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Bodil Rosing
Bodil Rosing
Bodil Rosing
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Bodil Rosing (born Bodil Frederikke Hammerich; December 27, 1877 – December 31, 1941) was a Danish stage and American film actress in the silent and sound eras.

Key Information

Early years

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Bodil Hammerich was born in Copenhagen, the daughter of music dean Angel Hammerich and pianist Golla Hammerich (née Bodenhoff-Rosing). She studied acting at the Royal Danish Theatre in the 1890s.

Career

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Rosing worked as a stage actress in Denmark, performing for three years with the Royal Danish Theatre.[1] She had her stage debut in Henrik Christiernsson's comedy Gurli at the Dagmar Theatre in 1898. In 1904, she played Bianca in The Taming of the Shrew at the Casino Theatre.[2] Her last role at the Dagmar Theatre was as Michelle in Camille in 1905.

During the early 1920s, she made one or two stage appearances on Broadway, including Fools Errant (1922),[3] while raising her children alone.[4][5] She was retired from acting when she came to Hollywood in 1924, where her daughter married actor Monte Blue. There, she was chosen to play a film role, in Pretty Ladies (1925).

Rosing was under studio contract at MGM and often played matronly roles such as servants, housekeepers, cooks, or mothers. Her most notable role was perhaps Janet Gaynor's faithful maid in F.W. Murnau's silent film Sunrise: A Song of Two Humans (1927). With the advent of sound film, she mostly portrayed foreigners and proved herself an extremely versatile actress in a variety of ethnicities, in about 85 films until her death. She appeared as the wife of her Danish compatriot, Jean Hersholt, in The Painted Veil (1934) with Greta Garbo, replacing the originally cast Beulah Bondi to bring a warmer look to the role.[6] She also played the German neighbor of Lionel Barrymore in You Can't Take It with You (1938) by Frank Capra.

Personal life and death

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Rosing married a Norwegian doctor, Einer Jansen, in 1898; the couple had four children. They divorced in 1919.[citation needed]

Rosing died of a heart attack, aged 64. Shortly before her death, Rosing stated about her acting: "My goal has always been to reach the heart of my audience."[4]

Theatre roles in Denmark

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Casino Theatre[2]
  • 1904 Trold kan tæmmes as Bianca, Baptista's daughter
Dagmar Theatre[2]
  • 1898 Gurli Clara as Johanson, model / Julia, Skytt's daughter
  • 1898 Trold kan tæmmes as Bianca, Baptistas datter
  • 1898 Ungdom as Anna, Pastor Hoppe's maid
  • 1899 Cyrano de Bergerac as Marki
  • 1899 Fejltagelserne as Constance Neville
  • 1899 Henning Tondorf as Agnete Tripke
  • 1899 Johannes den Døber as Maccha, Salomes legesøster
  • 1899 Min svigerdatter as Marie
  • 1899 Naar klostermuren brydes as Søster Ermegard
  • 1899 Paa gale vej as Renee, Helene's daughter
  • 1899 Zaza as Clairette, varietedame
  • 1900 Under fire øjne as Erna, felix's wife
  • 1901 Atalanta as Enkefru Thomsen
  • 1901 En spurv i tranedans as Luise, Varbergs datter
  • 1901 Et piskesmæld as Colette
  • 1901 Kameliadamen as Nichette
  • 1901 Sovevagonen as Rosina, Charbonneaus datter
  • 1902 De fattiges dyrehave as Elisa, Conradsens datter
  • 1902 Esther as Birthe, bedstemor Bagges sønnedatter
  • 1902 Gurli as Julia, Skytt's daughter
  • 1902 Lille Hanne as Engel
  • 1902 Tre om een as Lotta, Mrs. Sandberg's maid
  • 1902 Zaza as Floriane, varietedame
  • 1903 1000 og 1 nat as Ascha, Suleimas veninde
  • 1903 Doktor Jojo as Eugenie, Josephins kone
  • 1903 Hjærtets begær as Olga Gerle
  • 1903 Kærlighed as Ane-Sofie, Kristine's friend

