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Architecture of Madagascar
The architecture of Madagascar is unique in Africa, bearing strong resemblance to the Maritime Southeast Asian construction norms and methods of Southern Borneo from which the earliest inhabitants of Madagascar, the ancestors of the modern-day Malagasy people, settled on the island almost two thousand years ago. Throughout Madagascar, the Kalimantan region of Borneo and Oceania, most traditional houses follow a rectangular rather than round form, and feature a steeply sloped, peaked roof supported by a central pillar.
Differences in the predominant traditional construction materials used serve as the basis for much of the diversity in Malagasy architecture. Locally available plant materials were the earliest materials used and remain the most common among traditional communities. In intermediary zones between the central highlands and humid coastal areas, hybrid variations have developed that use cob and sticks. Wood construction, once common across the island, declined as a growing human population destroyed greater swaths of virgin rainforest for slash and burn agriculture and zebu cattle pasture. The Zafimaniry communities of the central highland montane forests are the only Malagasy ethnic group who have preserved the island's original wooden architectural traditions; their craft was added to the UNESCO list of Intangible Cultural Heritage in 2003.
As wood became scarce over time, wooden houses became the privilege of the noble class in certain communities, as exemplified by the homes of the Merina nobility in the 19th century Kingdom of Madagascar. The use of stone as a building material was traditionally limited to the construction of tombs, a significant feature of the cultural landscape in Madagascar due to the prominent position occupied by ancestors in Malagasy cosmology. The island has produced several distinct traditions in tomb architecture: among the Mahafaly of the southwest coast, the top of tombs may be stacked with the skulls of sacrificed zebu and spiked with aloalo, decoratively carved tomb posts, while among the Merina, aristocrats historically constructed a small wooden house on top of the tomb to symbolize their andriana status and provide an earthly space to house their ancestors' spirits.
Traditional styles of architecture in Madagascar have been impacted over the past two hundred years by the increasing influence of European styles. A shift toward brick construction in the Highlands began during the reign of Queen Ranavalona II (1868–1883) based on models introduced by missionaries of the London Missionary Society and contacts with other foreigners. Foreign influence further expanded following the collapse of the monarchy and French colonization of the island in 1896. Modernization over the past several decades has increasingly led to the abandonment of certain traditional norms related to the external orientation and internal layout of houses and the use of certain customary building materials, particularly in the Highlands. Among those with means, foreign construction materials and techniques – namely imported concrete, glass and wrought iron features – have gained in popularity, to the detriment of traditional practices.
The architecture of Madagascar is unique in Africa, bearing strong resemblance to the architecture of southern Borneo from which the earliest inhabitants of Madagascar are believed to have emigrated. Traditional construction in this part of Borneo, also known as South Kalimantan, is distinguished by rectangular houses raised on piles. The roof, which is supported by a central pillar, is steeply sloped; the gable beams cross to form roof horns that may be decoratively carved. The central Highlands of Madagascar are populated by the Merina, peoples who bear strong physiological and cultural resemblance to their Kalimantan ancestors; here, the traditional wooden houses of the aristocracy feature a central pillar (andry) supporting a steeply sloped roof decorated with roof horns (tandro-trano). In the southeast of Madagascar, actual zebu horns were traditionally affixed to the gable peak. Throughout Madagascar, houses are rectangular with a gabled roof as in Kalimantan, central pillars are widespread, and in all but a handful of regions, traditional homes are built on piles in a manner handed down from generation to generation, regardless of whether the feature is suited to local conditions.
Certain cosmological and symbolic elements are common across Indonesian and Malagasy architecture as well. The central house pillar is sacred in Kalimantan and Madagascar alike, and in both places, upon constructing a new house this pillar was often traditionally anointed with blood. The features of the building or its dimensions (length, size, and particularly the height) are often symbolically indicative of the status of its occupants or the importance of its purpose on both islands. Likewise, both Madagascar and Borneo have a tradition of partially above-ground tomb construction and the inhabitants of both islands practice the carving of decorative wooden funerary posts, called aloalo in western Madagascar and klirieng in the Kajang dialect of Borneo.
Dwellings made of plant material are common in the coastal regions and were once commonly used throughout the Highlands as well. The types of plants available in a given locality determine the building material and style of construction. The vast majority of homes made of plant material are rectangular, low (one-story) houses with a peaked roof and are often built on low stilts. These architectural features are nearly identical to those found in parts of Indonesia. Materials used for construction include reeds (near rivers), rushes (in the southwest around Toliara), endemic succulents (as fencing in the south), wood (in the south and among the Zafimaniry, and formerly common in the Highlands), bamboo (especially in the eastern rain forests), papyrus (formerly in the Highlands around Lake Alaotra), grasses (ubiquitous), palms (ubiquitous but prevalent in the west around Mahajanga) and raffia (especially in the north and northeast). For much of the length of the eastern coast of Madagascar bordering the Indian Ocean, architecture is highly uniform: nearly all traditional homes in this region are built on low stilts and are roofed with thatch made of the fronds of the traveler's palm (Ravenala madagascariensis).
The stilts, floor and walls are commonly made of the trunk of this same plant, typically after pounding it flat to make wide planks (for floors and roofing) or narrow strips (for walls). These strips are affixed vertically to the frame; the raffia plant is often used in the same way, in place of the traveler's palm, in the north. When bamboo is used in place of traveler's palm, the long pounded sheets are often woven together to create walls with a checker-like pattern.
