Hubbry Logo
Saint John the Baptist Parish Church (Calamba)Saint John the Baptist Parish Church (Calamba)Main
Open search
Saint John the Baptist Parish Church (Calamba)
Community hub
Saint John the Baptist Parish Church (Calamba)
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Saint John the Baptist Parish Church (Calamba)
Saint John the Baptist Parish Church (Calamba)
from Wikipedia

Saint John the Baptist Parish Church, commonly known as Calamba Church, is the oldest Roman Catholic church in Calamba, Laguna, Philippines under the Diocese of San Pablo. It is located adjacent to Rizal Shrine and is known as the christening site of José Rizal.

Key Information

History

[edit]
Church interior in 2018

Jesuit Missionaries in 1757 purchased a big portion of land called Hacienda de San Juan for their missions but the parish was only established in 1779 by the Franciscan friars upon gaining independence from the parochial church of Cabuyao (formerly known as Tabuco). The stone church was originally built in 1859 but destroyed on February 12, 1945, during the Second World War. The reconstruction of the church of Calamba was headed by Eliseo Dimaculangan.[1] The original altar was burned in 1862 but immediately rebuilt by Leoncio Lopez. The first Filipino priest, Angel Villaruz, served the longest in this church for 43 years since 1901.

Features

[edit]

The church of Calamba is a stone church built under the Baroque style. It has several stained glasses, two of which are in the church entrance depicting Saint Dominic and San Lorenzo Ruiz. Other stained windows depicts the seven holy sacraments of the church such as baptism, reconciliation, confirmation and among others.

Baptistery

[edit]
Jose Rizal PHC historical marker at the church installed in 1960

The church baptistery, where Rizal was baptized on June 22, 1861, by the then parish priest of Calamba Rufino Collantes and his godfather Pedro Casanas, is a recognized National Historical Landmark (Level 1).[2] The declaration was made by virtue of Resolution No. 2 of the Philippine Historical Commission (now National Historical Commission of the Philippines) on August 19, 1976, under Section 4 of the Executive Order No. 260 dated August 1, 1973, and amended by Executive Order No. 375 dated January 14, 1974.[3] The original baptismal font was restored including original church items and reliquaries during Rizal's time.[1] A transcript of Rizal's existing baptismal record is displayed on the left side of the baptistery entrance. The original baptismal records including the canonical books were lost on September 28, 1862, when Calamba Church was burned.[4]

The transcript of Rizal's baptismal certificate issued by Leoncio Lopez originally written in Spanish is shown below:[5]

I, the parish priest of the town of Calamba, whose signature appears below, certify that as a result of inquiries, which with the proper authorization were made for the restoration of the canonical books (that were burned) on the 28th of September 1862 and are found in the file of baptisms, book n 1, page 49, it emerges according to the declaration of competent and sworn witnesses that Jose Rizal Mercado is legitimate son from the legitimate matrimony of Don Francisco Rizal Mercado and Dona Teodora Realonda (that) he was baptized in this parish on the 22nd of June 1861 by the parish priest Reverend Father Rufino Collantes, and his godfather was the Reverend Father Pedro Casanas. And I sign this as true. -Leoncio Lopez.

Garden of Gethsemane

[edit]
"Garden of Gethsemane"

A small garden, named the "Garden of Gethsemane", was located at the right side facing the church entrance and was designed for devotees who want to meditate or pray. It contained 14 life-size bas-relief of the Stations of the Cross, a "Well of Repentance" or Balon ng Pagbabalik Loob, and a statue of John the Baptist. These were demolished in 2019 to make way for the restoration of the church patio. [citation needed]

Other church sections

[edit]

The church also includes an adoration chapel at the right side of the main church entrance and an adjacent mini-museum. Upon entering the church complex, there is a columbarium on the right side facing the church entrance.

