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Chip Fields
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Chip Fields is an American singer, actress, television director, and producer who has appeared in popular films, television series, and Broadway theatre. She is best known for portraying Linella Gordon, the abusive birth mother of Penny Gordon Woods (played by Janet Jackson), in a four–episode story arc (1977) of the 1970s sitcom Good Times.
Key Information
Early life and career
[edit]Fields began her career as a singer. She joined Ronnie Spector as a Ronette in 1973 and recorded two singles for Buddah Records.[1]
Fields began her acting career as an extra in the 1974 film Claudine. She has had numerous supporting roles and guest appearances on television. She played an unwed mother opposite Patty Weaver in the NBC television soap opera, Days of Our Lives. Also during the 1970s, she played the abusive birth mother of Millicent "Penny" Gordon Woods (Janet Jackson) on the sitcom Good Times.
From 1978 to 1979, she played Rita Conway in the short-lived The Amazing Spider-Man TV series. Rita Conway was J. Jonah Jameson's secretary, the same function as the black Glory Grant from the 1970s comics. She also appeared in What's Happening!!, Hill Street Blues, T. J. Hooker, Roc, Kirk (a short-lived sitcom starring Kirk Cameron), The Wayans Bros., and The Parkers. She played the role of "Laverne", mother to the character "Regine" (played by Kim Fields) on Living Single.
Fields was a consultant for The Parkers, Zenon: Girl of the 21st Century, Living Single, and was a dialogue coach for the film, Menace II Society. She also directed episodes of the popular UPN sitcoms, One on One, All of Us, Girlfriends, The Parkers, as well as episodes of Romeo!, Just Jordan, Hannah Montana, Tyler Perry's House of Payne and Meet the Browns.[2]
Discography
[edit]- 1973 (as Ronnie and the Ronettes) – "Go Out and Get It" b/w "Lover, Lover" (Buddha 384)
- 1974 (as Ronnie Spector and the Ronettes) – "I Wish I Never Saw the Sunshine" b/w "I Wonder What He's Doing" (Buddha 408)
Filmography
[edit]Acting
[edit]Film
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1974 | Claudine | Rioter on Hallway Stairs |
|
[3] |
| 1975 | The Happy Hooker | Red Hat | Biographical-comedy film directed by Nicholas Sgarro | [4] |
| 1978 | Blue Collar | Caroline Brown | Crime drama film directed by Paul Schrader | [5] |
| 1979 | The Lady in Red | Satin | Action-drama/romantic film directed by Lewis Teague | [6] |
| 2004 | Woman Thou Art Loosed | Woman in Church | Drama film directed by Michael Schultz | [7] |
Television
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1974 | Change at 125th Street | Harriet Morse | Made-for-TV movie directed by Bob LaHendro and Michael Schultz | [8] |
| 1975 | Police Story | Girl in Bar | Episode: "Face for a Shadow" (S 3:Ep 6) | |
| 1976 | Good Times | Rochelle | Episode: "J.J.'s New Career, part 2" (S 4:Ep 8) | |
| 1977 | Rhoda | Nurse Franklin | Episode: "A Night in the Emergency Room" (S 3:Ep 16) | |
| Days of Our Lives | Toni Johnson | Episode: "Episode #1.2962" (S 12:Ep 962) | ||
| What's Happening!! | Norma | Episode: "From Here to Maternity" (S 1:Ep 21) | ||
| Good Times | Lynetta Gordon | Season 5, episodes 1–3 "The Evans Get Involved" | ||
| What's Happening!! | Donna | Episode: "Give Me Odds" (S 2:Ep 8) | ||
| Freeman | Osa Lee | Made-for-TV movie directed by Lloyd Richards. | ||
| 1978 | Barnaby Jones | Kelly Johnson | Episode: "A Ransom in Diamonds" (S 6:Ep 16) | |
| Battered | Ginny Sinclair | Made-for-TV-Movie directed by Peter Werner. | [9] | |
| 1978–79 | The Amazing Spider-Man | Rita Conway | Recurring | |
