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Chick Churchill
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Key Information
Michael George "Chick" Churchill (born 2 January 1946) is an English keyboard player, who was with the blues rock band Ten Years After.[1]
Early career
[edit]Churchill began playing the piano at the age of six and studied classical music until he was 15. He became interested in blues and rock music, and joined his first band Sons of Adam in Nottingham, as a pianist/keyboardist.
Ten Years After
[edit]In the 1960s, Churchill met Alvin Lee of The Jaybirds, who were the backing band for The Ivy League at the time.[2] At first, Churchill joined the band as its road manager, but he soon became the keyboard player. When he was their road manager, he managed to get the band an audition at the Marquee Club in London.[2] In November 1966, there was a name change to Ten Years After. With this group, Churchill played at major rock festivals including the Woodstock music festival in 1969 (where they performed the songs "Spoonful", "Good Morning Little Schoolgirl", "Hobbit", "I Can't Keep from Crying Sometimes", "Help Me", and "I'm Going Home"),[3] and the Isle of Wight Festival on 29 August 1970.[4]
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Churchill has been in Ten Years After since joining in 1966. He has played on all their records, including their best known tracks "Love Like a Man" (1970) and "I'd Love to Change the World" (1971). In 1973, he recorded a solo album You and Me featuring Rick Davies and Roger Hodgson of Supertramp, Martin Barre of Jethro Tull, and Cozy Powell.[5]
Ten Years After re-formed in 1983 for the Marquee Club's 25th Anniversary, performed two large European festivals in Belgium and Switzerland and were special guests at The Reading Festival.[2] In September 2024, it was announced that the Ten Years After line-up of Ric Lee, Churchill, Marcus Bonfanti, and Colin Hodgkinson had split but that Lee intended to premiere a new line-up in early 2025.[6]
Other works
[edit]Ten Years After broke up in 1976 and Churchill became Professional Manager at Chrysalis Music; the company was then owned by his manager, Chris Wright.[2] In 1977, he left to found Whitsett Churchill Music Publishing with Tim Whitsett, publishing and promoting American artists, especially from the south of the United States, where Whitsett came from.
Following on from this, Churchill furthered the career of The News, a group he managed and signed to a lucrative deal with Polydor Records.[2]
Discography
[edit]Ten Years After
[edit]Solo
[edit]- Album: You and Me – 1973
- Single: "Broken Engagements" – 1973
- Single: "You and Me" / "Come and Join Me" – 1974
References
[edit]- ^ Ruhlmann, William. "Biography: Ten Years After". AllMusic. Retrieved 26 April 2010.
- ^ a b c d e "TEN YEARS AFTER - NOW". 4 March 2015. Archived from the original on 4 March 2015. Retrieved 21 December 2023.
- ^ "Ten Years After: 50 Years of Peace & Music". Bethel Woods Center for the Arts. Retrieved 21 December 2023.
- ^ "TEN YEARS AFTER 1970 - August - Isle Of Wight Festival". Alvinlee.de. Retrieved 21 December 2023.
- ^ "Chick Churchill – You And Me / Come And Join Me". Discogs.com. 2017. Retrieved 19 January 2017.
- ^ Lewry, Fraser (29 September 2024). "Ten Years After are calling it quits but a new Ten Years After will arise". Loudersound.com. Retrieved 17 February 2025.