Notes

[edit]

Bibliography

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Saint John the Baptist , commonly known as Calamba Church, is a Roman Catholic parish church situated in , Calamba City, Laguna, , under the of San Pablo. The parish traces its origins to 1632, with the present stone structure erected in 1859 and subsequently rebuilt following its destruction during . Featuring architectural elements, the church holds national historical importance primarily as the baptismal site of , the ' national hero, who was christened there on June 22, 1861, as commemorated by a marker from the National Historical Commission of the Philippines. Adjacent to the Rizal , it remains an active and a focal point for local , drawing visitors interested in colonial-era religious architecture and Philippine revolutionary history.

History

Origins and Early Development

The Saint John the Baptist Parish in , was established in by Franciscan friars following its separation from the parochial church of , marking the formal independence of the local community as a distinct ecclesiastical entity. This development concluded a prolonged process spanning approximately 37 years of advocacy and administrative efforts, initiated around 1742 amid the Spanish colonial missionary activities in the region. Originally, Franciscan priests founded the church in a site known as Marinig, situated near , where the area had previously served as rice fields inhabited by early settlers. Frequent flooding prompted its relocation to the of Calamba, under the oversight of a Spanish named Cavada, who facilitated the 1779 independence decree. The initial structure was modest, comprising a small proximate to residents' homes and encompassing a substantial land area dedicated to religious use. By the mid-19th century, the underwent significant expansion with the of its first stone church in , reflecting the growing and the enduring Franciscan influence in Laguna's evangelization efforts during the Spanish era. This edifice established the site's prominence as a center for and community worship, including the 1861 of , though the structure itself predated that event.

Destruction During World War II

The Saint John the Baptist Parish Church in Calamba, Laguna, was completely destroyed by fire on February 12, 1945, during the closing phase of 's Pacific campaign in the . This event coincided with the Japanese Imperial Army's retreat from advancing U.S. and Filipino forces, amid a series of retaliatory atrocities against civilians in the region, including the Calamba massacre referred to as Doce de Pebrero (February 12). Japanese troops systematically targeted structures and records in the town proper, setting the 1859 stone church ablaze, which led to the total loss of its original interior elements, including the main altar, baptismal fonts, and archival documents such as parish registers and canonical books. The arson was part of broader scorched-earth tactics employed by retreating Japanese units in Laguna province, where similar burnings and executions occurred in response to guerrilla activities and Allied advances following the February 23 Los Baños raid nearby. Eyewitness accounts and local historical markers document how Japanese forces rounded up and executed hundreds of male civilians from lakeside barrios, with the church's destruction serving to deny its use as a potential stronghold or shelter. No evidence indicates damage from Allied bombing in this specific instance, distinguishing it from other Laguna churches affected by aerial strikes; the fire's deliberate nature is corroborated by multiple post-war reconstructions referencing Japanese culpability.

Post-War Reconstruction and Modernization

The Saint John the Baptist Parish Church in , suffered near-total destruction by fire on February 12, 1945, when Japanese Imperial Army forces burned the structure during the Liberation of the Philippines in . The 1859 stone edifice, already a key religious and historical site, was reduced to ruins, leaving only elements like the partially intact. Post-liberation reconstruction commenced under the leadership of Father Eliseo Dimaculangan, who directed efforts to restore the church to its original form using new stone materials while preserving select original features. The , site of José Rizal's 1861 , was refurbished with its original font retained, ensuring continuity of historical elements amid the rebuild. This effort prioritized structural fidelity over innovation, completing a functional by the mid-20th century without documented major deviations in design. Subsequent modernizations have been limited, focusing on functional enhancements like parish formation centers converted from older facilities, rather than architectural overhauls. The baptistery received National Historical Landmark status via National Historical Commission of the Philippines Board Resolution in 1976, underscoring the site's preserved post-war integrity. No extensive records indicate large-scale contemporary alterations, maintaining the church's role as a reconstructed 19th-century-style under the Diocese of San Pablo.

