Hubbry Logo
Bobby VintonBobby VintonMain
Open search
Bobby Vinton
Community hub
Bobby Vinton
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Bobby Vinton
Bobby Vinton
from Wikipedia

Key Information

Stanley Robert Vinton (born April 16, 1935) is an American singer and actor, who hosted his own self-titled TV show in the late 1970s. As a teen idol, he became known as "The Polish Prince", as his music paid tribute to his Polish heritage. One of his most popular songs is "Blue Velvet" (a cover of the 1951 song recorded by Tony Bennett) which reached No. 1 on the Billboard Hot 100 in 1963, No. 1 in Canada (5 weeks), and number 2 in the UK in 1990.

Early life

[edit]

Vinton was born in Canonsburg, Pennsylvania, the only child of locally popular bandleader Stan Vinton and Dorothy Studzinski Vinton.[1] He is of Polish and Lithuanian descent. The family surname was originally Vintula, and was changed by Vinton's father.[2] Vinton's parents encouraged their son's interest in music by giving him his daily 25-cent allowance after he had practiced the clarinet.[3]

At 16, Vinton formed his first band, which played clubs around the Pittsburgh area. With the money he earned, he helped finance his college education at Duquesne University, where he graduated with a degree in musical composition.[1] While at Duquesne, he became proficient on all of the instruments in the band: piano, clarinet, saxophone, trumpet, drums, and oboe.[4] When Vinton became an active musician, it was common for people to become confused with the bands of father and son, for both were named Stanley. Vinton's father suggested his son use his middle name of Robert professionally to clear up the confusion.[5]

Vinton's birthplace of Canonsburg, Pennsylvania, is also the birthplace of Perry Como.[6][7] Vinton's hometown named two streets, Bobby Vinton Boulevard and the shorter adjoining Bobby Vinton Drive, in his honor. These streets were built in the late 1970s; prior attempts to name a residential street after him failed. The residents had not cared for the singer always claiming Pittsburgh as his home town on TV interviews. Como always claimed Canonsburg as his hometown, so hundreds of people changed their address when the town renamed a street in the east end after Perry Como. The Canonsburg town fathers had plans to erect a statue in Vinton's honour, but Vinton himself vetoed the idea, noting that the $100,000 planned cost could go to far more important town needs.[8]

Career

[edit]

1950s

[edit]

According to his autobiography, Bobby was inspired to record his music by the Elvis Presley movie Jailhouse Rock. He formed his own record label, Bobby Records, in October 1958. His first release was "Twilight Time", backed with "Hallelujah". Bobby sang on the B-side of the 45 rpm release, making this his first commercially released vocal recording. This record did not chart. In March 1959, Bobby recorded for the Melody label out of Philadelphia, listed as "Bobby Vinton and his Orchestra" for the first time. His release of "Harlem Nocturne", backed with "Always in My Heart" with a vocal by Bobby, attracted attention in Pennsylvania. His 'young man with a big band' style was established here, and "Always In My Heart" was a song he returned to. In August 1959, Bobby moved to another larger record company, Alpine Records. He released two self-written singles for Alpine, the first being "You'll Never Forget" backed by "First Impression". The second Alpine release was "A Freshman and a Sophomore", backed with the self-written "The Sheik"; this was released in February 1960. Both Alpine releases garnered Billboard magazine mentions.

1960s

[edit]
Billboard advertisement, September 14 1963

After two years of service in the United States Army, in which he served as a chaplain's assistant, Vinton was signed to Epic Records in 1960 as a bandleader: "A Young Man With a Big Band". The break for the Epic Records contract had come after Vinton and his band appeared on Guy Lombardo's TV Talent Scouts program.[1][9] Since March 20, 1961, his released three singles. Titled "Posin'" "Little lonely one" and "Well I ask ya",these records were his vocal recordings, and the flip sides were credited to "Bobby Vinton And His Orchestra". Despite the big label backing, the three singles were not successful, and two albums, Bobby Vinton Dancing At The Hop and Bobby Vinton Plays for his Lil Darlin's did not sell well. With Epic ready to drop him from its roster, Vinton found the material for his first hit single literally sitting in a reject pile.[3] The song was titled "Roses Are Red (My Love)".[10] Vinton had to do his own promotion for the song; he bought one thousand copies and hired a young woman to deliver a copy of the record and a dozen red roses to every local DJ.[1][11] It spent four weeks at number one on the Billboard Hot 100. The song was also a hit on the Country and R&B charts. The success of the song pushed Epic to renew Vinton's contract and change his status from bandleader to solo singer.[10]

Arguably, Vinton's most famous song is 1963's "Blue Velvet", originally a minor hit for Tony Bennett in 1951, that also spent three weeks at the number one positions in Billboard, Cash Box, and Record World magazines. In 1986, 23 years later, David Lynch named his movie Blue Velvet after the song.[10] In 1990, "Blue Velvet" reached number 2 on the UK Singles Chart, after being featured in a Nivea commercial. The 1990 reissue also hit number 3 in the Irish Singles Chart and number 7 in Australia.