| 1979 | What's Happening!! | Donna | Episode: "Food Poisoning" (S 3:Ep 16) | |
| Good Times | Linella Gordon | Episode: "A Matter of Mothers" (S 6:Ep 21) | ||
| 1980 | The Night the City Screamed | Yvonne Clements | Made-for-TV-Movie directed by Harry Falk. | [10] |
| 1982 | Hill Street Blues | Mrs. Halloran | Episode: "The Shooter" (S 2:Ep 17) | |
| The Facts of Life Goes to Paris | Louise | Made-for-TV movie directed by Asaad Kelada. | [11] | |
| 1984 | T. J. Hooker | Carolyn Webster | Episode: "Anatomy of a Killing" (S 4:Ep 5) | |
| The Facts of Life | Diane Ramsey | Episode: "Mother and Daughter" (S 5:Ep 21) | ||
| 1986 | Episode: "The Graduate" (S 7:Ep 23) | |||
| 1992 | Roc | Ms. Wilson | Episode: " No Notes Is Good Notes" (S 1:Ep 16) | |
| 1993 | Where I Live | Bonita | Episode: "The Terminator" (S 1:Ep 13) | |
| Living Single | Bar Patron | Episode: "Living Kringle" (S 1:Ep 15) | ||
| 1994 | Bev | Episode: "The Hand That Robs the Cradle" (S 1:Ep 17) | ||
| Laverne Hunter | Episode: "She Ain't Heavy, She My Mother" (S 1:Ep 26) | |||
| 1995 | Episode: "To Grandmother's House We Go" (S 2:Ep 25) | |||
| Episode: "Talk Showdown" (S 2:Ep 26) | ||||
| Episode: "Come Back Little Diva" (S 3:Ep 1) | ||||
| Episode: "Rags to Riches" (S 3:Ep 5) | ||||
| 1996 | Kirk | Nurse | Episode" Operation Kirk" (S 1:Ep 20) | |
| Living Single | Laverne Hunter | Episode: "Compromising Positions" (S 3:Ep 26) | ||
| 1997 | Episode: "Mother Inferior" (S 4:Ep 13) | |||
| Episode: "Never Can Say Goodbye" (S 4:Ep 24) | ||||
| Woman | Episode: "Up the Ladder Through the Roof" (S 5:Ep 6) | |||
| Laverne Hunter | Episode: "Three Men and a Buckeye" (S 5:Ep 8) | |||
| 1998 | The Wayans Bros. | Susan Sparks | Episode: "Escorting Ain't Easy" (S 5:Ep 6) | |
| 2000 | The Parkers | Wilma McCoy | Episode: "Turkey Day Blues" (S 2:Ep 10) | |
| 2007 | Just Jordan | Gert | Episode: "Fist of Funny" (S 1:Ep 8) |
Production
[edit]Film
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1993 | Menace II Society | Dialogue coach | Hood drama thriller film directed by Allen and Albert Hughes | [12] |
Television
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1993–94 | Hangin' with Mr. Cooper | Consultant | Television sitcom | |
| Living Single | ||||
| 1994 | Me and the Boys | Dialogue consultant | ||
| Hangin' with Mr. Cooper | Director | Episode: "Groom & Bride" (S 2:Ep 21) | ||
| 1997 | Arsenio | Consultant | Television sitcom | |
| 1999 | Zenon: Girl of the 21st Century | Disney Channel Original Movie directed by Kenneth Johnson | [13] | |
| Sister, Sister | Director | Episode: "The Road Less Traveled" (S 6:Ep 21) | ||
| 2000–03 | The Parkers | Consultant (69 episodes)/Director (4 episodes) | Television sitcom | |
| 2001 | Girlfriends | Director | Episode: "You Better Watch Out" (S 2:Ep 11) | |
| 2003–05 | Romeo! | Television sitcom (7 episodes) | ||
| 2003–06 | One on One | Television sitcom (5 episodes) | ||
| 2005 | All of Us | Episode: "If You Can't Stand the Heat" (S 3:Ep 2) | ||
| 2006 | Hannah Montana | Episode: "You're So Vain, You Probably Think This Zit Is About You" (S 1:Ep 13) | ||
| 2007 | Ned's Declassified School Survival Guide | Television sitcom (3 episodes) | ||
| Just Jordan | Television sitcom (4 episodes) | |||
| 2009 | Meet the Browns | Television sitcom (2 episodes) | ||
| 2009–12 | House of Payne | Television sitcom (12 episodes) | ||
| 2020–25 | Young Dylan | Television sitcom (44 episodes) |
References
[edit]- ^ Clemente, John (2013). Girl Groups: Fabulous Females Who Rocked the World. AuthorHouse. p. 408. ISBN 978-1-4772-7633-4.
- ^ "Chip Fields Filmography". Movies & TV Dept. The New York Times. 2012. Archived from the original on November 4, 2012. Retrieved June 30, 2011.
