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Ana Valeria Becerril
Ana Valeria Becerril
from Wikipedia

Ana Valeria Becerril (born 4 January 1997) is a Mexican actress. She has starred in April's Daughter and Control Z.

Key Information

Life and career

[edit]

Ana Valeria Becerril was born on 4 January 1997 in Mexico City, Mexico.[1] She started her career in 2016 with the short film Magnífico and in the same year, she played as Camila in Camila.[2] In 2017, she starred in April's Daughter.[3] She received several acting awards for this film. In 2019, she played as Lucy in Muerte al Verano.[4] In 2020, she began appearing as Sofía in the Netflix series Control Z.[5] In 2020, she starred in the short film Aire de lluvia[6] and in the same year, she played as Eva in Mi novia es la revolución.[7] In 2021, she played the lead role Gina in Los Dias Que No Estuve.[8]

Filmography

[edit]
Short film
Year Title Role
2016 Magnífico Paula
2016 Camila Camila
2020 Aire de lluvia Daniela
Film
Year Title Role
2017 April's Daughter Valeria
2019 Muerte al Verano Lucy
2021 Los Dias Que No Estuve Gina
My Girlfriend Is the Revolution Eva
2023 ¿Cómo matar a mamá? Teté
Television
Year Title Role
2020–2022 Control Z Sofía Herrera
2022–present Las Bravas F.C. Claudia
2024 - present Las Hermanas Guerra Jacinta/Itzel

Awards

[edit]
Year Award name Category Nominated work Result Ref.
2017[9] CANACINE Awards Best Female Promise April's Daughter Won [10]
2018 60th Ariel Awards Breakthrough Female Performance Won [11]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Ana Valeria Becerril (born January 4, 1997) is a recognized for her breakthrough performance in the drama film (2017), which premiered at the , and for her leading role as Sofía Herrera in the teen series (2020–2022). Becerril began her acting career in theater at age 15 with the Macramé Collective and transitioned to screen work in 2016, debuting in the short films Magnífico and Camila. Her role as Valeria in April's Daughter, directed by Michel Franco, earned her the CANACINE Award for Best Female Promise in 2017 and the Ariel Award for Best Female Revelation in 2018, marking her as a rising talent in Mexican cinema. Following her film debut, Becerril expanded into television and streaming, starring as Claudia in the HBO Max sports comedy Las Bravas F.C. (2022–2024) and as Rosaura de la Garza in the HBO adaptation of Like Water for Chocolate (2024–present), which began filming its second season in 2025. She has also appeared in films such as Mi novia es la revolución (2021) and Muerte al verano (2021), the latter nominated for an Ariel Award, and in series including Caso 63: Enigma (2023), for which she won the Premio Ondas for Best Actress in 2025, and Las hermanas Guerra (2024). In 2025, she starred in the series Isla Oculta.

Early life and education

Birth and family background

Ana Valeria Becerril was born on January 4, 1997, in Mexico City, Mexico. She is of Mexican ethnicity, with Latin American heritage through her family roots in the country. Becerril grew up in a close-knit family in Mexico City alongside her younger sister, Astrid. Her parents, Jorge Humberto Becerril Enríquez and Patricia Segura Medina, are both academics who have worked as professors at Tecnológico de Monterrey, specializing in fields such as life sciences and health sciences. While specific artistic influences from her family are not prominently documented, their professional backgrounds in education provided a stable environment during her early years. Her childhood unfolded in the dynamic cultural milieu of , a bustling metropolis rich in history, arts, and urban energy that shaped her formative experiences up to her pre-teen years.

Acting training and early influences

Becerril began her acting journey at the age of 15 by joining the Macramé Collective, a group focused on theater in , where she developed foundational skills through collaborative performances. Her family, including parents who were science professors, provided encouragement for her artistic pursuits during this formative period. Concurrently, she completed her high school education at Colegio Madrid in , balancing academic studies with her growing interest in the . Following high school, Becerril pursued formal acting training at CasAzul, a renowned drama school in Mexico City, where she honed her craft through structured courses in acting and dramatic arts. This education emphasized technical proficiency and emotional depth, preparing her for stage work in the vibrant Mexican theater scene. Her early theater experiences with the Macramé Collective included key productions that shaped her approach to performance, such as El último arrecife en tercera dimensión directed by Mariana Gándara at the Centro Cultural Helénico in 2013, marking her stage debut. Additional works like El Rey Galaor under Ximena Sánchez and directed by Enrique Singer provided hands-on workshops and mentorship, drawing from Mexico's rich tradition of experimental and classical theater to influence her style. These collaborations introduced her to diverse directorial visions, fostering influences from contemporary Mexican theater practices.

