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All That
Logo for the 2019 revival
GenreSketch comedy
Created by
Narrated by
Theme music composer
  • TLC
  • Arnold Hennings
  • RCA (seasons 7–10; remixed version of theme song)
Opening theme"All That", performed by TLC
Composers
  • Richard Tuttobene (seasons 1–6)
  • Scott Clausen (seasons 7–10)
  • Niv Toar (season 11)
Country of originUnited States
Original languageEnglish
No. of seasons11
No. of episodes210 (list of episodes)
Production
Executive producers
Producers
Camera setupMulti-camera
Production companies
Original release
NetworkNickelodeon
ReleaseApril 16, 1994 (1994-04-16) –
October 22, 2005 (2005-10-22)
ReleaseJune 15, 2019 (2019-06-15) –
December 17, 2020 (2020-12-17)

All That is an American sketch comedy children's television series created by Brian Robbins and Mike Tollin. The series originally aired on Nickelodeon from April 16, 1994, to October 22, 2005, lasting ten seasons, and was produced by Tollin/Robbins Productions and by Schneider's Bakery in season ten. The pilot episode was originally shown as a special "sneak peek" on April 16, 1994, with the show officially debuting as a regular series on January 21, 1995.[1]

The series features original short comedic sketches and weekly musical guests aimed toward a young audience. Its sketches parody popular culture and are performed by a large and varying cast of child and teen actors. Early episodes were taped at Nickelodeon Studios at Universal Orlando Resort and then moved to Hollywood at the Nickelodeon on Sunset theatre, where other Nickelodeon shows such as The Amanda Show, Kenan & Kel, and Drake & Josh were taped.

All That went on to become a fixture on Nickelodeon for over a decade and has received acclaim for its diverse cast and impact on children's television.[2][3] The series has spun off several members of the cast in their own Nickelodeon television series with varying levels of success. It has been marketed in several ways, including an audio recording, books, a feature film (with a sequel), festival tour, and numerous reunions and specials celebrating the legacy of All That.[4]

In 2019, Robbins, the current president of Nickelodeon and co-creator of the original series, announced a revival of the series with original cast member Kenan Thompson serving as executive producer,[5][6] with Kel Mitchell later confirmed in the same role.[7] The eleventh season premiered on June 15, 2019, with musical guests The Jonas Brothers.[8] Original cast members Lori Beth Denberg and Josh Server each appeared, and made sporadic appearances throughout the season. The last episode of the series aired on December 17, 2020, after production was permanently suspended due to the COVID-19 pandemic.

History

[edit]

Development

[edit]

Brian Robbins and Michael Tollin created the show, and the head writer was Dan Schneider who also became the showrunner of the series in the third season. All That marked the beginning of Schneider's prolific career in creating and writing hit television series for young audiences. The New York Times, in separate articles, referred to Schneider as "the Norman Lear of children's television"[9] and "the master of a television genre".[10]

In 1986, Robbins and Schneider met when they were cast in the ABC sitcom Head of the Class, where they co-starred as Eric Mardian and Dennis Blunden, members of an honors program for gifted high school students.[11] Becoming close friends, the two performers both shared a mutual interest in writing, eventually coming together to write and then pitch an episode to the show's producers just to see if they could do it.[11] To their amazement, the producers liked their idea and bought it. Their episode ("Will the Real Arvid Engen Please Stand Up") later aired during the show's second season in 1988.

Exterior of the former Nickelodeon Studios where All That was taped for its first two seasons

Following the success of Head of the Class, Robbins and Schneider were asked to co-host the second annual Kids Choice Awards in 1988 alongside Tony Danza and Debbie Gibson.[12] Although they were unaware of the fledgling Nickelodeon cable channel, the two agreed to participate. The award ceremony that year was produced by Albie Hecht, with whom Robbins and Schneider quickly struck up a friendship.[11] Their friendship continued after the awards, and Hecht suggested they develop something for Nickelodeon. Robbins and Schneider declined his offer, as they were still under contract with ABC.[11]

By 1991, after Head of the Class ended its five-season run, Robbins started a production company with producer friend Mike Tollin, aptly named Tollin/Robbins Productions.[3] The company originally produced several small-budget sports documentaries.[13] Hecht, now Head of Development for Nickelodeon, contacted them and asked them to tape a project for the network. The half-hour documentary they made featured two of the network's game show hosts, Phil Moore (Nick Arcade) and Mike O'Malley (Get the Picture and Nickelodeon GUTS), as co-hosts of a comedy tour as they drove around to different cities to perform.[3] Since their schedule only permitted for two days of taping, Tollin/Robbins had to make the entire show appear as if they had toured around the country.[3]

Impressed with the final product, Hecht later met with Robbins to discuss developing something; asking Robbins if there was any type of show that he would be interested in making.[3] Robbins pitched an idea of creating a kid-friendly version of Saturday Night Live, which cast member Kenan Thompson would later join in 2003. He brought Tollin and Schneider (as head writer) along to help develop the show. The three were influenced by classic sketch shows such as The Carol Burnett Show, You Can't Do That on Television and Laugh In,[3] and began to flesh out a rough idea of the show's format.[3][11] Schneider decided against writing the pilot episode and instead chose to compile the cast first. Usually, in television, the pilot is written first and the cast is assembled later.[11] However, the three believed it was crucial to find the right actors first and then tailor to their strengths.[3][11] A nationwide talent search for child and teen actors was launched that would last for several months.[3] Eventually, Angelique Bates, Lori Beth Denberg, Katrina Johnson, Kel Mitchell, Alisa Reyes, Josh Server, and Thompson were hired.

Original series (1994–2000)

[edit]

The basic concept for the series was a half-hour show that featured a cold open (which featured the cast participating in varying juvenile acts in a green room or around the studio before the show starts), several different sketches; including "runners" (short-length sketches), and then a musical performance to close out the episode.[3][11] The main staple was the Vital Information sketch, which would go on to be featured in every show through the end of the sixth season (some people compared it to the long-running SNL segment Weekend Update).[3] Cast and crew flew out to Nickelodeon Studios at Universal Studios Florida in Orlando to shoot the pilot in front of a studio audience on January 17, 1994.[3] After taping was completed, the pilot was shelved as screenings did not test well with the focus groups,[3][11] consisting of children, both boys and girls in different age groups, that Nickelodeon used. The scores showed that "kids probably wouldn't like this new sketch comedy show for kids".[3][11] Regardless of the negative response, Geraldine Laybourne (then President of Nickelodeon) decided to pick the series up.[3]

Nickelodeon on Sunset, at 6230 Sunset Boulevard, as seen in May 2011. All That was taped here until its cancellation in 2005.

During the first season, writing partners Kevin Kopelow and Heath Seifert were brought on as producers and continued working in that capacity through the third season. They continued their relationship with Thompson and Mitchell by co-executive producing and head writing the spin-off series Kenan & Kel and eventually writing the feature film Good Burger (1997) with Schneider.

After production on the second season wrapped in 1996, the show moved out of the old Nickelodeon Studios at Universal Orlando Resort in Florida. The network, interested in moving production of their live-action series to the West Coast began scouting soundstages in California. Production for the third season was completed at the Paramount Pictures studio lot before Nickelodeon obtained a lease for the 6230 Sunset Boulevard facility. During this period, Bates left the show and was replaced by Amanda Bynes. A Nickelodeon producer discovered Bynes while she attended a children's comedy camp at L.A.'s Laugh Factory.[14] At the end of the third season, Johnson and Reyes left the show.