- ^ "Claudine". Turner Classic Movies. Archived from the original on February 1, 2012. Retrieved March 15, 2016.
- ^ "The Happy Hooker". Turner Classic Movies. Archived from the original on October 15, 2020. Retrieved March 15, 2016.
- ^ "Blue Collar". Turner Classic Movies. Archived from the original on September 15, 2011. Retrieved March 15, 2016.
- ^ "The Lady in Red". Turner Classic Movies. Archived from the original on November 19, 2020. Retrieved March 15, 2016.
- ^ "Woman Thou Art Loosed". Turner Classic Movies. Archived from the original on June 7, 2013. Retrieved March 15, 2016.
- ^ "Change at 125th Street". Turner Classic Movies. Archived from the original on March 19, 2016. Retrieved March 15, 2016.
- ^ "Battered". Turner Classic Movies. Archived from the original on November 13, 2011. Retrieved March 15, 2016.
- ^ "The Night the City Screamed". Turner Classic Movies. Archived from the original on May 17, 2021. Retrieved March 15, 2016.
- ^ "The Facts of Life Goes to Paris". Turner Classic Movies. Archived from the original on October 12, 2020. Retrieved March 15, 2016.
- ^ "Menace II Society". Turner Classic Movies. Archived from the original on January 1, 2016. Retrieved March 15, 2016.
- ^ "Zenon: Girl of the 21st Century". Turner Classic Movies. Archived from the original on April 13, 2021. Retrieved March 15, 2016.
External links
[edit]- Chip Fields at IMDb
- Chip Fields at the Internet Broadway Database
Chip Fields
View on GrokipediaEarly life
Childhood and family
Laverne Fields, known professionally as Chip Fields, was born on August 5, 1951, in New York City.[2] She was raised in a small town in Virginia by her aunt and uncle until the age of seven, after which she moved to the Harlem neighborhood with her mother, Patsy Styles, a former chorus line dancer for Pearl Bailey, and her older sister, Patricia.[4] Growing up in Harlem during the 1950s and 1960s, she was immersed in a culturally rich urban environment that influenced her interests in the performing arts, including singing.[4] Although details on her immediate family beyond this are limited in public records, Fields later expanded her own family as the mother of actresses Kim Fields and Alexis Fields.[5]Education and initial influences
Laverne Fields, known as Chip Fields, received her early education in New York City's public schools during the 1960s.[6] Growing up in a culturally vibrant environment, she developed an early passion for the performing arts, particularly music and theater.[6] She was accepted into the prestigious New York High School of Performing Arts, located on West 46th Street, where she honed her skills, including taking movement classes.[4] The school's rigorous training program provided a foundational influence on her artistic development during her high school years.[7] Fields' initial influences were shaped by the dynamic cultural scene of 1960s New York, including the ongoing Civil Rights movement and lingering echoes of the Harlem Renaissance.[8] These experiences, combined with exposure to Broadway musicals like South Pacific, ignited her lifelong commitment to entertainment.[9]Career beginnings
Early acting roles
Chip Fields entered the professional acting world in 1974 with an uncredited role as a rioter on the hallway stairs in the film Claudine, a romantic comedy-drama starring Diahann Carroll and James Earl Jones that highlighted the struggles of a welfare mother in Harlem.[10] That same year, she secured her first credited television appearance as Harriet Morse in the ABC TV movie Change at 125th Street, a drama exploring racial tensions in New York City.[11] Throughout the mid-1970s, Fields built her resume with minor guest spots on popular series, including appearances on Rhoda (1977) as Nurse Franklin and What's Happening!! (1977 and 1979), where she portrayed two different characters: Rerun's sister Donna in one episode and Shirley's sister Norma in another. These roles, though brief, provided essential exposure in an industry with limited opportunities for Black actresses, often confining them to supporting or stereotypical parts amid the era's evolving but still restrictive landscape for diverse representation.[1] Fields' breakthrough came in 1977 with a pivotal four-episode arc on the CBS sitcom Good Times, where she played Lynetta Gordon, the abusive birth mother of the character Penny Gordon Woods (Janet Jackson), in Season 5 episodes 18–21, a storyline addressing child abuse that garnered significant attention for its emotional depth, social commentary, and status as one of the first such depictions on television.[12] This role marked her first substantial dramatic turn and elevated her profile, demonstrating her range beyond comedic guest spots. Later that year, she landed a recurring role as Rita Conway, the secretary to J. Jonah Jameson at the Daily Bugle, on the CBS superhero series The Amazing Spider-Man (1977–1979), appearing in 10 episodes and contributing to the show's newsroom dynamics alongside Nicholas Hammond's Peter Parker.[13] These opportunities, secured through persistent auditions in Los Angeles after relocating from New York, solidified her presence in 1970s television and paved the way for further work.Transition to music and stage