External links
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Chick Churchill
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Early life
Childhood and education
Michael George Churchill, known professionally as Chick Churchill, was born on 2 January 1946 in Ilkeston, a mining town in Derbyshire, England.[2][4] Churchill began taking piano lessons at the age of six, developing a strong foundation in the instrument during his primary school years.[2] He pursued formal classical music studies, focusing on piano technique and repertoire, which occupied much of his formative education up to the age of fifteen.[5] This period emphasized disciplined practice and traditional composition, shaping his technical proficiency before broader musical explorations. At fifteen, in 1961, Churchill shifted his interests away from classical music toward emerging blues and rock genres, marking a pivotal change in his musical development.[2] This transition reflected the growing popularity of American-influenced sounds in British youth culture during the early 1960s.[5]Early musical influences
At the age of fifteen in 1961, Churchill shifted his musical focus from classical piano to blues and rock, marking a pivotal transition in his development as a musician. This change was influenced by the burgeoning British blues scene, where he began exploring the raw energy of the genre through local records and performances in Nottingham. His classical training provided a strong technical foundation, which he later adapted to the improvisational demands of rock keyboarding.[2][5] Following this shift, Churchill joined his first band, Sons of Adam, a Nottingham-based group active in the early 1960s, where he served as the pianist and keyboardist. The band performed regularly at local venues, including clubs like the Dungeon in Nottingham, honing Churchill's skills in live settings amid the vibrant regional music scene. These early gigs exposed him to the practicalities of ensemble playing in blues-rock contexts, emphasizing rhythmic support and harmonic improvisation over classical structure.[2][6][7] In the mid-1960s, while still with Sons of Adam, Churchill met guitarist Alvin Lee at a local gig, leading to his initial involvement with Lee's band, The Jaybirds. He first joined as road manager but soon transitioned to keyboard player, contributing to their backing role for acts like The Ivy League. This period allowed Churchill to refine his keyboard techniques on electric instruments, such as the Hammond organ, blending his jazz-inflected blues-rock style with the band's emerging sound and adapting classical precision to amplified, high-energy performances.[2][8][9]Ten Years After
Formation and early success
In 1966, Michael George "Chick" Churchill first joined the Nottingham-based band The Jaybirds as their road manager shortly after they relocated to London to serve as the backing group for The Ivy League, before becoming their keyboardist, completing the lineup as Alvin Lee on guitar and vocals, Leo Lyons on bass, and Ric Lee on drums.[10] That November, under new manager Chris Wright, the group rebranded as Ten Years After, drawing the name from the decade since Elvis Presley's 1956 UK tour, and began performing in London's vibrant club scene, including explosive sets at the Marquee Club that showcased their blues-rock energy.[8] The band's self-titled debut album, Ten Years After, released in October 1967 on Deram Records, featured Churchill's prominent Hammond organ work on tracks like "Adventures of a Young Organ" and covers such as "Spoonful," establishing the group's raw blues foundation amid the British blues revival.[11] Though the album did not chart in the UK, it captured their evolving sound through studio recordings produced by Mike Vernon.[12] Their follow-up, the live album Undead, recorded on May 14, 1968, at the intimate Klooks Kleek jazz club in London and released in August that year, highlighted Churchill's improvisational organ solos alongside Lee's fiery guitar, particularly on the extended "I'm Going Home," helping to cement their reputation for dynamic, high-energy performances.[13] The release marked their breakthrough, peaking at number 26 on the UK Albums Chart and spending seven weeks there, while early tours across UK clubs and festivals built a devoted following through word-of-mouth praise for their live prowess.[14]Woodstock performance and peak years
Ten Years After's performance at the Woodstock Music and Art Fair on August 17, 1969, marked a pivotal moment in their rise to international prominence. The band, consisting of Alvin Lee on guitar and vocals, Leo Lyons on bass, Ric Lee on drums, and Chick Churchill on keyboards, delivered a high-energy set that captivated the audience with its blend of blues rock and improvisational jams. Their setlist included "Spoonful," "Good Morning Little Schoolgirl," "Hobbit," "I Can't Keep from Crying Sometimes," "Help Me," and the explosive closer "I'm Going Home," a nearly 10-minute showcase of Lee's blistering guitar work supported by Churchill's rhythmic organ fills.[15][16][17] This performance was prominently featured in the 1970 Woodstock documentary film and soundtrack album, which topped the Billboard 200 and exposed the band to a global audience, propelling them from UK club circuits to major festival headliners.