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Grammy Award for Best Rock Performance
Grammy Award for Best Rock Performance
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Grammy Award for Best Rock Performance
"Now and Then" by The Beatles is the most recent recipient.
Awarded forquality vocal or instrumental rock recordings
CountryUnited States
Presented byNational Academy of Recording Arts and Sciences
Currently held byThe Beatles – "Now and Then" (2025)
Websitegrammy.com

The Grammy Award for Best Rock Performance is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards.[1] According to the 54th Grammy Awards description guide it is designed for solo, duo/groups or collaborative (vocal or instrumental) rock recordings and is limited to singles or tracks only.[2]

This award combines the previous categories for Best Solo Rock Vocal Performance, Best Rock Performance by a Duo or Group with Vocal and Best Rock Instrumental Performance. The restructuring of these categories was a result of the Recording Academy's wish to decrease the list of categories and awards and to eliminate the distinctions between solo and duo/groups performances. The Academy argued that any distinction between these performances is difficult to make, as "four-fifths of rock acts are groups, and even solo rock acts tend to be backed by a band".[3]

The award goes to the artist. The producer, engineer and songwriter can apply for a Winners Certificate.[4]

From 2014, this category has also included hard rock performances that were previously screened in the Best Hard Rock Performance and Best Hard Rock/Metal Performance categories, which are now defunct.

Recipients

[edit]
A man holding a guitar, wearing a blue shirt and a dark vest
Dave Grohl and the Foo Fighters were the inaugural winners of the award.
A man holding a guitar, wearing a blue shirt and a dark vest
David Bowie was posthumously honoured in 2017.
A man holding a guitar, wearing a blue shirt and a dark vest
Leonard Cohen posthumously won in 2018.
2021 recipient Fiona Apple was the first solo female artist to win this category, in a line-up featuring only female performers for the first time.[5] She had previously won the Best Female Rock Vocal Performance trophy with "Criminal" in 1998.
Year[I] Performing artist(s) Work Nominees Ref.
2012 Foo Fighters "Walk" [6]
2013 The Black Keys "Lonely Boy" [7]
2014 Imagine Dragons "Radioactive" [8]
2015 Jack White "Lazaretto"
[9]
2016 Alabama Shakes "Don't Wanna Fight" [10]
2017 David Bowie "Blackstar"
[11]
2018 Leonard Cohen "You Want It Darker" [12]
2019 Chris Cornell "When Bad Does Good" [13]
2020 Gary Clark Jr. "This Land"
2021 Fiona Apple "Shameika"
[14]
2022 Foo Fighters "Making a Fire" [15]
2023 Brandi Carlile "Broken Horses"
[16]
2024 Boygenius "Not Strong Enough" [17]
2025 The Beatles "Now and Then" [18]
2026 TBA TBA [19]

^[I] Each year is linked to the article about the Grammy Awards held that year.

Artists with multiple nominations

[edit]

See also

[edit]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Grammy Award for Best Rock Performance is an accolade presented annually by the Recording Academy at the Grammy Awards ceremony to recognize excellence in a new vocal or instrumental rock recording by a solo artist, duo, group, or collaboration. Introduced in 2012 at the 54th Annual Grammy Awards as part of a comprehensive overhaul that reduced the total number of categories from 109 to 78, the award consolidated the previous Best Rock Vocal Performance (solo), Best Rock Performance by a Duo or Group with Vocals, and Best Rock Instrumental Performance categories to streamline recognition of rock achievements. The inaugural recipients were the Foo Fighters for their track "Walk" from the album Wasting Light, marking the band's sweep of five rock categories that year. Since its inception, the category has highlighted innovative and impactful , often favoring high-energy anthems and genre-blending works from veteran acts. The hold the record for the most wins with two, for "Walk" (2012) and "" (2022). Posthumous honors have included David Bowie's experimental "Blackstar" in 2017 and Leonard Cohen's "" in 2018, underscoring the award's role in celebrating enduring artistic legacies. In 2025, at the 67th Annual , The received the accolade for "Now and Then," their AI-assisted single released in 2023, representing a historic nod to the band's influence decades after their breakup. The category continues to evolve, reflecting rock's adaptability while maintaining focus on standout single performances rather than full albums or songs.

