning him the nickname "The Polish Prince."[21]1970s: Television and variety success
In the early 1970s, Bobby Vinton expanded his career into television hosting, capitalizing on his established popularity from the previous decade to launch a musical variety series. "The Bobby Vinton Show" premiered in 1975 as a syndicated program in the United States and on CTV in Canada, running for three seasons until 1978 with a total of 52 episodes produced in Toronto.[22] The half-hour format featured Vinton as host, blending musical performances of his hits and contemporary covers with comedy skits and appearances by guest stars such as Ethel Merman, Don Rickles, Phyllis Diller, Anne Murray, and The Spinners, often tailored to current pop culture trends.[3] This show marked Vinton's successful pivot to television, showcasing his charismatic stage presence and nostalgic appeal to a broad audience.[23] Amid his television commitments, Vinton maintained a steady output of music releases that reflected his versatility. His 1973 album Seasons in the Sun included a cover of the title track, a poignant ballad that aligned with his sentimental style, while the 1974 album Melody of Love produced the single "My Melody of Love," which peaked at number 34 on the Billboard Hot 100. The song incorporated Polish lyrics like "Miłośc, miłośc moja" (meaning "Love, my love"), honoring Vinton's heritage and adding a unique ethnic flair to its upbeat melody.[24] These recordings helped sustain his chart presence during the decade, bridging his classic crooner image with more contemporary sounds. Vinton complemented his TV success with extensive live touring and guest spots on other variety programs, reinforcing his status as a enduring entertainer. He made notable appearances on The Ed Sullivan Show in early 1970, performing songs like "My Elusive Dreams" to demonstrate his adaptability to country influences.[25] Throughout the 1970s, his concert tours across North America drew fans nostalgic for his 1960s hits, while he navigated the rising disco trend by incorporating rhythmic elements into tracks like the 1979 single "Disco Polka," a polka-infused adaptation that preserved his cultural roots amid evolving pop music landscapes.[26] This period solidified Vinton's multifaceted career, blending media exposure with musical innovation.1980s–2010s: Later performances and retirement
In the 1980s, Vinton sustained his career through live theater performances in major entertainment hubs, including headline shows at the Sands Hotel in Las Vegas in 1981, where he was backed by the Don Vincent Orchestra.[27] He also regularly headlined in Atlantic City, New Jersey, establishing himself as one of the few performers capable of drawing crowds in both Las Vegas and Atlantic City alongside international tours.[2] By the early 1990s, Vinton shifted focus to Branson, Missouri, initially appearing as a guest star at the Roy Clark Celebrity Theatre, where he achieved sellout crowds that prompted him to open his own venue.[4] In 1993, he launched the Bobby Vinton Blue Velvet Theatre, a 1,500-seat facility where he performed regularly with the Glenn Miller Orchestra for nearly a decade, blending his classic hits with big band arrangements.[28] After selling the theater in 2002 to pursue world tours, Vinton maintained a residency in Branson through periodic limited engagements at the venue—renamed King's Castle Theatre—continuing until 2015 and solidifying his status as a Branson staple.[29] Throughout the 2000s and early 2010s, Vinton's recording output consisted primarily of compilations rather than new studio material, including the 2001 release The Very Best of Bobby Vinton, a two-disc set featuring his major hits, and Mr. Lonely/Country Boy, which paired early albums for reissue.[30] These collections kept his catalog active without notable new chart appearances, emphasizing his enduring appeal through nostalgic repackaging.[31] In 2015, at age 80, Vinton announced his retirement from live performing and recording following a severe case of shingles that impacted his health, advising fans—particularly seniors—to get vaccinated against the condition. He has not performed since, marking the end of a career spanning over six decades.[32] Post-retirement, Vinton has made occasional public appearances, such as promoting a shingles vaccine on Sirius XM radio in 2018 and being honored with "Bobby Vinton Day" proclaimed in Branson on October 23, 2024, for his contributions to the city's entertainment scene.[33] As of 2025, at age 90, he resides quietly in Englewood, Florida, with fans continuing to celebrate his legacy through tributes and catalog sales.[34]Awards and honors