In 1964, Vinton had two number 1 hits, "There! I've Said It Again" (a number 1 hit in 1945 for Vaughn Monroe) in January and "Mr. Lonely" in December. Vinton's version of "There! I've Said It Again" is noteworthy for being the last U.S. Billboard number-one single of the pre-Beatles era, deposed from the Hot 100 summit by "I Want to Hold Your Hand". Also noteworthy is the fact that Vinton continued to have big hit records during the British Invasion, scoring 16 top-ten hits, while Connie Francis, Ricky Nelson, the Shirelles, and other major artists of the early 1960s struggled to reach even the Top 40.

Vinton performing on The Ed Sullivan Show in 1969

Vinton wrote and composed "Mr. Lonely" during his chaplain's assistant service in the U.S. Army in the late 1950s. The song was recorded during the same 1962 session that produced "Roses Are Red (My Love)", and the two songs launched Vinton's singing career. It was released as an album track on the 1962 Roses Are Red (and other songs for the young & sentimental) LP. Despite pressure from Vinton to release it as a single, Epic instead had Buddy Greco release it and it flopped. Two years and millions of records sold later, Bobby prevailed on Epic to include "Mr. Lonely" on his Bobby Vinton's Greatest Hits LP. Soon DJs picked up on the song and airplay resulted in demand for a single release. "Mr. Lonely" shot up the charts in the late fall of 1964 to reach number 1 on the Hot 100 on December 12, 1964. Epic then released the LP Bobby Vinton Mr. Lonely; the song had now appeared on three Bobby Vinton albums released within two years. The song continued to spin gold for Vinton, its author-composer, in the 50+ years to date since reaching number 1; Harmony Korine named his 2007 film Mister Lonely after the latter and features the song in the film's opening, and it was also the basis for Akon's 2005 hit, "Lonely".

In 1965, Vinton continued his "Lonely" success streak with the self-written "L-O-N-E-L-Y". "Long Lonely Nights" peaked at number 17 and spawned an album, Bobby Vinton Sings for Lonely Nights. Vinton's self-written 1966 hit "Coming Home Soldier" hit No. 11 on the Hot 100 and was a favorite on request shows on the American Forces Network during the Cold War and Vietnam era, often called in by soldiers about to board the Freedom Bird that would take them back to the "Land of the Round Doorknobs". Vinton's lush 1967 remake of "Please Love Me Forever", which reached number 6 and sold over a million copies, began a string of twelve consecutive Hot 100 hits, all remakes, over a little less than five and a half years.[10] His 1968 hit "I Love How You Love Me" surged to number 9, sold over one million copies, and was awarded a gold record by the RIAA.[12]

1970s

[edit]
Vinton in 1977

In the 1970s, Vinton continued to hit the Top 40, notably with "Ev'ry Day of My Life", a No. 2 Adult Contemporary hit also awarded the Jukebox single of the year award which was produced by Jimmy Bowen and CBS recording engineer Jim Reeves, which peaked at number 24 on April 29, 1972, and "Sealed With a Kiss" hitting number 19 on August 19–26, 1972.[5] Despite the success of the two hits, Epic Records decided to drop Vinton from his contract the following year, claiming that his days of selling records were over.

