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Bassjackers is a Dutch electronic music production and DJ duo consisting of Marlon Flohr & Ralph van Hilst.[1] Marlon is the more outspoken member of the duo whereas Ralph takes care of "behind-the-scenes" production.[2]

Key Information

The duo's electro house tracks, including "Savior", "Crackin" and "Wave Your Hands", reached the Beatport top 100.[3] They are best known for their 2013 single, "Crackin". They ranked at #27 on DJ Mag's Top 100 DJs of 2022.[4] They have released their tracks on the labels Spinnin' Records, Revealed Recordings and Smash the House.

History

[edit]

Beginnings (2007)

[edit]
Bassjackers' official logo

Marlon and Ralph were friends in high school, where they formed Bassjackers in 2007. The duo began performing together, with Marlon as the showman and Ralph more involved in "behind-the-scenes" production.[2]

First successes and recording contract (2010–2012)

[edit]

In 2011, the single "Mush Mush" appeared on Beatport. The track was more successful than their earlier singles and reached the top 10 of the Beatport charts for a period of over two months. It was played by DJs Hardwell, Dimitri Vegas & Like Mike and the Swedish House Mafia in their sets.

In 2012, the duo performed at a number of festivals and began to tour the United States. Their first large concert appearance was at the Ultra Music Festival in Miami.[5] At the EDC Vegas they played their track "Mush Mush", as well as their next planned single "Hey", a collaboration with the Dutch DJ duo Showtek. The release was postponed and the publication of their Angger Dimas collaboration went on. The single "RIA" was published in March through Sander van Doorn's label Doorn Records.[6] A few months later, in August, they released together with Yves V the single "Bronx" through Dimitri Vegas & Like Mike's label Smash the House.[7] The duo made the song "Let's Get Weird" available for free download.

"Crackin" (2013–2014)

[edit]

Their collaboration with DJ and producer Dyro was their first release in 2013. The single was released in February under the title "Grid".[8] It followed the track "Duckface", a collaboration with Kenneth G.[9]

On 15 July 2013, they published "Raise Those Hands" together with R3hab through Calvin Harris' label Fly Eye Records.[10] The duo's performance of "Raise Those Hands" with R3hab at the Electric Daisy Carnival Las Vegas was included in the official music video.[11] It was followed in July by their first appearance at the largest EDM festival, Tomorrowland, in Belgium.[12] Their next single was "Flag", a collaboration with Gregori Klosman.[13] In the fall of 2013, they started working in the studio with Martin Garrix who just released his breakthrough hit, "Animals". The single "Gamer", their first collaboration, was released on 4 November 2013 through Doorn Records.[14]

On 20 January 2014, the next collaboration titled "Crackin" followed. This single soon became their most successful track. Crackin' appeared in two variations, firstly in a Bassjackers version and in a Martin Garrix remix version.[15] The Bassjackers version was provided for free download while Garrix's version came in second of the Beatport charts as actual single version for a long time and thus represents the first peak position of the duo. They even made an entry in the Dutch singles chart. The official music video reached over 15 million views on Spinnin' TV.[16]

Genre exchange and collaborations with DJs (2014–2015)

[edit]

On 10 February 2014, the track "Battle" was released in cooperation with the Dutch DJ and producer Jordy Dazz through Doorn Records.[17] As a follow-up single, a collaboration with the producer MAKJ was released through Hysteria Records.[18] The track is titled "Derp" and differs slightly in style compared to the previous track.[18] The single "Rampage", another collaboration with Kenneth G, was released on 15 August 2014 through Hardwell's label Revealed Recordings.[19]

On 17 October 2014, Bassjackers released another solo single titled "Savior".[20] Together with Dyro, they produced the single "X" which was released on 15 December 2014[21] with "Wave Your Hands" followed as their first track in 2015, a collaboration with Thomas Newson.[22] The single "Wave Your Hands" became their first number one hit on Beatport.[3]

On 20 February 2015, Afrojack played "What We Live For" for the first time at Ultra Music Festival Argentina, a collaboration between him and Bassjackers.[23] The single "Alamo", a collaboration with Dutch DJ and producer Brooks, was released on 25 May 2015 through Showtek's label, Skink.[24] That year, the group released the single "Memories" with KSHMR, in the middle of a tour in the US and Canada.[25][26] They also had their first collaboration with hardstyle DJ and producer Coone, called "Sound Barrier".[27]