Bobby Vinton received a single Grammy Award nomination during his career for Best Rock & Roll Recording for his 1964 single "Mr. Lonely" at the 7th Annual Grammy Awards in 1965.[35] Several of Vinton's hit singles earned gold certifications from the Recording Industry Association of America (RIAA), recognizing sales of 500,000 units each at the time. Notable examples include "Roses Are Red (My Love)" in 1962, "Blue Velvet" in 1963, "There! I've Said It Again" in 1964, "Mr. Lonely" in 1964, and "I Love How You Love Me" in 1968.[36][37] In recognition of his contributions to the music industry, Vinton was awarded a star on the Hollywood Walk of Fame on June 13, 1978, located at 6916 Hollywood Boulevard.[5] Vinton's alma mater, Duquesne University, honored him with an honorary Doctor of Music degree in 1978 for his achievements in musical composition and performance.[11] His hometown of Canonsburg, Pennsylvania, paid tribute to Vinton by naming two streets after him—Bobby Vinton Boulevard and Bobby Vinton Drive—in acknowledgment of his Polish heritage and local roots, though he declined a proposed statue in 2004, suggesting the funds be used for community needs instead.[38] Throughout his career, Vinton sold over 75 million records worldwide, establishing him as one of the era's top-selling pop artists.[2] In 2025, marking his 90th birthday, Billboard published a retrospective highlighting his four No. 1 Billboard Hot 100 hits and enduring legacy as "The Polish Prince."[1]Acting and media appearances
Film roles
Bobby Vinton ventured into film acting sporadically during his music career, accumulating approximately five credits in feature films, most of which were supporting or cameo roles that occasionally incorporated his singing abilities.[39] His debut came in the 1964 low-budget beach party film Surf Party, where he portrayed the lead character Terry, a surf shop owner entangled in romantic and musical escapades. In 1965, Vinton provided the theme song vocals for the film Harlow ("Lonely Girl"). Vinton's most notable film roles arrived in the early 1970s through collaborations with John Wayne. In Big Jake (1971), he played Jeff McCandles, one of the grandsons searching for a kidnapped family member in the Western. He followed this with the role of Ben Young, a young member of a gold-recovery posse, in the 1973 Western The Train Robbers. Additionally, in 1976, Vinton provided voice work as the singer for the theme song in The Duchess and the Dirtwater Fox, a comedic Western starring Goldie Hawn and George Segal.[39] Critics and observers generally viewed Vinton's film contributions as extensions of his musical persona rather than showcasing dramatic prowess, often treating his appearances as novelty cameos that added lighthearted or melodic elements to the productions.[40]Television roles
Bobby Vinton made numerous guest appearances on variety and music programs throughout the 1960s and 1970s, performing his hits and establishing himself as a staple on American television. He appeared multiple times on The Ed Sullivan Show, including performances of "Blue Velvet" and "Roses Are Red (My Love)" on January 19, 1964, "My Heart Belongs to Only You" in 1965, "Those Were the Days" on July 6, 1969, and a duet with Karen Wyman on "For Me and My Gal" on September 27, 1970.[41] Other notable variety guest spots included Perry Como's Kraft Music Hall on August 5, 1970, The Lawrence Welk Show in 1963 as a guest star vocalist, and American Bandstand during his peak popularity in the early 1960s. These performances highlighted his smooth vocal style and contributed to his image as "The Polish Prince." Vinton also participated in game shows, serving as a panelist on Hollywood Squares on several occasions, such as the week of December 25–29, 1972, and episodes in 1998 and 2004.[42] His appearances on these programs, along with other game and talk formats like Dinah! in 1974, showcased his affable personality beyond musical performances.[43] In addition to variety and game show roles, Vinton ventured into acting with dramatic cameos in the late 1970s and early 1980s. In the 1980 made-for-TV movie The Gossip Columnist, he played Marty Kaplan, a singer entangled in a media scandal.[44] He appeared as Bobby Gaines, a musician mentoring the young protagonist, in the 1983 episode "Chance of a Lifetime" of the NBC series Boone. He also guest-starred as himself in the 1985 episode "Solid Gold" of Benson[45] and as himself in the 1997 episode "Blue" of Coach.[46] These occasional dramatic turns marked an evolution from his primary role as a performer on shows like his own 1970s variety series. Following the end of The Bobby Vinton Show in 1978, Vinton hosted several television specials featuring his greatest hits, including the 1981 special Bobby, recorded live in Las Vegas, and the 1985 CBS special Bobby Vinton in Las Vegas.[27][47] Over his career, Vinton amassed more than 50 television credits, primarily as a guest performer and host across variety, music, and light entertainment formats.[39]Personal life