In 1997, Nickelodeon purchased the Sunset Boulevard property (formerly The Earl Carrol Theater) and rechristened it as Nickelodeon on Sunset.[15][16] Production for the series would remain there until the end of the tenth season in 2005. The fourth season began with the additions of Leon Frierson, Christy Knowings, and Danny Tamberelli to the cast. Knowings and Tamberelli were known to Nickelodeon producers having both participated in other projects for the network; Knowings was discovered while taping a pilot for a show called And Now This; Tamberelli was the star of The Adventures of Pete & Pete, and guest starred on the Nickelodeon game show Figure It Out where he befriended fellow guest star Kopelow.[17] At the end of the fourth season, Denberg and Schneider left the show. Schneider initially left the series to create the short-lived UPN sitcom Guys Like Us, and later took over a fledgling pilot for Bynes that would become The Amanda Show.[18]

For the fifth season, Kopelow and Seifert took over Schneider's responsibilities as head writers and co-executive producers; Tamberelli succeeded Denberg as the new Vital Information anchor; added to the cast were Nick Cannon and Mark Saul. Although a teenager at the time, Cannon previously worked as the audience warm up and writer for the show before joining the cast.[17]

On March 13, 1999, Nickelodeon celebrated the series in an hour-long special episode dubbed All That Live, in honor of the show's "100th episode" (although it was chronologically the 85th episode to be aired on the network). The episode was the first, and only occurrence in the show's history done entirely live in front of a studio audience.[19] The 100th episode featured several celebrity guests: Melissa Joan Hart (Sabrina the Teenage Witch and Nickelodeon's Clarissa Explains It All), Larisa Oleynik (Nickelodeon's The Secret World of Alex Mack), Robert Ri'chard (Nickelodeon's Cousin Skeeter), and Britney Spears (in a taped video appearance; Spears was originally supposed to perform in person but had to back out due to a knee injury and Lauryn Hill took her place) all made appearances; with Bates, Denberg, Johnson and Reyes appearing as well.[19]

After the 100th episode, the show won the Kids' Choice Award for Favorite TV Show on May 1, 1999.[20] The fifth season ended with the departures of Mitchell and Thompson. Stand-up comedian Gabriel Iglesias (who, at 24, was much older than the otherwise preteen-to-late-teenage cast) was hired to replace the two for the following season.[17] The abbreviated sixth season was followed by a nationwide summer tour, the All That Music and More Festival, hosted by the cast and headlined by featured musical guests. Kopelow, Seifert and the entire cast left the series soon after. In their absence, Schneider returned as showrunner.

Relaunch series (2002–2005)

[edit]

In 2000, All That was put on hiatus to be relaunched with a new cast. During the hiatus, Nickelodeon ran a series of specials. Production for the seventh season started back up a year later after an extensive nationwide talent search for child and teen actors. Ultimately hired were Chelsea Brummet, Jack DeSena, Lisa Foiles, Bryan Hearne, Shane Lyons, Giovonnie Samuels, and Kyle Sullivan. The format of the series remained roughly the same as the original seasons, but episodes now featured a weekly guest host who would appear alongside the cast in sketches, just as Saturday Night Live had incorporated since its 1975 premiere (the weekly host was gradually phased out of the show later on). Vital Information was also dropped and replaced with a new regular segment titled Know Your Stars.[21][22] The first episode of the "new" All That featured special guests Frankie Muniz and Aaron Carter and debuted on January 19, 2002.[23]

The eighth season opened with the addition of Britney Spears' younger sister, Jamie Lynn Spears, to the cast. In addition, All That cast members were also included in a new wraparound segment during the SNICK lineup, the SNICK On-Air Dare, in which they attempted various dares (such as a now-infamous segment, later recalled in the 2024 Investigation Discovery documentary Quiet on Set: The Dark Side of Kids TV, in which Hearne was painted with peanut butter that would be licked off him by a pack of dogs);[24][25] occasionally, On-Air Dares featured special guests from other Nickelodeon shows.[26] Hearne left the series just as Nickelodeon was promoting a new competition series, R U All That?: Nickelodeon's Search for the Funniest Kid in America, in which the grand prize winner would be given an opportunity to become a cast member on All That. After this contest ended in 2003, the finals aired on the network on July 26, 2003. The contest picked five finalists, all of whom would perform a sketch with the current cast. The winner of R U All That? was Christina Kirkman, who would officially join the cast in ninth season; the competition's runner-up, Ryan Coleman, would join the cast later that year. At the end of the ninth season, Lyons, Samuels and Spears departed the series. Spears left to focus on a new Nickelodeon sitcom that Schneider had created, Zoey 101.[27]

In 2005, the tenth season began with a celebration of the show's tenth anniversary. As part of the event, Nickelodeon aired episodes from the first six seasons of All That in the week leading up to a "reunion special" on April 23, 2005, hosted by Muniz and featuring Ashanti and Bow Wow as the musical guests. The special featured cast members from both the original and relaunch series performing in sketches together. And, after a hiatus, the Vital Information sketch was brought back with Lil' JJ, winner of sister channel BET's Coming to the Stage competition, as the anchor. The special also introduced Kianna Underwood and Denzel Whitaker as new cast members.[4] Approximately 6.2 million total viewers watched the special on both its April 23 and 24 airings, making it the top cable or broadcast program for the 2–11, 6–11, and 9–14 age demographics,[28] and TV.com gave it a rating of 8.7/10.[29][4]

Chronologically, the anniversary special and season were taped in the fall of 2004, before being aired on Nickelodeon the following year. After the anniversary, the new season began airing a week later. The tenth season would mark the end of the relaunch era of the show as Foiles announced the show's cancellation.

Revival series (2019–2020)

[edit]

In the fall of 2018, Brian Robbins, co-creator of the series, was formally announced as the new president of Nickelodeon.[30] Now in charge of the company's programming unit, Robbins expressed interest in a revival of the show, saying, in an interview with The Hollywood Reporter, that:

I would've never, ever, ever canceled the show. It should've been [Nickelodeon's] Saturday Night Live. All That was a very sophisticated show. Young humor, but the level of comedy on that show was sophisticated.

— Robbins

The show's revival was announced as part of Nickelodeon's 2019 content slate on February 14, 2019.[31] On May 14, 2019, it was announced that the show would premiere on June 15, 2019, with Kenan Thompson and Kel Mitchell serving as executive producers; Kevin Kopelow and Heath Seifert returning as consulting producers; and the involvement of former cast members in sketches.[8] However, Dan Schneider, former executive producer of the series, would not be involved with the second relaunch as Nickelodeon had cut ties with Schneider in 2018.[32]

By 2017, Nickelodeon had ceased all operations at the Nickelodeon on Sunset lot and the property was later sold.[33] Production for the revival series was done at The Burbank Studios (formerly known as NBC Studios) in Burbank, California.[34] The new cast was officially revealed on Today with Hoda & Jenna on May 29, 2019. The cast included Ryan Alessi, Reece Caddell, Kate Godfrey, Gabrielle Green, Nathan Janak, Lex Lumpkin, and Chinguun Sergelen.[35][36][5] An expanded episode order, adding 13 episodes to the initial 13, was announced in October 2019, along with Aria Brooks being added to the cast starting with episode 14.[37][38] An additional ten episodes were ordered in February 2020,[39] with eight of them being completed before production was suspended due to the COVID-19 pandemic in March 2020.[40] However, despite the postponement, production did not resume, and Green would confirm in 2024 on an Instagram post that All That was indeed cancelled by ViacomCBS in 2021, around the time that she was set to begin work as a co-star on the Nickelodeon show, That Girl Lay Lay, without having a reason for the cancellation.[41]

The format of the series remained roughly the same as the original era and the relaunch era. Minor changes to the format included the traditional cold open (which featured the cast in a green room or around the studio before the show started) occasionally appearing later in an episode rather than at the beginning; Vital Information, now sporadically appearing, was kept on with Caddell as anchor; and Know Your Stars was dropped for the revival.

The revival series featured the involvement of former cast members appearing regularly with the new cast in sketches. Numerous classic characters from the previous eras were revived as well. Besides Mitchell and Thompson; Lori Beth Denberg, Lisa Foiles, Alisa Reyes, Mark Saul, Josh Server, and Jamie Lynn Spears all returned to cameo.[42]

In celebration of the show's return to Nickelodeon, a Good Burger pop-up location opened to fans in Santa Monica, California. With the purchase of a ticket, guests have access to a menu inspired by the sketch and film, a small arcade, and memorabilia and set pieces.[43][44]

Cast

[edit]

The sketches of All That are performed by a large and varying cast of child, teen, and young adult actors. The following is a list of the main cast and featured performers from the three eras.