Undeterred, Vinton spent $50,000 of his own money on "My Melody of Love", partially self-written and partially sung in Polish.[10] The suggestion for the song came from Vinton's mother.[2][5] After six major labels turned Vinton down, Lindy Blaskey, Managing Director of A&R at ABC/Dunhill Records, bought Vinton's idea, and the result was a multi-million-selling single of simple lyrics that hit number 3 on the Billboard Hot 100, number 2 on the Cashbox Top 100 chart, and number 1 on the AC chart in 1974.[2][13] A gold album, Melodies of Love, followed as well as one final Top 40 pop hit (the traditional "Beer Barrel Polka", also sung partially in Polish, b/w "Dick And Jane" in 1975). Vinton went on to record an additional four albums for ABC Records, three of which hit the Billboard Hot 200 albums chart. Epic Records rediscovered Vinton in the wake of his newfound success, releasing two albums of previously recorded material, both of which hit the top album charts. In addition, in a throwback to his career start in the 1950s, his two albums on Ahed were released in Canada. Party Music (1976) went platinum and 100 Memories (1979) was successful. In 1975, Vinton exploded onto televisions across the United States and Canada with a successful half-hour variety show, The Bobby Vinton Show, which aired from 1975 to 1978 and of which "My Melody of Love" was the theme song; ABC Records subsequently released an album of songs performed on the show.[14]

In 1978, Vinton wrote his autobiography, titled The Polish Prince, which became a bestseller. In the same year, CBS-TV aired Bobby Vinton's Rock N' Rollers, a one-hour special that achieved top ratings.

1980s–1990s

[edit]

While appearing at Pittsburgh's Three Rivers Stadium prior to Game 4 of the 1990 National League Championship Series between the Pittsburgh Pirates and Cincinnati Reds, Vinton delivered a mixed-up rendition of "The Star-Spangled Banner" that left out many of the words and was off-key. Controversy ensued after CBS broadcaster Jack Buck said on air, "Well, when you're Polish and live in Pittsburgh, you can do anything you want with the words!"[15][16]

Vinton performing in 2004

Honors and achievements

[edit]

In the early 1990s, Vinton found himself booked as a guest star at the Roy Clark Theatre in Branson, Missouri. He was unsure of his ability to draw at what was then a country-western-themed resort, and was shocked at the massive turnout for his concerts there. He was so impressed with the Branson model that he invested millions in building the Bobby Vinton Blue Velvet Theatre and enjoyed ten successful years there. In 2002 the theatre was sold to David King, creator and producer of Spirit of the Dance.[9][11] Vinton returned to Branson periodically for limited engagements at the theatre.

Billboard Magazine called Bobby Vinton "the all-time most successful love singer of the 'Rock-Era'". From 1962 to 1972, Vinton had had more Billboard number 1 hits than any other male vocalist, including Elvis Presley and Frank Sinatra. In recognition of his recording career, Vinton was awarded a star on the Hollywood Walk of Fame, located at 6916 Hollywood Blvd.

Vinton's alma mater, Duquesne University, awarded him an honorary doctorate in music in 1978.[4][14]

Acting

[edit]

Vinton appeared in seven acting roles during his singing career, commencing with the beach party movie Surf Party in 1964. In 1965, he played George Reynolds in the episode "Patty and the Newspaper Game" of ABC's sitcom The Patty Duke Show. He was also cast as Jeff McCandles in the 1971 John Wayne film Big Jake and as Ben Young in another Wayne film, The Train Robbers (1973). His last role as a character was as Bobby Gaines in the 1983 episode "Chance of a Lifetime" of the NBC family drama television series Boone, starring Tom Byrd, while his last scripted role as himself was in 1997, appearing in part one of the three part series finale of Coach.

Personal life

[edit]

Vinton and his wife, Dolores, have been married since December 17, 1962. They reside in Englewood, Florida, and have five children.[1][9] In 2015, after contracting a serious case of shingles, Vinton retired from live performing and recording.[17] He spoke to his fans and friends in February 2018 on The Cousin Brucie Show on Sirius XM radio, and encouraged all to get a shingles vaccination.

Discography

[edit]

Filmography

[edit]
Year Title Role Notes
1964 Surf Party Len Marshall also theme song ("If I Were an Artist")
1965 The Patty Duke Show George Reynolds Episode: "Patty and the Newspaper Game"
1965 Harlow Theme song ("Lonely Girl") singer Voice only
1971 Big Jake Jeff McCandles
1973 The Train Robbers Ben Young
1976 The Duchess and the Dirtwater Fox Theme song ("Lemondrops, Lollipops and Sunbeams") singer Voice only
1980 The Gossip Columnist Marty Kaplan Television film
1983 Boone Bobby Gaines Episode: "Chance of a Lifetime"
1985 Benson Himself season 6 episode 17 "Solid Gold"
1997 Coach Himself Episode: "Leaving Orlando: Part 1"