Professional career

Debut and breakthrough roles

Ana Valeria Becerril made her professional acting debut in at the age of 19, appearing as Paula in the short comedy-drama film Magnífico, directed by an emerging Mexican filmmaker, which explored themes of and among aspiring performers. In the same year, she starred as the titular character in the Camila, directed by Rafael Martínez Sánchez, portraying a young woman navigating tragic events and societal stigma in a narrative centered on resilience and personal promises. These early roles marked her entry into screen acting, building on her prior theater experience that provided foundational skills in emotional depth and improvisation. Becerril's breakthrough came in 2017 with her lead role as Valeria in April's Daughter (Las hijas de abril), directed by , a critically acclaimed drama that premiered at the . In the film, 17-year-old Valeria, living a carefree life in with her half-sister Clara, discovers she is pregnant by her boyfriend Mateo and initially keeps the news from her estranged mother, April; however, when April unexpectedly returns to "help," her possessive and manipulative nature disrupts the family dynamic, forcing Valeria to confront issues of independence, motherhood, and betrayal as she navigates the birth and its aftermath. Becerril's portrayal of the naive yet resilient Valeria was praised for its authenticity, with critics noting her ability to convey a spectrum of emotions—from joy and vulnerability to despair—through subtle facial expressions and , establishing her as a compelling newcomer in Mexican cinema. As a young actress transitioning from theater to film, Becerril faced the typical challenges of adapting to the more intimate and technically demanding medium of screen performance, where nuanced subtlety often replaced the broader gestures of stage work; her debut projects highlighted this , as she balanced with the precision required for shots. The film's success amplified her visibility, earning the Prize at and subsequent screenings at international festivals including , Palm Springs, and AFI Fest, which introduced her talent to global audiences and solidified her breakthrough in the industry.

Expansion into film and television

Following her breakthrough in April's Daughter, Becerril broadened her career by taking on diverse roles in both Mexican cinema and , showcasing her versatility across genres from drama to thriller and comedy. In 2021, she portrayed in the coming-of-age drama Muerte al verano, a that explores themes of youthful innocence, first love, and personal loss amid a challenging urban environment; the role earned her an Ariel Award nomination for . This role marked her continued presence in intimate, character-driven indie s, building on her early dramatic strengths. The following year, she expanded into the thriller genre with the lead role of Sofía Herrera in Netflix's (2020–2022), a series about high school secrets and that ran for three seasons and gained international viewership. Becerril's film work in the early further demonstrated her range, including a lead role as Eva in the 2021 coming-of-age romance Mi novia es la revolución, set against the backdrop of , which delved into themes of adolescent rebellion, identity, and LGBTQ+ awakening. She followed this with a supporting part in the 2023 dark comedy How to Kill Mom (¿Cómo matar a mamá?), where she played one of three estranged sisters confronting their mother's during a chaotic family , blending humor with emotional depth. By 2024, Becerril appeared in the telenovela-style drama Sisters' Feud (Las hermanas Guerra) as Jacinta Zenteno, contributing to a narrative of familial rivalry and betrayal that highlighted her ability to handle intense ensemble dynamics. On television, Becerril shifted toward lighter fare with her role as Claudia in 's Las Bravas F.C. (2022–2024), a sports comedy following an all-women's soccer team challenging societal norms and personal hurdles in a small town. This project represented a pivot to comedic work, contrasting her prior thrillers. In , she took on the antagonistic role of Rosaura de la Garza in the adaptation of Like Water for Chocolate, a magical realism drama based on Laura Esquivel's novel, exploring love, tradition, and family secrets during the Mexican Revolution; the series was renewed for a second season shortly after its debut. Becerril's career evolution by 2025 included international collaborations, notably her starring role in the Chile-Mexico co-production Isla Oculta, a series about a investigating a disappearance tied to ancient myths , which premiered at the Guadalajara International in June 2025 and was released broadly in October 2025. This project underscored her growing involvement in cross-border productions and genre experimentation, as she noted in interviews that it allowed Latin American storytelling to embrace with local cultural roots. Her trajectory reflects a deliberate broadening from domestic dramas to global platforms, maintaining a focus on complex female characters across thrillers, comedies, and period pieces.

Filmography

Films

Ana Valeria Becerril has appeared in several feature films, showcasing her range in dramatic and comedic roles. Her film debut came with a lead role in a family , followed by supporting parts in coming-of-age stories and ensemble casts exploring personal and social themes.
YearTitleRoleDirectorDescription
2017Las hijas de Abril ()ValeriaIn this , Becerril portrays the pregnant teenager Valeria, who attempts to keep her condition secret from her estranged, overbearing mother upon her unexpected return.
2021Muerte al Verano (Death to Summer)LucySebastián PadillaBecerril plays , a young woman entangled in a group of friends' emotional turmoil during a , loss, and self-discovery in this coming-of-age .
2021Mi novia es la revolución (My Girlfriend Is the Revolution)EvaMarcelino Islas HernándezAs Eva, a bold and rebellious adolescent, Becerril contributes to this romantic comedy- about youthful awakening and first love amid societal changes.
2021Los días que no estuve (The Days I Wasn't There)GinaSamuel Ríos y VallesBecerril embodies Gina, a complex figure in a man's quest to reclaim his life after a mysterious absence, in this about memory and redemption.
2023¿Cómo matar a mamá? (How to Kill Mom?)TetéJosé Ramón Chávez DelgadoIn this dark comedy-, Becerril plays Teté, one of three estranged sisters accompanying their ailing mother on a with unexpected revelations about family bonds.