Musical guests

[edit]

Each episode of All That features a musical guest that closes out the show. Later seasons featured a weekly host who would appear alongside the cast in sketches (the weekly host was gradually phased out of the show later on).

Episodes

[edit]
SeasonEpisodesOriginally released
First releasedLast released
115April 16, 1994 (1994-04-16)April 29, 1995 (1995-04-29)
221October 7, 1995 (1995-10-07)October 26, 1996 (1996-10-26)
320November 16, 1996 (1996-11-16)November 8, 1997 (1997-11-08)[45]
421November 15, 1997 (1997-11-15)December 5, 1998 (1998-12-05)[45]
524December 19, 1998 (1998-12-19)[45]January 8, 2000 (2000-01-08)[45]
619January 15, 2000 (2000-01-15)February 24, 2001 (2001-02-24)[46]
713January 19, 2002 (2002-01-19)May 4, 2002 (2002-05-04)
814September 21, 2002 (2002-09-21)July 26, 2003 (2003-07-26)
916October 11, 2003 (2003-10-11)February 21, 2004 (2004-02-21)[47]
1013April 23, 2005 (2005-04-23)October 22, 2005 (2005-10-22)
1135June 15, 2019 (2019-06-15)December 17, 2020 (2020-12-17)

Sketches

[edit]

All That features original short comedic sketches that parody popular culture. Although the show had a team of writers, the cast was encouraged to help contribute their own ideas for characters and other segments. Improv and ad-libbing were used to help the cast and writers find the right tone for a certain skit.[17] The following is a short list of some sketches that aired during the show's tenure.

Sketch Name Major Players Description
"Ask Ashley" Amanda Bynes A little girl named Ashley, who offers advice from her bedroom on a TV series. She was sweet and friendly until she reads letters sent in by clueless viewers. After reading a letter, Ashley would go on a tirade against the letter's author.
"Detective Dan" Josh Server A hopelessly incompetent police detective who frequently stumbled into a crime scene to make matters worse. In the revival series, Kate Godfrey came into the sketch as Dan's daughter "Detective Ann".[17]
"Shark Cave" Reece Caddell, Gabrielle Green, Lex Lumpkin Cave people judges decide on items its creators hope will be a success in the future. This is a mash-up parody of Shark Tank and the Stone Age culture.
"Everyday French with Pierre Escargot" Kenan Thompson Pierre sits in a bathtub filled with suds, wearing a raincoat and matching hat and swim fins on his feet. In the sketch, he would say silly phrases in poorly-pronounced French and translate them into English.
"Know Your Stars" various A random voice (performed by Brian Peck from seasons 7–8 and Dan Schneider from seasons 9–10) that made an impersonation of an individual with embarrassing, wacky, funny and untrue facts and info about a cast member or special guest.
"Good Burger" Kel Mitchell (seasons 1–5, 11), Ryan Coleman (season 9) Ed, the cashier at a fast-food restaurant, is a clueless teenager who always found a way to mess things up. Good Burger was later made into a feature film.
"The Loud Librarian" Lori Beth Denberg A librarian who frequently engaged in extremely noisy and distracting activities. When students complained or made noise themselves, she would shout "QUIET! THIS IS A LIBRARY!" along with a variety of noisemakers, failing to notice the hypocrisy.
"Cancelled with Nathan" Nathan Janak Nathan (as himself) is in a hot tub on a tropical island and rants about things that bother him and should be cancelled.
"Sugar and Coffee" Lisa Foiles, Kyle Sullivan Extremely hyperactive hosts of their own talk show, the pair would eat pure sugar and drink massive amounts of coffee and then force their guests to do the same thing from giant orbs attached to the ceiling, which usually led to overactivity in the worst way.
"Thelma Stump" Jamie Lynn Spears An elderly woman who serves as a bodyguard and security guard for the backstage of All That.
"Vital Information" Lori Beth Denberg (seasons 1–4), Danny Tamberelli (seasons 5 and 6), Lil' JJ (season 10), Reece Caddell (season 11) The host deadpans one-liners, usually three in a row to the audience. This recurring sketch was the centerpiece of the show before the relaunch.
"Miss Piddlin" Kenan Thompson Miss Piddlin, the lunch lady at Dullmont Jr. High School, has a terrifying fixation on peas and tries to force every child to eat them. Anyone who dislikes peas or offends her becomes the target of her "beast-like strength." The sketch features pea-based parodies of popular songs such as "Eat a Pea" and "Peas Are a Few of My Favorite Things".
"Getting Rid of Your Stuff" Kate Godfrey Host Marie Kiddo (a parody of Marie Kondo) visits other guests' houses and schools and goes through various things that they own. She asks the guests if the item brings them joy; if it does, the item is kept, but if it doesn't bring them joy (even if it belongs to a family member or friend), she violently destroys the item and screams "DESTROY!"
"Life with Peter and Flem" Kel Mitchell as Peter, Josh Server as Flem, Dan Schneider as Narrator Loosely based on Goofus and Gallant, the boys shows an over the top dos and don'ts in proper etiquette. Peter shows the right way to do things, while Flem shows the wrong way to do things by using his own methods.

Impact and legacy

[edit]

All That is highly regarded for its large diverse cast both in terms of ethnicity and gender.[2] The show was praised in The Atlantic for breaking the classical norms set in children's TV with its cast, irreverent and unapologetic humor, and kid characters played by actual kids.[2]

When All That debuted in 1994, television was still primarily segregated by race as shown by popular sitcoms like Seinfeld (where the cast is completely white) or Martin (where the cast is entirely black); even Saturday Night Live was dominated by white male comedians.[2] Robbins, Schneider and Tollin wanted the show to reflect its audience and also sought out varying musical acts (alternative, hip hop and R&B among others) to embrace the diversity.[2][48]

I was the first black female they had on that show...there weren't that many black shows on or black actors. When I left, it opened it up more for black female comedians. I've had people come back and tell me it felt like I passed the torch because they were all on TV watching like, "I want to do that, I want to do that," but then when they saw me, they thought, "Oh, I can actually do that." Black girls were coming up to me, parents are just like, "Thank you so much for what you've done." I was like wow. It feels surreal.[3]

— Angelique Bates

I thought it was awesome because none of us look like each other. We were like a total melting pot of diversity[2]...You have African-American, you have me [Hispanic], you have Caucasian. ... So there are kids that were able to sit home and go, I look like her, I look like him, I can relate. That was really important for me to be a part of a cast that was filled of diversity 'cause there's nothing more boring than a Brady Bunch concept. So at the end of the day, I was able to have the fans verbally tell me how they felt that All That impacted their lives and it made them come home and look forward to coming home and watching the show after school when they work on their homework, and how they loved to be able to have a little bit of music maybe their mom didn't let them necessarily listen to some of the music or whatever the case may be.[3]

— Alisa Reyes

Awards and nominations

[edit]
Ceremony Award Outcome Note
1997 Kids' Choice Awards Favorite TV Show Nominated
1998 Kids' Choice Awards Favorite TV Actor Nominated Kenan Thompson & Kel MitchellAll That / Kenan & Kel
1999 Kids' Choice Awards Favorite TV Show Won
2000 Kids' Choice Awards Favorite TV Show Won
Favorite TV Actor Won Kenan Thompson
Favorite TV Actress Won Amanda BynesAll That / The Amanda Show
2001 Kids' Choice Awards Favorite TV Actor Nominated Nick Cannon
2002 Kids' Choice Awards[49] Favorite TV Show Nominated
2003 Kids' Choice Awards[49] Favorite TV Show Nominated
Favorite TV Actress Won Amanda Bynes – All That / The Amanda Show
2004 Kids' Choice Awards[49] Favorite TV Show Won
2019 Teen Choice Awards Choice Throwback TV Show Nominated
2020 Kids' Choice Awards[50] Favorite Kids' TV Show Nominated

Reunion events

[edit]

In 2011, Lisa Foiles joined forces with Comikaze Expo, planning the first ever All That reunion with Comikaze Expo CEO Regina Carpinelli. The reunion featured a roundtable discussion, where the cast reflected on their tenure on the show and received questions from the audience. Angelique Bates, Lori Beth Denberg, Lisa Foiles, Leon Frierson, Katrina Johnson, Kevin Kopelow, Kel Mitchell, Alisa Reyes, Giovonnie Samuels, Mark Saul, Josh Server all participated in the event.[51][52]

