Recent from talks
Nothing was collected or created yet.
Beckology
View on WikipediaThis article needs additional citations for verification. (July 2017) |
| Beckology | ||||
|---|---|---|---|---|
| Box set by | ||||
| Released | 19 November 1991 | |||
| Recorded | 1963–1989 | |||
| Genre | ||||
| Length | 223:48 | |||
| Label | Epic / Legacy | |||
| Jeff Beck chronology | ||||
| ||||
Beckology by guitarist Jeff Beck was released in 1991 as a 3 CD career retrospective. Beckology covers the work of a guitarist widely acknowledged as one of the most influential and gifted exponents of the electric guitar, from early days with The Tridents through to his Guitar Shop album in 1989.
- Volume 1 includes previously unreleased tracks from The Tridents, earthy mono recordings of Yardbirds classics like "Steeled Blues" and "Heart Full of Soul", four tracks from a Yardbirds BBC session, and Jeff's first solo single sides.
- Volume 2 covers both incarnations of The Jeff Beck Group which each released two albums and finishes with Beck, Bogert and Appice tunes. Highlights here include the reworking of the Yardbirds' "Shapes of Things" with Rod Stewart on vocals, the driving "Plynth", the beautiful guitar work on "Definitely Maybe" and the reworking of Stevie Wonder's "Superstition".
- Volume 3 tracks through what the sleeve notes call the "instrumental era" of the 1970s with tracks from the jazzy Blow by Blow and the acclaimed George Martin produced Wired albums. There is a live performance of "Freeway Jam" from 1977 with Jan Hammer, with whom Jeff had been touring and collaborating.
A 60-page booklet comes with the album, and includes a biography by Gene Santoro.
Reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Uncut | |
Allmusic gave an enthusiastically positive review of the set, asserting that the mastering quality is far superior to any previous release while applauding the selection of material: "to survey Jeff Beck's entire career […] would be a hopeless task, given the amount of anonymous session work that the guitarist did circa 1964–1966, but Beckology still manages to touch a few unexpected bases, even as it strings together all of the obvious and most of the important sides in Beck's output."[1]
Track listing
[edit]- Volume One
- "Trouble in Mind" – The Tridents (unreleased)
- "Nursery Rhyme" (live) (Bo Diddley) – The Tridents (unreleased)
- "Wandering Man Blues" – The Tridents (unreleased)
- "Steeled Blues" – The Yardbirds (B-side of Heart Full Of Soul single)
- "Heart Full of Soul" – The Yardbirds (4th single, from Having A Rave Up With The Yardbirds)
- "I'm Not Talking" – The Yardbirds (For Your Love)
- "I Ain't Done Wrong" – The Yardbirds (For Your Love)
- "Train Kept a Rollin'" – The Yardbirds (Having A Rave Up With The Yardbirds)
- "I'm a Man" (Bo Diddley) – The Yardbirds (Having A Rave Up With The Yardbirds)
- "Shapes of Things" – The Yardbirds (6th single, from Greatest Hits)
- "Over Under Sideways Down" – The Yardbirds (7th single, from Yardbirds/Over Under Sideways Down)
- "Happenings Ten Years Time Ago" – The Yardbirds (8th single, from Greatest Hits)
- "Hot House of Omagarashid" – The Yardbirds (Yardbirds/Over Under Sideways Down)
- "Lost Woman" – The Yardbirds (Yardbirds/Over Under Sideways Down)
- "Rack My Mind" – The Yardbirds (Yardbirds)
- "The Nazz Are Blue" – The Yardbirds (B-side of Happenings Ten Years Time Ago single (US))
- "Psycho Daisies" – The Yardbirds (B-side of Happenings Ten Years Time Ago single (UK))
- "Jeff's Boogie" – The Yardbirds (Yardbirds/Over Under Sideways Down)
- "Too Much Monkey Business" (live) – The Yardbirds (BBC Studios, 1965)
- "The Sun Is Shining" (live) – The Yardbirds (BBC Studios, 1966)
- "You're a Better Man Than I" (live) – The Yardbirds (BBC Studios, 1965)
- "Love Me Like I Love You" (live) – The Yardbirds (BBC Studios, 1965)
- "Hi Ho Silver Lining" – Jeff Beck (1st solo single)
- "Tally Man" – Jeff Beck (2nd solo single)
- "Beck's Bolero" – Jeff Beck (Truth)
- Volume Two
- "Shapes of Things" – The Jeff Beck Group (Truth)
- "I Ain't Superstitious" – The Jeff Beck Group (Truth)