Television series

Ana Valeria Becerril made her television debut in 2020 with the Mexican teen drama series , where she portrayed the lead role of Sofía Herrera, a socially isolated high who investigates a exposing classmates' secrets across all three seasons on . The series, blending mystery and coming-of-age elements, follows Sofía's arc from an outsider navigating personal trauma to a determined protagonist confronting school-wide chaos and her own vulnerabilities. In 2022, Becerril starred as Claudia in Las Bravas F.C., a sports comedy-drama about a disgraced soccer coach rebuilding a women's team in a small town; she appeared in 16 episodes over two seasons on Max. Her character, a talented but rebellious player, evolves from harboring family resentments to embracing and personal growth amid the team's journey. Becerril guest-starred in the 2023 dystopian anthology miniseries El colapso as Julia in one episode, exploring societal breakdown in due to resource shortages, streamed on . The episode depicts her character's desperate survival efforts in a collapsing urban environment, highlighting themes of isolation and resilience.
Year(s)TitleRoleSeasons/EpisodesPlatform
2020–2022Sofía Herrera3 seasons (24 episodes)
2022–2024Las Bravas F.C.Claudia2 seasons (16 episodes)Max
2023El colapsoJulia1 season (1 episode)
2024Las hermanas Guerra (Sisters' Feud)Jacinta/Itzel1 season (20 episodes)
2024–presentRosaura de la Garza1 season (ongoing)Max
2025Isla OcultaOlga Zuloaga1 season (6 episodes)Streaming
In Las hermanas Guerra (2024), a dramatic centered on familial betrayal and revenge, Becerril plays the dual roles of Jacinta and Itzel across 20 episodes on , with her characters entangled in a web of manipulation involving long-lost family ties. Becerril's most recent role is Rosaura de la Garza in the magical realism adaptation Like Water for Chocolate (2024–present), where she embodies the envious middle sister suppressing emotions in a tradition-bound family; the ongoing first season airs on Max. In 2025, Becerril starred as Olga Zuloaga, an whose mysterious disappearance on a remote island draws a into a web of science fiction and elements, in the Chilean-Mexican co-production Isla Oculta, a 6-episode series.

Awards and nominations

Won awards

Ana Valeria Becerril received her first major industry recognition at the 13th Premios CANACINE in 2017, where she won the Promesa Femenina (Female Promise) award for her role as Valeria in Las Hijas de Abril (). The CANACINE Awards, presented annually by Mexico's National Chamber of the Cinematographic Industry since 2005, honor both commercial success and emerging talent in Mexican cinema, with the Promesa categories spotlighting breakthrough performers under 30. The following year, Becerril earned the Ariel Award for Breakthrough Female Performance () at the 60th Ariel Awards ceremony on June 5, 2018, again for her portrayal of Valeria in Las Hijas de Abril. Established in 1946 by the Mexican Academy of Cinematography, the Ariel Awards are considered the most prestigious film honors in , akin to the Oscars, and recognize artistic excellence across categories; Becerril's win highlighted her as one of the ceremony's standout new talents among nominees like Macarena Arias and Paola Lara. In 2025, Becerril won the award at the 4th Premios Ondas Globales del for her performance in Caso 63: Enigma, a Spanish-language fiction co-produced by and . The Ondas Awards, established in 1954 by Radio , recognize excellence in Spanish-language audiovisual content, including podcasts since 2022. The ceremony took place on July 9, 2025, in , . These early accolades underscored Becerril's rapid ascent in Mexican cinema, with both awards tied to her debut feature that premiered at the in the section.

Nominated awards

Ana Valeria Becerril has received several nominations from prestigious Mexican film awards bodies, recognizing her emerging talent and lead performances, though she has not secured wins in these instances. In 2018, she was nominated for Best Newcomer - Female (Revelación Femenina) at the Diosas de Plata awards by the Mexican Cinema Journalists (PECIME) for her role as Valeria in (Las hijas de abril), competing against other rising stars in a category that highlights breakthrough potential in Mexican cinema. Becerril earned another nomination in 2025 for (Mejor Actriz) at the 50th Diosas de Plata for her portrayal of Sofía in Mi novia es la revolución, where she vied against established performers like and Fiona Palomo in a competitive field that underscores her evolution into more complex leading roles. These nominations reflect her growing recognition within the Mexican film industry, positioning her alongside peers in high-profile categories despite not taking home the awards.

References

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