Also in 2011, Bates, Johnson, and Reyes appeared together at Zooey Magazine's One Year Anniversary Special Event held in Hollywood. The anniversary launched the Love Is Louder campaign which speaks out against bullying and hate messages.[53][54][55]

In the 2011 special "iParty with Victorious" (a crossover between iCarly and Victorious), when Carly Shay (portrayed by Miranda Cosgrove) asks Kenan Thompson for a favor, he jokingly complains that everyone wants to borrow money from him, including Andy Samberg (Thompson's Saturday Night Live co-star) and half of the original cast of All That.[56]

In 2015, Mitchell and Thompson reunited on The Tonight Show Starring Jimmy Fallon where they performed a special Good Burger sketch. Dan Schneider returned to write the sketch for the show.[57]

In 2015, Comikaze Expo held the second All That reunion. Angelique Bates, Chelsea Brummet, Ryan Coleman, Lori Beth Denberg, Jack DeSena, Lisa Foiles, Bryan Hearne, Katrina Johnson, Christina Kirkman, Christy Knowings, Kel Mitchell, Alisa Reyes, Giovonnie Samuels, Mark Saul, Josh Server, and Danny Tamberelli all participated in the event.[58][59]

From April 16–17, 2016, to celebrate the show's 22nd anniversary, TeenNick (as part of its The Splat programming block) aired a reunion special consisting of new 3–4 minute shorts with most of the original cast, including Thompson and Mitchell.

In 2018, Lori Beth Denberg, Kel Mitchell, Josh Server, and Kenan Thompson appeared together on an episode of Nick Cannon's MTV series Wild 'n Out.[60]

Spin-offs

[edit]

Kenan & Kel

[edit]

Kenan & Kel is an American teen comedy sitcom created by Kim Bass for Nickelodeon. It starred then-All That cast members Kenan Thompson and Kel Mitchell.[61] Sixty-five episodes and a made-for-TV movie Two Heads Are Better Than None were produced over four seasons. The first two seasons were taped at Nickelodeon Studios in Orlando, Florida, and the remaining two were taped at the Nick on Sunset theater in Hollywood.

The Amanda Show

[edit]

The Amanda Show is an American live action sketch comedy and variety show that aired on Nickelodeon from October 16, 1999, to September 21, 2002. It starred Amanda Bynes, Drake Bell, and Nancy Sullivan, along with several performing artists who came and left at different points.

The Nick Cannon Show

[edit]

The premise of the semi-scripted show was that its star, Nick Cannon, a former cast member on All That, would come across a situation he thought needed changing and then "take over" to make things better, or at least funnier.

In other media

[edit]

Good Burger

[edit]

All That made one effort in developing a popular sketch into a feature-length film with Good Burger. Co-creator Mike Tollin said:

You get something like Good Burger and you just ride it, and all of a sudden there's something called Nickelodeon Movies, put under the banner of Paramount. It was a big synergy. We just took a shot. ... There was an unforgettable day when we went to Paramount with a script. The Paramount execs were interested enough to come to a table read. I don't believe any money had been spent. We realized this was a huge opportunity. Kenan and Kel came and we filled in with other actors. ... It was late January 1997, and he (John Goldwyn a senior executive at Paramount [came back and said], "The good news is we're going to make this movie; the bad news is it needs to be in theaters in July." The typical gestation period for movies is five to seven years. Brian signed up to direct and we shot the film locally, built Good Burger, brought in Sinbad, brought in Jenny, brought in the whole cast of characters. Twenty years later I got a call from my niece from Chicago who said, "I just watched the best movie." That thing worked.[3]

The movie was released in theaters on July 25, 1997, with a budget of roughly $10 million. The film holds a score of 33% on Rotten Tomatoes based on 45 reviews.[62] Most praise came to Kel Mitchell and Kenan Thompson's performances. Although the film received mixed to negative reviews from critics, it received positive reviews from fans and it was a financial success.[citation needed] A sequel, Good Burger 2, was released in 2023.

All That: The Album

[edit]

On November 26, 1996, Nickelodeon released an All That CD titled All That: The Album. It contains All That dialogues from the show, and songs sung by musical guests (i.e. Faith Evans, Coolio, Brandy, Naughty By Nature, etc.). All That's theme opening by TLC and outro theme were released on this CD. Music from the CD is mainly inspired by the show.[63]

All That: Fresh out the Box

[edit]

On October 1, 1998, Nickelodeon released a 112-page book of All That called All That: Fresh out the Box by Steve Holland. The book contains information of the show's sketches, cast members and points of the show. It also contains different character information as well.[64]

Live tour

[edit]

On June 30, 2000, Nickelodeon gave All That a promotional summer tour titled All That! Music and More Festival, which traveled all over the United States and was hosted by the cast of All That. The tour began after Season 6 and lasted until September 3, 2000. The tour mainly featured the cast members of All That and a musical guest. Many of the musical guests joined and performed during the tour. Also while the tour went on, the cast members did numerous live sketches.[65] There was also a ticket contest the year before the festival began.[66] On July 29, 2000, Nickelodeon broadcast the highlights and events that happened during the entire festival.[67]

iTunes

[edit]

On August 15, 2011, the iTunes Store released All That: Volume 1 with the first seven episodes from season two. On November 29, 2011, the iTunes Store released All That: Volume 2 with seven more episodes from season two. All That: Volume 3 was released in 2012 with seven episodes from season two. Just like The '90s Are All That (later re-titled NickRewind) programming block airings on TeenNick, the musical guest performances are omitted and the end credits are re-done as generic white text on black.[68] All That Volume 4, with episodes from the start of season 3, was released on iTunes August 13, 2012; however, episodes 40 and 43 are excluded for unknown reasons with episodes 45 and 46 included instead.

On June 24, 2013, the iTunes Store released All That: Retro Essentials with four episodes from season two. The episodes are 217, 220, 228, 237. Episodes 217, 220 and 228 were re-released with the musical guest performances. Episode 237 has the musical guest edited out.

Reruns/syndication

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All That ran on Nickelodeon from 1994 until 2005. All That aired on Nick at Nite on Mondays to Thursdays at 8:00 pm from June 25, 2012, until July 12, 2012, alongside Kenan & Kel at 8:30 p.m. EST. The Nick at Nite airings, had the musical performances edited out. All That ran in reruns on The N (during its daytime block of TEENick shows)[69] from March 12, 2008, to September 15, 2008.

On July 25, 2011, TeenNick debuted a block named after the show, The '90s Are All That. All That aired as part of the block from its launch until December 27, 2012. The '90s Are All That airings, however, also have the musical guest performances edited out, along with their introduction sketches (presumably for time and the high cost of obtaining music distribution rights). It initially only aired episodes from seasons 2 and 3, later adding seasons 4 and 5 into the rotation. However, the reruns on The N in 2008 aired seasons 3 and 5 uncut and retained the musical guest performances (with the exception of the K-Ci & JoJo episode). The final rotation of these reruns included seasons 6 and 7.

Streaming

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Seasons four and five[70] are available to stream on Paramount+. On May 24, 2022, Netflix announced that select seasons of All That, Kenan & Kel, and Ned's Declassified School Survival Guide would be available to stream starting June 21.[71]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
is an American children's television series created by and Mike Tollin that originally premiered on on April 16, 1994, and ran until October 22, 2005, spanning ten seasons. The show featured a repertory cast of young performers delivering short, satirical sketches parodying contemporary culture and everyday scenarios, alongside weekly musical guest appearances. Recurring segments such as the faux newscast "Vital Information" and the fast-food parody "Good Burger"—which inspired a 1997 feature film—became hallmarks of the series, contributing to its appeal among young audiences. All That launched the careers of notable alumni including Kenan Thompson, Amanda Bynes, Kel Mitchell, and Nick Cannon, several of whom transitioned to prominent roles in adult-oriented comedy like Saturday Night Live. A revival, executive produced by Thompson, debuted on June 15, 2019, introducing a new cast while nodding to original sketches, though it received mixed reception compared to the early seasons' higher energy and originality.

