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Arthur Freed
Arthur Freed (née Grossman; September 9, 1894 – April 12, 1973) was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career. In the decades following his death, Freed has become the subject of several sexual harassment allegations, most notably from actress Shirley Temple and actress and dancer Barrie Chase.
Freed was born to a Jewish family in Charleston, South Carolina, and wrote poetry as a high schooler at Phillips Exeter Academy. After graduating in 1914, he began his career as a song-plugger and pianist in Chicago. After meeting Minnie Marx, he sang as part of her sons' act, the Marx Brothers, on the vaudeville circuit and also wrote material for them.
He soon began to write songs, and he was hired by Metro-Goldwyn-Mayer. For years, he wrote lyrics for numerous films, many set to music by Nacio Herb Brown.
In 1939, after working (uncredited) in the role of associate producer on The Wizard of Oz, he was promoted to being the head of his own unit within MGM, and helped elevate the studio to the leading creator of film musicals. His first solo credit as producer was the film version of Rodgers and Hart's smash Broadway musical Babes in Arms (also 1939), released only a few months after The Wizard of Oz. It starred Mickey Rooney and Judy Garland, and it was so successful that it ushered in a long series of "let's put on a show" "backyard" musicals, all starring Rooney and Garland.
Freed brought talent from the Broadway theaters to the MGM soundstages including Vincente Minnelli, Betty Comden, Adolph Green, Roger Edens, Kay Thompson, Zero Mostel, June Allyson, Nancy Walker, Charles Walters, orchestrators Conrad Salinger, Johnny Green, Lennie Hayton, and others including Shirley Temple.
He also helped shape the careers of stars including Gene Kelly, Frank Sinatra, Red Skelton, Lena Horne, Jane Powell, Esther Williams, Kathryn Grayson, Howard Keel, Cyd Charisse, Ann Miller, Vera-Ellen, and others. He brought Fred Astaire to MGM after Astaire's tenure at RKO and coaxed him out of semi-retirement to star with Garland in Easter Parade. His team of writers, directors, composers and stars produced a steady stream of popular, critically acclaimed musicals until the late 1950s.
He allowed his directors and choreographers free rein, something unheard of in those days of committee-produced film musicals, and is credited for furthering the boundaries of film musicals by allowing such moments in films as the fifteen-minute ballet at the end of An American in Paris (1951), after which the film concludes moments later with no more dialogue or songs, and he allowed the musical team of Lerner and Loewe complete control in their writing of Gigi (1958).
According to Hugh Fordin's book The World of Entertainment, Freed did have a hand in the stage-to-screen adaptation of the 1951 Technicolor remake of Kern and Hammerstein's stage classic, Show Boat. It was Freed who disagreed with the original structure of the show's second act, in which more than 20 years pass between most of the act and the final three scenes of the musical. He felt that it made for a lack of drama in the story, and with screenwriter John Lee Mahin, Freed hit upon the idea of having the gambler Gaylord Ravenal leave his wife Magnolia while both are still young and Magnolia is expecting a baby, and then having Julie, the half-black actress who is forced to leave the boat because of her mixed-race background, be the person who brings Ravenal and Magnolia back together again after a separation of only a few years rather than twenty. Also, Freed cast Ava Gardner in the role of Julie.
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Arthur Freed
Arthur Freed (née Grossman; September 9, 1894 – April 12, 1973) was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career. In the decades following his death, Freed has become the subject of several sexual harassment allegations, most notably from actress Shirley Temple and actress and dancer Barrie Chase.
Freed was born to a Jewish family in Charleston, South Carolina, and wrote poetry as a high schooler at Phillips Exeter Academy. After graduating in 1914, he began his career as a song-plugger and pianist in Chicago. After meeting Minnie Marx, he sang as part of her sons' act, the Marx Brothers, on the vaudeville circuit and also wrote material for them.
He soon began to write songs, and he was hired by Metro-Goldwyn-Mayer. For years, he wrote lyrics for numerous films, many set to music by Nacio Herb Brown.
In 1939, after working (uncredited) in the role of associate producer on The Wizard of Oz, he was promoted to being the head of his own unit within MGM, and helped elevate the studio to the leading creator of film musicals. His first solo credit as producer was the film version of Rodgers and Hart's smash Broadway musical Babes in Arms (also 1939), released only a few months after The Wizard of Oz. It starred Mickey Rooney and Judy Garland, and it was so successful that it ushered in a long series of "let's put on a show" "backyard" musicals, all starring Rooney and Garland.
Freed brought talent from the Broadway theaters to the MGM soundstages including Vincente Minnelli, Betty Comden, Adolph Green, Roger Edens, Kay Thompson, Zero Mostel, June Allyson, Nancy Walker, Charles Walters, orchestrators Conrad Salinger, Johnny Green, Lennie Hayton, and others including Shirley Temple.
He also helped shape the careers of stars including Gene Kelly, Frank Sinatra, Red Skelton, Lena Horne, Jane Powell, Esther Williams, Kathryn Grayson, Howard Keel, Cyd Charisse, Ann Miller, Vera-Ellen, and others. He brought Fred Astaire to MGM after Astaire's tenure at RKO and coaxed him out of semi-retirement to star with Garland in Easter Parade. His team of writers, directors, composers and stars produced a steady stream of popular, critically acclaimed musicals until the late 1950s.
He allowed his directors and choreographers free rein, something unheard of in those days of committee-produced film musicals, and is credited for furthering the boundaries of film musicals by allowing such moments in films as the fifteen-minute ballet at the end of An American in Paris (1951), after which the film concludes moments later with no more dialogue or songs, and he allowed the musical team of Lerner and Loewe complete control in their writing of Gigi (1958).
According to Hugh Fordin's book The World of Entertainment, Freed did have a hand in the stage-to-screen adaptation of the 1951 Technicolor remake of Kern and Hammerstein's stage classic, Show Boat. It was Freed who disagreed with the original structure of the show's second act, in which more than 20 years pass between most of the act and the final three scenes of the musical. He felt that it made for a lack of drama in the story, and with screenwriter John Lee Mahin, Freed hit upon the idea of having the gambler Gaylord Ravenal leave his wife Magnolia while both are still young and Magnolia is expecting a baby, and then having Julie, the half-black actress who is forced to leave the boat because of her mixed-race background, be the person who brings Ravenal and Magnolia back together again after a separation of only a few years rather than twenty. Also, Freed cast Ava Gardner in the role of Julie.