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Bamfaad
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| Bamfaad | |
|---|---|
Official release poster | |
| Directed by | Ranjan Chandel |
| Written by |
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| Produced by |
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| Starring |
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| Cinematography | Piyush Puty |
| Edited by | Nitesh Bhatia |
| Music by | Vishal Mishra |
| Distributed by | ZEE5 |
Release date |
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| Country | India |
| Language | Hindi |
Bamfaad (lit. 'Explosive') is a 2020 Indian romantic action film directed by Ranjan Chandel starring Aditya Rawal and Shalini Pandey in their first lead film.[1] The film was released on 10 April 2020.[2] It is a passionate love story set in Allahabad between Nasir Jamal and Neelam who meet accidentally and fall in love.[3] They make brave choices and go through a path of love and loss to be with each other.[4]
Plot
[edit]Nasir Jamal (Aditya Rawal), a teenage boy and resident of the Kareli area in Allahabad (Uttar Pradesh). His friends call him 'Naate' despite him being quite tall. Naate brings home complaints regularly. His father, Shahid Jamal, a reputed contractor, overlooks his son's deeds and, in turn, encourages his behaviour for the worse while his mother is worried sick about her son and his carelessness.
One evening, Nasir goes to drop off a parcel at Sanam CD Music shop on his childhood friend Zahid's request. There, he finds the shop closed and meets a young girl, Neelam (Shalini Pandey), who lives right above the shop. An interesting conversation takes place between them. Soon after, they happen to meet a few more times, and Naate is now drawn to her. On the other hand, while Neelam appreciates Nasir's genuine gestures towards her, she is hesitant to take things forward. Having had a tough journey, she battles to make things work with Nasir, but he is too lighthearted about it all to see any red flags.
While Nasir and Neelam get closer, Jigar Fareedi (Vijay Varma), a seemingly charming, influential person, crosses paths with Nasir on account of his fight with Rajeeb Mehndi, a college student politician who is Jigar's candidate. Jigar demands that Nasir make a public apology and is arrogantly turned down, leading to the beginning of an ego conflict between the two.
Neelam struggles to understand her relationship with Nasir but is unaware of how much she has grown to like him. They face multiple obstacles and are presented with testing times.
Cast
[edit]- Aditya Rawal as Nasir Jamal
- Shalini Pandey as Neelam
- Vijay Varma as Jigar Fareedi
- Jatin Sarna as Zahid
- Sana Amin Sheikh as Walia
Production
[edit]Scripting
[edit]Director Ranjan met his co-writer, Hanzalah Shahid, after coming back from the shoot of the film 'Mukkabaaz'. Hanzalah gave him a script to read of a different title. Ranjan read the script and got fascinated by some characters of that world which inspired him to dwell more into that world. He took those characters and some incidents and started writing a new draft from the scratch of the script and titled it 'Bamfaad'.[5] Bamfaad[6] is a north Indian slang which portrays a certain energy and it means "Explosive" or "Kickass".[7]
Filming
[edit]The principal photography of the film began on 2 September 2018 in Unnao, and the film was wrapped on 22 October 2018 in Lucknow. The shooting of the film was finished in 45 days.[8]
Soundtrack
[edit]The soundtrack is composed by Vishal Mishra, and the lyrics are written by Raj Shekhar.
The film contains Suryakant Tripathi 'Nirala' - Baadal Raag, composed and sung by Harpreet Singh. It describes the journey of a thundercloud. Ranjan found the composition as a passionate composition of a compelling poem.