- "Rock My Plimsoul" – The Jeff Beck Group (B-side of Tally Man single)
- "Jailhouse Rock" – The Jeff Beck Group (Beck-Ola)
- "Plynth (Water Down the Drain)" – The Jeff Beck Group (Beck-Ola)
- "I've Been Drinking" – The Jeff Beck Group (B-side of Love is Blue single)
- "Definitely Maybe" – The Jeff Beck Group (Jeff Beck Group)
- "New Ways Train Train" – The Jeff Beck Group (Rough And Ready)
- "Going Down" – The Jeff Beck Group (Jeff Beck Group)
- "I Can't Give Back the Love I Feel for You" – The Jeff Beck Group (Jeff Beck Group)
- "Superstition" – Beck Bogert Appice (Beck, Bogert, Appice)
- "Black Cat Moan" (live) – Beck Bogert Appice (Beck, Bogert, Appice Live)
- "Blues Deluxe/BBA Boogie" (live) – Beck Bogert Appice (previously unreleased)
- "Jizz Whizz" – Beck Bogert Appice (previously unreleased)
- Volume Three
- "'Cause We've Ended as Lovers" – Jeff Beck (Blow By Blow)
- "Goodbye Pork Pie Hat" – Jeff Beck (Wired)
- "Love Is Green" – Jeff Beck (Wired)
- "Diamond Dust" – Jeff Beck (Blow By Blow)
- "Freeway Jam" (live) – Jeff Beck (Jeff Beck With The Jan Hammer Group Live)
- "The Pump" – Jeff Beck (There And Back)
- "People Get Ready" – Jeff Beck featuring Rod Stewart (Flash)
- "Escape" – Jeff Beck (Flash)
- "Gets Us All in the End" – Jeff Beck (Flash)
- "Back on the Street" – Jeff Beck (B-side of People Get Ready single)
- "Wild Thing" – Jeff Beck (UK single release only)
- "Train Kept A-Rollin'" – Jeff Beck (Twins soundtrack)
- "Sleep Walk" – Jeff Beck (Porky's Revenge! soundtrack)
- "The Stumble" – Jeff Beck (Twins soundtrack)
- "Big Block" – Jeff Beck (Jeff Beck's Guitar Shop)
- "Where Were You" – Jeff Beck (Jeff Beck's Guitar Shop)
References
[edit]- ^ a b Eder, Bruce. "Jeff Beck Beckology review". Allmusic. Rovi Corporation. Retrieved 9 September 2011.
- ^ Huxley, Peter (March 1998). "The axe files". Uncut. No. 10. p. 88.
Beckology
View on GrokipediaBackground
Jeff Beck's career trajectory
Jeff Beck began his professional music career in the early 1960s, joining the Chiswick-based R&B band The Tridents in the summer of 1963 at the age of 19, where he honed his guitar skills through performances of flat-out rhythm and blues numbers, including covers like John Lee Hooker's "Boom Boom."[6][7] With The Tridents, Beck developed his distinctive pyrotechnic style over the next 18 months, playing a white Fender Stratocaster and experimenting with aggressive, expressive techniques that set him apart in the burgeoning British blues scene.[6][8] In March 1965, Beck transitioned to The Yardbirds, replacing Eric Clapton as lead guitarist on the recommendation of Jimmy Page, and quickly contributed to the band's evolution toward a more experimental sound.[9][10] His tenure, lasting until late 1966, included key recordings on the album Having a Rave Up with The Yardbirds (1965), where his innovative use of feedback and distortion added a psychedelic edge to their blues-rock foundation.[11] Beck's guitar work propelled hits like "Heart Full of Soul" and "Shapes of Things," both released in 1965 and 1966, respectively, which showcased his pioneering raga-rock influences and whammy bar dives, helping the band achieve international success.[9][12] Following his departure from The Yardbirds, Beck formed the Jeff Beck Group in early 1967, recruiting vocalist Rod Stewart and bassist/guitarist Ronnie Wood to create a powerhouse blues-rock outfit known for its raw power and intensity.[13] The band's debut album, Truth (1968), emphasized heavy blues-rock with extended improvisations and heavy riffing, establishing Beck as a leader in the hard rock movement.[14] Their follow-up, Beck-Ola (1969), continued this aggressive style with tracks blending boogie and proto-metal elements, though internal tensions led to the group's dissolution later that year.[15] In 1972, Beck briefly reunited with former Cactus members Tim Bogert on bass and Carmine Appice on drums to form the power trio Beck, Bogert & Appice, which fused rock with funk and jazz elements across their 1973 self-titled studio album and subsequent live performances.