[17] The Woodstock exposure fueled Ten Years After's peak years in the early 1970s, as they released a string of successful albums and embarked on extensive US tours. Their third studio album, Ssssh (1969), peaked at No. 20 on the Billboard 200 and No. 4 in the UK, featuring Churchill's prominent Hammond organ contributions that added depth to tracks like the psychedelic "The Lyceum" and the driving "5000 Miles Beneath My Brain."[18][19] Followed by Cricklewood Green (1970), which reached No. 14 on the Billboard 200 and No. 4 in the UK, the album included the single "Love Like a Man," where Churchill delivered a standout keyboard solo amid Lee's extended guitar improvisation, helping it chart at No. 10 in the UK and No. 98 in the US.[18][12][20][21] A Space in Time (1971) further solidified their commercial peak, hitting No. 17 on the Billboard 200 and No. 36 in the UK, with Churchill's organ and piano work enhancing acoustic-leaning tracks like "Sad Nation" and the hit "I'd Love to Change the World."[22][23] During this period, the band toured the US extensively, playing over 100 shows annually from 1969 to 1973, including major venues like the Fillmore East and supporting acts that amplified their reputation for marathon live sets blending blues intensity with rock energy.[24][16] Band dynamics during these years centered on Alvin Lee's charismatic leadership and virtuoso guitar style, which often dominated performances, while Churchill's steady keyboard presence provided harmonic foundation and occasional solos that balanced the rhythm section of Lyons and Ric Lee. This collaborative yet Lee-focused structure allowed Ten Years After to maintain cohesion amid grueling schedules, recording five albums between 1969 and 1973 that collectively entered the US Billboard 200 twelve times.[18][25] Amid this activity, Churchill recorded his solo debut You and Me in 1973, enlisting guests including Supertramp's Rick Davies and Roger Hodgson on keyboards for select tracks, alongside Jethro Tull's Martin Barre on guitar and drummer Cozy Powell, reflecting his growing individual profile within the band's peak era.[26]Disbandments, reunions, and 2024 split
Ten Years After disbanded in 1974 shortly after the release of their seventh studio album, Positive Vibrations, amid growing internal tensions from relentless touring and Alvin Lee's desire to explore solo endeavors.[27] The departure of Lee, the band's lead guitarist and primary songwriter, marked the end of the classic lineup that had defined their Woodstock-era success, with keyboardist Chick Churchill and drummer Ric Lee stepping away from group activities to pursue individual paths.[28] The band reformed in 1983 with its original quartet—Alvin Lee, Leo Lyons, Chick Churchill, and Ric Lee—for a reunion tour and live recordings, recapturing their blues-rock energy on stages across Europe and the UK.[29] This iteration continued into the 1990s, with extensive touring that included major UK appearances and international dates, maintaining the core sound while Churchill provided the signature organ and piano textures that anchored their performances.[30] By the early 2000s, however, Alvin Lee departed again in 2003 to focus on solo work, leading to a reconfigured lineup featuring vocalist and guitarist Joe Gooch alongside the steadfast rhythm section of bassist Leo Lyons, Churchill, and Ric Lee.[31] Following Leo Lyons' exit in 2014, the band refreshed its sound with bassist Colin Hodgkinson and guitarist/vocalist Marcus Bonfanti joining Churchill and Ric Lee, a configuration that toured globally and released the studio album A Sting in the Tale in 2017, highlighting Churchill's enduring keyboard contributions on tracks blending blues and rock elements.[32] Churchill and Ric Lee remained the only original members throughout these evolutions, ensuring continuity in the band's legacy across multiple iterations.[33] In September 2024, the lineup of Ric Lee, Chick Churchill, Marcus Bonfanti, and Colin Hodgkinson announced an amicable split after a decade together, with final performances held in November 2024 in Germany. Ric Lee revived Ten Years After in early 2025 with new musicians—guitarist and vocalist Samuel C. Lees, bassist and vocalist Craig Fletcher, and keyboardist Dave Burgoyne—excluding Churchill, who retired from touring.[3][33][34]Solo and other projects
You and Me album
Chick Churchill released his only solo album, You and Me, in November 1973 on Chrysalis Records.[35][36] The album was produced by Churchill himself, who also composed all ten tracks and arranged the string sections, allowing him to explore songwriting and arrangements independently from his role in Ten Years After.[37][38] Recorded during the height of Ten Years After's popularity following their Woodstock performance, it marked Churchill's venture into more personal musical expression.[35] The album consists of ten original songs that blend elements of progressive rock, piano rock, and blues rock, emphasizing Churchill's keyboard prowess through piano, organ, Moog synthesizer, and Mellotron.[39] Key tracks include the title song "You and Me," a reflective piece highlighting vocal harmonies and melodic keyboard lines, and "Broken Engagements," which incorporates bluesy undertones with intricate string arrangements.[37] Other notable compositions are "Come and Join Me," an inviting opener with flute and saxophone accents; "Reality in Arrears," a longer progressive-leaning track exceeding seven minutes; and "Ode to an Angel," featuring ethereal Mellotron textures. The full tracklist is as follows:- "Come and Join Me" (5:12)