On 17 October 2015, Bassjackers were ranked 39th on the DJ Mag Top 100 DJs list in their first appearance on the list.[28]

Awards and nominations

[edit]
Year Award Nominated work Category Result
2015 DJ Mag Bassjackers Top 100 DJs[29] 39
2016 Top 100 DJs[30] 34
2017 Top 100 DJs[31] 35
2018 Top 100 DJs[32] 30
2019 Top 100 DJs[33] 34
2020 Top 100 DJs[34] 29
2021 Top 100 DJs[35] 28
2022 Top 100 DJs[36] 27
2023 Top 100 DJs[37] 31
2024 Top 100 DJs[38] 44

Discography

[edit]
Main article: Bassjackers discography

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Bassjackers

View on Grokipedia
from Grokipedia
Bassjackers is a Dutch electronic dance music production and DJ duo consisting of Marlon Flohr and Ralph van Hilst, formed in 2007. The pair is known for their high-energy and tracks, characterized by Flohr's dynamic DJ performances and van Hilst's studio production expertise. Rising to prominence in the early , Bassjackers achieved their breakthrough with the 2014 single "Crackin'" ( Edit), which topped the charts and became a staple in festivals and clubs worldwide. Other notable releases include "Savior," which peaked at number 2 on , "All Around the World (La La La La La)," and recent tracks like "" with . Their music has amassed millions of streams on platforms like , with popular remixes including "" garnering over 29 million plays. Bassjackers have released tracks on prominent labels including , , and Smash the House, contributing to their global touring schedule at events like Tomorrowland. They have earned consistent recognition in the industry, appearing in DJ Mag's Top 100 DJs poll for more than a decade, with rankings such as #31 in 2023, #44 in 2024, and #45 in 2025.

Members

Marlon Flohr

Marlon Flohr (born 1986) is the DJ and more outspoken member of the Dutch electronic music duo Bassjackers. He developed an early interest in music during his youth in the , initially drawn to hip-hop while rollerblading before shifting to dance-oriented genres like groovy , , and as he matured. Prior to partnering with longtime friend Ralph van Hilst in 2007 to form Bassjackers, Flohr pursued solo DJ projects, performing at local clubs across the and building experience through regular gigs. Within the duo, Flohr acts as the primary spokesperson, leading interviews, interactions, and the overall public persona, while also serving as the live performer on stage.

Ralph van Hilst

Ralph van Hilst (born 1985), hailing from in the , developed an early interest in electronic music through self-experimentation with beats and melodies on his . In 2007, he partnered with longtime school friend Marlon Flohr to form the duo Bassjackers. As the production-focused member of Bassjackers, van Hilst serves as the primary studio force, handling the bulk of track creation, , and technical elements while Flohr manages live performances. This role highlights his technical prowess in crafting high-energy electronic tracks, contributing to the duo's signature sound without seeking the spotlight. Van Hilst's quieter demeanor complements Flohr's outgoing presence, allowing him to concentrate on innovative production techniques that have propelled Bassjackers to global recognition.

History

Formation and early career (2007–2009)

Bassjackers were formed in early 2007 by Marlon Flohr and Ralph van Hilst, two friends from high school in the who shared a passion for . Flohr, who had begun DJing tracks in 2006, encouraged van Hilst, an aspiring producer experimenting with various dance genres, to focus on creating aligned with his sets, leading to their decision to collaborate professionally while still attending college. The duo established a home-based production setup to develop energetic, bass-driven tracks, with van Hilst taking the lead on studio work. Their debut release, "Beat Cut," emerged in September 2007 on the small Dutch label Sneakerz MUZIK and quickly gained traction when signed by established artist , providing an early boost to their efforts. This was followed by the Enowapi EP in late 2008 on Secure Recordings, another independent Dutch imprint, showcasing their initial forays into sounds. During 2007–2009, Bassjackers experimented with electro and Dutch house elements, emphasizing heavy basslines and party-oriented vibes to suit club environments. They performed at local gigs across the , including venues in and , honing their live energy despite rudimentary setups. Self-funding their projects as students with limited equipment fostered a DIY ethos, as they balanced production, performances, and education without external support.