Concept and Development

Origins and Premise

All That was conceived in 1993 by producers and Mike Tollin, with contributing as head writer from the outset, positioning the series as Nickelodeon's adaptation of for preteens and teenagers through fast-paced sketch comedy. The foundational vision drew from formats emphasizing high-energy, ensemble-driven humor, departing from the moralistic or sanitized narratives prevalent in 1990s children's television by prioritizing absurd, relatable scenarios crafted around youthful perspectives. The core premise featured brief, interconnected sketches performed exclusively by a rotating cast of young actors aged 10 to 16, without adult intermediaries hosting or dominating segments, to foster an authentic, peer-oriented irreverence and physicality in the comedy. This structure highlighted improvisation and unpolished dynamism, enabling child performers to channel spontaneous energy into exaggerated characters and scenarios, such as everyday kid frustrations amplified to comedic extremes, rather than scripted lessons on propriety. Nickelodeon greenlit the series after testing a pilot episode in early 1994, which previewed the format's viability through its focus on empowering novice young talent via collaborative, low-stakes creative input over rigid adult oversight. The pilot's positive reception, aired as a sneak peek on April 16, 1994, confirmed the appeal of this kid-centric model to the target demographic of school-aged viewers seeking escapist, boundary-pushing laughs unbound by conventional educational constraints.

Creative Team and Influences

Brian Robbins and Mike Tollin created All That, with Robbins directing numerous episodes and contributing to its foundational vision as a vehicle for young audiences. Dan Schneider functioned as and , establishing himself as the dominant creative influence who shaped the series' scripts, tone, and character-driven sketches from its in 1994. Schneider's involvement marked the start of his extensive tenure producing content, emphasizing rapid-fire, relatable humor tailored to preteens. The program's format drew direct inspiration from Saturday Night Live, adapting the adult show's ensemble sketch structure—including recurring characters, parody segments, and live musical performances—for a children's network while incorporating a live studio audience to capture unfiltered energy and reactions. This approach prioritized parody of contemporary culture and everyday absurdities over scripted moral lessons, allowing for edgier, observational takes on youth experiences that tested boundaries within broadcast standards for the demographic. The reliance on a diverse, inexperienced cast of kid performers further echoed empirical patterns from successful unpolished youth ensembles, fostering authentic improvisation amid structured bits rather than overly rehearsed delivery.

Production History

Original Series (1994–2000)

The original series of All That premiered on on April 16, 1994, marking the network's launch of a live-audience program targeted at children and preteens. Produced by , the show initially taped its first two seasons at located within in Orlando, where episodes were produced in a high-volume format with live audience participation and rapid to align with weekly or bi-weekly airings. This setup adhered to Florida's child labor statutes, which limited minors' work hours—typically capping performers under 16 at three hours daily and requiring on-set —while enabling quick turnarounds essential for sustaining the series' momentum amid growing popularity. Ahead of season 3 in 1996, production shifted to the on Sunset theater in Hollywood, , at the behest of executive producers and Mike Tollin, who sought enhanced logistical efficiencies, proximity to West Coast talent pools, and reduced travel burdens on the cast following the Orlando phase. This relocation coincided with operational adjustments, including refined taping schedules to mitigate fatigue from intensive rehearsals and performances, though the core model of filming multiple sketches per session persisted to support 's after-school programming blocks. Cast rotations marked key milestones, such as original ensemble member exiting after season 2 when her contract concluded, a move that necessitated roster refreshes to maintain ensemble dynamics without disrupting continuity. Viewership crested during the mid-1990s, fueled by strategic scheduling in accessible afternoon slots that captured school-aged audiences, alongside the organic appeal of unscripted cast interplay that fostered relatable humor and repeat viewings. These factors sustained high engagement through seasons 3 and 4, but by the late 1990s, production encountered hurdles from accumulating creative repetition, which strained sketch innovation and contributed to in audience retention prior to the series' conclusion after season 6 in 2000. Efforts to counteract this included pacing tweaks for amplified vigor in delivery, though empirical indicators like sustained but plateauing household penetration underscored the limits of extending the format amid evolving viewer preferences.

Relaunch Series (2002–2005)

Following a two-year hiatus after the original series ended in 2000, Nickelodeon announced the relaunch of All That in late 2001, with the seventh season premiering on January 19, 2002. The revival introduced a completely new cast to refresh the sketch comedy format and sustain the show's appeal amid intensifying competition from Disney Channel's live-action series like Lizzie McGuire. Spanning four seasons through 2005, the relaunch produced 41 episodes, fewer than the original run's output per season, reflecting internal decisions to streamline production. The new ensemble included Kianna Underwood, D.L. Hughley Jr., , and , who joined for seasons 8 and 9 from 2002 to 2004. Production relocated from in , to the Nickelodeon on Sunset facility in Hollywood, , enabling access to a broader talent pool but marking a departure from the original's theme-park studio environment. To maintain consistency and appeal to advertisers, sketches incorporated more structured scripting compared to the improvisation-heavy early seasons, though this shift drew criticism from fans for diminishing the raw energy that defined the show's initial success. Viewership for the relaunch trended lower than the original series' peaks, with episodes failing to consistently capture the same audience share amid evolving children's programming landscapes. Attributed to factors including cast chemistry mismatches and perceived staleness in recurring elements, the series wrapped after the tenth season on October 22, 2005, without renewal as prioritized emerging formats.

Revival Series (2019–2020)

announced the revival of All That on February 14, 2019, as part of its content slate, with original cast member serving as executive producer alongside and others. The series premiered on June 15, 2019, featuring a new ensemble cast of young performers including Reece Caddell, , Kate Godfrey, Gabrielle Nevaeh Green, Ryan Alessi, and Strozza, while sparingly incorporating guest appearances from original alumni such as , , , and . Production occurred in Hollywood, California, retaining the core sketch-comedy format of short, kid-oriented vignettes but incorporating modern elements like social media references and contemporary cultural nods to appeal to a new generation. initially ordered 13 episodes, expanding to 26 by October 2019 following solid early performance. Episodes aired weekly on Saturdays through late 2019, with new installments resuming in September after a summer break, but the disrupted schedules in 2020, contributing to delays in filming and airing the final batch. The premiere drew approximately 826,000 total viewers in live-plus-same-day metrics for subsequent early episodes, reflecting modest ratings amid competition from streaming platforms and a fragmented children's audience, which limited its breakout potential. The series concluded its run on December 17, 2020, with no renewal for additional seasons, attributable in part to pandemic-related production halts that strained Nickelodeon's live-audience sketch output and broader fatigue with reboot formats lacking the original's cultural novelty. As of 2025, no further episodes or seasons have been produced or announced.

Format and Content

Sketch Structure and Style

Episodes of All That followed a standard half-hour format, typically running 22 minutes excluding commercials, structured around a sketch, followed by 5 to 8 principal sketches, interspersed with a musical guest performance, and concluding with a brief goodnight segment. This composition prioritized rapid pacing to align with children's viewing habits, with individual sketches generally lasting 2 to 4 minutes to deliver punchy resolutions without extended buildup. The humor style centered on , parodies of commercial and pop culture elements accessible to youth, and exaggerated absurdities drawn from everyday childhood scenarios such as school mishaps or family dynamics, eschewing -oriented satire or political commentary in favor of broadly relatable, non-controversial themes. This approach fostered a sense of chaotic, unscripted fun through over-the-top character interactions and visual gags, reflecting the show's intent as a kid-friendly counterpart to sketch programs like . Across its runs, the series evolved in production polish and tempo: the original 1994–2000 iteration captured a raw, improvisational energy with looser editing and on-set spontaneity, while the 2002–2005 relaunch introduced smoother transitions and refined visuals amid cast changes; the 2019–2020 revival accelerated this by shortening sketches to under 3 minutes on average and increasing their number per episode to sustain faster momentum suited to modern short-form . This progression maintained core elements of brevity and , contributing to viewer retention by matching developmental attention patterns in pre-teen audiences through varied, high-energy segments rather than prolonged narratives.