Bibliography

[edit]
  • Vinton, Bobby (1978). The Polish Prince. M. Evans. ISBN 0-87131-270-0.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Stanley Robert Vinton, known professionally as Bobby Vinton, is an American , and occasional born on April 16, 1935, in . Best known as a teen idol and romantic crooner during the , he earned the nickname "The Polish Prince" due to his Polish-American heritage and achieved massive commercial success with sentimental, orchestra-backed pop ballads. Over his career spanning more than five decades, Vinton sold over 75 million records worldwide, securing multiple gold and platinum certifications. Vinton's breakthrough came in 1962 with the number-one hit "Roses Are Red (My Love)," followed by a string of chart-toppers including "Blue Velvet" (1963), "There! I've Said It Again" (1964), and "Mr. Lonely" (1964), which he co-wrote while serving in the U.S. Army. These tracks, often remakes of earlier standards infused with his signature soft vocal style, dominated the and established him as one of the era's top-selling male artists. His music blended with emerging rock influences, appealing to a broad audience through nostalgic and heartfelt lyrics. In addition to recording, Vinton hosted the syndicated variety series The Bobby Vinton Show from 1975 to 1978, featuring musical performances, comedy sketches, and guest stars, which highlighted his versatility as an entertainer. He also ventured into acting, appearing in films such as Big Jake (1971) alongside John Wayne and The Train Robbers (1973), as well as guest roles on television programs. Later in his career, Vinton opened the Bobby Vinton Blue Velvet Theatre in Branson, Missouri, in 1994, where he performed regularly until selling the venue in 2002, cementing his status as an enduring live performer. Vinton received a star on the Hollywood Walk of Fame in 1978 for his contributions to recording.

Early life

Birth and family background

Bobby Vinton was born Stanley Robert Vinton Jr. on April 16, 1935, in , a small industrial town southwest of . He was the only child of Stanley Vinton Sr. and Dorothy Studzinski Vinton, both of Polish descent, with his grandparents having immigrated from at the turn of the 20th century. Vinton's family background was deeply rooted in Polish-American traditions, which later influenced his musical identity as "The Polish Prince." The Vinton household was immersed in music, largely due to his father's profession as a popular local who conducted the Stan Vinton Orchestra in the area during the era. Stan Vinton's career exposed the family to lively performances and a vibrant musical environment from an early age, fostering young Stanley's initial encounters with sounds and rhythms common in Polish-American communities. This setting shaped the family's dynamics around entertainment and performance, with music serving as a central pillar of daily life.

Education and early musical influences

Vinton attended Canonsburg High School in , where he graduated in 1952. During his high school years, he played in the school band and orchestra, gaining early experience in ensemble performance. By age 16, he formed his first band, performing at school dances and local events around the area, which helped cultivate his leadership skills as a . Coming from a musical family—his father was a local —Vinton's early exposure to big band sounds laid the foundation for his interest in performance. After high school, he enrolled at in , studying music and graduating in 1956 with a degree in . While at Duquesne, Vinton formed a band with fellow students, playing covers at college functions, weddings, and other local venues to help finance his education; during this time, he became proficient on multiple instruments, including , clarinet, saxophone, trumpet, drums, and oboe. He was particularly influenced by the emerging scene, drawing inspiration from artists like after watching the film Jailhouse Rock. Following his graduation, Vinton served in the U.S. Army from 1957 to 1959 as a chaplain's assistant at , , a period that inspired his songwriting, as the isolation of his role led to the creation of "Mr. Lonely."

Music career

1950s–early 1960s: Beginnings

In the late , following his discharge from the U.S. Army where he served as a chaplain's assistant, Bobby Vinton reunited with friends to form the independent Band-Vox in 1959. They self-produced and released Vinton's debut single, "," an instrumental track that received minimal airplay and failed commercially, highlighting the challenges of breaking into the music industry without major label backing. Vinton's fortunes shifted slightly in 1960 when a talent scout discovered him during a Pittsburgh performance and arranged a demo for CBS Records, leading to a signing with its subsidiary Epic Records as a bandleader billed as "A Young Man with a Big Band." His early Epic releases, including the 1961 album Dancing at the Hop and singles like "Little Lonely One," garnered little attention amid the rock 'n' roll surge led by artists such as Elvis Presley and The Beatles. In 1962, Vinton's cover of "Devil or Angel" became his first modest chart entry, peaking at number 72 on the Billboard Hot 100, but it did not signal widespread success and underscored ongoing struggles with promotional support from the label. To carve a niche in the competitive landscape, Vinton began cultivating the "Polish Prince" persona in the early 1960s, drawing on his Polish-American heritage from , to blend sentimental pop ballads with rhythms and influences—a deliberate contrast to the era's dominant hard-edged rock sounds. This shift reflected his classical training in musical composition from and aimed to appeal to audiences seeking nostalgic, romantic fare, though it initially met with resistance as Epic considered terminating his contract due to lackluster sales.