Rise to prominence (2010–2012)

In 2010, Bassjackers signed with following the submission of demos that garnered label interest, marking their entry into a major imprint. This partnership led to their debut releases on the label, including "Bang Like A" with Ralvero and "Showrocker" with The Partysquad, both issued that year and establishing their sound within the Dutch scene. The duo's breakthrough came in 2011 with "Mush Mush," released on Tiësto's Musical Freedom sublabel under Spinnin' Records, which quickly gained popularity through club play and Beatport charts. The track's energetic drops and festival-ready energy propelled it to prominence, receiving support from prominent DJs and boosting their visibility in Europe. Building on their foundational independent releases from 2007–2009, this period solidified their professional trajectory. During this time, Bassjackers expanded their live presence with initial international gigs, including their first North American tour in fall 2011, alongside support slots at Dutch events and radio airplay on 3FM through Tiësto's Club Life program. They also began developing a remix portfolio for established artists, enhancing their reputation in the electro house circuit. Internally, the duo balanced Marlon Flohr's focus on DJ performances with Ralph van Hilst's production responsibilities, allowing them to manage growing demands effectively.

Breakthrough with "Crackin'" (2013–2014)

In early 2013, Bassjackers released the original version of "Crackin'" as a free download, showcasing their signature sound with heavy bass drops and tension-building festival-ready elements that quickly resonated in club and settings. The track, produced by Marlon Flohr and Ralph van Hilst, emerged from their ongoing collaboration with , where they had been signed since 2010, allowing for rapid distribution to fans via digital platforms. The song's viral momentum built through shares on and , where it amassed significant plays and became an underground festival staple by mid-2013, drawing millions of streams and entering Beatport's top 100 charts as part of the duo's rising profile in . This organic spread propelled Bassjackers to perform "Crackin'" at major events, including their U.S. debut at in on March 22, 2013, where the live set captured the track's high-energy drops amid a crowd of thousands. The performance solidified their international breakthrough, with the song's bass-heavy production—featuring layered synths and custom-processed low-end samples crafted in their studio—logistically developed through remote file-sharing sessions between Flohr and van Hilst to refine its club impact. By late 2013, "Crackin'" earned widespread media attention in EDM publications, highlighted by Billboard's retrospective coverage of its festival dominance, which paved the way for a edit released on in January 2014. This success contributed to Bassjackers' debut entry at No. 39 on DJ Mag's Top 100 DJs poll in 2015, marking their ascent to mainstream recognition.

Genre evolution and key collaborations (2014–2016)

Following the breakthrough success of "Crackin" in 2014, which peaked at number one on Beatport's chart after a high-profile remix by , Bassjackers began incorporating subtle influences from emerging EDM subgenres like and trap into their predominantly big room sound. This evolution was evident in releases such as "Derp" with MAKJ, an track with punchy basslines and trap-inspired percussion that showcased their adaptability amid the big room boom. Similarly, their 2015 collaboration "Alamo" with Brooks on Showtek's label blended big room drops with trap elements, reflecting a hybrid approach to maintain relevance in a crowded market. Key partnerships during this period expanded Bassjackers' reach beyond their primary affiliation, including side deals with imprints like Wall Recordings. A notable example was "What We Live For" with in 2015, released on Wall Recordings, which featured driving big room synths and marked their venture into label diversification while experimenting with more melodic structures. Another significant vocal-driven hybrid track, "Memories" with featuring rapper Sirah, fused big room with hip-hop influences, incorporating chopped vocal samples and trap-like rhythms to address the EDM saturation by appealing to broader audiences. These collaborations highlighted Bassjackers' strategic shift toward genre-blending to sustain momentum. Amid the oversaturation of big room tracks in the mid-2010s, Bassjackers responded by integrating vocal features and hybrid elements, as seen in their 2016 output like "" with Jay Hardway, which merged big room with basslines and bass house grooves for a fresher festival sound. By 2016, their productions encompassed a wider EDM spectrum, from pop-infused anthems to reggae-tinged experiments, demonstrating a conscious evolution to avoid formulaic repetition. This period also saw expanded European touring, with headline slots at major events like Tomorrowland (2014 and 2015), (2016), and performances at Ibiza's club during the Cream parties in 2014, solidifying their presence on the continent's club and festival circuit.