Architecture

Overall Style and Materials

The Saint John the Baptist Parish Church in Calamba exhibits Baroque architectural style, a common feature in colonial-era Philippine ecclesiastical buildings characterized by dramatic ornamentation, curved forms, and robust structural elements designed for seismic resilience. This style persists despite wartime destruction and subsequent reconstruction, maintaining traditional proportions such as a rectangular , side aisles, and a prominent with niches and pediments. Construction materials include stone for the original 19th-century structure, supplemented in post-World War II rebuilding with sand, gravel, cement, and bricks, evident in the red-brick accents on the that enhance its earthquake-resistant design. The use of these materials aligns with adaptations for durability in the typhoon-prone and seismically active region of Laguna, prioritizing load-bearing masonry over purely ornamental features.

Façade and Exterior Elements

The façade of Saint John the Baptist Parish Church in Calamba exemplifies , characterized by a three-level composition that emphasizes dramatic ornamentation and verticality. The central feature is a semicircular arched main entrance flanked by fluted pilasters, which support an and contribute to the façade's rhythmic progression. Above the entrance, semicircular arched windows depict saints including St. Dominic and St. Lorenzo Ruiz, providing both illumination and iconographic emphasis. At the choir loft level, a small circular window punctuates the design, crowned by a broken featuring an undulating raking that adds to the dynamism. Flanking the are twin four-storey bell towers with square bases for the lower two storeys transitioning to hexagonal forms above, each topped by a dome that enhances the structure's against the . The church's exterior walls are constructed primarily of stone, reflecting traditional Filipino colonial ecclesiastical materials. These elements were incorporated during the post-World War II reconstruction led by Fr. Eliseo Dimaculangan following the church's destruction by Japanese forces on February 12, 1945, preserving the original Baroque stylistic intent despite the loss of the pre-war structure. The resulting exterior maintains a cohesive historical appearance, serving as a focal point in Calamba's .

Interior Design and Layout

The interior of the Saint John the Baptist Parish Church follows a traditional colonial-era layout centered on a long central , measuring approximately 103 meters in length and reported as the longest among surviving Spanish colonial churches in the . This extends from the main entrance to the , accommodating rows of pews for congregants and facilitating processions during liturgical events. Flanking the are side areas that include functional spaces such as an Adoration Chapel positioned on the right side upon entry, originally serving devotional purposes and now integrated with adjacent facilities like the Parish Catechetical Ministry. At the far end of the lies the , featuring the main rebuilt after its destruction by fire in 1862 under the supervision of Father Leoncio Lopez. The is enhanced by retablos—ornate wooden —housing statues of saints, contributing to the aesthetic with intricate carvings and gilded elements typical of 19th-century Philippine art. A loft or designated space above the entrance supports musical , including a permanent organ operated by a hired . Additional interior elements include the near the main entrance, a small chamber with historical baptismal records and fixtures dating to the church's early operations. The rear exhibits a semi-circular design, providing spatial depth to the sanctuary while maintaining structural integrity post-reconstructions. Modern adaptations, such as electric fans for ventilation, have been incorporated to address demands without altering the core historical fabric. Overall, the layout emphasizes longitudinal toward the altar, reflective of influences in , with post-World War II repairs preserving much of the pre-war interior configuration under Father Eliseo Dimaculangan's oversight.

Features

Baptistery

The of the Saint John the Baptist Parish Church in , , serves as the designated area for administering the sacrament of and houses the original dating to the church's 19th-century operations. This space achieved national historical prominence as the site of José Rizal's on June 22, 1861, performed by Father Rufino Collantes, with Father Pedro Casañas acting as godfather. The event is commemorated by a Level II historical marker installed by the Philippine Historical Committee in 1960, mounted near the baptistery entrance and inscribed with details of the baptism. The , integrated into the Baroque-style stone church constructed starting in 1779, retained its original font despite wartime damage to other church elements during , preserving a direct link to Rizal's early life and Philippine revolutionary history. Today, it continues to function for parish baptisms while attracting visitors interested in historical and .