[16] The group toured extensively from 1972 to 1974, releasing singles like "Black Cat Moan" and delivering high-energy sets that highlighted Beck's versatile phrasing, but creative differences caused the band to disband without a second studio album during this period.[16] Beck's solo career in the 1970s marked a shift toward instrumental jazz fusion, beginning with the all-instrumental Blow by Blow (1975), produced by George Martin, which featured sophisticated arrangements and earned acclaim for its melodic sophistication.[17] This was followed by Wired (1976), incorporating synthesizers and complex rhythms with contributions from keyboardist Jan Hammer, further exploring fusion territory.[17] A live collaboration with the Jan Hammer Group, released as Jeff Beck with the Jan Hammer Group Live (1977), captured their improvisational synergy during tours. In the 1980s, Beck continued this evolution with There & Back (1980), reuniting with producer George Martin for a blend of fusion and pop sensibilities, and Flash (1985), which incorporated electronic elements and guest vocalists like Rod Stewart, reflecting his adaptability to contemporary sounds.[17] Throughout his career up to 1989, Beck demonstrated remarkable versatility across blues, rock, jazz fusion, and pop, continually innovating guitar techniques such as fluid whammy bar manipulation to emulate slide guitar effects and dynamic control of volume and tone knobs for vocal-like expressiveness.[18][17] His refusal to adhere to a single style, combined with a focus on tone and touch over speed, positioned him as a guitar innovator whose work influenced generations of players.[19]Conception and development
In the late 1980s, Jeff Beck's status as an innovative guitarist continued to rise, highlighted by his first Grammy Award for Best Rock Instrumental Performance for "Escape" from the 1985 album Flash, presented at the 28th Annual Grammy Awards in 1986.[20] This recognition, coupled with the success of his 1989 album Jeff Beck's Guitar Shop with Terry Bozzio & Tony Hymas—which earned him a second Grammy in the same category in 1990—underscored his enduring influence and prompted Sony/Epic Records to develop a comprehensive career retrospective.[20] The project, titled Beckology, began development around 1990 under the oversight of Epic's newly established Legacy imprint, a division focused on reissuing and compiling catalog material from the Sony Music family.[1] Legacy coordinated the effort to consolidate Beck's diverse output across multiple labels, including unreleased early recordings (such as his pre-Yardbirds work with the Tridents) and primary releases on Epic, while securing rights for any affiliated material from other imprints like RCA for international editions.[21] Jeff Beck personally approved the compilation, seeking to highlight his evolution as a solo artist and collaborator beyond his Yardbirds tenure and to fill the gap left by the absence of a definitive anthology at that time.[2] The resulting box set aimed to span 26 years of Beck's career, from 1963 demos with the Tridents to 1989 tracks from Guitar Shop, with a particular emphasis on including previously unreleased material—such as "Trouble in Mind" and "Blues Deluxe/BBA Boogie"—to appeal to dedicated collectors and provide fresh insights into his creative process.[22]Production
Track selection
The track selection for Beckology was curated by compilation producer Gregg Geller for Epic Records to provide a comprehensive chronological retrospective of Jeff Beck's career, tracing his musical evolution from early garage rock roots through blues rock and into jazz fusion experimentation.[1] This approach, spanning 55 tracks across three discs, emphasizes key milestones while incorporating a mix of studio recordings, live performances, and lesser-known material to highlight underrepresented phases, such as Beck's 1970s jazz fusion explorations.[23] The curation draws on archival material from Beck's tenure with Epic and its affiliates, prioritizing a narrative flow that showcases his innovative guitar work across genres.