Recurring Sketches

"Good Burger" featured a perpetually overwhelmed fast-food restaurant staffed by inept employees, most notably Ed (Kel Mitchell), whose bungled orders and oblivious enthusiasm created escalating chaos for customers. Debuting in the series premiere on April 16, 1994, the sketch recurred across the first five seasons, generating catchphrases such as "Welcome to Good Burger, home of the Good Burger, can I take your order?" that permeated 1990s youth culture through repetition and visual gags like malfunctioning equipment. Its formula of mundane service failures amplified everyday dining irritations into farce, contributing to spin-off merchandise including toys and apparel tied to the character's dim-witted charm. "Vital Information" consisted of host Lori Beth Denberg reciting purportedly useful trivia from behind a desk, only for each "fact" to devolve into absurd or contradictory nonsense delivered in a straight-faced monotone. Airing in every episode from seasons 1 through 6 (1994–2000), it provided a consistent segment for quick, punchy commentary on trivial annoyances like rumors or myths, relying on Denberg's unflappable delivery for comedic effect. The sketch's structure mirrored fragmented adolescent knowledge, fostering viewer recognition without resolving into moral lessons. "Ask Ashley" portrayed Amanda Bynes as a self-absorbed teenager fielding advice-seeking letters from "fans," responding with escalating rudeness and physical outbursts rather than solutions. Introduced in season 3 (1995) and continuing through season 5, it captured peer interpersonal frustrations through Ashley's intolerance for perceived stupidity, such as queries about crushes or chores, often culminating in on-set tantrums. Bynes' performance, blending faux sweetness with vitriol, amplified the sketch's meme-like quotability in lines dismissing writers as "losers." Other staples included "Everyday French with Pierre Escargot," where Kenan Thompson's snail-munching instructor derailed lessons with gluttony and non-sequiturs, satirizing ineffective education from seasons 2 onward. "The Repairman," starring as a bumbling exacerbating household problems, recurred to lampoon unreliable service calls. These segments maintained thematic focus on relatable juvenile gripes—flawed authority figures, botched interactions—eschewing overt advocacy for unvarnished exaggeration, which sustained their replay value in home videos and online clips.

Musical Guests and Performances

Each episode of All That concluded with a musical guest performance, integrating contemporary popular music into the sketch comedy format to expose young viewers to hit songs and artists. These segments typically featured standalone live or pre-recorded renditions, often promoting the artist's current singles and serving as cross-promotional opportunities between Nickelodeon and the music industry. During the original series (1994–2000), performances emphasized R&B, hip-hop, and urban acts aligned with mid-1990s trends, including:
  • TLC with "What About Your Friends" on the April 16, 1994, premiere.
  • Aaliyah in 1997, performing tracks from her debut era.
  • Additional guests such as Brandy, Coolio ("Gangsta's Paradise"), Usher, OutKast ("Rosa Parks"), and Missy Elliott, whose appearances highlighted rising stars in Black music scenes.
Later original seasons incorporated more pop and rock influences, broadening beyond initial urban focus. In the 2019–2020 revival, guests reflected diverse contemporary genres, with performances by the Jonas Brothers ("Sucker") in the June 15, 2019, premiere, Daddy Yankee ("Con Calma"), Kane Brown ("Lose It"), Ally Brooke ("Lips Don't Lie"), Ciara, Ella Mai, and H.E.R., continuing the end-of-episode tradition amid updated production.

Cast and Characters

Original Cast Members

The original ensemble of All That, debuting on April 16, 1994, comprised primarily adolescent performers aged 12 to 18 at the outset, delivering high-energy sketches that showcased emerging comedic talents. Core members included and , both 16 years old in 1994, who anchored the series through its first six seasons until 1999. Thompson's consistent presence across 120 episodes facilitated breakout visibility, propelling him to co-lead the spin-off (1996–2000) and subsequently to in 2003, where he holds the record for longest tenure with over 20 seasons as of 2025. Mitchell, alongside Thompson, contributed to the show's foundational sketch dynamics from 1994 to 1999, with roles that extended to the 1997 feature film , derived from an All That segment. His early exposure on the series supported a trajectory into additional projects and later voice acting, though with intermittent acting pursuits post-2000. , 17 at launch, served from 1994 to 1998, providing structural elements to sketches before departing for other opportunities. Cast transitions occurred mid-run, notably with joining in season 4 on November 15, 1997, at age 15, following his prior work on . Tamberelli remained until 2000, adding to the ensemble's evolving chemistry. Adult performer , present from 1994 to 2000, bridged generational gaps in sketches. These tenures empirically correlated with career advancements for multiple members, as evidenced by spin-offs and network transitions, underscoring the series' role in propelling child actors toward sustained professional viability in without guaranteed longevity.

Relaunch and Revival Cast

The relaunch era (seasons 7–10, 2002–2005) introduced a fresh cast of primarily teenage performers to replace the aging originals, with Jamie Lynn Spears joining as a regular in 2002 at age 11 and contributing sketches until her departure in 2005 to star as the lead in Nickelodeon's Zoey 101. Other key additions included Chelsea Brummet, Jack DeSena, Lisa Foiles, and Kyle Sullivan, who formed the core ensemble and held the longest tenures in this period, spanning multiple seasons amid efforts to recapture the original format's appeal. This cast's shorter overall run—ending after three years—stemmed from factors including performers aging out of the kid-targeted demographic and the series' inability to sustain early viewership highs, with fan critiques often citing diminished group chemistry compared to the originals' established rapport. Post-relaunch trajectories varied, as Spears leveraged her visibility into a breakout role on (2005–2008), highlighting rare success amid broader risks of child-actor that limited others' mainstream breakthroughs. Many relaunch members, such as Brummet and Sullivan, transitioned to voice work or minor TV roles but faded from prominence, underscoring the era's challenges in producing enduring stars akin to the originals. The 2019–2020 revival (season 11) assembled an entirely new of young actors—Ryan Alessi, Reece Caddell, Kate Godfrey, Gabrielle Nevaeh Green, Nathan Janak, and Lex Lumpkin—without regular original holdovers, though guests like appeared sporadically. Premiering on June 15, 2019, this iteration lasted only two seasons, with tenures cut short by the pandemic's production disruptions and underwhelming audience retention, as parody-heavy sketches failed to resonate broadly. Critics and viewers noted a lack of comedic synergy among the newcomers, attributing underperformance to formulaic writing over organic ensemble dynamics, contrasting sharply with the originals' proven interplay. Few revival members achieved notable post-show fame, with most pursuing independent projects amid the format's diminished cultural pull.

Notable Characters and Performances

Kel Mitchell's portrayal of Ed in the "Good Burger" sketches highlighted the series' emphasis on and unscripted ad-libs, with the dim-witted cashier character routinely botching orders through exaggerated mannerisms and nonsensical dialogue. This role, originating in the original series from 1994 onward, propelled Mitchell's visibility and directly inspired the 1997 theatrical spin-off film , where he reprised Ed alongside . Compilations of Ed's scenes on platforms like have amassed millions of views, underscoring sustained fan engagement through recreations and nostalgic tributes. Kenan Thompson demonstrated versatility across multiple personas, notably as Stuart in the later original seasons (5-6), a deranged enthusiast who impulsively kidnapped others to "help" with their professions, relying on Thompson's rapid shifts in demeanor for comedic effect. Similarly, his Pierre Escargot in "Everyday French" sketches parodied instruction via malapropisms and escalating frustration, blending verbal absurdity with physical exasperation to captivate young audiences. These performances exemplified the original cast's strength in character-driven physicality over scripted wordplay, fostering replay value evident in fan-curated highlight reels. Characters from the 1994-2000 original run, such as Ed and , have shown greater longevity in cultural memory compared to those from relaunches, as measured by persistent references in media retrospectives and higher aggregation of viewer-generated content online. This disparity aligns with review analyses noting the originals' innovative improv elements driving broader audience recreations, while revival iterations often lacked comparable performative depth.