1960s: Breakthrough hits

Vinton's breakthrough came in 1962 with "Roses Are Red (My Love)," a that topped the for four weeks and marked his emergence as a major pop artist. This hit was swiftly followed by "," which peaked at No. 12 on the same chart later that year, and "Blue Velvet" in , another No. 1 single that held the top spot for three weeks and showcased his knack for reviving older standards with a fresh, emotive delivery. These early successes established Vinton as a reliable hitmaker amid the shifting musical landscape of the early . Building on this momentum, Vinton delivered a string of Top 10 hits in and 1964, including "Blue on Blue" at No. 3, "There! I've Said It Again" reclaiming No. 1 for four weeks in early 1964—his second chart-topper—and "Mr. Lonely," another No. 1 that resonated with themes of isolation and became one of his most enduring tracks. His recordings blended pop sensibilities with doo-wop harmonies from his earlier influences and lush orchestral arrangements, creating a polished, romantic sound that appealed to a broad audience seeking contrast to the emerging rock 'n' roll dominance. By the end of the decade, Vinton had solidified his commercial impact through these breakthrough singles. Extensive tours and live performances further cemented his status as idol, where his clean-cut image and charismatic stage presence drew crowds of young fans, earning him the nickname "The Polish Prince."

1970s: Television and variety success

In the early , Bobby Vinton expanded his career into television hosting, capitalizing on his established popularity from the previous decade to launch a musical variety series. "The Bobby Vinton Show" premiered in 1975 as a syndicated program in the United States and on CTV in , running for three seasons until 1978 with a total of 52 episodes produced in . The half-hour format featured Vinton as host, blending musical performances of his hits and contemporary covers with comedy skits and appearances by guest stars such as , , , , and The Spinners, often tailored to current pop culture trends. This show marked Vinton's successful pivot to television, showcasing his charismatic stage presence and nostalgic appeal to a broad audience. Amid his television commitments, Vinton maintained a steady output of music releases that reflected his versatility. His 1973 album Seasons in the Sun included a cover of the title track, a poignant that aligned with his sentimental style, while the 1974 album Melody of Love produced the single "," which peaked at number 34 on the Billboard Hot 100. The song incorporated Polish lyrics like "Miłośc, miłośc moja" (meaning "Love, my love"), honoring Vinton's heritage and adding a unique ethnic flair to its upbeat melody. These recordings helped sustain his presence during the decade, bridging his classic image with more contemporary sounds. Vinton complemented his TV success with extensive live touring and guest spots on other variety programs, reinforcing his status as a enduring entertainer. He made notable appearances on The Ed Sullivan Show in early 1970, performing songs like "My Elusive Dreams" to demonstrate his adaptability to country influences. Throughout the 1970s, his concert tours across North America drew fans nostalgic for his 1960s hits, while he navigated the rising disco trend by incorporating rhythmic elements into tracks like the 1979 single "Disco Polka," a polka-infused adaptation that preserved his cultural roots amid evolving pop music landscapes. This period solidified Vinton's multifaceted career, blending media exposure with musical innovation.

1980s–2010s: Later performances and retirement

In the 1980s, Vinton sustained his career through live theater performances in major entertainment hubs, including headline shows at the Sands Hotel in Las Vegas in 1981, where he was backed by the Don Vincent Orchestra. He also regularly headlined in Atlantic City, New Jersey, establishing himself as one of the few performers capable of drawing crowds in both Las Vegas and Atlantic City alongside international tours. By the early 1990s, Vinton shifted focus to , initially appearing as a guest star at the Roy Clark Celebrity Theatre, where he achieved sellout crowds that prompted him to open his own venue. In 1993, he launched the Bobby Vinton Blue Velvet Theatre, a 1,500-seat facility where he performed regularly with the for nearly a decade, blending his classic hits with arrangements. After selling the theater in to pursue world tours, Vinton maintained a residency in through periodic limited engagements at the venue—renamed King's Castle Theatre—continuing until 2015 and solidifying his status as a Branson staple. Throughout the and early , Vinton's recording output consisted primarily of compilations rather than new studio material, including the 2001 release The Very Best of Bobby Vinton, a two-disc set featuring his major hits, and Mr. Lonely/Country Boy, which paired early albums for . These collections kept his catalog active without notable new chart appearances, emphasizing his enduring appeal through nostalgic repackaging. In 2015, at age 80, Vinton announced his retirement from live performing and recording following a severe case of that impacted his health, advising fans—particularly seniors—to get against the condition. He has not performed since, marking the end of a career spanning over six decades. Post-retirement, Vinton has made occasional public appearances, such as promoting a shingles vaccine on Sirius XM radio in 2018 and being honored with "Bobby Vinton Day" proclaimed in Branson on October 23, 2024, for his contributions to the city's scene. As of 2025, at age 90, he resides quietly in , with fans continuing to celebrate his legacy through tributes and catalog sales.