Garden of Gethsemane

The Garden of Gethsemane is a small devotional garden situated to the right side of the Saint John the Baptist Parish Church facade, facing the main entrance, designed as a space for meditation on the Passion of Christ. It replicates elements of the biblical Garden of Gethsemane, where Jesus prayed in agony before his arrest, providing parishioners a quiet area for prayer and reflection amid the church grounds. The garden contains life-sized sculpted statues illustrating the 14 , depicting key events from ' condemnation to his burial, arranged for processional or contemplative viewing. These installations, likely added during post-World War II reconstructions of the church complex, facilitate practices such as the Via Crucis, especially during and Visita Iglesia traditions in the . The setup encourages personal devotion, with visitors often pausing at each station to recite prayers or reflect on Christ's suffering. As of June 2025, reports indicated the area had been cleared for unspecified renovations, potentially altering access or features temporarily, though no of permanent changes was available. Prior to this, it served as an integral outdoor extension of the church's liturgical and spiritual activities, complementing indoor sacred spaces.

Altar and Other Sacred Elements

The sanctuary of Saint John the Baptist Parish Church houses three retablos finished in gold leaf, which function as the primary altars for Eucharistic celebrations and . The central retablo, dedicated to the , features the prominent image of Saint John the Baptist and incorporates multiple niches containing statues of various saints, emphasizing the church's decorative tradition. The main 's structure includes thirteen niches adorned with saintly sculptures, contributing to the ornate interior layout post-reconstruction. This traces its origins to the mid-19th century, when the original was destroyed in a fire on November 27, 1862, and swiftly rebuilt under the supervision of parish priest Leoncio Lopez, who oversaw repairs using local materials and craftsmanship. Side retablos flank the main one, each housing additional sacred images of saints in gilded niches, supporting devotions during side chapel masses and processions; these elements were likely restored or enhanced during post-World War II rebuilding efforts led by Father Eliseo Dimaculangan to preserve liturgical functionality. The gold leaf application on all retablos reflects colonial-era artistic techniques adapted for durability in the , with no documented relics specifically enshrined in area beyond the patronal statue.

Significance

Connection to Jose Rizal

José Protasio Rizal Mercado y Alonso Realonda, later known as , was baptized at the Saint John the Baptist Parish Church in Calamba on June 22, 1861, three days after his birth on June 19, 1861. The sacrament was administered by parish priest Father Rufino Collantes, with Father Pedro Casañas serving as godfather. This event occurred in the church's , where the original has been preserved and refurbished. The church's baptistery holds historical significance as the site of Rizal's christening, documented in the parish records maintained by Father Leoncio Lopez. A historical marker commemorating the was installed by the Philippine Historical in 1960, affirming the site's role in the early life of the ' national hero. The church stands in close proximity to the Rizal Shrine, a reconstruction of his , underscoring Calamba's ties to Rizal's formative years. No additional direct familial connections, such as burials or other sacraments of Rizal's immediate family, are prominently recorded at the church beyond this baptismal event. The site's preservation enhances its value as a pilgrimage point for those studying Rizal's biography and the cultural heritage of Laguna province.

Role in Philippine Catholicism


The Saint John the Baptist Parish Church, established by Franciscan friars in 1779 upon its separation from the parish of Cabuyao, has served as the foundational center of Catholic worship in Calamba, Laguna. During the Spanish colonial era, it facilitated the administration of sacraments, catechesis, and missionary outreach, embedding Catholic doctrine and practices within the local indigenous and mestizo communities. The original stone structure, erected in 1859, symbolized the church's enduring commitment to evangelization despite later destruction in 1945 during World War II and subsequent reconstruction.
As part of the Roman Catholic Diocese of San Pablo—erected on November 28, 1966, by Pope Paul VI through the apostolic constitution Ecclesiarum per ampla—the parish integrates into a broader diocesan framework focused on pastoral care across Laguna province. It anchors the Vicariate of St. John the Baptist, overseeing coordination of liturgical, educational, and charitable initiatives among affiliated parishes in Calamba City, such as the Two Holy Trinity Parish in Pansol. The church administers essential sacraments including baptism, Eucharist, reconciliation, and anointing of the sick, particularly emphasized during events like Holy Week visitations. Dedicated to St. John the Baptist, patron of and , the promotes devotional practices aligned with Philippine Catholic traditions, including annual feast day observances on that reinforce communal and renewal. Under the leadership of parish priest Msgr. Mario Rafael M. Castillo, it sustains active ministries for family support and , contributing to the diocese's role in nurturing faith amid modern challenges. This continuity highlights the church's integral function in preserving Catholicism's dominance in the through localized pastoral engagement.