Reception and Viewership

Critical Reviews

The original run of All That (1994–2005) earned acclaim for delivering accessible tailored to young audiences, parodying everyday absurdities such as clueless educators and schoolyard conflicts through relatable, quirky characters. Critics noted its innovative format as a kid-oriented counterpart to adult variety shows, blending short, energetic skits with musical performances to sustain short attention spans while launching diverse young talents like and without overt . However, as cast rotations occurred across its ten seasons, reviewers observed a formulaic decline, with later episodes increasingly relying on repetitive gross-out gags—such as the "Tilt-O-Hurl" segment—over sustained narrative wit, contributing to perceptions of uneven writing quality. Aggregate user ratings reflect this trajectory, averaging 7.5/10 for the series overall on , though episodes post-2000 trended lower amid complaints of staleness. The 2019–2020 revival preserved elements of the original's joyful silliness and '90s-style parody, reviving iconic sketches like the "" cashier to evoke while introducing a fresh ensemble under executive producer . Professional assessments highlighted its absurd physical humor and celebrity impressions as engaging for preteens, maintaining a family-safe unpredictability that felt fresh despite recurring formats. Yet, detractors pointed to overdependence on legacy material, questioning its resonance with children born after the original's end, as modern viewers lacked context for dated references, resulting in juvenile appeal that prioritized quick gags over deeper innovation. User aggregates underscored this divide, with the revival scoring 5.7/10 on compared to the original's higher mark, signaling diminished critical enthusiasm for its formulaic revival approach. Dissenting views emphasized persistent unevenness in scripting, where exaggerated impersonations often overshadowed substantive variety.

Audience Response and Ratings

The original seasons of All That during the mid-1990s achieved peak popularity within Nickelodeon's lineup, aligning with the network's overall dominance in children's cable ratings, where it frequently outpaced competitors in the 2-11 demographic share. Although precise per-episode Nielsen shares for the series remain limited in public records, the show's role in the Saturday night block contributed to consistent top-10 placements for kids' programming, reflecting broad appeal among after-school and weekend viewers. Nostalgia for the original run has sustained long-term fan engagement, evidenced by the 2011 launch of TeenNick's The '90s Are All That block featuring reruns, which premiered to 417,000 viewers aged 12-24—more than double prior time-slot averages—and delivered a +225% ratings increase among that group, indicating robust demand from millennial audiences revisiting the sketches. This retro block's success underscored the series' enduring draw, with fans citing iconic elements like recurring characters and musical guests as cultural touchstones in online discussions. The 2019 revival elicited divided audience responses, with premiere episodes averaging 826,000 total viewers in late July and sustaining around 852,000 by , positioning it as Nickelodeon's ninth-most-watched program in Q4 2019. While some younger viewers appreciated updated sketches and guest appearances, original fans often expressed backlash over perceived dilution of the show's irreverent edge, favoring the unpolished humor of seasons 1-6 and viewing the reboot as less authentic. This sentiment contributed to tempered turnout relative to nostalgic rerun peaks, though the series' syndication via streaming and blocks maintained niche loyalty among family demographics.

Awards and Nominations

All That garnered limited formal recognition from major industry awards bodies, with accolades primarily confined to children's and cable-specific honors reflective of its target demographic and sketch format's niche appeal within television. The series did not receive any Primetime Emmy Award nominations across its original run from 1994 to 2005, underscoring the genre's underrepresentation in broader peer-reviewed categories dominated by scripted dramas and adult-oriented comedies. In 1997, cast member received a nomination for Actress in a Comedy Series, highlighting individual performances amid the ensemble cast. The , presented by the of Cable Programming, recognized cable excellence but ceased after 1999, folding into other honors like the Emmys. The show achieved a win at the for Favorite TV Show in 2004, voted by its young audience base, though such network-hosted events have faced critique for inherent promotional bias favoring in-house properties. Additional Kids' Choice nominations occurred in prior years, including for cast members like and in acting categories, but without further wins for the series itself.
YearAwardCategoryResultNotes
1997CableACE AwardsActress in a Comedy SeriesNominatedAmanda Bynes
2004Kids' Choice AwardsFavorite TV ShowWonOriginal series
The 2019 revival earned a 2020 Kids' Choice nomination for Favorite Kids' TV Show and a Casting Society of America Artios Award nomination in 2021, but similarly lacked mainstream critical awards. Overall, these honors align with All That's youth-focused niche rather than competing with established sketch programs like Saturday Night Live, which routinely secure Emmy contention.

Controversies and Criticisms

Production Environment Issues

Cast members of All That have described grueling production schedules during the 1990s, with some recalling 10-hour workdays beginning as early as , contributing to physical and mental exhaustion amid the demands of live sketch tapings. These extended hours were compounded by the show's relocation from in (seasons 1–2, 1994–1996), to (seasons 3–10, 1996–2005), where child labor laws under the Coogan Act limited minors to 5–8 hours daily depending on age and school status, though enforcement was reportedly inconsistent in fast-paced kids' TV environments. Head writer and producer Dan Schneider's perfectionist approach intensified the pressure, involving frequent script rewrites and last-minute alterations that disrupted preparation and heightened stress for young performers reliant on quick adaptation. Alumni accounts highlight Schneider's demanding style, which prioritized high-energy output and mandates—core to the show's sketch format—often without adequate time, fostering a chaotic on-set atmosphere that alumni linked to diminished creative quality over time. Such conditions correlated with elevated cast turnover, particularly after season 6 (1999), when the original ensemble—including mainstays like and —transitioned out, prompting a full recast for seasons 7–10 (2000–2005) amid reports of burnout from sustained improv-heavy demands and poor planning. This shift reflected broader operational critiques, where inadequate safeguards—exacerbated by limited union oversight for child in non-unionized kids' programming—prioritized volume over , potentially undermining long-term output consistency.

Content and Cultural Critiques

The original All That series, airing from 1994 to 2005, featured sketches with gross-out humor such as burps, farts, and exaggerated bodily functions, alongside mild and parodies of , which some critics argued promoted immaturity among young viewers. Proponents of this approach contended that such elements reflected the unfiltered realism of children's natural humor, fostering relatability without evident causal links to behavioral deficits, as broader media effects indicates associations between TV exposure and attention issues but struggles to establish direct causation from comedic content alone. However, detractors highlighted potential insensitivity, including sketches relying on ethnic , such as portrayals of exaggerated cultural tropes, which drew retrospective backlash for reinforcing biases rather than purely satirizing them. Defenses of the original's edginess emphasized parody's role in truth-telling through , arguing that un-PC elements like gross-outs served as harmless outlets for kid-centric , with no peer-reviewed studies demonstrating long-term harm specific to such humor—unlike stronger correlations found for violent content or excessive . Empirical data on children's TV consumption more consistently links quantity of viewing (e.g., over two hours daily) to social skill deficits than to stylistic choices like scatological gags, suggesting the critiques often prioritize subjective sensitivity over causal evidence. The 2019 revival shifted toward safer, more sanitized sketches, incorporating lampoons but avoiding the original's raw gross-outs, which some observers critiqued as a dilution prioritizing broad appeal over authentic edge. This evolution aligned with contemporary network standards emphasizing "mostly clean" content for preschool-to-tween audiences, yet faced pushback for tempering the subversive spirit that defined the original's appeal to unvarnished youth perspectives. While the revival maintained elements, its tamer tone was seen by fans as less effective at capturing the unapologetic immaturity of child realism, potentially at the expense of the series' cultural bite.