Awards and honors

Bobby Vinton received a single Grammy Award nomination during his career for Best Rock & Roll Recording for his 1964 single "Mr. Lonely" at the in 1965. Several of Vinton's hit singles earned gold certifications from the (RIAA), recognizing sales of 500,000 units each at the time. Notable examples include "Roses Are Red (My Love)" in 1962, "Blue Velvet" in 1963, "There! I've Said It Again" in 1964, "Mr. Lonely" in 1964, and "I Love How You Love Me" in 1968. In recognition of his contributions to the music industry, Vinton was awarded a star on the on June 13, 1978, located at 6916 . Vinton's alma mater, , honored him with an honorary Doctor of Music degree in 1978 for his achievements in and performance. His hometown of , paid tribute to Vinton by naming two streets after him—Bobby Vinton Boulevard and Bobby Vinton Drive—in acknowledgment of his Polish heritage and local roots, though he declined a proposed statue in 2004, suggesting the funds be used for community needs instead. Throughout his career, Vinton sold over 75 million records worldwide, establishing him as one of the era's top-selling pop artists. In 2025, marking his 90th birthday, published a retrospective highlighting his four No. 1 hits and enduring legacy as "The Polish Prince."

Acting and media appearances

Film roles

Bobby Vinton ventured into film sporadically during his music career, accumulating approximately five credits in feature films, most of which were supporting or cameo roles that occasionally incorporated his abilities. His debut came in the 1964 low-budget beach party film Surf Party, where he portrayed the lead character Terry, a surf shop owner entangled in romantic and musical escapades. In 1965, Vinton provided the theme song vocals for the film Harlow ("Lonely Girl"). Vinton's most notable film roles arrived in the early 1970s through collaborations with John Wayne. In Big Jake (1971), he played Jeff McCandles, one of the grandsons searching for a kidnapped family member in the Western. He followed this with the role of Ben Young, a young member of a gold-recovery posse, in the 1973 Western The Train Robbers. Additionally, in 1976, Vinton provided voice work as the singer for the theme song in The Duchess and the Dirtwater Fox, a comedic Western starring Goldie Hawn and George Segal. Critics and observers generally viewed Vinton's film contributions as extensions of his musical persona rather than showcasing dramatic prowess, often treating his appearances as novelty cameos that added lighthearted or melodic elements to the productions.

Television roles

Bobby Vinton made numerous guest appearances on variety and music programs throughout the 1960s and 1970s, performing his hits and establishing himself as a staple on American television. He appeared multiple times on The Ed Sullivan Show, including performances of "Blue Velvet" and "Roses Are Red (My Love)" on January 19, 1964, "My Heart Belongs to Only You" in 1965, "Those Were the Days" on July 6, 1969, and a duet with Karen Wyman on "For Me and My Gal" on September 27, 1970. Other notable variety guest spots included Perry Como's Kraft Music Hall on August 5, 1970, The Lawrence Welk Show in 1963 as a guest star vocalist, and American Bandstand during his peak popularity in the early 1960s. These performances highlighted his smooth vocal style and contributed to his image as "The Polish Prince." Vinton also participated in game shows, serving as a panelist on Hollywood Squares on several occasions, such as the week of December 25–29, 1972, and episodes in 1998 and 2004. His appearances on these programs, along with other game and talk formats like Dinah! in 1974, showcased his affable personality beyond musical performances. In addition to variety and game show roles, Vinton ventured into acting with dramatic cameos in the late 1970s and early 1980s. In the 1980 made-for-TV movie The Gossip Columnist, he played Marty Kaplan, a singer entangled in a media scandal. He appeared as Bobby Gaines, a musician mentoring the young protagonist, in the 1983 episode "Chance of a Lifetime" of the NBC series Boone. He also guest-starred as himself in the 1985 episode "Solid Gold" of Benson and as himself in the 1997 episode "Blue" of Coach. These occasional dramatic turns marked an evolution from his primary role as a performer on shows like his own 1970s variety series. Following the end of The Bobby Vinton Show in , Vinton hosted several television specials featuring his greatest hits, including the 1981 special Bobby, recorded live in , and the 1985 special Bobby Vinton in Las Vegas. Over his career, Vinton amassed more than 50 television credits, primarily as a guest performer and host across variety, , and formats.