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Bamfaad (Title Track)" | Raj Shekhar | Vishal Mishra | 2:07 |
| 2. | "Ishq Ka Itar" | Raj Shekhar | Vishal Mishra | 4:49 |
| 3. | "Munasib" | Raj Shekhar | Vishal Mishra Aanandi Joshi | 4:00 |
| 4. | "Yaar Mera Ho Mere Rubabu" | Raj Shekhar | Sukhwinder Singh Vishal Mishra Hemant Brijwasi Moin Sabri | 7:50 |
| Total length: | 18:46 | |||
Reception
[edit]GQ India mentioned Bamfaad in the top 7 films on Streaming platforms.[9]
Poet Kumar Vishwas appreciated the film and actor's performances and especially mentioned the composition of "Nirala" Baadal Raag by the debutant director Ranjan Chandel as a pleasant surprise.[citation needed]
Subhash K. Jha said, "The violent love story had me rooting for young lovers, solid performances, confident direction and an enticing arch in the storytelling. Bamfaad is a crackerjack rough-com."[10]
Film Critic Shubhra Gupta wrote in The Indian Express - "Bamfaad brings back memories of the small-town love story that Bollywood used to tell, and keeps us watching with a fluid flourish or two, even if we wish for much more freshness, as it takes us to a fully filmi end."[11]
Film Critic Anna MM Vetticad wrote in First Post - "True to its title, Bamfaad has a fiery start. The striking introduction melds realism, humour and an earthy song. She mentioned, "The second half of Bamfaad does not live up to the promise of the pre-interval portion. Still, the director Ranjan Chandel and Writer Hanzalah Shahid are talents to watch out for. For one, in this era of stereotype-ridden, Islamophobic Bollywood rants, it is nice to see a film in which the protagonist is a Muslim, but is not given any stereotypical markers of the religion, and members of the community are treated as regular humans: some good, some not, some evil, some not". She also mentioned, "Besides, how can one not make a note of artists who can conceptualise a scene in which a love-lorn youth gazing at the object of his affection tells her that pimples look good on her face? He does not say "even pimples", he simply says "pimples". Oh, the sweet innocence of those words! Because of course on her they are an adornment, not a skin eruption – "that dress looks good on you", "the new hairstyle looks good on you", "pimples look good on you".[12]
References
[edit]- ^ "10 best shows and movies to watch on Netflix, Amazon Prime Video, Disney+ Hotstar, Vodafone Play, Zee5 and Voot Select this week". Gqindia. 6 April 2020. Archived from the original on 10 April 2020. Retrieved 7 April 2020.
- ^ Sharma, Anubhav (8 April 2020). "Bamfaad Movie Premiere on Zee5 10th April 2020 Find Trailer Review Featuring Aditya Rawal & Shalini Pandey". Social Telecast. Retrieved 28 July 2020.
- ^ India, Today (9 April 2020). "Paresh Rawal's son Aditya: Will take me 30 years to be spoken of in same breath as dad". Indiatoday. Archived from the original on 10 April 2020. Retrieved 7 April 2020.
- ^ "Now, Paresh Rawal's son Aditya is set to make his acting debut with Bamfaad on Zee5". Cinestaan. 4 April 2020. Archived from the original on 7 April 2020. Retrieved 7 April 2020.
- ^ "'Bamfaad' trailer: Inter-faith lovers find the going tough in Zee5 film". scroll.in. 6 April 2020. Archived from the original on 13 April 2020. Retrieved 7 April 2020.
- ^ "परेश रावल के बेटे की डेब्यू फिल्म Bamfaad का ट्रेलर रिलीज, दमदार अंदाज में दिखे आदित्य". livehindustan.com. 6 April 2020. Archived from the original on 13 April 2020. Retrieved 7 April 2020.
- ^ "Bamfaad trailer out: Aditya Rawal-Shalini Pandey's film is high on love and rebellion". Cinema Express. 6 April 2020. Archived from the original on 13 April 2020. Retrieved 7 April 2020.
- ^ "Bamfaad Trailer: Paresh Rawal's son Aditya & Shalini Pandey's love story is marred by violence & drama". pinkvilla.com. 7 April 2020. Archived from the original on 13 April 2020. Retrieved 7 April 2020.
- ^ "7 best shows and movies on Netflix, Amazon Prime Video, Zee5 and Voot Select to watch this weekend". GQ India. 10 April 2020.
- ^ Jha, Subhash K. (15 April 2020). ""Bamfaad Brings Home The Big Screen Experience" – A Subhash K Jha Review".
- ^ "Bamfaad movie review: Aditya Rawal delivers a restrained, convincing performance". 10 April 2020.
- ^ "Bamfaad movie review: Aditya Rawal makes his mark in an engaging, even if generic, crime-and-love saga". Firstpost. 10 April 2020.