- "Broken Engagements" (3:08)
- "You and Me" (4:38)
- "Reality in Arrears" (7:05)
- "Dream of Your Maker Man" (3:00)
- "Ode to an Angel" (4:00)
- "You're Not Listening" (2:33)
- "Chiswick Flyover" (2:49)
- "The Youth I Dreamt In Slipped Away" (4:31)
- "Falling Down an Endless Day" (2:59)
Singles and collaborations
Churchill's solo singles emerged from his 1973 album You and Me and were released through Chrysalis Records, leveraging the visibility of his Ten Years After tenure amid the band's temporary disbandment. The debut single, "Broken Engagements" backed with "Dream of Your Maker Man," appeared in 1973 as a 7-inch vinyl release in the UK and select international markets including Spain, Australia, and New Zealand. It garnered limited airplay on UK radio but failed to achieve notable chart positions or widespread commercial impact.[40][41] A follow-up double A-side single, "You and Me" / "Come and Join Me," was issued in 1974, with Churchill handling production duties. Produced in-house at Chrysalis, the release aimed to capitalize on the album's blues-rock style but similarly saw modest promotion and no significant chart success, reflecting the challenges of transitioning from band prominence to solo endeavors in the mid-1970s rock scene.[42] Beyond his solo output, Churchill engaged in select collaborations with contemporary rock acts. Additionally, in 1974, Churchill played piano and arranged the strings on Bridget St. John's album Jumble Queen, released on Chrysalis Records.[43] He provided guest keyboards, including Fender Rhodes electric piano, on UFO's 1975 album Force It, marking the band's first incorporation of that instrument and contributing to its hard rock sound during a pivotal lineup shift. In later years, following Ten Years After's reunions, Churchill delivered keyboard work on the band's 2021 deluxe edition of A Sting in the Tale, supporting the group's refreshed blues-rock direction with new members.[44][45]Music industry career
Role at Chrysalis Music
Following the disbandment of Ten Years After in 1976, Chick Churchill transitioned into the music industry as Professional Manager at Chrysalis Music Ltd.[46] The publishing company was owned by Chris Wright, who had also managed the band during its active years.[2] Churchill held the position until 1977, after which he pursued independent publishing endeavors.[46] This brief tenure represented a pivotal shift from onstage performer to behind-the-scenes executive.[2]Whitsett Churchill Music Publishing
In 1977, Chick Churchill co-founded Whitsett Churchill Music Publishing in London with Tim Whitsett, a former executive who had presided over Stax Records' music publishing division, East/Memphis Music Corp., starting in 1969.[2][47] Leveraging his prior experience as Professional Manager at Chrysalis Music, Churchill brought industry expertise to the partnership, which focused on bridging American talent with international markets.[2] The company's business model centered on publishing and promoting Southern United States artists.[2] This approach capitalized on Whitsett's deep connections in the American South and Churchill's established network in the UK music scene, facilitating the introduction of underrepresented talents to European audiences. A representative example is the company's role in advancing the career of the rock band The News, which Churchill personally managed and signed to a recording deal with Polydor Records.[2] As co-owner, Churchill handled the international promotion and administrative aspects of the business, drawing on his musician contacts to identify and support promising acts, while maintaining his involvement alongside periodic reunions with Ten Years After.[2] This entrepreneurial phase marked a shift for Churchill toward music industry management, emphasizing long-term artist development over performance.Discography
With Ten Years After
Churchill served as the keyboardist for Ten Years After from the band's formation in 1966 through its original run until 1974 and all subsequent reunions until the 2024 split, performing on organ, piano, and other keyboards across their entire recorded output.[46] His contributions emphasized blues-rock textures, often layering Hammond organ riffs and solos that complemented Alvin Lee's guitar work, as heard on early tracks like "Love Like a Man" from Cricklewood Green (1970).[48] While primarily a performer, Churchill received occasional songwriting credits, including writing "Adventures of a Young Organ" on the debut album (1967).[49]Studio Albums
Churchill played keyboards on all of Ten Years After's studio albums during the band's formative and peak years (1967–1974), which captured their evolution from raw blues to more polished rock. These include:- Ten Years After (1967), the debut featuring blues covers and originals like "I Want to Know".