Mainstream success and label shifts (2017–2020)

In 2017, Bassjackers continued their ascent in the scene with a series of high-profile releases and performances, including their remix of and Netsky's "Here With You," issued on , which showcased their ability to blend big room elements with melodic house influences. That same year, they collaborated with D'Angello & Francis on "All Aboard," a edit released via Smash The House, a label then distributed through , marking a pivotal alignment with the imprint's high-energy roster. This period saw the duo ranked at No. 35 on DJ Mag's Top 100 DJs list, reflecting their growing international stature amid nearly 20 track releases and remixes, alongside headlining slots at major festivals like Tomorrowland's mainstage. By 2018, Bassjackers solidified their commercial momentum with "Bounce," a featuring , Julian Banks, and on Smash The House, which fused electro-house drops with hip-hop flair and became a staple in festival sets worldwide. The track exemplified their pivot toward crossover appeal, incorporating pop-leaning vocals while maintaining festival-ready production. Their touring schedule expanded globally during this era, encompassing sold-out gigs across , , and , with standout appearances at Tomorrowland and other large-scale events that underscored their peak popularity amid the waning big room boom. Entering 2019, Bassjackers maintained their festival dominance with a mainstage performance at Tomorrowland, delivering a high-octane set that highlighted their evolving sound and drew massive crowds. However, the onset of the in 2020 disrupted live touring, prompting a shift to virtual performances; they contributed exclusive DJ sets to events like the Top 100 DJs Virtual Festival and SLAM! Quarantine Festival, adapting their high-energy style to online platforms while focusing on studio production amid global lockdowns.

Recent activities and new releases (2021–present)

Following the disruptions caused by the in 2020, Bassjackers resumed live performances in 2021, gradually rebuilding their touring schedule amid easing restrictions. By 2024 and 2025, they had reestablished a strong presence on the festival circuit, including sets at Tomorrowland Winter 2025 and a headline performance on the Great Library Stage at Tomorrowland's main event in July 2025. Their return to live events highlighted an energetic stage presence, with additional shows at venues like Sound Bar in and Harbour Event Centre in throughout 2025. In parallel with their live resurgence, Bassjackers focused on new releases that emphasized high-energy collaborations and remixes of popular tracks. A notable 2024 single was "Set Me Free" with Italian producer Wasback, a euphoric rework of Kylie Minogue's "Can't Get You Out of My Head," released on Smash The House and praised for its nostalgic appeal in club settings. Another key track that year, "Traffic Lights" featuring sensation Sonny Wern, blended pumping house beats with catchy, viral-ready hooks, marking their collaboration with emerging digital influencers. Extending into 2025, they released "I Fink U Freeky," a high-octane revival of Die Antwoord's , tailored for festival drops with its big room edge, also on Smash The House. Similarly, "Wiggle Wiggle" with Stisema and Hula from reimagined the dance hit into a -infused banger, further showcasing their pivot to independent-leaning labels for fresh, remix-driven output. This period saw Bassjackers maintaining their chart relevance, ranking #44 in DJ Mag's Top 100 DJs poll in and slipping slightly to #45 in , reflecting sustained fan support in the EDM landscape. Their recent work demonstrated a strategic shift toward TikTok-friendly tracks, incorporating short, explosive builds and hybrid genres that fuse with pop elements to appeal to broader, social media-driven audiences. Looking ahead as of late , Bassjackers expressed enthusiasm for expanding their live offerings, including the development of Orbita, a new immersive show concept slated for road tours starting in 2026, aimed at enhancing their sustainability within the evolving EDM scene.

