Hubbry Logo
Arthur RubinArthur RubinMain
Open search
Arthur Rubin
Community hub
Arthur Rubin
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Arthur Rubin
Arthur Rubin
Arthur Rubin
View on Wikipedia
from Wikipedia

Arthur Leonard Rubin (born 1956)[1] is an American mathematician and aerospace engineer. He was named a Putnam Fellow on four consecutive occasions from 1970 to 1973.

Key Information

Life and career

[edit]

Rubin's mother was Jean E. Rubin, a professor of mathematics at Purdue University, and his father was Herman Rubin, a professor of statistics at the same university.[2] Arthur co-authored his first paper with his mother in 1969 at the age of 13.[3] He earned his Ph.D. at the California Institute of Technology in 1978, under the direction of Alexander S. Kechris.[4]

Rubin unsuccessfully stood as a Libertarian to represent the 55th district in the 1984 California State Assembly elections.[5]

Awards and honors

[edit]

As an undergraduate, Rubin was named a Putnam Fellow on four occasions, the first time in 1970, aged 14, making him the youngest Fellow to date.[6][7][8] In 1972, he tied for third place in the first USA Mathematical Olympiad.[9]

In 1974, Rubin was the subject of an article in the Madison Capital Times, in which his Caltech undergraduate advisor was quoted as saying that someone of Rubin's ability appeared in the United States "about once in every ten years".[10]

Publications

[edit]

Rubin's dissertation was entitled Free Algebras in Von Neumann–Bernays–Gödel Set Theory and Positive Elementary Inductions in Reasonable Structures.[4][11] In 1979, Rubin co-authored a paper on list coloring of graphs with Paul Erdős, giving him an Erdős number of 1.[12]

  • Rubin, A. L. & Rubin, J. E. (1969). "Extended operations and relations on the class of ordinal numbers". Fundamenta Mathematicae. 65 (2): 227–242. doi:10.4064/fm-65-2-227-242.
  • Howard, P. E.; Rubin, A. L. & Rubin, J. E. (1979). "Kinna–Wagner Selection Principles, Axioms of Choice and Multiple Choice". Monatshefte für Mathematik. 123 (4): 309–319. doi:10.1007/BF01326766. S2CID 18138945.
  • Posner, E. C. & Rubin, A.L. (1984). "Capacity of digital links in tandem". IEEE Transactions on Information Theory. IT-30 (3): 464–470. Bibcode:1984ITIT...30..464P. doi:10.1109/TIT.1984.1056917.
  • Truong, T. K.; Reed, I. S.; Lipes, R. G.; Rubin, A. L. & Butman, S. A. (1984). "Digital SAR processing using a fast polynomial transform". IEEE Transactions on Acoustics, Speech, and Signal Processing. ASSP-32 (2): 419–425. doi:10.1109/TASSP.1984.1164307.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Arthur Rubin

View on Grokipedia
from Grokipedia
Arthur Rubin (June 16, 1926 – July 22, 2023) was an American theatrical producer, stage manager, and Broadway performer known for his multifaceted career spanning acting, stage management, and executive leadership in New York theater. He won a Tony Award for Best Revival of a Musical in 1986 for the Broadway revival of Sweet Charity and received a nomination in the same category in 1991 for Peter Pan. Rubin served as Vice-President of the Nederlander Organization from 1975 until his retirement in 1993, overseeing major Broadway venues and contributing to the management of theaters such as the Lunt-Fontanne and Mark Hellinger. Rubin began his professional career as a singer with the Radio City Music Hall Glee Club before making his Broadway debut as a performer in the original 1951 production of Two on the Aisle. He went on to appear in the original casts of several notable musicals, including Can-Can (1953), Silk Stockings (1955), The Most Happy Fella (1956—where he introduced the song “Abbondanza”), Juno (1959), and Here's Love (1963). Transitioning to behind-the-scenes roles, he worked as a stage manager on productions such as The Music Man, Greenwillow, and West Side Story, and later produced revivals and special engagements featuring artists like Shirley Bassey, Barry Manilow, and Smokey Robinson. In addition to his theater work, Rubin provided uncredited singing voices for characters in Mel Brooks films, including Robin Hood in Robin Hood: Men in Tights (1993) and a role in The Producers (1967). His long affiliation with the Association of Theatrical Press Agents and Managers (ATPAM), where he became a Gold Card Member in 1962, underscored his enduring impact on the Broadway community.

Early life

Early years and entry into entertainment

Arthur Rubin was born on June 16, 1926, in the United States. Limited information is available regarding his childhood, family background, or education prior to his professional entry into entertainment. He began his professional career in 1950 singing with the Radio City Music Hall Glee Club. This engagement as a singer marked his initial step into the performing arts.

Performing career

Broadway and stage performances

Arthur Rubin began his career as a performer on Broadway in the early 1950s. His Broadway debut came in the musical revue Two on the Aisle (1951), where he appeared as Conductor/Singer. He followed this with a role in Cole Porter's Can-Can (1953) as Policeman/Second, and then in another Porter musical, Silk Stockings (1955), as Reporter. A notable highlight of his performing career was his role as Giuseppe in the original Broadway production of Frank Loesser's The Most Happy Fella (1956), where he introduced the energetic trio number "Abbondanza." He continued with roles as Foley in Juno (1959), Francis in Kean (1961), and Tammany O'Halloran in Here's Love (1963). By the mid-1960s, Rubin began shifting away from full-time performing in favor of stage management and other theater positions, though he made occasional returns to the stage. These later appearances included playing Roscoe in a concert revival of Follies (1985), reprising Giuseppe in the New York City Opera revival of The Most Happy Fella (1991), and participating in concert productions such as Pal Joey with Encores! (1995) and Kean in the Musicals in Mufti series (2000). He also performed regularly in the industrial musical series Milliken Breakfast Show from 1960 to 1980.