[1] Notable inclusions feature signature hits like the 1973 cover of Stevie Wonder's "Superstition" by Beck, Bogert & Appice, which exemplifies his high-energy blues rock phase, and the emotive instrumental "Cause We've Ended as Lovers" from the 1975 album Blow by Blow, highlighting his shift toward sophisticated studio fusion.[23] Live recordings add dynamism, such as the 1977 performance of "Freeway Jam" with Jan Hammer, capturing Beck's collaborative jazz improvisation during his instrumental era.[23] Rarities include several previously unreleased tracks, such as "Trouble in Mind" from Beck's pre-Yardbirds group The Tridents, offering a glimpse into his formative garage rock influences in the early 1960s, along with others like "Nursery Rhyme (Live)" from the same era and "Jizz Whizz" from Beck, Bogert & Appice.[23] The discs are thematically structured to reflect Beck's progression: the first focuses on proto-psychedelic rock from his Tridents and Yardbirds days through the raw blues of the Jeff Beck Group; the second delves into band-era blues and hard rock, including works with Beck, Bogert & Appice; and the third emphasizes instrumental sophistication in his solo fusion output from the mid-1970s onward.[1] This balance ensures representation of diverse periods, with B-sides and live cuts filling gaps in his 1970s output to underscore the breadth of his contributions beyond mainstream hits.[1]Remastering and additional material
The tracks for Beckology were digitally remastered by engineer Chris Herles at Sony Music Studio Operations in New York, utilizing advanced digital processes to enhance the clarity and dynamics of the original analog recordings spanning Jeff Beck's career from the early 1960s to 1989.[22] This remastering effort drew from master tapes sourced across multiple record labels, including Epic, Decca, and Columbia, ensuring a cohesive presentation of material originally released on various formats.[22] Reviewers noted the superior audio fidelity achieved, which significantly improved upon prior CD reissues and better captured the nuances of Beck's innovative guitar work.[1] No new recordings were created for the compilation; instead, the focus remained on high-fidelity transfers that preserved the authenticity of Beck's tonal experiments, from his raw blues-rock edges to fusion complexities.[22] The set included a 62-page color booklet as supplementary material, featuring a newly commissioned biography of Beck by jazz critic Gene Santoro, along with rare photographs from throughout his career and detailed liner notes providing historical context for each track.[22] Santoro's essay integrated interviews and analysis to trace Beck's evolution, complemented by visual elements such as a family tree of his musical collaborations and production credits.[24]Release
Packaging and formats
Beckology was released in a distinctive longbox packaging typical of early 1990s multi-disc CD sets, featuring a sturdy cardboard slipcase designed to resemble a tweed guitar case with a worn velvet interior and faint guitar imprint. The set contained a standard 3-disc jewel case housed within this outer packaging.[23] The artwork employed a minimalist style, with the exterior evoking the texture of a vintage guitar case and subtle guitar motifs integrated into the design. Inner elements, including the booklet, showcased career photographs spanning the 1960s to the 1980s, alongside historical context and credits. The integrated 62-page booklet provided extensive liner notes by Gene Santoro, including track-by-track annotations that highlighted Beck's technical prowess on the guitar.[22] The primary format was a 3-CD box set under catalog number E3K 65424 on Epic Records, with no vinyl edition available at launch. A 3-cassette version was also issued in select regions, such as the UK and Netherlands, but digital availability did not emerge until later years with the rise of streaming platforms.[2]Promotion and commercial performance