Overview

Category Description

The Grammy Award for Best Rock Performance is a category presented annually by the Recording Academy to honor artistic excellence in a solo, duo/group, or collaborative rock recording, encompassing both vocal and instrumental works limited to singles or tracks. Introduced at the 54th Annual Grammy Awards in 2012, it resulted from a major restructuring of rock categories that eliminated gender-specific distinctions and consolidated prior awards such as Best Solo Rock Vocal Performance, Best Rock Performance by a Duo or Group with Vocal, and Best Rock Instrumental Performance into a unified field. This category specifically recognizes the performance aspect of a rock song, awarding the featured (s) and producers, while excluding full-length albums or compilations. Eligible entries must feature newly recorded material in a rock style, with no minimum playing time beyond the track itself, and vocal performances are ineligible for categories regardless of production techniques like scatting or . It differs from the Best Rock Song award, which focuses on songwriting and composition credited to the lyricists and composers, and the Best Rock Album category, which evaluates complete album releases for overall artistic merit. As of the 67th Annual Grammy Awards in 2025, the category maintains its broad scope without recent boundary adjustments, incorporating diverse rock subgenres such as and as long as they align with the genre's stylistic intent, though the does not rigidly define "rock" to allow interpretive flexibility. Note that eligibility periods have shifted in recent years from the traditional October 1 to September 30 window to earlier dates, such as September 16, 2023, to August 30, 2024, for the 2025 awards. Prior to 2012, rock performance recognition was fragmented across multiple gendered and format-specific categories, reflecting an earlier era of classification.

Award Eligibility and Process

To be eligible for the Grammy Award for Best Rock Performance, recordings must consist of newly created material released during the eligibility period, from September 16, 2023, to August 30, 2024, for the 2025 awards (with recent years shifting from the prior October 1 to September 30 standard). Entries must be commercially available through national distribution channels, including physical sales, streaming services, or online retailers, and require an (ISRC) or (UPC) for verification; limited-edition or subscription-only releases do not qualify unless broadly accessible. Performers and contributors must be properly credited with significant artistic involvement, and all human creators are eligible, though AI-generated elements necessitate substantial human authorship. The submission process is managed through the Recording Academy's Online Entry Process (OEP) portal on GRAMMY.com, accessible to Academy members and registered media companies. Entries incur fees based on timing and status—ranging from $40 for early member submissions to $125 for late or non-member entries—and must include streaming links, track details, and credits; for the 2026 awards, the OEP window was July 16 to August 29, 2025, with physical product submissions due by early September. Late October cutoffs apply strictly, and entries are screened by genre committees to ensure alignment with rock performance criteria, such as predominant original rock-style vocals or instrumentals. Nominations are determined during First Round Voting by a subset of the Academy's over 13,000 voting members (as of 2024) who specialize in the rock field, conducted via secret ballot from October 3 to 15 each year to select up to eight nominees per category. The final winner is chosen by the full voting membership in a subsequent secret ballot, typically from mid-December to early January, ensuring broad peer review. Nominations are announced in November, with the awards ceremony held in February; for instance, the 2025 awards, covering material from September 2023 to August 2024, took place on February 2, 2025.

History

Establishment and Early Years

The Grammy Award for Best Rock Performance was established in by as part of a comprehensive of the Grammy categories, which reduced the total from 109 to to streamline the awards process, ensure genre parity, and better reflect evolving music trends. This new category consolidated prior rock performance awards, including Best Solo Rock Vocal Performance, Best Rock Performance by a Duo or Group with Vocal, and Best Rock Instrumental Performance, aiming to broaden representation across rock's diverse styles and eliminate distinctions in vocal categories. Prior to , these separate categories had recognized vocal and instrumental rock works since the and , providing a foundation for the unified award. The inaugural award was presented at the on February 12, 2012, honoring material released in 2011, and went to the for their track "Walk" from the album . This win marked a strong debut for the category, highlighting the enduring appeal of bands in the post-2000s . Early nominations and winners reflected a revival of garage, indie, and influences, with established acts dominating the initial years. For instance, in 2013, won for "Lonely Boy," capturing the raw energy of blues-infused amid a landscape where physical sales were declining but digital platforms were gaining traction. From 2013 to 2015, the category showcased the prominence of veteran and mainstream rock artists, including nominations for ("We Take Care of Our Own" in 2013) and wins by for "Radioactive" in 2014 and for "Lazaretto" in 2015, emphasizing high-energy anthems and solo virtuosity. By 2014, the award began incorporating a wider array of rock subgenres, from alternative to experimental, as evidenced by eclectic nominee lists that spanned indie, pop-rock hybrids, and legacy acts. This evolution continued through the late 2010s, with victories by ("Don't Wanna Fight" in 2016), ("Blackstar" in 2017), ("You Want It Darker" in 2018), and ("When Bad Does Good" in 2019), reflecting the category's adaptability to emerging hybrid styles. These years aligned with the music industry's shift toward streaming, which surged from 7% of U.S. revenue in 2010 to 80% by 2019, enabling greater visibility for rock tracks beyond traditional radio and sales.

