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Rhoda
First season title card (1974–1975)
GenreSitcom
Created by
Based onRhoda Morgenstern
by James L. Brooks and Allan Burns
Developed by
Starring
Theme music composerBilly Goldenberg
ComposerBilly Goldenberg
Country of originUnited States
Original languageEnglish
No. of seasons5
No. of episodes110 (list of episodes)
Production
Production locations
Running time25–26 minutes
Production companyMTM Enterprises
Original release
NetworkCBS
ReleaseSeptember 9, 1974 (1974-09-09) –
December 9, 1978 (1978-12-09)
Related

Rhoda is an American sitcom television series created by James L. Brooks and Allan Burns starring Valerie Harper that originally aired on CBS for five seasons from September 9, 1974, to December 9, 1978.[1] It was the first spin-off of The Mary Tyler Moore Show in which Harper reprised her role as Rhoda Morgenstern, a spunky and flamboyantly fashioned young woman seen as unconventional by the standards of her Jewish family from New York City. The series was originally distributed by Viacom Enterprises.[2]

Rhoda begins as the character returns to New York where she soon meets and marries Joe Gerard (David Groh). The series' third season chronicles the characters' separation and Rhoda's later seasons revolved mainly around the character's misadventures as a single divorcée. Main co-stars included Julie Kavner as Rhoda's sister Brenda alongside Nancy Walker as their mother Ida Morgenstern. Other co-stars throughout the series included The Mary Tyler Moore Show writer Lorenzo Music as Rhoda and Brenda's scarcely seen doorman Carlton, Harold Gould as their father Martin Morgenstern, Ron Silver as their neighbor Gary Levy, Ray Buktenica as Brenda's boyfriend and later fiancé Benny Goodwin, and Kenneth McMillan as Rhoda's boss Jack Doyle.

A large ratings success during its first two seasons, Rhoda's viewership suffered following the creative decision to dissolve the marriage of Rhoda and Joe as series creators Brooks and Burns believed that the title character had lost her "edge" as a married woman.[3][4] The series' later seasons failed to recapture the commercial success it had initially enjoyed and CBS ultimately cancelled Rhoda midway through its fifth season in 1978, leaving a few unaired episodes that later appeared in syndication. Rhoda was the recipient of two Golden Globe Awards and two Primetime Emmy Awards, and was filmed Friday evenings in front of a live studio audience at CBS Studio Center, Stage 14 in Studio City, Los Angeles, California.

Broadcast history

[edit]
SeasonEpisodesOriginally releasedRankRating
First releasedLast released
125September 9, 1974 (1974-09-09)March 10, 1975 (1975-03-10)6[5]26.3
224September 8, 1975 (1975-09-08)March 1, 1976 (1976-03-01)7[6]24.4
324September 20, 1976 (1976-09-20)March 13, 1977 (1977-03-13)33[7]19.7
424October 2, 1977 (1977-10-02)April 23, 1978 (1978-04-23)25[8]20.1
513September 23, 1978 (1978-09-23)December 9, 1978 (1978-12-09)95[9]12.7

Synopsis

[edit]

Seasons 1 and 2 (1974–1976)

[edit]

"My name is Rhoda Morgenstern. I was born in the Bronx, New York in December, 1941. I've always felt responsible for World War II. The first thing I remember liking that liked me back was food. I had a bad puberty; it lasted 17 years. I'm a high school graduate. I went to art school. My entrance exam was on a book of matches. I decided to move out of the house when I was 24; my mother still refers to this as the time I ran away from home. Eventually I ran to Minneapolis where it's cold, and I figured I'd keep better. Now I'm back in Manhattan. New York, this is your last chance!"

Rhoda Morgenstern's opening narration from Season 1.

The pilot episode, entitled "Joe", aired on CBS on Monday, September 9, 1974, at 9:30 p.m. and immediately set a record by being the first television series ever to achieve a number-one Nielsen rating for its premiere episode, defeating the ABC ratings juggernaut, Monday Night Football in the process. ABC aired a college football game, Notre Dame versus Georgia Tech, to fill a gap one week before the start of the NFL season.

The episode opens with Rhoda Morgenstern traveling from her home in Minneapolis to New York City, where she was born and raised, for a two-week vacation, staying with her younger sister, Brenda (Julie Kavner). Brenda works as a bank teller and suffers from low self-esteem exacerbated by dating problems, similar to how Rhoda herself had experienced difficulty in dating in Minneapolis in the early years of The Mary Tyler Moore Show.