External links
[edit]Bamfaad
View on GrokipediaFilm Overview
Synopsis
centers on Nasir Jamal, nicknamed Naate, a brash young Muslim man from Allahabad whose family harbors political ambitions. While running an errand, Nasir encounters Neelam, a Hindu woman entangled in a dependent relationship with Jigar, a local gangster. The two quickly develop a passionate romance across religious lines, defying the circumstances of Neelam's situation.[6][5][7] Unlike conventional interfaith narratives, the primary antagonism arises not from families or communities, which show limited opposition, but from Jigar's possessive control over Neelam and the ensuing confrontations. Nasir and Neelam make bold decisions to pursue their love, navigating a path fraught with personal risks and small-town power dynamics in Allahabad. The story unfolds as a raw exploration of desire, entitlement, and resilience in a provincial Indian setting.[8][6]Release and Distribution
Bamfaad premiered directly on the ZEE5 streaming platform on April 10, 2020, bypassing a traditional theatrical release amid the COVID-19 lockdown in India.[1][2] The film was produced as a ZEE5 Original, with distribution handled exclusively by the platform, which is operated by Zee Entertainment Enterprises Limited.[9] This direct-to-digital strategy aligned with industry shifts during the early pandemic period, enabling access to audiences without cinema screenings.[10] No international theatrical distribution or subsequent physical media releases have been reported.Production
Development and Scripting
The development of Bamfaad originated after director Ranjan Chandel completed his involvement in the 2018 film Mukkabaaz, during which he connected with co-writer Hanzalah Shahid, a writer from Allahabad. Shahid presented Chandel with an initial script featuring characters and incidents rooted in the socio-cultural milieu of Allahabad, which captivated Chandel due to its authentic depiction of local dynamics and interpersonal conflicts.[11][12] Chandel extensively reworked the material, retaining select characters such as the protagonists Nasir Jamal (Naate) and Neelam while discarding much of the original structure to craft a fresh narrative centered on their interfaith romance amid societal and criminal pressures. This revision process involved starting the script anew, incorporating additional real-life inspired incidents to emphasize themes of passionate love and rebellion against communal barriers, ultimately titling the project Bamfaad to evoke explosive emotional intensity.[6][12] The final screenplay, credited to Chandel and Shahid, blended old-school romantic tropes with gritty action elements, drawing from Chandel's observations of small-town Indian life without relying on formulaic Bollywood conventions.[13] Scripting emphasized realistic dialogue and character motivations derived from Allahabad's diverse ethnic and religious fabric, avoiding idealized portrayals in favor of raw, consequence-driven interactions. Chandel's iterative drafts focused on balancing the central love story with escalating conflicts involving gang rivalries and family opposition, ensuring the narrative's progression felt organic rather than contrived. Principal photography commenced by late 2018, reflecting a streamlined pre-production phase unburdened by extensive studio interference.[14][11]Casting
The casting process for Bamfaad was overseen by director Ranjan Chandel in collaboration with casting director Taran Bajaj, emphasizing actors capable of embodying the film's intense, small-town dynamics set in Allahabad.[6] Chandel specifically sought a protagonist with "bamfaad" qualities—explosive energy and raw sincerity—for the lead role of Nasir Jamal (Naate), a role ultimately filled by Aditya Rawal in his acting debut.[6] Rawal, son of veteran actor Paresh Rawal, impressed Bajaj during auditions with his dedication, leading to extensive preparation including workshops on local lingo, body language, and readings of Hindi literature to authentically portray a Muslim youth navigating interfaith romance and street conflicts.[6] For the female lead of Neelam, a bold Hindu character, Chandel selected Shalini Pandey after reviewing her performance in the 2017 Telugu film Arjun Reddy and a subsequent YouTube audition video that demonstrated her emotional range and "sparks" suitable for the role's passionate defiance against societal pressures.[6] Pandey, marking her first Hindi lead following her Telugu debut, participated in the same acting workshops as the ensemble to refine character nuances.[6] Supporting roles were cast with established theater and film actors to add depth to the narrative's crime and familial elements, including Vijay Varma as the antagonist Jigar Fareedi, Jatin Sarna as Zahid, Sana Amin Sheikh, Vijay Kumar, and Chandan Anand.[6] The entire cast underwent a preparatory workshop to align on the film's realistic portrayal of inter-community tensions, ensuring cohesive performances without major reported challenges in selection.[6] Chandel noted the sincerity of newcomers like Rawal as a key factor in finalizing choices, prioritizing raw potential over star power.[6]Filming