Musical style and influences

Evolution of sound

Bassjackers' musical journey began with deep roots in during the 2010–2013 period, a style defined by pulsating heavy basslines and explosive drops that captivated audiences at major events. This era marked their emergence within the Dutch EDM scene, where they crafted high-energy anthems optimized for massive sound systems and crowd interaction, drawing from the burgeoning popularity of the genre in . Tracks like "Crackin'" () served as a prime example of this foundational sound, blending aggressive percussion with soaring synths to create peak-time bangers. By the mid-2010s, the duo underwent a notable shift toward and trap elements, integrating booming 808 basslines and melodic chord progressions around 2015 to infuse their productions with greater emotional depth and rhythmic complexity. This evolution reflected broader trends in EDM, allowing Bassjackers to experiment with hybrid structures that maintained their high-octane energy while appealing to diverse lineups. Their mixes from this time often featured influences alongside trap-infused drops, showcasing a deliberate move away from pure big room rigidity. In the 2020s, Bassjackers further adapted their sound to bass house and pop-EDM crossovers, emphasizing shorter, hook-driven arrangements tailored for viral dissemination on platforms. This phase incorporated commercial electronic dance elements, such as Eurodance-inspired vocals and -tinged basslines, as evident in releases like "Eternity" (2023) with and . Their sound continued to evolve with harder edges, including influences in collaborations like "Energy" (2024) with and elements in "My Way" (2025) with . Their early influences from the Dutch EDM landscape, exemplified by contemporaries like , provided a solid big room base that evolved into these global, genre-blending explorations. Throughout their progression, they have utilized software like to layer synths and effects, enabling intricate that supports these stylistic transitions.

Production techniques

Bassjackers' production process relies heavily on the specialized expertise of Ralph van Hilst, who serves as the duo's primary producer and handles the core aspects of sound design and track development from their home studio in the Netherlands. His background in house and electro music enables the creation of bass-heavy, high-energy electronic tracks tailored for festival environments, often incorporating layered synths and dynamic builds characteristic of big room house. The duo's collaborative workflow divides responsibilities distinctly to maximize efficiency: while van Hilst focuses on production, mixing, and overall track refinement, Marlon Flohr contributes to arrangement ideas and vocal integrations, particularly during joint sessions with collaborators such as on tracks like "" and "The Fever." This separation allows Flohr to prioritize touring and DJ sets, ensuring a consistent output of new material without overlapping demands. They primarily utilize as their , sharing project files and templates through initiatives like the "Signed by Bassjackers" series to demonstrate their methods in creating drops and full arrangements. This setup supports their emphasis on electronic elements, with occasional integrations of sampled to add texture, though the majority of their sound remains synth-driven and festival-oriented.

Live performances

Major tours and residencies

Bassjackers' breakthrough hit "Crackin'" in 2013 propelled the duo into their first major touring phase across in 2013–2014, at clubs, arenas, and events that solidified their presence on the continent's electronic circuit. From 2015 to 2019, Bassjackers performed at during the summer season, delivering custom high-energy sets at the open-air venue, with notable performances including a mainstage show in June 2015 and a closing party appearance in September 2019. The duo's 2018–2020 world tour marked a peak in global reach, encompassing 95 performances in 2018 and another 95 in 2019 across the U.S., (including sets at S2O Bangkok and Ultra Korea), and Australia, before pandemic restrictions reduced their 2020 schedule to 12 shows. Following a recovery period after , Bassjackers launched post-pandemic tours, culminating in a European leg including appearances at Tomorrowland in , Airbeat One in , Tomorrowland Winter in , Vestrock in the , and Silesia Beats in . To manage their demanding itinerary of back-to-back gigs, Bassjackers incorporate logistical efficiencies such as structured fan meet-and-greets as part of VIP packages offered on select tour dates.

Festival appearances

Bassjackers made their festival debut at Tomorrowland in 2012, performing at the renowned event in , where they showcased early tracks that helped establish their presence in the EDM scene. This appearance marked a pivotal moment, introducing their high-energy big room sound to a global audience and setting the stage for subsequent escalations in prominence at the festival. In the United States, Bassjackers achieved a significant milestone with their set at (EDC) in , delivering a dynamic performance that highlighted their rising popularity in . Building on this, they returned to EDC in , delivering a closing set on the kineticFIELD stage on the event's opening night, an honor that underscored their growing reputation for explosive closing sets amid and massive crowds. Internationally, their 2016 mainstage performance at in , stood out as a highlight, featuring a tracklist blending anthems that energized festival-goers across multiple days of the event. This set exemplified their ability to command large stages with seamless transitions and crowd-engaging drops. By 2019, Bassjackers had escalated to Tomorrowland's mainstage, where their performance included high-octane remixes and original productions, further solidifying their status at one of EDM's premier festivals. Their festival trajectory continued to evolve, culminating in a 2025 appearance at Tomorrowland's Great Library Stage during Weekend 1, where they delivered a meticulously crafted set incorporating thematic elements aligned with the 's narrative, drawing thousands for its immersive energy. Throughout these appearances, Bassjackers incorporated innovative production elements, such as synchronized LED visuals that pulsed with bass drops to enhance the visual spectacle, alongside cannons deployed at peak moments to amplify audience euphoria. Their sets often featured direct audience interaction, including live crowd-hyping vocals that encouraged synchronized jumps and chants, fostering a communal atmosphere that defined their live reputation. These techniques, refined over years of play, contributed to memorable one-off moments that distinguished Bassjackers in the competitive EDM landscape.