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Architecture of Madagascar AI simulator
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Architecture of Madagascar
The architecture of Madagascar is unique in Africa, bearing strong resemblance to the Maritime Southeast Asian construction norms and methods of Southern Borneo from which the earliest inhabitants of Madagascar, the ancestors of the modern-day Malagasy people, settled on the island almost two thousand years ago. Throughout Madagascar, the Kalimantan region of Borneo and Oceania, most traditional houses follow a rectangular rather than round form, and feature a steeply sloped, peaked roof supported by a central pillar.
Differences in the predominant traditional construction materials used serve as the basis for much of the diversity in Malagasy architecture. Locally available plant materials were the earliest materials used and remain the most common among traditional communities. In intermediary zones between the central highlands and humid coastal areas, hybrid variations have developed that use cob and sticks. Wood construction, once common across the island, declined as a growing human population destroyed greater swaths of virgin rainforest for slash and burn agriculture and zebu cattle pasture. The Zafimaniry communities of the central highland montane forests are the only Malagasy ethnic group who have preserved the island's original wooden architectural traditions; their craft was added to the UNESCO list of Intangible Cultural Heritage in 2003.
As wood became scarce over time, wooden houses became the privilege of the noble class in certain communities, as exemplified by the homes of the Merina nobility in the 19th century Kingdom of Madagascar. The use of stone as a building material was traditionally limited to the construction of tombs, a significant feature of the cultural landscape in Madagascar due to the prominent position occupied by ancestors in Malagasy cosmology. The island has produced several distinct traditions in tomb architecture: among the Mahafaly of the southwest coast, the top of tombs may be stacked with the skulls of sacrificed zebu and spiked with aloalo, decoratively carved tomb posts, while among the Merina, aristocrats historically constructed a small wooden house on top of the tomb to symbolize their andriana status and provide an earthly space to house their ancestors' spirits.
Traditional styles of architecture in Madagascar have been impacted over the past two hundred years by the increasing influence of European styles. A shift toward brick construction in the Highlands began during the reign of Queen Ranavalona II (1868–1883) based on models introduced by missionaries of the London Missionary Society and contacts with other foreigners. Foreign influence further expanded following the collapse of the monarchy and French colonization of the island in 1896. Modernization over the past several decades has increasingly led to the abandonment of certain traditional norms related to the external orientation and internal layout of houses and the use of certain customary building materials, particularly in the Highlands. Among those with means, foreign construction materials and techniques – namely imported concrete, glass and wrought iron features – have gained in popularity, to the detriment of traditional practices.
The architecture of Madagascar is unique in Africa, bearing strong resemblance to the architecture of southern Borneo from which the earliest inhabitants of Madagascar are believed to have emigrated. Traditional construction in this part of Borneo, also known as South Kalimantan, is distinguished by rectangular houses raised on piles. The roof, which is supported by a central pillar, is steeply sloped; the gable beams cross to form roof horns that may be decoratively carved. The central Highlands of Madagascar are populated by the Merina, peoples who bear strong physiological and cultural resemblance to their Kalimantan ancestors; here, the traditional wooden houses of the aristocracy feature a central pillar (andry) supporting a steeply sloped roof decorated with roof horns (tandro-trano). In the southeast of Madagascar, actual zebu horns were traditionally affixed to the gable peak. Throughout Madagascar, houses are rectangular with a gabled roof as in Kalimantan, central pillars are widespread, and in all but a handful of regions, traditional homes are built on piles in a manner handed down from generation to generation, regardless of whether the feature is suited to local conditions.
Certain cosmological and symbolic elements are common across Indonesian and Malagasy architecture as well. The central house pillar is sacred in Kalimantan and Madagascar alike, and in both places, upon constructing a new house this pillar was often traditionally anointed with blood. The features of the building or its dimensions (length, size, and particularly the height) are often symbolically indicative of the status of its occupants or the importance of its purpose on both islands. Likewise, both Madagascar and Borneo have a tradition of partially above-ground tomb construction and the inhabitants of both islands practice the carving of decorative wooden funerary posts, called aloalo in western Madagascar and klirieng in the Kajang dialect of Borneo.
Dwellings made of plant material are common in the coastal regions and were once commonly used throughout the Highlands as well. The types of plants available in a given locality determine the building material and style of construction. The vast majority of homes made of plant material are rectangular, low (one-story) houses with a peaked roof and are often built on low stilts. These architectural features are nearly identical to those found in parts of Indonesia. Materials used for construction include reeds (near rivers), rushes (in the southwest around Toliara), endemic succulents (as fencing in the south), wood (in the south and among the Zafimaniry, and formerly common in the Highlands), bamboo (especially in the eastern rain forests), papyrus (formerly in the Highlands around Lake Alaotra), grasses (ubiquitous), palms (ubiquitous but prevalent in the west around Mahajanga) and raffia (especially in the north and northeast). For much of the length of the eastern coast of Madagascar bordering the Indian Ocean, architecture is highly uniform: nearly all traditional homes in this region are built on low stilts and are roofed with thatch made of the fronds of the traveler's palm (Ravenala madagascariensis).
The stilts, floor and walls are commonly made of the trunk of this same plant, typically after pounding it flat to make wide planks (for floors and roofing) or narrow strips (for walls). These strips are affixed vertically to the frame; the raffia plant is often used in the same way, in place of the traveler's palm, in the north. When bamboo is used in place of traveler's palm, the long pounded sheets are often woven together to create walls with a checker-like pattern.