1905 Kameliadamen as Theatre

Partial filmography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Bodil Rosing

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from Grokipedia
''Bodil Rosing'' was a Danish-American actress known for her supporting roles in Hollywood silent films and early talkies, frequently portraying European mothers, grandmothers, stern matriarchs, or other matronly characters such as maids and housekeepers. Born in Copenhagen, Denmark, on December 27, 1877, she began her acting career on the stage in Denmark and later in the United States before transitioning to motion pictures in the 1920s. Her distinctive Danish accent and expressive features made her a natural fit for character roles depicting foreign or immigrant women, and she appeared in about 85 films during her career. Rosing made her film debut in 1925 and became a recognizable presence in productions, including notable roles such as the faithful maid in F.W. Murnau's Sunrise: A Song of Two Humans (1927). She continued working steadily through the transition to sound films, maintaining her niche as a reliable character actress until her death on December 31, 1941.

Early life and education

Family background and birth

Bodil Rosing was born Bodil Frederikke Hammerich on December 27, 1877, in Copenhagen, Denmark. She was the daughter of Angul Hammerich, who served as a music dean, and Golla Hammerich (née Bodenhoff-Rosing), a pianist. Her family's musical background, with her father's role in music education and her mother's career as a pianist, reflected the artistic environment in which she grew up.

Acting training in Denmark

Bodil Rosing received her formal acting training at the Royal Danish Theatre's drama school in Copenhagen during the 1890s. The program focused on developing skills essential for stage performance, aligning with the theater's long-standing tradition of training professional actors. She graduated from the school and transitioned directly into professional stage work in Denmark, marking the beginning of her career as a theater actress in her home country. This educational foundation prepared her for the demands of live theater productions in the Scandinavian region following her studies.

Stage career in Denmark

Professional debut and theatre roles

Bodil Rosing made her professional stage debut in 1898 at the Dagmar Theatre (Dagmarteatret) in Henrik Christiernsson's comedy Gurli, appearing as Clara Johanson (a model) and Julia, Skytt's daughter. She remained active at the Dagmar Theatre through 1905, taking on a variety of supporting and character roles in numerous productions during this period. Among her notable roles at Dagmar were Marki in Cyrano de Bergerac (1899), Clairette (a variety performer) in Zaza (1899), Nichette in Kameliadamen (Camille) (1901), Floriane (a variety performer) in Zaza (1902), and Michelle (Gustave's mistress) in Kameliadamen (1905), her last documented appearance at the theatre. In 1904, she performed Bianca, Baptista's daughter, in Trold kan tæmmes (The Taming of the Shrew) at the Casino Theatre. Her Danish stage work focused primarily on supporting and character parts, establishing the versatile foundation that later informed her typecasting as a character actress in Hollywood. Her final known Danish stage appearances date to around 1905.

Relocation to the United States

Divorce, family circumstances, and immigration

Bodil Rosing married Norwegian doctor Einer Jansen in 1898. The couple had four children, including daughter Tova (born around 1899) and son Roderick (born 1899). The marriage ended in divorce by 1920. Following the divorce, the family separated; census records from 1920 show Roderick, Paul, and Saima living with their father in Seattle, Washington, while Rosing and Tova were en route to Los Angeles. By 1920, Bodil Rosing was in the United States amid these family circumstances. Her daughter Tova married American actor Monte Blue in 1924, and Rosing settled in Hollywood by that year. (Note: Monte Blue's page confirms marriage year and connection to Rosing as mother-in-law.)

Broadway appearances and early American work

After her divorce, Bodil Rosing pursued limited stage work on Broadway during the early 1920s. Her documented Broadway appearance was in the original production of the play Fools Errant, a four-act drama that opened at Maxine Elliott's Theatre on August 21, 1922, and closed in October 1922 after 64 performances. In the production, Rosing portrayed the Maid as part of the original cast. This role represented one of her few early American stage credits before transitioning to film work later in the decade.