Evolution and Category Changes

In the mid-2010s, the Grammy Award for Best Rock Performance underwent adjustments to encompass a wider array of rock subgenres, notably including elements, as demonstrated by the nomination of + The Machine's "What Kind of Man" in , which highlighted the category's openness to experimental sounds. This evolution responded to the music industry's declining physical sales, with emphasizing digital performances and standalone singles to align with the growing dominance of streaming platforms and online distribution. By prioritizing accessible digital releases, the category better captured contemporary rock consumption patterns without restricting eligibility to full-length albums. Entering the 2020s, the award intensified its focus on inclusivity, leading to a surge in nominations for female-led bands and international artists, such as the historic all-female-led slate in 2021 featuring , , , , , and . In 2023, rule tweaks expanded eligibility to hybrid rock/electronic works, allowing entries that blend traditional rock instrumentation with electronic production, as outlined in updated genre descriptions to foster innovation across boundaries. These changes reflected the Academy's commitment to reflecting rock's global and diverse evolution, with recent nominations including Australian act in 2026. External factors have further shaped the category's trajectory. The prompted a fully virtual format for the ceremony, with pre-recorded performances replacing live sets to ensure safety amid restrictions, influencing how rock acts presented their work. By 2024 and 2025, nominations trended toward amid major label dominance, spotlighting underground acts like and alongside legacy names, signaling a resurgence of creativity in the genre. Key statistical shifts underscore these adaptations. Starting in , the expanded potential nominations from 5 to 8 across categories based on voting ties, enabling broader representation in rock selections, as seen in the 6 nominees for Best Rock Performance in 2021. Diversity metrics evolved markedly, with male-dominated winners comprising 90% in 2012 dropping to 60% by 2025, driven by increased female and non-binary inclusions amid industry-wide equity initiatives.

Recipients

Complete List of Winners

The Grammy Award for Best Rock Performance was established in 2012, replacing separate categories for solo and group performances to recognize outstanding vocal or instrumental rock recordings.
YearWinner(s)Work (Song Title)Nominees (Top 5)Note on Winning Work
2012Foo Fighters"Walk"Coldplay ("Every Teardrop Is a Waterfall"); The Decemberists ("Down by the Water"); Mumford & Sons ("The Cave"); Bruce Springsteen ("We Take Care of Our Own")This high-energy alternative rock track from the album Wasting Light features driving guitars and anthemic vocals, marking the Foo Fighters' sweep of rock categories that year.
2013The Black Keys"Lonely Boy"Alabama Shakes ("Hold On"); Coldplay ("Charlie Brown"); Mumford & Sons ("I Will Wait"); Bruce Springsteen ("We Take Care of Our Own")The garage rock single's raw, riff-driven sound and infectious energy captured a revival of blues-infused rock.
2014Imagine Dragons"Radioactive"Alabama Shakes ("Always Alright"); David Bowie ("The Stars (Are Out Tonight)"); Led Zeppelin ("Kashmir" [Live]); Queens of the Stone Age ("My God Is the Sun")Blending alternative rock with electronic elements, the track's intense build-up and dystopian themes propelled it to mainstream success.
2015Jack White"Lazaretto"Arctic Monkeys ("Do I Wanna Know?"); Beck ("Blue Moon"); Ryan Adams ("Gimme Something Good"); The Black Keys ("Fever")The blues-rock song showcases White's virtuosic guitar work and raw, garage-style intensity from his solo album of the same name.
2016Alabama Shakes"Don't Wanna Fight"Florence + the Machine ("What Kind of Man"); Foo Fighters ("Something from Nothing"); Elle King ("Ex's & Oh's"); Wolf Alice ("Moaning Lisa Smile")Rooted in Southern rock and soul, the track's gritty vocals and organ-driven groove highlight the band's live-wire energy.
2017David Bowie"Blackstar"Alabama Shakes ("Joe" [Live from Austin City Limits]); The Killers ft. Bruce Springsteen ("Dustland"); Metallica ("Moth into Flame"); Twenty One Pilots ("Heathens")The experimental art rock piece, released days before Bowie's death, blends jazz influences with avant-garde production.
2018Leonard Cohen"You Want It Darker"Chris Cornell ("The Promise"); Foo Fighters ("Run"); Kaleo ("No Good"); Queens of the Stone Age ("The Way You Used to Do")This introspective folk-rock track from Cohen's final album features brooding baritone vocals and orchestral depth.
2019Chris Cornell"When Bad Does Good"Arctic Monkeys ("Four Out of Five"); Beck ("Colors"); Fever 333 ("Made an America"); Greta Van Fleet ("Highway Tune")The posthumous hard rock entry draws from Cornell's career-spanning influences with powerful, emotive delivery.
2020Gary Clark Jr."This Land"Bones UK ("Pretty Waste"); The Cold War Kids ft. Maggie Rogers ("Run Away With Me"); Rival Sons ("Do Your Worst"); Tools ("7empest")Infused with blues-rock and social commentary, the guitar-heavy track reflects Clark's fiery, improvisational style.
2021Fiona Apple"Shameika"Big Thief ("Not"); Brittany Howard ("Stay High"); Haim ("The Steps"); Phoebe Bridgers ("Kyoto")The indie rock song's piano-driven introspection and poetic lyrics evoke Apple's signature confessional style.
2022Foo Fighters"Making a Fire"AC/DC ("Shot in the Dark"); Black Pumas ("Know You Better" [Live from Capitol Studio A]); Courtney Barnett ("Rae Street"); Yeah Yeah Yeahs ("Burning")Classic hard rock riffs and soaring harmonies define the track from the band's final album with drummer Taylor Hawkins.
2023Brandi Carlile"Broken Horses"Beck ("Old Man"); The Black Keys ("Wild Child"); Bryan Adams ("So Happy It Hurts"); Idles ("Crawl!")The Americana-rock ballad's raw acoustic guitar and heartfelt storytelling capture themes of loss and resilience.
2024boygenius"Not Strong Enough"Arctic Monkeys ("I Wanna Be Yours"); Foo Fighters ("Rescue Me"); Lana Del Rey & Jon Batiste ("Candy Necklace"); Metallica ("Lux Æterna"); Queens of the Stone Age ("Emotion Sickness")The indie rock trio's harmonious vocals and minimalist arrangement blend vulnerability with subtle folk-rock edges.
2025The Beatles"Now and Then"The Black Keys ("Beautiful People (Stay High)"); Green Day ("The American Dream Is Killing Me"); Idles ("Gift Horse"); Pearl Jam ("Dark Matter"); St. Vincent ("Broken Man")This psychedelic ballad, completed using AI-assisted restoration of a 1970s Lennon demo, revives classic Beatles melodic introspection.
From 2012 to 2025, the winners show a mix of established bands (7 wins) and solo artists (7 wins), with a trend toward alternative and influences in recent years, alongside occasional nods to and revivals.

