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Carl Sternheim
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Carl Sternheim
Carl Sternheim (born William Adolph Carl Francke; 1 April 1878 – 3 November 1942) was a German playwright and short story writer. One of the major exponents of German Expressionism, he especially satirized the moral sensibilities of the emerging German middle class during the Wilhelmine period.
Sternheim was born in Leipzig, the son of Rosa Marie Flora (née Francke) (1856–1908) and Carl Julius Sternheim (1852–1918), a banker. His parents married two years after he was born. His father was Jewish, and his mother was a Lutheran from a working-class family. Sternheim grew up in Hannover and Berlin. Between 1897 and 1902, he studied philosophy, psychology, and jurisprudence intermittently at the Universities of Munich, Göttingen, and Leipzig, but never graduated.
In 1900, he began working as a freelance writer in Weimar, where he met and married his first wife Eugenie Hauth the same year. Their union ended in 1906 and he married the writer Thea Löwenstein (née Bauer) in 1907, with whom he had two children. Their daughter Dorothea ("Mopsa") was a resistance fighter during the Second World War and was imprisoned by the Nazis in the Ravensbrück concentration camp.
The wealth brought by Thea from her rich manufacturing family enabled the couple to build the Schloss Bellemaison in Munich. Here, Sternheim worked in the company of fellow artists such as Mechtilde Lichnowsky, Max Reinhardt, and Frank Wedekind. In 1908, he collaborated with Franz Blei to launch the Expressionist literary journal Hyperion, which published the first eight prose works by Franz Kafka. He also contributed occasionally to the Expressionist journal Die Aktion.
In 1912, he relocated with his family to Belgium and in 1918, they fled the fighting of World War I and temporarily moved to St. Moritz and Uttwil in Switzerland. Sternheim and Thea divorced in 1927. His next marriage, to actress and singer Pamela Wedekind, took place in 1930 and lasted until 1934, after which he lived with Henriette Carbonara. Sternheim died in Ixelles (Brussels) during World War II and was buried in the Ixelles Cemetery. A friend of his, Marcel Hastir (1906–2011), was buried in the same tomb.
Sternheim's circle of prominent friends included Gottfried Benn, Carl Einstein, Franz Pfemfert, Walther Rathenau, Ernst Stadler, Hugo von Tschudi, Fritz von Unruh, and Otto Vrieslander. In 1915, he presented the prize money for the Fontane Prize to the then largely unknown Kafka. The Nazi authorities banned Sternheim's work not only because of his partial Jewish descent but also because of his savage comedic assaults on the perceived moral corruption of the German bourgeoisie.
Carl Sternheim collected art. An early admirer of Vincent Van Gogh, in 1912 he lent several paintings from his collection to the International Art Exhibition in Cologne known as the 1912 Sonderbund. The Van Goghs lent by Sternheim included "Still life with coffee pot, dishes and fruit", "Street in Saintes-Maries", and "L'Arlésienne", and "Entrance to the Public Park in Arles".
Sternheim's works remain popular in Germany, but English language productions of them are rare, especially in the UK where there is a long tradition of ignoring plays not first written in English or adapting them in order to lose any foreign cultural specificities. Academics have also argued that Sternheim's works are sometimes hard to sell to the market in foreign languages due to the difficulty in categorising his style as belonging to any one specific movement.
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Carl Sternheim
Carl Sternheim (born William Adolph Carl Francke; 1 April 1878 – 3 November 1942) was a German playwright and short story writer. One of the major exponents of German Expressionism, he especially satirized the moral sensibilities of the emerging German middle class during the Wilhelmine period.
Sternheim was born in Leipzig, the son of Rosa Marie Flora (née Francke) (1856–1908) and Carl Julius Sternheim (1852–1918), a banker. His parents married two years after he was born. His father was Jewish, and his mother was a Lutheran from a working-class family. Sternheim grew up in Hannover and Berlin. Between 1897 and 1902, he studied philosophy, psychology, and jurisprudence intermittently at the Universities of Munich, Göttingen, and Leipzig, but never graduated.
In 1900, he began working as a freelance writer in Weimar, where he met and married his first wife Eugenie Hauth the same year. Their union ended in 1906 and he married the writer Thea Löwenstein (née Bauer) in 1907, with whom he had two children. Their daughter Dorothea ("Mopsa") was a resistance fighter during the Second World War and was imprisoned by the Nazis in the Ravensbrück concentration camp.
The wealth brought by Thea from her rich manufacturing family enabled the couple to build the Schloss Bellemaison in Munich. Here, Sternheim worked in the company of fellow artists such as Mechtilde Lichnowsky, Max Reinhardt, and Frank Wedekind. In 1908, he collaborated with Franz Blei to launch the Expressionist literary journal Hyperion, which published the first eight prose works by Franz Kafka. He also contributed occasionally to the Expressionist journal Die Aktion.
In 1912, he relocated with his family to Belgium and in 1918, they fled the fighting of World War I and temporarily moved to St. Moritz and Uttwil in Switzerland. Sternheim and Thea divorced in 1927. His next marriage, to actress and singer Pamela Wedekind, took place in 1930 and lasted until 1934, after which he lived with Henriette Carbonara. Sternheim died in Ixelles (Brussels) during World War II and was buried in the Ixelles Cemetery. A friend of his, Marcel Hastir (1906–2011), was buried in the same tomb.
Sternheim's circle of prominent friends included Gottfried Benn, Carl Einstein, Franz Pfemfert, Walther Rathenau, Ernst Stadler, Hugo von Tschudi, Fritz von Unruh, and Otto Vrieslander. In 1915, he presented the prize money for the Fontane Prize to the then largely unknown Kafka. The Nazi authorities banned Sternheim's work not only because of his partial Jewish descent but also because of his savage comedic assaults on the perceived moral corruption of the German bourgeoisie.
Carl Sternheim collected art. An early admirer of Vincent Van Gogh, in 1912 he lent several paintings from his collection to the International Art Exhibition in Cologne known as the 1912 Sonderbund. The Van Goghs lent by Sternheim included "Still life with coffee pot, dishes and fruit", "Street in Saintes-Maries", and "L'Arlésienne", and "Entrance to the Public Park in Arles".
Sternheim's works remain popular in Germany, but English language productions of them are rare, especially in the UK where there is a long tradition of ignoring plays not first written in English or adapting them in order to lose any foreign cultural specificities. Academics have also argued that Sternheim's works are sometimes hard to sell to the market in foreign languages due to the difficulty in categorising his style as belonging to any one specific movement.
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