Family and marriages
Bobby Vinton has been married to Dolores "Dolly" Vinton since December 17, 1962, marking over six decades of marriage as of 2025.[48] The couple, who met in their early adulthood, built a stable family life amid Vinton's rising music career, with Dolly providing steadfast support during his early tours and recording sessions.[49] Their enduring partnership has been free of divorces or public scandals, reflecting a commitment rooted in Vinton's Polish-American values of loyalty and family unity.[6] Vinton and Dolly have five children: sons Robert "Robbie" and Christopher, and daughters Kristin, Jennifer (who later changed her name to Hannah), and Rebecca.[50] The family navigated the demands of Vinton's touring schedule by prioritizing time together, often incorporating family into aspects of his professional life to maintain closeness despite frequent travel.[51] Robbie Vinton, the eldest son, has been deeply involved in his father's career, serving as manager, booking agent through his company Robbie Vinton Entertainment, and band leader, while also performing alongside him on stage.[52] Another son, Christopher, has pursued interests in entertainment production, contributing to the family's creative legacy.[2] The Vinton family maintains strong ties to their Polish heritage, with Vinton's grandparents having immigrated from Poland at the turn of the 20th century, instilling traditions of close-knit gatherings and cultural pride that continue through generations.[7] This emphasis on familial bonds extends to Vinton's role as a grandfather to several grandchildren, fostering an extended network that celebrates Polish customs like shared meals and holiday observances, even as the family resides in Englewood, Florida.[6]Health, philanthropy, and later years
In 2015, Bobby Vinton contracted a serious case of shingles, which prompted his retirement from live performances and recording at the age of 80. The condition's severity led him to step away from the stage, marking the end of a career spanning decades of music and entertainment.[53] Throughout his life, Vinton has supported charitable endeavors, particularly those benefiting Polish-American communities, reflecting his heritage as "The Polish Prince."[54] He has also contributed to his hometown of Canonsburg, Pennsylvania, including efforts to preserve its musical legacy, though he once vetoed a proposed statue in his honor to redirect funds toward community needs.[38] Now 90 years old, Vinton resides in Englewood, Florida, with his wife of over 60 years, Dolores, and enjoys a private retirement surrounded by family. The lingering impacts of his health challenges have kept him out of the public eye, though he occasionally reflects on his legacy through interviews and catalog management, such as the 2025 acquisition of his music rights by Reservoir Media.[55] His estimated net worth stands at $25 million, primarily derived from lifelong royalties on hits like "Blue Velvet" and "Mr. Lonely."[56]Discography
Singles
Bobby Vinton's singles discography spans over four decades, beginning with rock and roll-influenced tracks in the early 1960s and evolving toward adult contemporary ballads and polka elements by the 1970s. His breakthrough single, "Roses Are Red (My Love)," released in 1962 on Epic Records, topped the Billboard Hot 100 for four weeks and was certified gold by the RIAA for sales exceeding 1,000,000 units, marking his shift from instrumental bandleader to vocal pop star. B-sides occasionally charted independently, underscoring Vinton's prolific output during this period.[57] Throughout the 1960s, Vinton released a series of romantic pop singles that dominated the charts, with four reaching No. 1 on the Billboard Hot 100 and many crossing over to the emerging Easy Listening (later Adult Contemporary) chart. Hits like "Blue Velvet" (1963), which also earned RIAA gold certification for over 1,000,000 sales, and "Mr. Lonely" (1964) exemplified his signature sentimental style, blending orchestral arrangements with heartfelt vocals. Internationally, several tracks gained traction, such as "Blue Velvet" peaking at No. 2 on the UK Singles Chart and "Roses Are Red (My Love)" at No. 5 there.[58] By the late 1960s, his releases began incorporating more country-tinged elements, though they maintained strong adult contemporary appeal. In the 1970s and beyond, Vinton's singles leaned into adult contemporary formats, with occasional nods to his Polish heritage through polka-infused tracks. "My Melody of Love" (1974), featuring lyrics in English and Polish, topped the Billboard Adult Contemporary chart and reached No. 36 on the Hot 100, becoming one of his last significant pop crossovers while highlighting his ethnic roots. Later releases, such as re-recordings and covers like "New Blue Velvet" (1980), targeted AC audiences and achieved moderate success, with peaks in the 60s on that chart. B-sides and international versions, including polka adaptations, appeared on labels like ABC and Polka City Records, but few cracked the Hot 100 after the mid-1970s. Overall, Vinton amassed 38 Billboard Hot 100 entries, with his sales peaking in the 1960s through multi-platinum-equivalent hits driven by radio play and jukebox popularity.