Beckology was released on November 19, 1991, in the United States by Epic Records, with distribution handled primarily through Sony's channels.[1] International releases followed shortly after in Europe and Japan.[22] The marketing efforts tied into Epic's Legacy series, featuring promotional materials such as posters and advertisements highlighting the compilation as a comprehensive career retrospective.[25] A special sampler CD, titled Beckology: The Sampler, was distributed to radio stations and press to promote key tracks, targeting rock and jazz fusion audiences with selections spanning Beck's early Yardbirds work to his 1980s fusion era.[26] Commercially, the box set achieved modest performance, reflecting Beck's cult status among guitar enthusiasts rather than mainstream pop appeal. In Japan, it sold 6,170 copies, ranking 1,050th in sales for 1991 and 13,973rd for the 1990s overall.[27] Initial U.S. sales were similarly restrained, though they received a boost during Beck's resurgence in the 1990s through live tours and reissues. The set did not achieve prominent chart positions, underscoring its niche appeal within the rock and instrumental guitar markets.[28]Track listing
Disc one
Disc one of Beckology delves into Jeff Beck's formative years in the British blues and rock scenes, spanning his pre-fame work with the Tridents through his transformative tenure with the Yardbirds and initial solo recordings from 1963 to 1968. This collection highlights the raw, energetic guitar tones that defined Beck's early style, drawing from unreleased demos and live performances alongside studio hits that propelled the Yardbirds to international acclaim. The tracks underscore Beck's rapid evolution from blues-infused covers to psychedelic experimentation, with many sourced from original Decca and Columbia masters for authentic sonic fidelity. The disc totals approximately 73 minutes, encapsulating the gritty foundation of Beck's career.[29] The full track listing for Disc one is presented below, featuring 25 selections that emphasize Beck's emerging virtuosity on the Fender Stratocaster, including his pioneering use of feedback and distortion.| No. | Title | Performer | Original Release Year | Duration |
|---|---|---|---|---|
| 1 | Trouble in Mind | The Tridents | 1963 (unreleased) | 2:16 |
| 2 | Nursery Rhyme (Live) | The Tridents | 1964 (unreleased) | 5:49 |
| 3 | Wandering Man Blues | The Tridents | 1963 (unreleased) | 3:27 |
| 4 | Steeled Blues | The Yardbirds | 1965 | 2:36 |
| 5 | Heart Full of Soul | The Yardbirds | 1965 | 2:28 |
| 6 | I'm Not Talking | The Yardbirds | 1964 | 2:31 |
| 7 | I Ain't Done Wrong | The Yardbirds | 1965 | 3:38 |
| 8 | The Train Kept A-Rollin' | The Yardbirds | 1965 | 3:24 |
| 9 | I'm a Man | The Yardbirds | 1965 | 2:36 |
| 10 | Shapes of Things | The Yardbirds | 1966 | 2:24 |
| 11 | Over Under Sideways Down | The Yardbirds | 1966 | 2:21 |
| 12 | Happenings Ten Years Time Ago | The Yardbirds | 1966 | 2:54 |
| 13 | Hot House of Omagararshid | The Yardbirds | 1967 | 2:39 |
| 14 | Lost Woman | The Yardbirds | 1966 | 3:07 |
| 15 | Rack My Mind | The Yardbirds | 1966 | 3:11 |
| 16 | The Nazz Are Blue | The Yardbirds | 1967 | 3:01 |
| 17 | Psycho Daisies | The Yardbirds | 1966 | 1:48 |
| 18 | Jeff's Boogie | The Yardbirds | 1966 | 2:22 |
| 19 | Too Much Monkey Business (Live) | The Yardbirds | 1966 | 2:29 |
| 20 | The Sun Is Shining (Live) | The Yardbirds | 1968 | 2:42 |
| 21 | You're a Better Man Than I (Live) | The Yardbirds | 1965 | 3:56 |
| 22 | Love Me Like I Love You (Live) | The Yardbirds | 1966 | 2:50 |
| 23 | Hi Ho Silver Lining | Jeff Beck | 1967 | 2:52 |
| 24 | Tally Man | Jeff Beck | 1967 | 2:42 |
| 25 | Beck's Bolero | Jeff Beck | 1967 | 2:51 |
Disc two
Disc two of Beckology compiles tracks from Jeff Beck's heavy rock band era, primarily featuring the two iterations of the Jeff Beck Group (1968–1972) and the power trio Beck, Bogert & Appice (1972–1973), emphasizing vocal-driven blues-rock anthems and a shift toward a raw power trio format with influences from funk and hard rock.[32] This selection illustrates Beck's evolution from the raw energy of his debut group with Rod Stewart and Ron Wood to more experimental lineups with Bobby Tench and later the rhythm section of Tim Bogert and Carmine Appice, including standout live recordings that capture the intensity of his performances. The disc totals approximately 76 minutes and includes previously unreleased material, underscoring Beck's contributions to British blues-rock during this pivotal phase.[32] The track listing is as follows:| No. | Title | Performers | Original Release | Duration |