Ties to Broader Nickelodeon Scandals

The docuseries Quiet on Set: The Dark Side of Kids TV, released in March 2024, examined allegations of a toxic work environment under producer Dan Schneider at Nickelodeon, including verbal abuse, inappropriate behavior, and facilitation of child endangerment on shows such as Drake & Josh and iCarly, though All That—which Schneider created and executive-produced from its 1994 debut through revivals—was referenced in the context of his overarching influence. Schneider, who oversaw All That's original run (seasons 1–6, 1994–1999) and its 2002 revival (seasons 7–10), faced scrutiny for fostering a high-pressure atmosphere that alumni linked to burnout and creative constraints, though empirical accounts vary and no criminal convictions tied directly to All That production emerged. In May 2024, original All That cast member alleged that Schneider engaged in toward her starting at age 16, including showing her during a private meeting on set around 1996 and initiating sessions multiple times while she worked on the series through 1999. Denberg described the interactions as part of a "weird, abusive friendship" that contributed to an uncomfortable environment, though she emphasized no physical assault occurred and attributed some escalation to her own substance issues later. Schneider denied the claims as "wildly exaggerated and, in some cases, simply false," asserting in a statement that he never preyed on Denberg and viewed their relationship as mentorship gone awry due to her personal struggles. Former All That lead , in March 2024 interviews following Quiet on Set, expressed sympathy for alleged victims but stated he witnessed no such misconduct during his tenure on the show (1994–2000) or , describing his sets as safe and calling for further investigation without personal corroboration. Thompson noted he had not viewed the docuseries but advocated for child protections on kids' programming, highlighting a divide in alumni recollections that underscores non-universal experiences across Nickelodeon's output. Nickelodeon parted ways with Schneider in March 2018 following an internal review that substantiated complaints of and a domineering , though no findings were reported at the time; this severance precluded his involvement in the 2019 All That revival, which proceeded under new producers amid heightened scrutiny of past practices. No lawsuits specifically naming All That personnel or production have resulted from these allegations, distinguishing it from broader cases involving convicted abusers like wardrobe supervisor Jason Handy, whose crimes predated or were unrelated to Schneider's shows.

Legacy and Impact

Career Launches and Spin-offs

Several spin-offs emerged directly from All That sketches and cast members, extending the show's format into dedicated series and films. Kenan & Kel, starring original cast members Kenan Thompson and Kel Mitchell, premiered on Nickelodeon on August 17, 1996, and ran for four seasons until July 15, 2000, focusing on the duo's comedic misadventures as friends. The recurring "Good Burger" sketch inspired a 1997 theatrical film of the same name, released on July 25, 1997, which featured Thompson as Dexter Reed and Mitchell as Ed, alongside other All That alumni, and earned approximately $23.7 million at the box office against a modest budget. The Amanda Show, led by Amanda Bynes who joined All That in 1996, debuted on April 4, 1999, and aired until October 26, 2002, replicating sketch comedy with Bynes in multiple roles. Similarly, The Nick Cannon Show, hosted by Nick Cannon from his All That tenure starting in 1994, launched on January 12, 2002, incorporating sketches, music, and games before ending in 2003. These extensions capitalized on All That's proven talent pipeline, providing platforms that amplified visibility for young performers. Thompson's role in Kenan & Kel honed his improvisational skills, leading to his casting on Saturday Night Live in September 2003 as a featured player, where he was promoted to repertory status and has remained the longest-tenured cast member, surpassing 20 seasons by 2023 with credits in over 400 sketches. Bynes transitioned from All That and her spin-off to live-action films, starring in Big Fat Liar (2002), What a Girl Wants (2003), and She's the Man (2006), the latter grossing $57.1 million worldwide, though she retired from acting in 2010 amid personal challenges. Cannon leveraged his All That exposure to create and host Wild 'n Out starting in 2005, which has aired over 20 seasons and produced multiple specials, establishing him as a multimedia entrepreneur. While All That propelled a subset of alumni to sustained Hollywood prominence—evidenced by Thompson's Emmy nominations, Bynes' early box-office draws, and Cannon's production ventures—many original cast members, such as Alisa Allofs and Katrina Johnson, pursued limited post-show acting or shifted to non-entertainment fields, underscoring the variability in long-term outcomes despite the program's role in initial breakthroughs. This disparity highlights how the show's national exposure provided causal advantages in auditions and networking, yet success hinged on individual adaptability beyond sketch comedy. At least five key performers from the original 1994–1995 lineup achieved recurring network television or film roles post-All That, contrasting with the majority who appeared in fewer than a dozen credited projects thereafter.

Cultural Influence

All That, which premiered on April 16, 1994, adapted the format of adult programs like for juvenile performers, featuring recurring characters, pop culture parodies, and musical guests to engage young audiences with irreverent, merit-driven humor. This structure introduced tropes such as sight gags, exaggerated incompetence (e.g., the bumbling "" employee), and absurd everyday scenarios, shaping subsequent children's comedy by emphasizing performer-driven energy over scripted sensitivity. The series featured a multi-ethnic cast—including African American leads like , , and —integrated without overt commentary on race or , allowing representation to emerge through talent and comedic compatibility rather than programmatic quotas. This pre-mandate approach normalized diverse ensembles in kids' media, fostering viewer identification based on shared absurdity rather than identity signaling, though later analyses critique such organic models for lacking explicit advocacy. Sketches like "Vital Information with Lori Beth Denberg" and "Good Burger" generated enduring catchphrases—"Welcome to Good Burger, home of the Good Burger. Can I take your order?"—that recur in internet memes and 1990s nostalgia compilations, evidencing ripple effects in online humor cycles. However, the show's reliance on topical references and physical slapstick has drawn assessments of limited cross-generational resonance, with humor often tied to ephemeral 1990s cultural touchstones rather than universal principles.

Reruns, Syndication, and Streaming

Following its original run from 1994 to 2005, All That episodes entered reruns primarily within Nickelodeon's cable ecosystem rather than broad broadcast syndication. The show aired on TeenNick as part of nostalgia blocks, including the '90s Are All That programming launched on July 25, 2011, which featured weeknight replays of 1990s Nickelodeon series until its rebranding in 2015. Reruns have sporadically continued on TeenNick and Nicktoons, often alongside other classic Nickelodeon content, with recent 2025 schedules including late-night airings of similar era shows to target nostalgic audiences. Syndication in the 2000s was limited, with no major off-network deals to local broadcast stations; instead, availability stayed confined to cable repeats and occasional promotional events like the 2000 All That summer tour. This approach aligned with Nickelodeon's strategy of retaining control over its properties amid the era's shift toward cable dominance over traditional syndication packages. As of October 2025, full seasons—primarily the original 1994–2000 run—are streamable on Paramount+, the dedicated platform for much of Nickelodeon's archival library, enabling on-demand access that has sustained viewership among and Gen Z. Sporadic episodes or themed compilations have appeared on in limited windows, though not as a complete series offering. Digital purchases, such as episode bundles released starting in 2006 under MTV Networks' expansion, further supported home viewing, with collections like the 2013 Retro Essentials providing curated highlights. User-generated clips of iconic sketches, such as "" and "," have proliferated on and , often garnering millions of views and driving informal rediscovery without reliance on official full-episode streams. No new seasons have been produced, but this clip-based virality has boosted legacy engagement, with platforms' algorithms amplifying short-form content.

Reunion Events and Merchandise

Nickelodeon's All That has seen several reunion events centered on cast gatherings and nostalgic performances. The 10th Anniversary Reunion Special aired on April 23 and 24, 2005, featuring original and later cast members recreating sketches and discussing the show's . Cast members including and participated in a reunion panel at Comikaze Expo on November 5, 2011, marking an early fan-focused event..jpg) A subsequent panel at the 2015 Comikaze Expo included multiple original cast members performing the theme song live. The 2019 reboot premiere on June 15 incorporated cameos from original cast members such as , , and , blending with new sketches during the updated theme song sequence featuring TLC. A virtual Zoom reunion occurred in August 2020 amid the , hosted by a podcast with cast participation. In March 2024, teased a potential "" for the show's 30th anniversary, though no large-scale event materialized by late 2025. Merchandise tied to All That peaked in the 1990s with music releases and live tours. The All That: The Album, released on November 26, 1996, by , compiled tracks from featured artists like TLC and alongside show skits. The All That Music and More Festival toured in summers 1998–2000, combining cast sketches with performances by acts such as , , and Monica; for instance, 1999 stops included June 29 at in San Bernardino and July 2 at Irvine Meadows Amphitheater. Home video releases remained limited, with no full-season DVD sets produced, though manufacture-on-demand options appeared sporadically via Amazon until 2021. These efforts capitalized on the show's 1990s popularity but saw diminished output post-2000, reflecting a shift toward streaming rather than physical goods.

References

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