Rhoda is staying with Brenda for a vacation; Brenda and Ida think it will be for longer than that.

While there, she meets Joe Gerard (David Groh), a handsome divorcé who owns a wrecking company and has a ten-year-old son, Donny, whom Brenda babysits. Following Brenda's prompting, Rhoda and Joe meet and develop an instant attraction to each other which leads to their dating nightly for the duration of her vacation. After an argument about their feelings for each other, Joe asks Rhoda to stay in New York City, which she does, initially moving in with Brenda at 332 E. 64th Street (however, actual exterior shots are of 332 East 84th Street, between 1st and 2nd Avenues on the southeast end of the block).

Rhoda and Brenda soon realize that the small studio apartment can't hold them both, so Rhoda moves in with their parents Ida (Nancy Walker) and Martin (Harold Gould) at their apartment in The Bronx. Ida and Martin are the stereotypical Jewish parents. Ida is overbearing, overprotective, benevolently manipulative, and desperate to ensure her daughters find good husbands. Martin is her dutiful, mild-mannered husband. Ida initially goes to great lengths to baby her daughter. When it becomes apparent Rhoda is sliding into a rut by occupying her childhood bedroom, Ida forces her to move out for her own good.

Joe asks Rhoda to move in with him.

As the weeks go by, the relationship between Joe and Rhoda quickly blossoms. By the sixth episode, "Pop Goes the Question", an insecure Rhoda asks Joe where their relationship is heading. His response is to invite Rhoda to move in with him. After some careful thought, and consultation with her sister and father, Rhoda accepts Joe's invitation, but within minutes of moving in decides that rather than living together out of wedlock she prefers to be married. Rhoda attempts to convince Joe that they are very compatible and would be a happily married couple. After some hesitation, Joe agrees and a wedding is planned.

Rhoda's wedding

[edit]
Rhoda and Joe.

Eight weeks into the series, on Monday, October 28, 1974, Rhoda and Joe were married in a special hour-long episode that broke several television viewership records. Heavily publicized, it became the highest-rated television episode of the 1970s, a record it held until the miniseries Roots claimed that achievement in 1977.[10] Additionally, on the night of its airing it became the second-most-watched television episode of all time, surpassed only by the 1953 episode of I Love Lucy in which Little Ricky was born.[11][12]

It was watched by more than 52 million Americans, over half of the US viewing audience, and is still the second most-watched primetime wedding (Max Klinger's wedding in the final episode of M*A*S*H had 110 million viewers but was not the main plotline). At the conclusion of the episode, Monday Night Football host Howard Cosell joked on ABC that he had not been invited to the wedding, and welcomed viewers back to the game.[13][14] Hundreds of "wedding parties" were held by fans across the United States on the night of the episode to celebrate the television wedding, and within days the CBS-TV studios were inundated with wedding gifts sent in by fans for the fictional Joe and Rhoda Gerard.[15] The episode was overwhelmingly praised by critics, widely touted as a "television phenomenon",[12] "unlike anything that had happened on television for nearly twenty years", and garnered Harper her fourth Emmy award in 1975.[16] Vogue magazine reported that people across the country had pulled off the road checking into motels, and that friends had canceled dinner invitations (feigning illness), just to watch Rhoda's wedding.[17]

The wedding episode featured guest appearances by many of the main characters from The Mary Tyler Moore Show, including Mary Richards (Mary Tyler Moore), Lou Grant (Edward Asner), Murray Slaughter (Gavin MacLeod), Georgette Franklin (Georgia Engel), and Phyllis Lindstrom (Cloris Leachman). The only major characters who didn't attend were Ted Baxter (Ted Knight) and Sue Ann Nivens (Betty White).[why?]

In The Mary Tyler Moore Show episode "The New Sue Ann", airing Saturday, October 26, 1974, two days before "Rhoda's Wedding", the characters frequently discuss the upcoming event and buy wedding gifts. At the end of the episode Murray and Lou leave the TV station to drive Mary to the airport. During "Rhoda's Wedding" it is revealed that on a lark Lou and Murray have decided to fly to New York with Mary to surprise Rhoda. Her frequent nemesis, Phyllis, who intentionally had not been invited, nonetheless flies in for the wedding, and Mary and Rhoda's friend, Georgette, drives in from Minneapolis.