Artists with Multiple Wins and Nominations

The are the leading recipients in the Best Rock Performance category, with two wins for "Walk" in 2012 and "" in 2022. These victories highlight the band's consistent dominance in rock performance recognition, often coinciding with broader sweeps in related rock categories like Best Rock Album and Best Rock Song. , as the frontman, has further extended his personal tally through collaborative efforts, including a win for "" with the Sound City Players in the Best Rock Song category in 2014, demonstrating his recurring influence across rock subcategories. David Bowie received a posthumous honor for "Blackstar" in 2017, released just days before his death and celebrated as a career-capping achievement. In terms of nominations, lead with four appearances (2012, 2016, 2018, 2024), securing two wins. Alabama Shakes follow with four nominations (2013, 2014, 2016 win, 2017), including one victory. Other artists with multiple nominations include Queens of the Stone Age (three: 2014, 2018, 2024), (two: 2023, 2025), and (three: 2015 win, 2019, 2023).
ArtistWinsYears and Songs
Foo Fighters22012 ("Walk"), 2022 ("Making a Fire")
ArtistNominationsWinsWin RateNotable Nominations
Foo Fighters4250%2012 ("Walk", win), 2016 ("Something from Nothing"), 2018 ("Run"), 2024 ("Rescue Me")
Alabama Shakes4125%2013 ("Hold On"), 2014 ("Always Alright"), 2016 ("Don't Wanna Fight", win), 2017 ("Joe" [Live])
Beck3133%2015 ("Blue Moon", win), 2019 ("Colors"), 2023 ("Old Man")
Idles200%2023 ("Crawl!"), 2025 ("Gift Horse")
Queens of the Stone Age300%2014 ("My God Is the Sun"), 2018 ("The Way You Used to Do"), 2024 ("Emotion Sickness")
Unique patterns emerge in cross-category success, where artists like the have won both Best Rock Performance and Best Alternative Music Album, blending rock and alternative boundaries—such as their 2021 Alternative Album win for Medicine at Midnight alongside the 2022 Performance award from the same project. Similarly, achieved a 2024 win here for "Not Strong Enough" while earning nominations in Best Rock Song, illustrating overlaps that amplify genre-blending impact. As of the 2025 ceremony, where claimed their first win in this category for "Now and Then," these repeat achievers continue to shape the award's legacy of honoring innovative rock expressions.