Fields made her Broadway debut in 1972 in the comedy play Tough to Get Help, portraying the dual roles of Carlotta and Young Beulah in a production that explored themes of racial and social dynamics in a one-night stand at the Belasco Theatre.[14] The show's brief run highlighted emerging Black theater voices but received limited critical attention due to its short duration.[14] In 1973, Fields pivoted toward music, joining Ronnie Spector to reform The Ronettes alongside Denise Edwards, signing with Buddah Records and recording two singles: "Go Out and Get It" b/w "Lover, Lover" and "I Wish I Never Saw the Sunshine."[15] These releases marked her entry into the recording industry, blending her vocal talents with the girl group sound, though they did not achieve chart success.[16] Fields balanced her burgeoning acting career—built on early television guest spots—with musical theater pursuits, returning to Broadway in 1975 as Minnie Fay in the all-Black revival of Hello, Dolly! starring Pearl Bailey.[17] The production, which ran for 46 performances before touring, earned praise for its vibrant energy and innovative casting, revitalizing the classic musical and showcasing Fields' comedic timing in ensemble numbers.[17] Throughout the late 1970s, she continued stage work in regional and off-Broadway venues, diversifying her performance repertoire amid television commitments.Acting career
Television appearances
Chip Fields began her television career with notable guest and recurring roles in the 1970s, showcasing her versatility in dramatic and supporting capacities. In 1977, she portrayed Linella Gordon, the abusive biological mother of young Penny Woods (played by Janet Jackson), in a four-episode arc on the CBS sitcom Good Times. This storyline addressed child abuse—a rare and serious topic for a sitcom at the time—depicting Gordon's cycle of violence stemming from her own traumatic past, which culminated in her arrest after attempting to reclaim Penny. The role earned Fields praise for its emotional intensity and contributed to broader cultural discussions on domestic violence in Black families during the era.[18][19] From 1978 to 1979, Fields had a recurring role as Rita Conway, the loyal secretary to J. Jonah Jameson on the CBS superhero series The Amazing Spider-Man, appearing in multiple episodes as a grounded, professional figure amid the show's action-oriented narrative. Her performance provided comic relief and stability to the ensemble, highlighting her ability to blend into ensemble casts. This period marked her transition from one-off dramatic turns to more sustained supporting work in genre television.[20] Fields' most prominent television role came in the 1990s as Laverne Hunter, the no-nonsense yet loving mother to Regine Hunter (portrayed by her real-life daughter Kim Fields), on the Fox sitcom Living Single from 1993 to 1998. Appearing in over a dozen episodes across five seasons, Laverne's arc evolved from a meddlesome parent interfering in Regine's romantic and professional life to a source of wisdom and humor, often delivering sharp one-liners about family dynamics and relationships. The casting added authentic mother-daughter chemistry, enhancing the show's portrayal of strong Black women and intergenerational bonds, which resonated with audiences and underscored Living Single's cultural impact as a trailblazing ensemble comedy.[21] Throughout the 1980s and 1990s, Fields made impactful guest appearances on several acclaimed series, often embodying resilient maternal or community figures. She guest-starred as Donna and Norma on What's Happening!! (1977, 1979), a single mother navigating urban life; as Mrs. Halloran on Hill Street Blues (1982), contributing to the show's gritty police procedural drama; and as Carolyn Webster on T.J. Hooker (1984), showcasing her in action roles. In the 1990s, she appeared as Ms. Wilson on Roc (1992), adding familial warmth to the working-class comedy, and as Susan Sparks on The Wayans Bros. (1998), a recurring neighbor in the family-oriented sitcom. She also guest-starred in various maternal roles on Sister, Sister (1994–1995). These roles reflected her evolving TV persona from intense dramatic supporting characters to warm, comedic maternal archetypes, influencing portrayals of Black women in ensemble television.[22][2] In the 2000s, Fields continued with cameo and voice work, including a guest spot on The Parkers (2000, 2002) as Wilma McCoy, maintaining her presence in family comedies while emphasizing themes of empowerment and humor. Her later appearances, such as on The Facts of Life (1990), further solidified her legacy in transitional roles that bridged generations of Black sitcom storytelling.[12][1]Film roles