During the episode, Phyllis asks for the opportunity to participate in the wedding and is appointed the responsibility to pick up Rhoda at Brenda's Manhattan apartment and drive her to her parents' apartment in the Bronx, where the ceremony is being held. The self-absorbed and forgetful Phyllis neglects to keep her promise. This forces Rhoda to take the subway, running through the streets of Manhattan and the Bronx fully regaled in her wedding dress and veil and dashing into her parents' apartment building in one of the most memorable moments in the history of series television.[18][19]

In a state of shock, Ida refuses Phyllis's profuse apologies, saying "I'll kill you". Phyllis begs everyone in the room to forgive her, but the only one who does is Georgette, who then suggests to Phyllis that she leave before Rhoda arrives. The episode also features special closing credits, showing additional footage of Rhoda (Harper) running down a Manhattan street in her wedding dress and veil accompanied by an alternative version of the theme song played to the tune of Mendelssohn's Wedding March.[20]

Vivian Vance guest stars in the episode "Friends and Mothers" (1975).

For the remainder of the first and second seasons, the show focuses on Rhoda and Joe's new married life. The two move into a penthouse suite in the same building as Brenda. Rhoda advances in her career as a window dresser by opening up a small window dressing business called "Windows by Rhoda" with her old high school friend Myrna Morgenstein (Barbara Sharma). Rhoda uses her own maiden surname "Morgenstern" in her professional dealings as a window dresser and her married surname "Gerard" in her personal life.

During this period, the show was a massive ratings hit on Monday nights, staying near the top of the ratings in both seasons, even faring better than its parent, The Mary Tyler Moore Show. In early seasons, the closing credits of the series featured Rhoda on a New York street trying to imitate Mary Tyler Moore's trademark hat toss, but the cap slips from Rhoda's hand before she can throw it. Upon moving from The Mary Tyler Moore Show to her own eponymous series, Rhoda's Jewish religious and ethnic background seemed to fade as she was no longer unique, and would be surrounded by a host of New Yorkers of different religions and ethnicities.[21]

Throughout the tenure of Rhoda Morgenstern's character being featured on The Mary Tyler Moore Show, her "Jewishness" was discussed on several episodes. Such episodes included: "Some of My Best Friends are Rhoda" from which the subject of anti-Semitism was covered; "Enter Rhoda's Parents", from which Rhoda's parents renewed their wedding vows by a rabbi; and "A Girl's Best Mother Is Not Her Friend", in which Ida wanted to fix Mary up with an eligible bachelor, a man whom she'd deemed inappropriate for Rhoda, as he wasn't Jewish. This candid expression of "Jewishness" changed, however, when Rhoda was spun off in 1974. During the first season of Rhoda, the representation of Rhoda Morgenstern altered from her parent show to fit a more mainstream audience: she was trimmer, more confident, and less "Jewish".[22] Throughout the first season, there were scant references about Rhoda's "Jewishness".

Moreover, there was even a Christmas episode with no mention of the character's Jewish background entitled, "Guess What I Got You for the Holidays". Thus, the creation of Rhoda's own series stifled the representation of "Jewishness" – as Charlotte Brown, the executive producer of Rhoda, conveyed in an interview the display of "Jewishness", "was just 'set dressing' – Ida's brisket, her plastic on the furniture".[23] Ironically, although Harper and Walker achieved great popularity playing characters of the Jewish faith and ethnicity, in real life, neither actress was Jewish.

In the first season of Rhoda, Mary Tyler Moore made four guest appearances as Mary Richards to help with the transition of Rhoda moving from Minneapolis to New York City, getting married, and establishing her new life. The episodes Moore appeared in were: the premiere episode "Joe"; the sixth installment "Pop Goes The Question"; the two-part hour- long episode "Rhoda's Wedding" – which also featured other characters from The Mary Tyler Moore Show such as Lou Grant (Edward Asner), Murray Slaughter (Gavin MacLeod), Georgette Franklin (Georgia Engel), and Phyllis Lindstrom (Cloris Leachman) – and the season finale "Along Comes Mary". During the second season, Moore made no appearances on Rhoda, but Valerie Harper and David Groh were briefly featured as Rhoda and Joe Gerard on The Mary Tyler Moore Show's eleventh installment of the sixth season "Mary Richards Falls in Love".

Season 3 (1976–1977)

[edit]
When Ida gets depressed, Brenda and Rhoda try to help.

In the first episode of the third season during a particularly dramatic scene Joe leaves Rhoda and the two remain separated for the entire season, with Groh appearing in only nine of the season's episodes. A few weeks later, they mutually agree to see a marriage counselor where Joe reveals to a stunned Rhoda that he had never wanted to be married, and that he married her only because she had pressured him into it after he had invited her to live with him.