- Stonedhenge (1969), showcasing extended jams such as "Hear Me Calling".
- Ssssh (1969).
- Cricklewood Green (1970), including the single "Love Like a Man".
- Watt (1970), known for psychedelic edges.
- A Space in Time (1971), their biggest commercial success with "I'd Love to Change the World".[48]
- Rock & Roll Music to the World (1972), emphasizing high-energy rockers.
- Positive Vibrations (1974), the final original-run album with reggae influences.
- About Time (1989), marking the first post-Alvin Lee reunion.
- Now (2004), with Joe Gooch on guitar and vocals.[50]
- Evolution (2008), blending classics and new material.
- A Sting in the Tale (2017), celebrating the 50th anniversary with original compositions.[51]
Live and Compilation Releases
Churchill's keyboard work shone in live settings, capturing the band's improvisational energy. Key live albums include Undead (1968), an early breakthrough with the extended "I'm Going Home"; Recorded Live (1973), from a 1972 concert; and Roadworks (2005), a multi-disc set from 2001 tours. The band's Woodstock 1969 performance, where Churchill played organ on the medley "I Can't Keep From Crying Sometimes / Hear Me Calling," appeared on the original soundtrack Woodstock: Music from the Original Soundtrack and More (1970); a full standalone release, Woodstock 1969, followed in 2024. Compilations like The Best of Ten Years After (various editions, e.g., 2000) often highlight his contributions to signature tracks across eras.Solo releases
Chick Churchill released his debut and only solo album, You and Me, in 1973 on Chrysalis Records (CHR 1051, UK vinyl LP).[52] The album features contributions from guests including Rick Davies and Roger Hodgson of Supertramp, Martin Barre of Jethro Tull, Cozy Powell on drums, Leo Lyons on bass, and Gary Pickford-Hopkins on lead vocals for most tracks.[52] The full tracklist is as follows:| Track | Title | Duration | Key Personnel Notes |
|---|---|---|---|
| A1 | Come And Join Me | 5:10 | Bass: Leo Lyons; Drums: Cozy Powell; Guitar: Martin Barre; Lead Vocals: Gary Pickford-Hopkins; Saxophone: Bill Jackman |
| A2 | Broken Engagements | 3:09 | Bass: Leo Lyons; Drums: Ric Lee; Guitar: Martin Barre; Lead Vocals: Gary Pickford-Hopkins |
| A3 | You And Me | 4:41 | Drums: Rick Davies; Guitar/Bass: Roger Hodgson; Lead Vocals: Gary Pickford-Hopkins; Saxophone: Bill Jackman |
| A4 | Reality In Arrears | 7:02 | Bass: Roger Hodgson; Drums: Rick Davies; Guitar: Bernie Marsden; Lead Vocals: Gary Pickford-Hopkins |
| B1 | Dream Of Our Maker Man | 2:58 | Bass: Leo Lyons; Drums: Cozy Powell; Guitar: Martin Barre; Lead Vocals: Gary Pickford-Hopkins |
| B2 | Ode To An Angel | 4:06 | Bass: Roger Hodgson; Drums: Rick Davies; Guitar: Bernie Marsden; Lead Vocals: Gary Pickford-Hopkins |
| B3 | You're Not Listening | 2:39 | Bass: Roger Hodgson; Drums: Rick Davies; Guitar: Bernie Marsden; Lead Vocals: Chick Churchill |
| B4 | Chiswick Flyover | 2:54 | Bass: Leo Lyons; Drums: Cozy Powell; Lead Vocals: Gary Pickford-Hopkins |
| B5 | The Youth I Dreamt In Slipped Away | 4:31 | Bass: Leo Lyons; Drums: Cozy Powell; Guitar: Martin Barre; Lead Vocals: Gary Pickford-Hopkins |
| B6 | Falling Down An Endless Day | 3:06 | Lead Vocals: Chick Churchill |