Chip Fields made her feature film debut as an uncredited rioter on the hallway stairs in the social drama Claudine (1974), a story centered on welfare struggles and family dynamics in Harlem.[23] Her early roles often placed her in ensemble casts exploring urban life and racial themes, reflecting the era's focus on Black experiences in American cinema. In 1975, she appeared as Red Hat in the biographical comedy The Happy Hooker, a lighthearted adaptation of Xaviera Hollander's memoir that satirized New York's sex industry. Fields' performance contributed to the film's ensemble of colorful characters navigating personal freedoms and societal taboos. One of her most notable film roles came in Paul Schrader's Blue Collar (1978), where she portrayed Caroline Brown, the wife of factory worker Zeke Brown (played by Richard Pryor).[24] In this gritty crime drama, Fields collaborated with Pryor, Harvey Keitel, and Yaphet Kotto as three disillusioned autoworkers whose botched robbery exposes corruption in labor unions and racial tensions in Detroit's working-class communities.[25] Her character's domestic scenes underscored the film's critique of economic exploitation and family strain under industrial pressures. Fields continued with supporting parts in the 1970s and 1980s, including Satin in the action-drama The Lady in Red (1979), a biopic of gangster John Dillinger's mistress that highlighted Prohibition-era crime and female agency in a male-dominated underworld. These roles exemplified her selective involvement in projects addressing social issues like inequality and empowerment through strong ensemble dynamics. In the 2000s, Fields returned to film with a small but poignant appearance as a woman in church in Woman Thou Art Loosed (2004), a faith-based drama directed by Michael Schultz that tackles themes of abuse, redemption, and spiritual healing in African American communities.[26] Throughout her film career, Fields' contributions emphasized authentic portrayals in narratives focused on societal challenges, often within collaborative casts that amplified marginalized voices.Broadway and theater work
Chip Fields began her professional stage career in New York theater, starting with work in regional ensembles before transitioning to Broadway. In the early 1970s, she was a member of the Al Fann Theatrical Ensemble, a Harlem-based repertory company that provided training and performance opportunities for emerging Black actors, helping to build her foundational skills in live performance.[4] Fields made her Broadway debut in the short-lived comedy Tough to Get Help on May 4, 1972, at the Royale Theatre, where she portrayed dual roles as Carlotta and Young Beulah in a play about domestic service and racial dynamics, directed by Carl Reiner and featuring John Amos.[14][27] The production closed after one performance, but Fields' involvement marked her entry into major theater.[28] She achieved greater prominence in the all-Black revival of Hello, Dolly! that opened on November 6, 1975, at the Minskoff Theatre, starring Pearl Bailey as Dolly Levi. Fields played the supporting role of Minnie Fay, Dolly's milliner assistant, contributing to the show's energetic ensemble through song and dance numbers in this Jerry Herman musical.[29] The limited engagement ran through December 27, 1975, and Fields had joined the production during its national tour earlier that year, performing opposite Bailey and Billy Daniels.[4] Her casting came after an impromptu audition where Bailey hired her on the spot following a song and dance demonstration, highlighting Fields' versatility in musical theater.[30] In 1987, Fields returned to Broadway in the musical revue Don't Get God Started!, which opened on October 29 at the Longacre Theatre and ran for 73 performances. She starred in multiple roles, including Sylvia and Barbara Ann, in this gospel-infused production written and directed by Bennett Roberts, celebrating African American church experiences through song and sketches. Fields' theater work, particularly in musical revues and comedies, refined her acting technique by emphasizing ensemble dynamics, improvisation, and vocal projection, skills that later informed her television and directing career. Her stage experiences in New York, including revivals like Hello, Dolly!, also enhanced her voice training through rigorous rehearsal of songs and dialogue delivery in live settings.[4]Directing and production work
Television directing credits