Audiences were equally stunned and deserted the program in droves. Although the producers believed the plot development was essential, the fan response to Rhoda and Joe's separation was overwhelmingly negative and hostile. CBS was inundated with thousands of angry letters protesting the plot development, "Rhoda" and "Joe" received sympathy cards and letters of condolence, with Groh later reporting that he had received hate mail for as much as a year after the season had ended.[24][25] This sentiment would translate into a steep ratings decline during the course of the season and the show ranked #25 for the 1976–77 season (falling from #7 the year before). Though Ida appears in the opening episode ("The Separation"), both she and Martin are absent for the remainder of the season, explained as traveling across the country in an RV. In reality, Nancy Walker departed the program to headline two short-lived ABC series: The Nancy Walker Show, and Blansky's Beauties; and Harold Gould left to star in his own ABC show, The Feather and Father Gang. To help fill in the void left by Walker and Gould, the producers hired comedian Anne Meara as Rhoda's new friend, Sally Gallagher, a middle-aged divorcee who works as an airline stewardess. Viewers did not warm to Meara and her character lasted only one season.

With Rhoda and Joe now separated, they soon move out of their apartment. Joe moves to another building while Rhoda trades apartments with downstairs neighbor Gary Levy (Ron Silver), a jean-store owner who soon strikes up a platonic friendship with Rhoda. Stories initially center on Rhoda and Joe's attempts to work through their differences. As the season progresses, however, Joe is seen less frequently and episodes show Rhoda coping with her single status or feature Brenda-themed stories. Ultimately, they never reconcile and Joe is never seen again after this season. Johnny Venture (Michael DeLano), a lounge singer, becomes an occasional suitor/friend whom Rhoda begrudgingly tolerates. Meanwhile, Brenda, no longer overweight but still with self-esteem problems, finally finds a steady boyfriend in enthusiastic rollerskater and toll-booth worker Benny Goodwin (Ray Buktenica), who is, initially, constantly assumed to be the son of great big band conductor/musician, Benny Goodman. She also occasionally dates neighbor Gary Levy as well as continuing her casual relationship with immature accordion player Nick Lobo.

During the third season of Rhoda, Mary Tyler Moore made her final guest appearance as Mary Richards in the eighteenth installment "The Ultimatum". Also that year, Valerie Harper appeared as Rhoda, along with Cloris Leachman as Phyllis, on the final episode of The Mary Tyler Moore Show entitled "The Last Show".

Season 4 (1977–1978)

[edit]
Ida takes a job at the costume store where Rhoda works.

For the fourth season, Rhoda re-emerged with a new, slimmer look. (Before the season started, Valerie Harper went on a liquid protein diet, which was quite controversial at the time, and dropped 40 pounds.)[26] Rhoda's divorce is finalized and she resumes use of her maiden name "Morgenstern" full time. (From this point on, neither her ex-husband, Joe Gerard, nor Rhoda's friend from the previous season, Sally Gallagher, are ever mentioned again.) The show then centers on her role as a thirty-something divorcée, rarely dating and focusing on her career. Ida and Martin come home after a year's absence from their lengthy cross-country trip (in reality, both Nancy Walker's and Harold Gould's attempts at new series the previous year had failed[27]).

Brenda continues to date Gary Levy and Benny Goodwin, one more than the other. Meanwhile, Rhoda's career is undergoing a transition. Seeking a career change, she finds a job at the Doyle Costume Company. There she works for the gruff Jack Doyle (Kenneth McMillan), a man with similarities to Lou Grant. Season 4 ranked higher than season 3 in the ratings (finishing at #21 for the year), but Rhoda never regained the popularity it had achieved during its first two seasons.

Season 5 (September–December 1978)

[edit]

In September, 1978, the show underwent additional changes for the fifth and final season. Rhoda sports a new longer frizzy-permed hair style, which she keeps pulled back in a small ponytail for part of the season. Ida and Martin go through a separation of their own, and Martin goes off to Florida to find himself. He returns after several episodes, but Ida wants to be wooed back, leading to dating and other romantic rituals between the two. Brenda and Benny get engaged to be married, with their wedding planned for later in the season (though this would ultimately not happen, due to Rhoda's abrupt midseason cancellation). Gary Levy does not return for this season; it is mentioned near the season's start in Episode 3 that he has moved to Chicago. A new coworker, Tina Molinari (Nancy Lane), joins Rhoda and Jack at the costume shop, having appeared in several Season 4 episodes as an employee at Gary's jeans store.