Impact and Legacy

Influence on Rock Music

The Grammy Award for Best Rock Performance has significantly elevated the careers of its recipients by providing mainstream visibility and commercial momentum. For instance, Gary Clark Jr.'s 2020 win for "This Land" marked a pivotal moment, propelling his blues-infused into broader audiences and resulting in a 3,637% surge in song the day after the ceremony. Similarly, nominations in the category have accelerated crossovers for emerging acts; ' 2013 nomination for "Hold On" contributed to an early career boost, with their album Boys & Girls experiencing heightened and industry recognition amid the Grammy spotlight. The award has played a key role in promoting diverse subgenres within rock, helping to sustain the genre's relevance against the dominance of pop and hip-hop in the 2020s. Winners and nominees like , whose 2023 nomination for "Crawl!" highlighted the , have brought renewed attention to aggressive, socially charged sounds, aligning with a broader resurgence in punk-influenced rock. This recognition has encouraged labels and platforms to invest in subgenre experimentation, countering rock's declining by spotlighting innovative acts that blend punk, indie, and alternative elements. Industry-wide, the award drives measurable gains in digital consumption for winners, reinforcing rock's commercial viability. Kim Gordon's 2025 nomination in an alternative music category led to nearly a 100% increase in streams for her album The Collective, demonstrating the "GRAMMY Effect" on alternative rock visibility. The Recording Academy has increasingly used the category to diversify rock's representation, with non-white artists like Gary Clark Jr. (2020 winner) and Brittany Howard (2021 Best Rock Song winner for "Stay High") achieving breakthroughs that signal greater inclusion by the mid-2020s. In terms of broader legacy, Grammy performances tied to Best Rock Performance nods have influenced festival programming, as winning acts gain priority bookings at major events. The heightened exposure from telecast appearances often translates to headlining slots at festivals like Coachella, where Grammy-recognized rock innovators shape lineups and inspire genre-blending sets. This integration amplifies rock's cultural footprint, ensuring its evolution through high-profile stages beyond the award ceremony itself. The 2025 win for The Beatles' "Now and Then" further exemplified this, with the single seeing a significant streaming boost post-ceremony, underscoring the award's role in bridging classic and modern rock legacies.

Controversies and Criticisms

The nomination of U2's "Ordinary Love" for Best Rock Performance at the in 2015 drew significant criticism, as the track came from Songs of Innocence, an album that faced intense backlash for its unsolicited auto-download to millions of users via a partnership with Apple, leading some observers to label the nomination an undeserved "inside job" influenced by industry connections rather than artistic merit. Despite the controversy, the band lost to Paramore's "Ain't It Fun." Debates over classification have also highlighted exclusions in the category, particularly for rap-rock hybrids; Rage Against the Machine's politically charged style, blending hip-hop vocals with , has been cited in discussions as emblematic of how the Recording Academy's rigid definitions often sideline innovative fusions, preventing such acts from competing effectively in fields despite their influence on the genre. Critics have frequently accused the award of exhibiting bias toward established acts over emerging indie and alternative artists, as evidenced by the 2025 win for ' "Now and Then"—an AI-assisted track from legacy icons—while overlooking rising bands like , whose 2021 album generated buzz in indie circles but received no Best Rock Performance nod for its 2022 eligibility period, fueling perceptions that the category favors nostalgia over contemporary innovation. This skew is compounded by a historical imbalance, with female artists or female-fronted groups accounting for 4 out of 14 winners (approximately 29%) through 2025, including victories like in 2016 and in 2024, prompting ongoing scrutiny of the voter base's demographics. Voter-related issues have intensified these concerns, with accusations of insider favoritism persisting despite reforms; in 2023, public calls for greater transparency grew following reports of potential biases in the nomination process, echoing earlier allegations that led to the elimination of secretive review committees in to curb rigging and . In response, implemented diversity initiatives post-2021, including mandatory training for voters and efforts to expand membership with over 3,000 women added since 2019, alongside an for award shows to track representation across gender, race, and other demographics. Ongoing criticisms have spurred demands for structural changes, such as splitting the Best Rock Performance category to better accommodate subgenres like indie, , or hybrids—similar to the 1990 separation of hard rock and metal categories after backlash over their 1988 merger—allowing for more equitable recognition of diverse rock expressions amid the genre's evolving landscape.

References

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