Chip Fields began her directing career in the 1990s, leveraging her extensive acting experience to helm episodes of family-oriented sitcoms. Her first television directing credit came in 1994 on Hangin' with Mr. Cooper, where she contributed to the show's lighthearted ensemble dynamics.[11] This marked a pivotal shift from on-screen roles, including guest appearances on shows like The Facts of Life, to behind-the-camera work that emphasized collaborative storytelling in multi-camera formats.[3] Throughout the late 1990s and early 2000s, Fields directed episodes of influential UPN sitcoms centered on Black family life and friendships, such as The Parkers (4 episodes), Girlfriends (1 episode), One on One (5 episodes), and All of Us (including the 2005 episode "If You Can't Stand the Heat").[3][31] Her approach often highlighted efficient pacing and character-driven humor, drawing from her performer background to foster natural performances on tight shooting schedules typical of 1990s network television. She also directed for Sister, Sister (1 episode) and Romeo! (1 episode), contributing to the era's wave of youth-focused comedies that promoted positive representations of African American experiences.[3] Fields expanded into broader audiences with directing stints on Disney's Hannah Montana (2 episodes in 2006) and Nickelodeon's Ned's Declassified School Survival Guide (1 episode in 2005), adapting her style to whimsical, teen-centric narratives.[32] In the 2010s, she helmed 54 episodes of Tyler Perry's House of Payne from 2009 to 2012, focusing on multigenerational family conflicts with a blend of broad comedy and heartfelt moments.[2] By the 2020s, Fields continued her prolific output as a go-to director for Tyler Perry productions, including 44 episodes of Tyler Perry's Young Dylan from 2020 to 2025, such as the 2021 episode "Taking Credit," where she guided young talent through improvisational scenes emphasizing mentorship themes.[22][33] Her work on these modern sitcoms underscores a consistent emphasis on uplifting, relatable content for diverse viewers, solidifying her legacy in television direction as of 2025.[3]Producing and consulting roles
Chip Fields has made significant contributions behind the scenes in television and film production, leveraging her extensive acting experience to serve as a consultant and dialogue coach on several notable projects. In the 1990s, she worked as a dialogue coach on the influential crime drama Menace II Society (1993), where she assisted with script refinement and performance coaching to ensure authentic portrayals of urban life and character interactions. Her role helped enhance the film's realistic dialogue, drawing from her own background in acting to guide actors through nuanced emotional deliveries. Additionally, Fields acted as production staff on the blaxploitation film Come Back Charleston Blue (1972), contributing to early logistical and creative aspects of the production during her nascent career transition.[22] Throughout the late 1990s and early 2000s, Fields expanded her consulting work on family-oriented and sitcom programming, providing expertise on set dynamics and creative development. She served as a consultant on the Disney Channel's science fiction adventure Zenon: Girl of the 21st Century (1999), offering insights into character development and production flow for the teen-targeted film. On the UPN sitcom The Parkers (2000–2003), Fields was credited as a consultant, where she advised on script adjustments and ensured cultural resonance in storylines featuring Black family dynamics, informed by her prior acting roles in similar genres. Her contributions extended to Me and the Boys (1994–1995), as dialogue consultant, focusing on refining comedic timing and conversational authenticity in the family comedy series.[22] This role marked an early step in her shift toward more comprehensive production involvement, utilizing her industry knowledge to bridge acting and production perspectives. While her producing credits are more limited, Fields co-produced and oversaw the development of the annual theatrical production The Passion Play, which has been adapted for television broadcasts, demonstrating her executive oversight in blending stage and screen elements.[3]Music career
Recording discography
Chip Fields began her recording career as a backing vocalist with Ronnie Spector and the Ronettes, contributing to two singles released on Buddah Records. The group's 1973 release "Go Out and Get It" backed with "Lover, Lover" (Buddha 384) marked their comeback attempt in the post-Philles era, featuring a soul-infused sound reflective of early 1970s R&B trends. This was followed in 1974 by "I Wish I Never Saw the Sunshine," a cover of the Ronettes' original 1965 track, produced under the billing Ronnie Spector and the Ronettes.[34][35] In 1978, Fields released her solo debut album Who Am I on the independent label Wise Owl Productions (catalog 604), an R&B/soul effort emphasizing introspective themes of self-identity and empowerment. Produced by her own Wise Owl Productions, the album showcased her versatile vocals over funky grooves and ballads, with contributions from her daughter Kim Fields on select tracks. The track listing is as follows:| Side | Track | Title |
|---|---|---|
| A1 | 1 | Who Am I |
| A2 | 2 | I Am Who You Are |
| A3 | 3 | In My Reflection |
| A4 | 4 | Look Way Down Deep On The Inside |
| A5 | 5 | Crying Is O.K. |
| B1 | 1 | I Can Make It |
| B2 | 2 | Bittersweet |
| B3 | 3 | I Got The Feelin' |
| B4 | 4 | It Don't Matter |