Awards and nominations

DJ Mag Top 100 DJs rankings

Bassjackers first entered the Top 100 DJs poll in 2015, debuting at position 39 following the success of their 2013 breakout single "Crackin'". This marked the beginning of their sustained presence in the influential annual ranking, which has since become a benchmark for their career longevity in the scene. Their highest placement came in 2022 at #27, reflecting peak popularity during a period of prolific releases and high-energy live performances. The duo has maintained steady rankings over the subsequent years, demonstrating enduring fan support amid evolving EDM trends. From 2015 to 2025, Bassjackers have appeared in the poll every year, with positions fluctuating but consistently within the top 50 in most instances. Notable rankings include #34 in 2016, #30 in 2018, #29 in 2020, #28 in 2021, #31 in 2023, #44 in 2024, and #45 in 2025. By 2023, they had achieved nine consecutive entries, approaching a decade of recognition by 2024.
YearRanking
201539
201634
201735
201830
201934
202029
202128
202227
202331
202444
202545
The DJ Mag Top 100 DJs poll operates as an open, global fan-voted survey, where participants select their top five DJs without nominations or entry barriers. Votes are validated by to prevent , drawing from a worldwide of electronic music enthusiasts, industry professionals, and casual listeners to gauge popularity and influence. This emphasizes fan engagement over critical acclaim, often amplifying acts with strong online and followings like Bassjackers. These consistent rankings have bolstered Bassjackers' visibility, contributing to expanded booking opportunities, including more invitations to major U.S. festivals such as and . In interviews, duo member Ralph van Hilst has acknowledged the poll's role in the industry, noting that despite criticisms of it being a "popularity contest," higher placements still carry weight for securing gigs and maintaining momentum. The pressure from such visibility has encouraged them to adapt their high-energy EDM sound, blending big room elements with evolving production to sustain relevance.

Discography

Selected singles

Bassjackers' selected singles highlight pivotal original tracks and collaborations that propelled their career, chosen based on chart performance, streaming milestones, and cultural resonance within the scene. Their 2013 breakthrough single "Crackin'," featuring a prominent edit by and released on , marked a turning point with its infectious big room energy and has accumulated over 9.6 million streams on as of November 2025. Early collaborations underscored their knack for high-impact partnerships, such as the 2012 track "Hey!" with on , which blended influences with mainstream appeal and became a staple in festival sets. In 2017, "Joyride" co-produced with Brooks on exemplified their evolving sound, delivering euphoric drops that resonated in club environments. The 2018 single "Bounce," a with , Julian Banks, and featuring on Smash The House, signified a bold crossover into hip-hop-infused EDM and achieved notable radio play and playlist traction. More recent releases demonstrate their adaptation to viral trends and nostalgic remakes, including "Traffic Lights" with Sonny Wern in 2024 on Smash The House, which exploded on due to its catchy hooks and the rising artist's presence. Similarly, "Set Me Free" with Wasback in 2024 reimagines Kylie Minogue's "Can't Get You Out of My Head" with hypertechno elements, earning praise for its euphoric energy and festival potential. Additional like "No Style" with Apster in 2019 on further illustrate their versatile production across bouncy house subgenres. In 2025, Bassjackers continued their momentum with releases like "Party People" on , a high-energy track featuring infectious vocals and big room drops that quickly gained traction in club sets. "Fuego," a collaboration blending Latin influences with , also emerged as a favorite.