Principal photography for Bamfaad took place in Uttar Pradesh, India, to capture the authentic urban and rural landscapes reflective of the film's Allahabad setting. Key shooting locations included Kanpur, Lucknow, and Unnao, areas known for their historical architecture, bustling streets, and community dynamics that aligned with the narrative's portrayal of interfaith tensions and local crime elements. The production schedule emphasized on-location shooting to maintain realism, with director Ranjan Chandel opting for natural lighting and handheld camerawork during action sequences involving street chases and confrontations, enhancing the film's gritty, explosive tone. Crew and cast navigated logistical challenges typical of regional shoots, such as coordinating with local authorities for permits in densely populated areas and adapting to variable weather conditions during the autumn months.[6]Cast and Crew
Principal Cast
The lead roles in Bamfaad are played by Aditya Rawal as Nasir Jamal (also referred to as Naate), a resilient young Muslim man navigating life in Allahabad's old city, and Shalini Pandey as Neelam, his Hindu counterpart from a traditional family, whose interfaith romance drives the narrative.[1][15] Both actors made their debuts in lead roles with this film, released on April 10, 2020.[6] Key supporting actors include Vijay Varma as Jigar Fareedi, the primary antagonist who escalates the conflict through criminal elements, and Jatin Sarna as Zahid, Nasir's loyal friend providing camaraderie amid societal pressures.[16][17] Sana Amin Sheikh portrays Walia, contributing to the ensemble dynamics in the film's exploration of communal tensions.[16]| Actor | Role | Notes |
|---|---|---|
| Aditya Rawal | Nasir Jamal | Lead; debut in a starring role |
| Shalini Pandey | Neelam | Lead; debut in a starring role |
| Vijay Varma | Jigar Fareedi | Antagonist |
| Jatin Sarna | Zahid | Supporting; Nasir's friend |
| Sana Amin Sheikh | Walia | Supporting role |
Key Crew Members
Ranjan Chandel directed Bamfaad and co-wrote the screenplay alongside Hanzalah Shahid, drawing from Shahid's original script inspired by events in Allahabad.[1][6] The film was produced by Ajay G. Rai of Jar Pictures and Pradeep Kumar of Shaika Entertainment, with Anurag Kashyap serving as presenter.[18][16] Cinematography was led by Piyush Puty, who captured the film's settings in Uttar Pradesh to emphasize its grounded, small-town aesthetic.[18] Editing was handled by Nitesh Bhatia, focusing on pacing the narrative's blend of romance and action.[16] The original score and songs were composed by Vishal Mishra, with lyrics by Raj Shekhar, including tracks like "Ishq Ka Itar" and "Munasib."[18][6]Soundtrack
Composition and Tracks
The soundtrack of Bamfaad was primarily composed by Vishal Mishra, an Indian musician known for his work in Bollywood films, who also provided vocals for most tracks.[19] Lyrics for the main songs were written by Raj Shekhar.[20] An additional composition, "Baadal Raag", was created by Harpreet, incorporating guitar performance and vocals by the composer, with poetry adapted from Suryakant Tripathi 'Nirala'.[21] These elements blend romantic and intense motifs to underscore the film's interfaith love story and action sequences.[16] The album includes the following tracks:| Track Title | Composer | Singer(s) | Lyricist |
|---|---|---|---|
| Bamfaad Title Track | Vishal Mishra | Vishal Mishra | Raj Shekhar |
| Ishq Ka Itar | Vishal Mishra | Vishal Mishra | Raj Shekhar |
| Munasib | Vishal Mishra | Vishal Mishra, Anandi Joshi | Raj Shekhar |
| Yaar Mere Ho Mere Rubaru | Vishal Mishra | Vishal Mishra | Raj Shekhar |
| Baadal Raag | Harpreet | Harpreet | Suryakant Tripathi 'Nirala' |
Themes and Cultural Depiction
Interfaith Romance and Societal Pressures