|---|---|---|---|---|
| 1 | "Shapes of Things" | Jeff Beck Group (with Rod Stewart) | Truth (1968) | 3:17 |
| 2 | "I Ain't Superstitious" | Jeff Beck Group (with Rod Stewart) | Truth (1968) | 4:52 |
| 3 | "Rock My Plimsoul" | Jeff Beck Group (with Rod Stewart) | B-side single (1968) | 3:39 |
| 4 | "Jailhouse Rock" | Jeff Beck Group (with Rod Stewart) | Beck-Ola (1969) | 3:12 |
| 5 | "Plynth (Water Down the Drain)" | Jeff Beck Group (with Rod Stewart) | Beck-Ola (1969) | 3:04 |
| 6 | "I've Been Drinking" | Jeff Beck Group (with Rod Stewart) | B-side single (1968) | 3:16 |
| 7 | "Definitely Maybe" | Jeff Beck Group | Jeff Beck Group (1972) | 5:02 |
| 8 | "New Ways Train Train" | Jeff Beck Group | Rough and Ready (1971) | 5:50 |
| 9 | "Going Down" | Jeff Beck Group | Jeff Beck Group (1972) | 6:49 |
| 10 | "I Can't Give Back the Love I Feel for You" | Jeff Beck Group | Jeff Beck Group (1972) | 2:42 |
| 11 | "Superstition" | Beck, Bogert & Appice | Beck, Bogert & Appice (1973) | 4:18 |
| 12 | "Black Cat Moan" (live) | Beck, Bogert & Appice | Beck, Bogert & Appice Live in Japan (1974) | 9:16 |
| 13 | "Blues Deluxe / BBA Boogie" (live) | Beck, Bogert & Appice | Previously unreleased (1973) | 16:41 |
| 14 | "Jizz Whizz" | Beck, Bogert & Appice | Previously unreleased (1973) | 4:25 |
Disc three
Disc three compiles 16 tracks from Jeff Beck's solo instrumental and fusion periods, spanning 1975 to 1989, emphasizing his innovative guitar work in jazz-rock fusion and later pop-infused styles. The selections highlight Beck's transition from orchestral jazz-rock arrangements to more direct, rhythm-driven compositions, drawing exclusively from his post-Yardbirds solo catalog under CBS/Epic Records. With a total runtime of approximately 72 minutes, the disc underscores Beck's technical prowess and genre-blending creativity.[2] The opening tracks spotlight instrumental mastery from Blow by Blow (1975), produced by George Martin, which fused jazz harmonies with rock energy through layered guitar tones and subtle orchestration. Subsequent cuts from Wired (1976) extend this fusion aesthetic with electronic elements and complex improvisations. A live rendition of "Freeway Jam" captures Beck's dynamic interplay with Jan Hammer's keyboards during their 1977 tour. The 1980s portion shifts toward pop and rock structures, exemplified by "Escape" from Flash (1985), which integrates synth-pop grooves with Beck's signature bends and sustains. Tracks like "Big Block" and "Where Were You" from Guitar Shop (1989) feature collaborations with drummer Terry Bozzio and keyboardist Tony Hymas, emphasizing power-trio dynamics and melodic hooks. These remastered recordings enhance clarity in Beck's intricate phrasing and tonal variations.[2] Track listing- "Cause We've Ended as Lovers" (1975, 5:41) – Jeff Beck (Blow by Blow)[2]
- "Goodbye Pork Pie Hat" (1976, 5:26) – Jeff Beck (Wired)[2]
- "Love Is Green" (1976, 2:28) – Jeff Beck (Wired)[2]
- "Diamond Dust" (1975, 8:21) – Jeff Beck (Blow by Blow)[2]
- "Freeway Jam" (live) (1977, 7:22) – Jeff Beck with The Jan Hammer Group (Jeff Beck with the Jan Hammer Group Live)[2]
- "The Pump" (1980, 5:47) – Jeff Beck (There and Back)[2]
- "People Get Ready" (1985, 4:54) – Jeff Beck and Rod Stewart (Flash)[2]
- "Escape" (1985, 4:37) – Jeff Beck (Flash)[2]
- "Gets Us All in the End" (1985, 6:04) – Jeff Beck (Flash)[2]
- "Back on the Street" (1985, 3:04) – Jeff Beck (non-album single B-side)[2]
- "Wild Thing" (1986, 4:13) – Jeff Beck (single)[26][2]
- "The Train Kept A-Rollin'" (1986, 3:56) – Jeff Beck (single)[26][2]
- "Sleep Walk" (1989, 2:16) – Jeff Beck (Guitar Shop)[2]
- "The Stumble" (1988, 3:01) – Jeff Beck (Twins soundtrack)[2]
- "Big Block" (1989, 4:06) – Jeff Beck with Terry Bozzio and Tony Hymas (Guitar Shop)[2]
- "Where Were You" (1989, 3:15) – Jeff Beck with Terry Bozzio and Tony Hymas (Guitar Shop)[2]