Film and television roles

Arthur Rubin's film and television career was limited and consisted mainly of small, uncredited, or supporting roles, in contrast to his extensive work in theater. His earliest screen credit was as an uncredited assistant stage manager on the 1961 film adaptation of West Side Story. He made brief television appearances in the early 1960s, including an uncredited role as a Night Court Prisoner in one episode of Car 54, Where Are You? in 1963 and credited parts as Mr. Brown and Pat across two episodes of The Patty Duke Show between 1964 and 1965. Rubin had a small on-screen role in Mel Brooks' The Producers (1967) as Auditioning Hitler. Following a long hiatus from screen work, he appeared as Happy Birthday Singer #1 in Crossing Delancey (1988). He provided the uncredited singing voice for Robin Hood in Mel Brooks' Robin Hood: Men in Tights (1993) and performed the song "The Night Is Young And You're So Beautiful" in the film. In 1995, Rubin worked as an accountant in production finance on The Inner Voice. His final known contribution was providing the singing voice for the 2014 short film The Night Is Young.

Stage management career

Stage management credits

Arthur Rubin transitioned from performing to backstage roles during the 1950s and early 1960s, accumulating credits as an assistant stage manager and stage manager on several Broadway productions. He began as assistant stage manager on Silk Stockings (1955), where he also performed as a reporter. In 1960, he served as assistant stage manager for the return engagement of West Side Story, while also understudying the roles of Gladhand and Krupke. That same year, he took on stage manager duties for Greenwillow and Wildcat. His stage management credits concluded with Here's Love in 1963. In some instances, such as Silk Stockings and West Side Story, these backstage positions overlapped with on-stage performing or understudy responsibilities, as discussed in his performing career. Following his 1963 credit, Rubin shifted to full-time off-stage work after 1964.

Theater management and executive roles

House and general management

Arthur Rubin served as house manager and general manager for several Broadway theaters during the 1960s and early 1970s, overseeing front-of-house operations and theater administration for various productions. He was the general manager at the Broadway Theatre during the 1964 revue Folies Bergère. Rubin also held general management roles at the Lunt-Fontanne Theatre and Mark Hellinger Theatre, including for Marlene Dietrich's 1967 engagement and the 1972 revival of A Funny Thing Happened on the Way to the Forum at the Lunt-Fontanne. Sources additionally credit him as house manager at the Lunt-Fontanne Theatre, Mark Hellinger Theatre, and Biltmore Theatre throughout this period. In 1975, Rubin joined the Nederlander Organization as general manager. He was later promoted to vice president within the organization (detailed in Nederlander Organization tenure).

Nederlander Organization tenure

Arthur Rubin joined the Nederlander Organization in 1975 as general manager and eventually advanced to the position of vice president and general manager. In this executive capacity, he oversaw operations for the Broadway theater chain's venues and productions for nearly two decades. His tenure included key developments such as the opening of the Marquis Theatre in 1986, as well as the presentations of notable shows including Fences, Black and Blue, Lost in Yonkers, and The Will Rogers Follies. On July 13, 1992, Rubin resigned from his positions as vice president and general manager, with the organization announcing the departure the following day. Through a spokesman, Rubin stated that he was leaving to pursue other personal business interests and would continue serving the Nederlander Organization as a consultant. Sources associated with his professional association describe his departure from the company as a retirement in 1993.

Producing career

Broadway productions as producer

Arthur Rubin began his Broadway producing career with the 1981 revival of Can-Can, marking his first credit in that role. He subsequently produced a series of productions and special engagements throughout the 1980s and into the early 1990s, many of which were limited runs or concert-style presentations featuring prominent performers. His key producing credits include the 1983 production of La Tragédie de Carmen (produced in association with), Doug Henning & His World of Magic (1984), the 1986 revival of Sweet Charity, Shirley Bassey (1986), Smokey Robinson Plus Jean Carne (1986, as associate producer), Mort Sahl on Broadway! (1987), Legs Diamond (1988), Kenny Loggins on Broadway (1988), the 1989 revival of Cafe Crown, Barry Manilow at the Gershwin (1989), the 1990 revival of Peter Pan (as producer and presenter), and Ain't Broadway Grand? (1993). The 1986 revival of Sweet Charity won the Tony Award for Best Revival in 1986. Additional producing engagements during this period encompassed Freddie Jackson: Up Close & Personal (1989) and Dangerous Games (1989). The 1990 revival of Peter Pan received a Tony Award nomination for Best Revival in 1991.

Awards and recognition

Personal life and death

Arthur Rubin died on July 22, 2023, at the age of 97. He passed away peacefully, surrounded by his loving children. He was survived by his children Ronnie and Anne, and Alan and Jane; his grandchildren Jonathan (married to Kristen), Erica (married to Mike), and Daniel (married to Gabby); and his great-grandchildren Ezra, Miles, and Sabine. Rubin adored his grandchildren and great-grandchildren.
Add your contribution
Related Hubs
User Avatar
No comments yet.