[57][59] The following table highlights key singles from his discography, focusing on those that charted on the Billboard Hot 100 or Adult Contemporary charts, with representative examples of B-sides and international notes where notable.| Year | Title | Billboard Hot 100 Peak | Adult Contemporary Peak | Notes |
|---|---|---|---|---|
| 1962 | Roses Are Red (My Love) | 1 | — | 4 weeks at No. 1; B-side "You and I"; UK #5; RIAA gold (1M+ sales)[57][58] |
| 1962 | Rain Rain Go Away | 12 | — | B-side "Tomorrow" |
| 1963 | Over the Mountain; Across the Sea | 22 | — | Cover of Johnnie & Jack original |
| 1963 | Blue on Blue | 3 | — | From album Blue on Blue |
| 1963 | Blue Velvet | 1 | — | 3 weeks at No. 1; B-side "Is There a Place (Where I Can Go)"; UK #2; RIAA gold (1M+ sales); inspired 2018 film soundtrack[57][58][60] |
| 1964 | My Heart Belongs to Only You | 9 | — | B-side "Warm and Tender" |
| 1964 | Tell Me Why | 13 | — | B-side "The Grass Is Greener"; Canada #31 |
| 1964 | Mr. Lonely | 1 | — | 1 week at No. 1; B-side "It's Better to Have Loved"; RIAA gold (1M+ sales)[57] |
| 1964 | There! I've Said It Again | 1 | — | 4 weeks at No. 1; B-side "The Girl with the Bow in Her Hair"[57] |
| 1965 | L-O-N-E-L-Y | 32 | — | Follow-up to "Mr. Lonely" |
| 1966 | Satin Pillows | 23 | 13 | B-side "We Kissed Again" |
| 1967 | Coming Home Soldier | 11 | — | B-side "I Don't Know How to Say Goodbye" |
| 1968 | I Love How You Love Me | 9 | 2 | Cover of The Paris Sisters; B-side "When I Fall in Love" |
| 1968 | To Know You Is to Love You | 32 | — | B-side "Don't Let the Well Go Dry" |
| 1969 | My Special Angel | 36 | 21 | Cover of Bobby Helms |
| 1970 | Easy to Say | 46 | 25 | B-side "Just a Little Bit More" |
| 1972 | (Just As) Long As We're Together | 93 | — | Late Hot 100 entry |
| 1974 | My Melody of Love | 36 | 1 | Polka-infused with Polish lyrics; B-side "Say You'll Stay Until Tomorrow"; international release in Europe[57] |
| 1975 | Sealed With a Kiss | — | 48 | Cover of Brian Hyland; AC focus |
| 1980 | New Blue Velvet | — | 64 | Re-recording of 1963 hit; ABC Records release |
| 1987 | I Don't Know Why I Love You (But I Love You) | — | — | Late-career single on independent label |
Albums
Bobby Vinton released more than 30 studio albums over five decades, primarily focusing on romantic ballads, pop standards, and nostalgic covers, often featuring lush orchestral arrangements produced by figures like Hank Levine and George Marek. His discography emphasizes themes of love, loneliness, and sentimentality, reflecting his persona as a crooner known as "The Polish Prince." Early releases with Epic Records established his sound in the 1960s, while later works with ABC and independent labels in the 1970s–2000s incorporated polka elements and revisited 1960s hits.[61] Selected studio albums include the following representative examples:| Year | Album Title | Label | Notes |
|---|---|---|---|
| 1961 | Dancing at the Hop | Epic | Debut album blending dance tunes and early pop. |
| 1962 | Roses Are Red | Epic | Peaked at #5 on Billboard 200; featured the hit title track with orchestral backing.[62] |
| 1963 | Blue Velvet | Epic | Renamed from Blue on Blue after the single's success; peaked at #10 on Billboard 200; themes of melancholy romance.[62][63] |
| 1964 | Mr. Lonely | Epic | Centered on isolation and heartbreak motifs; included the signature title song.[64] |
| 1964 | There! I've Said It Again | Epic | Compilation-style studio release with big-band influences.[65] |
| 1968 | I Love How You Love Me | Epic | Focused on tender love songs; peaked at #9 on Billboard 200.[36] |
| 1972 | Sealed with a Kiss | Epic | Explored enduring romance themes.[65] |
| 1974 | Melodies of Love | ABC | Peaked at #16 on Billboard 200; incorporated polka rhythms and multilingual elements for nostalgic appeal.[62] |
| 1975 | Heart of Hearts | ABC | Peaked at #108 on Billboard 200; emphasized heartfelt ballads.[66] |
| 1977 | The Name Is Love | ABC | Continued romantic pop style with orchestral production.[66] |
| 1992 | As Time Goes By | Varese Sarabande | Standards collection evoking classic Hollywood romance.[67] |
| 2001 | Sings for Lonely Nights | Varese Sarabande | Introspective themes of solitude and love.[67] |
| 2006 | Because of You (The Love Songs Collection) | Legacy | Compilation of re-recorded 1960s love songs with modern production touches.[65] |