Personal life

Family and marriages

Bobby Vinton has been married to Dolores "Dolly" Vinton since December 17, 1962, marking over six decades of marriage as of 2025. The couple, who met in their early adulthood, built a stable family life amid Vinton's rising music career, with Dolly providing steadfast support during his early tours and recording sessions. Their enduring partnership has been free of divorces or public scandals, reflecting a commitment rooted in Vinton's Polish-American values of loyalty and family unity. Vinton and Dolly have five children: sons "Robbie" and , and daughters Kristin, Jennifer (who later changed her name to Hannah), and Rebecca. The navigated the demands of Vinton's touring schedule by prioritizing time together, often incorporating into aspects of his life to maintain closeness despite frequent travel. Robbie Vinton, the eldest son, has been deeply involved in his father's career, serving as manager, booking agent through his company Robbie Vinton Entertainment, and band leader, while also performing alongside him on stage. Another son, , has pursued interests in entertainment production, contributing to the 's creative legacy. The Vinton family maintains strong ties to their Polish heritage, with Vinton's grandparents having immigrated from Poland at the turn of the , instilling traditions of close-knit gatherings and cultural pride that continue through generations. This emphasis on familial bonds extends to Vinton's role as a grandfather to several grandchildren, fostering an extended network that celebrates Polish customs like shared meals and holiday observances, even as the family resides in .

Health, philanthropy, and later years

In 2015, Bobby Vinton contracted a serious case of , which prompted his retirement from live performances and recording at the age of 80. The condition's severity led him to step away from the stage, marking the end of a career spanning decades of music and entertainment. Throughout his life, Vinton has supported charitable endeavors, particularly those benefiting Polish-American , reflecting his heritage as "The Polish Prince." He has also contributed to his hometown of , including efforts to preserve its musical legacy, though he once vetoed a proposed in his honor to redirect funds toward needs. Now 90 years old, Vinton resides in , with his wife of over 60 years, Dolores, and enjoys a private retirement surrounded by family. The lingering impacts of his health challenges have kept him out of the public eye, though he occasionally reflects on his legacy through interviews and catalog management, such as the 2025 acquisition of his music rights by . His estimated stands at $25 million, primarily derived from lifelong royalties on hits like "Blue Velvet" and "Mr. Lonely."