Charting releases

Bassjackers' breakthrough track "Crackin'", released in 2013 and later re-edited by , achieved significant commercial success by peaking at number 1 on the Top 100 chart. In 2018, "Bounce" (with Dimitri Vegas & Like Mike, Julian Banks, and featuring ) marked one of their strongest performances in the U.S. market. The 2024 release "Traffic Lights" (with Sonny Wern) reflected their continued relevance in streaming metrics. Overall, Bassjackers have surpassed 560 million total streams on as of November 2025, underscoring their enduring commercial impact in .

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  52. https://edmidentity.com/2019/07/01/featured-interview-bassjackers/
  53. https://www.edmtunes.com/2015/12/electric-paradise-bassjackers-mix/
  54. https://edmidentity.com/2023/02/27/bassjackers-les-pays-bass-interview/
  55. https://genius.com/Timmy-trumpet-kshmr-and-bassjackers-eternity-lyrics/q/release-date
  56. https://www.youtube.com/watch?v=B6OHhjUTtEI
  57. https://genius.com/Bassjackers-and-timmy-trumpet-my-way-lyrics/q/release-date
  58. https://equipboard.com/pros/bassjackers
  59. https://academy.artistcoaching.nl/p/signed-by-bassjackers
  60. https://weraveyou.com/2018/09/block-bassjackers-sunstars-interview/
  61. https://www.siam2nite.com/en/magazine/music/item/246-exclusive-interview-with-bassjackers-2014
  62. https://www.1001tracklists.com/tracklist/37t1vpk/bassjackers-ushuaia-beach-club-ibiza-spain-2015-06-09.html
  63. https://www.1001tracklists.com/tracklist/28vjw461/bassjackers-closing-party-ushuaia-ibiza-spain-2019-09-24.html
  64. https://www.youtube.com/watch?v=PLmBjinx9lI
  65. https://www.youtube.com/watch?v=ZrSAI9-3Cao
  66. https://www.musicfestivalwizard.com/artist/bassjackers/
  67. https://www.meetandgreetticket.com/Bass-Jackers
  68. https://www.vividseats.com/bassjackers-tickets/performer/38231
  69. https://www.youtube.com/watch?v=CJx4jeSCf5I
  70. https://www.concertarchives.org/concerts/tomorrowland-2012--4363802
  71. https://www.youtube.com/watch?v=hHNr8qgTmME
  72. https://www.youtube.com/watch?v=iw7quU9XJf4
  73. https://www.1001tracklists.com/tracklist/23536vn9/bassjackers-mainstage-ultra-europe-croatia-2016-07-17.html
  74. https://djmag.com/top100djs/2018/30/Bassjackers
  75. https://timesofindia.indiatimes.com/entertainment/hindi/music/music-events/bassjackers-perform-at-a-music-festival-in-hyderabad/articleshow/46931823.cms
  76. https://djmag.com/top100djs/2020/29/Bassjackers
  77. https://djmag.com/top100djs/2021/28/Bassjackers
  78. https://djmag.com/top100djs/2024/44/Bassjackers
  79. https://djmag.com/news/top-100-djs-2025-voting-now-open
  80. https://djmag.com/voting-kit/top100djs
  81. https://www.facebook.com/artistcoachingnl/videos/top-100-dj-explains-djproducer-lists-djmag-dj-musicproducer/758148160137239/
  82. https://creators.spotify.com/pod/profile/artistcoachingpodcast/episodes/From-BEDROOM-to-BOOKINGS--Bassjackers--Jay-Hardway--JoeySuki-e3738ta
  83. https://www.musicmetricsvault.com/artists/bassjackers/6xQvQwZQQuq9R3TdPNbcR8
  84. https://www.youtube.com/watch?v=qoEBPaEKLDc
  85. https://www.youtube.com/watch?v=0pS2yL70g60
  86. https://www.youtube.com/watch?v=9u4EZjKyAwI
  87. https://www.youtube.com/watch?v=vvIXSy-UBEI
  88. https://open.spotify.com/track/0AhID3XF8MtdOf3lIiqtXl
  89. https://kworb.net/spotify/artist/6xQvQwZQQuq9R3TdPNbcR8_songs.html
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