National Historical Recognition

The baptistery of the Saint John the Baptist Parish Church in , was declared a National Historical Landmark by the National Historical Institute via Resolution No. 02, series of 1976, dated August 19, 1976, recognizing its significance as the site of José Rizal's baptism. This Level I designation underscores the baptistery's national cultural importance within the church structure. A separate historical marker, installed in 1960 by the (predecessor to the NHCP), commemorates the baptism of national hero on June 22, 1861, performed by parish priest Rufino Collantes with Pedro Casañas as godfather. This Level II marker is affixed within the , highlighting its direct link to Philippine revolutionary history. These recognitions affirm the site's enduring role in preserving key events from the life of Rizal, whose baptismal records and the original font remain preserved, contributing to the church's status as a focal point for historical and national patrimony.

Current Role and Developments

Parish Administration and Community Functions

The Saint John the Baptist Church is administered by Parish Priest Msgr. Mario Rafael M. Castillo, assisted by Parochial Rev. Fr. Jeric Advincula, under the Vicariate of St. within the Roman Catholic Diocese of San Pablo. The parish office is located at Jose P. Rizal Street, Poblacion, Calamba City, Laguna, with contact telephone (049) 545-1565 and email [email protected]. As the central parish for Calamba's area, it fulfills core community functions including the administration of sacraments such as , , , Matrimony, and , alongside regular and spiritual formation programs. Liturgical services feature weekday Masses at 5:30 a.m. and 5:15 p.m. (Monday to Friday), a Saturday anticipated Mass at 6:30 p.m., and multiple Sunday Masses typically starting from 5:00 a.m. The parochial feast on honors St. John the Baptist with special celebrations, processions, and communal gatherings that draw local residents and pilgrims. The parish supports active lay ministries, including the Lectors and Commentators Ministry, which conducts quarterly formation sessions for liturgical readers and responders, as evidenced by events like the October 24, 2025, session led by Rev. Fr. Raymund Owell M. Sadian. It also promotes vocational discernment through initiatives such as "Tawag sa Banal na Orden" (Call to ) and engages in broader diocesan activities, serving as a hub for community prayer, charitable works, and historical-religious tourism linked to nearby sites like the Rizal Shrine. These functions reinforce its role in fostering Catholic devotion amid Calamba's population of approximately 460,000 as of the 2020 census.

Recent Events and Maintenance

The parish maintains the church through ongoing community-driven initiatives, including a project to improve the , which solicits contributions from parishioners to enhance devotional elements. Religious observances continue uninterrupted, exemplified by the procession on April 13, 2025, featuring traditional palaspas blessings and community participation. The structure has endured regional environmental challenges, such as ashfall from the Taal Volcano phreatic eruption on January 12, 2020, which impacted Laguna province with disruptions to infrastructure and services, necessitating cleanup but preserving operational continuity. Similarly, Typhoon Kristine in October 2024 prompted a state of calamity declaration in Calamba due to widespread damage, yet the church sustained no documented structural failures requiring extended closure. Local discussions in February 2025 addressed comprehensive restoration, involving a of agreement between the city government and for full-site repairs, reflecting efforts to safeguard heritage amid wear from age and climate exposure.

References

  1. https://commons.wikimedia.org/wiki/File:CalambaCityChurchjf3103_07.JPG
Add your contribution
Related Hubs
User Avatar
No comments yet.