Discography

Singles

Bobby Vinton's singles discography spans over four decades, beginning with rock and roll-influenced tracks in the early and evolving toward adult contemporary ballads and elements by the . His breakthrough single, "Roses Are Red (My Love)," released in 1962 on , topped the for four weeks and was certified gold by the RIAA for sales exceeding 1,000,000 units, marking his shift from instrumental bandleader to vocal pop star. B-sides occasionally charted independently, underscoring Vinton's prolific output during this period. Throughout the 1960s, Vinton released a series of romantic pop singles that dominated the charts, with four reaching No. 1 on the Billboard Hot 100 and many crossing over to the emerging Easy Listening (later Adult Contemporary) chart. Hits like "Blue Velvet" (1963), which also earned RIAA gold certification for over 1,000,000 sales, and "Mr. Lonely" (1964) exemplified his signature sentimental style, blending orchestral arrangements with heartfelt vocals. Internationally, several tracks gained traction, such as "Blue Velvet" peaking at No. 2 on the UK Singles Chart and "Roses Are Red (My Love)" at No. 5 there. By the late 1960s, his releases began incorporating more country-tinged elements, though they maintained strong adult contemporary appeal. In the and beyond, Vinton's singles leaned into adult contemporary formats, with occasional nods to his Polish heritage through polka-infused tracks. "" (1974), featuring lyrics in English and Polish, topped the Adult Contemporary chart and reached No. 36 on the Hot 100, becoming one of his last significant pop crossovers while highlighting his ethnic roots. Later releases, such as re-recordings and covers like "New Blue Velvet" (), targeted AC audiences and achieved moderate success, with peaks in the 60s on that chart. B-sides and international versions, including adaptations, appeared on labels like ABC and Polka City Records, but few cracked the Hot 100 after the mid-1970s. Overall, Vinton amassed 38 entries, with his sales peaking in the through multi-platinum-equivalent hits driven by radio play and popularity. The following table highlights key singles from his discography, focusing on those that charted on the or Adult Contemporary charts, with representative examples of B-sides and international notes where notable.
YearTitle PeakAdult Contemporary PeakNotes
1962Roses Are Red (My Love)14 weeks at No. 1; B-side "You and I"; #5; RIAA gold (1M+ sales)
196212B-side "Tomorrow"
1963Over the Mountain; Across the Sea22Cover of Johnnie & Jack original
1963Blue on Blue3From album Blue on Blue
1963Blue Velvet13 weeks at No. 1; B-side "Is There a Place (Where I Can Go)"; #2; RIAA gold (1M+ sales); inspired 2018 film soundtrack
1964My Heart Belongs to Only You9B-side "Warm and Tender"
1964Tell Me Why13B-side ""; #31
1964Mr. Lonely11 week at No. 1; B-side "It's Better to Have Loved"; RIAA gold (1M+ sales)
1964There! I've Said It Again14 weeks at No. 1; B-side "The Girl with the Bow in Her Hair"
1965L-O-N-E-L-Y32Follow-up to "Mr. Lonely"
1966Satin Pillows2313B-side "We Kissed Again"
1967Coming Home Soldier11B-side "I Don't Know How to Say Goodbye"
1968I Love How You Love Me92Cover of ; B-side "When I Fall in Love"
1968To Know You Is to Love You32B-side "Don't Let the Well Go Dry"
19693621Cover of
1970Easy to Say4625B-side "Just a Little Bit More"
1972(Just As) Long As We're Together93Late Hot 100 entry
1974361Polka-infused with Polish lyrics; B-side "Say You'll Stay Until Tomorrow"; international release in
197548Cover of ; AC focus
1980New Blue Velvet64Re-recording of 1963 hit; release
1987I Don't Know Why I Love You (But I Love You)Late-career single on independent label

Albums

Bobby Vinton released more than 30 over five decades, primarily focusing on romantic ballads, pop standards, and nostalgic covers, often featuring lush orchestral arrangements produced by figures like Hank Levine and George Marek. His emphasizes themes of , , and , reflecting his as a known as "The Polish Prince." Early releases with established his sound in the , while later works with ABC and independent labels in the 1970s–2000s incorporated elements and revisited hits. Selected studio albums include the following representative examples:
YearAlbum TitleLabelNotes
1961Dancing EpicDebut album blending dance tunes and early pop.
1962EpicPeaked at #5 on ; featured the hit title track with orchestral backing.
1963Blue VelvetEpicRenamed from Blue on Blue after the single's success; peaked at #10 on ; themes of melancholy romance.
1964Mr. EpicCentered on isolation and heartbreak motifs; included the signature title song.
1964There! I've Said It AgainEpicCompilation-style studio release with big-band influences.
1968I How You MeEpicFocused on tender love songs; peaked at #9 on .
1972EpicExplored enduring romance themes.
1974Melodies of LoveABCPeaked at #16 on ; incorporated rhythms and multilingual elements for nostalgic appeal.
1975Heart of HeartsABCPeaked at #108 on ; emphasized heartfelt ballads.
1977The Name Is ABCContinued romantic pop style with orchestral production.
1992As Time Goes ByVarese SarabandeStandards collection evoking classic Hollywood romance.
2001Sings for NightsVarese SarabandeIntrospective themes of solitude and .
2006Because of You (The Songs Collection)LegacyCompilation of re-recorded 1960s songs with modern production touches.
Vinton's compilation albums, such as the multi-volume Greatest Hits series starting with the 1964 Epic release certified gold by the RIAA in December 1966 for 500,000 units sold, have sustained his legacy by repackaging hits like "Blue Velvet" and "" for new generations. These collections often highlight his romantic oeuvre and orchestral style, with reissues appearing through the 2000s on labels like . Other notable compilations include Bobby Vinton's Greatest Hits of Love (1987) and various holiday-themed releases like Kissin' Christmas: The Bobby Vinton Christmas Album (1995), blending with seasonal themes.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.