Bamfaad portrays the central romance as an interfaith relationship between Nasir Jamal, a young Muslim man from a politically influential family in Allahabad, and Neelam, a Hindu woman entangled with local gangster Jigar Fareedi. Their connection begins accidentally and evolves into a passionate affair marked by public displays of affection, defying the conservative norms of small-town India.[5] However, the film subordinates explicit exploration of religious divides, treating them as a backdrop rather than a primary driver of conflict. [3] Societal pressures manifest through familial opposition and communal undercurrents, with Nasir's father, Shahid Jamal, leveraging political influence to shield the affair initially, yet prioritizing family ambitions over personal desires.[5] Neelam's vulnerability, stemming from her ties to Jigar, amplifies these tensions, positioning her as trapped within patriarchal and underworld dynamics that intersect with inter-community expectations. The narrative includes a brief reference to "love jihad," a controversial term alleging coercive interfaith unions, underscoring perceived threats to Hindu women in relationships with Muslim men, though it is not developed further.[3] These elements culminate in violent repercussions, including bombings, that reflect broader communal friction in Allahabad's hinterland, where inter-religious romances challenge entrenched honor codes and power structures.[5] Critics note that while the film gestures toward these societal constraints, it prioritizes individual ego clashes and criminal vendettas over a rigorous examination of cultural or religious barriers.[3] The doomed trajectory of the lovers' story evokes genre clichés of forbidden love in India's provincial settings, where personal agency collides with collective prohibitions.Crime and Action Elements
Bamfaad portrays the criminal underworld of Allahabad through a network of gangsters intertwined with local politics, where figures like Nasir Jamal's father, Shahid Jamal, and rival gangster Jigar Fareedi wield influence over the small-town power structure.[4][23] Nasir, depicted as a college student with a volatile temper and loyalty to his peers, frequently engages in confrontations with adversaries, reflecting the everyday aggression of youth subcultures linked to this milieu.[23] The narrative escalates crime elements when Nasir, manipulated by external forces exploiting his impulsiveness, commits a serious offense that disrupts the fragile balance among criminal factions.[23] This act triggers a pursuit by Jigar Fareedi's operatives, introducing tension through a manhunt that underscores themes of betrayal and survival within the gangster ecosystem.[4][23] Action sequences remain grounded and restrained, primarily consisting of street-level brawls and evasion efforts rather than elaborate choreography, which aligns with the film's low-budget, realistic depiction of violence in a provincial setting.[4] These elements serve to propel the plot beyond romance, highlighting how personal choices intersect with criminal repercussions, though critics noted the violence lacks intensity or innovation.[4][23]Reception
Critical Reviews
Critics offered mixed responses to Bamfaad, praising its raw depiction of small-town romance and debut performances while critiquing its reliance on familiar tropes and uneven execution. The film, directed by Ranjan Chandel and released on Zee5 on April 10, 2020, earned an average rating of around 2-2.5 out of 5 from major Indian outlets, reflecting appreciation for its gritty authenticity amid complaints of predictability.[24][4][3] Shubhra Gupta of The Indian Express awarded 2.5 stars, noting that the film evokes nostalgic small-town Bollywood love stories with "fluid flourish" in its interfaith narrative but struggles to transcend genre clichés.[24] Saibal Chatterjee in NDTV gave 2 stars, describing it as a "damp squib" that "hisses rather than crackles," faulting the leads Aditya Rawal and Shalini Pandey for lacking the intense chemistry needed to elevate the clichéd inter-religious romance set in Allahabad.[4] Similarly, Hindustan Times highlighted Rawal's promising debut as the passionate Nasir but criticized the story for imploding under "clichés of small-town love," with societal pressures and violence feeling formulaic.[3] More positive takes emphasized the film's unpretentious style. Sangeetha Devi Dundoo of The New Indian Express viewed it as a "no-frills tribute to Hindi film romance," appreciating its gritty heartland texture and low-budget realism in portraying forbidden love amid communal tensions.[25] Shubham Kulkarni at Koimoi rated it 2/5 but commended Rawal's impressive entry and a strong climax, suggesting the film partially redeems its clichéd setup through earnest performances and a solid action payoff.[26]| Critic/Source | Rating | Key Praise | Key Criticism |
|---|---|---|---|
| The Indian Express (Shubhra Gupta) | 2.5/5 | Fluid small-town romance evoking nostalgia | Fails to innovate beyond clichés[24] |
| NDTV (Saibal Chatterjee) | 2/5 | Authentic hinterland setting | Lacks chemistry and originality in doomed love trope[4] |
| Hindustan Times | Unrated (negative lean) | Rawal's promising debut | Riddled with predictable small-town clichés[3] |
| The New Indian Express (Sangeetha Devi Dundoo) | Positive (unrated) | Gritty, no-frills heartland drama | N/A (focus on tribute to romance)[25] |
| Koimoi (Shubham Kulkarni) | 2/5 | Strong climax and debut acting | Marinated in overused elements[26] |