Hollywood film career

Entry into silent films and MGM contract

Bodil Rosing arrived in Hollywood in 1924 and began her film career with her debut in the MGM production Pretty Ladies (1925), where she appeared in a minor, uncredited role. She appeared in supporting character parts, often as matronly figures such as servants, housekeepers, or ethnic types. Her early credits included Widow Gorman in Lights of Old Broadway (1925) and a Tartar Woman in The Volga Boatman (1926). Her most notable silent role came as the faithful Maid to Janet Gaynor's character in F. W. Murnau's Sunrise: A Song of Two Humans (1927), a critically acclaimed masterpiece of late silent cinema produced by Fox Film Corporation. Rosing also featured as Ma Kelly in Why Be Good? (1929). Throughout this period, Rosing's silent-era output consisted of numerous supporting roles that capitalized on her ability to portray warm, maternal, or accented characters, establishing her as a reliable character actress in Hollywood's silent films.

Transition to sound films and key roles

Bodil Rosing successfully continued her acting career with the advent of sound films, appearing in numerous Hollywood productions throughout the 1930s and into the early 1940s. Her Danish origins and accent frequently led to casting in roles as European immigrants, particularly German, Scandinavian, or Eastern European women, often in supporting capacities as mothers, maids, housekeepers, or similar character parts. Between 1925 and 1941, she amassed approximately 85 film credits, the majority consisting of small or uncredited appearances. She had roles in three Academy Award-winning Best Picture films during this period. In 1930, she appeared uncredited as the mother of a hospital patient in All Quiet on the Western Front. In 1932, she had an uncredited part in Grand Hotel. In 1938, she played the credited role of Mrs. Schmidt, a German neighbor, in You Can't Take It with You. Among her other notable performances were an uncredited appearance in Queen Christina (1933), Frau Koerber in The Painted Veil (1934), Charlotte in Nurse Edith Cavell (1939), and Mrs. Polgar in Marry the Boss's Daughter (1941), her final film role. These parts exemplified her consistent work as a versatile character actress in the sound era, often contributing memorable details to ensemble casts despite limited screen time.

Character acting style and versatility

Bodil Rosing established herself as a reliable Danish-American character actress, most frequently cast in matronly supporting roles that included servants, housekeepers, cooks, mothers, innkeepers' wives, landladies, and maids. She often portrayed ethnic foreigners such as German or Danish characters, bringing authenticity to these parts through her background and accent work. Her versatility shone in both the silent and sound eras, where she adapted to a wide variety of nationalities and accents, typically in uncredited or small supporting roles that required nuanced emotional depth rather than leading prominence. Shortly before her death, Rosing reflected on her approach to acting, stating: "My goal has always been to reach the heart of my audience." This philosophy underscored her commitment to connecting emotionally with viewers, even in brief or stereotypical character appearances, and it characterized her as a dependable performer who prioritized heartfelt portrayal over stardom. Bodil Rosing married Norwegian physician Einer Jansen in 1898. The couple had four children, including their daughter Tove (born circa 1899), who later married American actor Monte Blue in 1924. The marriage ended in divorce in 1919. Following the divorce, some of the children lived with their father in Seattle. Tove's marriage to Monte Blue influenced Rosing's relocation to Hollywood.

Death

Final years and passing

In her final years, Bodil Rosing remained active in Hollywood films, appearing in multiple supporting roles throughout 1941. These included parts in Reaching for the Sun as Rita's Mother, No Greater Sin as 'Ma' James, and Man at Large as Klara, the Botany's Housekeeper. Her last credited performance was as Mrs. Polgar in Marry the Boss's Daughter, a comedy released by 20th Century-Fox on November 28, 1941. Rosing died on December 31, 1941, in Hollywood, California, from a heart attack. Born on December 27, 1877, she passed away just four days after reaching the age of 64.
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