At this time, the series, along with the Norman Lear sitcom Good Times, was moved to Saturday nights, with Rhoda airing at 8:00 P.M. and Good Times at 8:30 P.M. As a result of the show's competing against NBC's popular police series CHiPs, the ratings for both programs declined drastically. CBS canceled Rhoda in December 1978—midway through its fifth season—with four episodes remaining unaired, though these episodes later aired in syndication. The show ended its final season ranked at #95 out of 114 shows. Good Times was pulled from the CBS schedule in December and returned in the spring of 1979 on Wednesday nights at 8:30 P.M. It finished its sixth season, but its ratings did not improve, with the show ranked at #91.[28] Within a few months, CBS also canceled it.

Cast

[edit]

Main

[edit]

Recurring characters

[edit]
  • Carlton, the alcoholic doorman in Rhoda's building, is played by Lorenzo Music (who would later voice Garfield). He is often heard on the intercom, but almost never seen, only his arm occasionally appearing from doors. In the third-season episode "H-e-e-e-r-e's Johnny" he is seen from the back after hitching a cab ride with Rhoda and her friends, and in the episode "What Are You Doing New Year's Eve?" is shown dancing and conversing with Queenie Smith while wearing a gorilla mask. Ruth Gordon played Carlton's mother in the Season 2 episode "Kiss Your Epaulets Goodbye".
  • Justin Culp, Joe's wrecking company field employee, is played by Scoey Mitchell.
  • Mae, the office bookkeeper at Joe's wrecking company, appears prominently in two episodes during the first season and is played by actress-comedian Cara Williams (of Pete and Gladys).
  • Rhoda's girlfriends over the years include: Alice Barth (Candice Azzara); Myrna Morgenstein (Barbara Sharma), whom Rhoda had sat behind in high school when in alphabetical order in home room; Susan Alborn (Beverly Sanders), another friend from high school; and Sally Gallagher (Anne Meara), aka "Big Sally", a divorced airline stewardess who befriends Rhoda and accompanies her in the singles scene. (Meara's husband Jerry Stiller also appears in one episode as Sally's ex-husband.)
  • Brenda's boyfriend in early episodes is accordionist Nick Lobo (Richard Masur).
  • Lenny Fiedler, Brenda's third cousin whom she dates occasionally, is played by actor Wes Stern. Lenny appears frequently throughout the first two seasons.
  • Sandy Franks, Brenda's friend and colleague at the bank at which she works, is played by actress/director Melanie Mayron. She is featured in a few episodes during the 1975–76 season.[29]
  • Shortly following her separation from Joe, Rhoda begins an on-again, off-again romance with conceited Las Vegas entertainer Johnny Venture (Michael Delano), who appeared in 11 episodes (1976–78).
  • Joe's friend Charlie Burke (whom Rhoda finds annoying) is played by Valerie Harper's then-husband, actor Richard Schaal (who also appears in several episodes of The Mary Tyler Moore Show as at least three different characters and as a regular in the first season of Phyllis).

Guest stars

[edit]

Actors featured in guest-starring roles on Rhoda include Robert Alda, René Auberjonois, Frank Converse, Norman Fell, Jack Gilford, Ruth Gordon, Eileen Heckart, Howard Hesseman, Judd Hirsch, Anne Jackson, Linda Lavin, Tim Matheson, Melanie Mayron, John Ritter, Doris Roberts, David Ogden Stiers, Jerry Stiller, Joan Van Ark, Vivian Vance, and Henry Winkler.

Some, like Heckart and Vance, were well-known performers, while the appearance of others, like Mayron and Hesseman, preceded their own shows or roles that brought them to prominence.

Syndication

[edit]

In 1979, Rhoda began airing in syndication to local stations, and was originally syndicated by Victory Television from 1979 to 1987. From 1981 to 1988, reruns of the show aired on WGN-TV in Chicago. In 1990, reruns of Rhoda aired on Ha!. In 1996, Nick at Nite began airing reruns of Rhoda. On July 8, 2013, Rhoda began airing on MeTV until it was removed in 2018. On March 27, 2023, Rhoda began airing on sister network Catchy Comedy until it was removed on May 23, 2025.[30]

In Italy, it aired on Rai 2 in 1982.

In the UK, it aired sporadically & in a late night, weekday slot on BBC1.

Home media

[edit]

DVD releases

[edit]

On April 21, 2009, Shout! Factory released the first season of Rhoda on DVD in Region 1, which was the year of the show's 35th anniversary.[31] The release also includes a "Remembering Rhoda" featurette, as well as the original one-hour version of "Rhoda's Wedding", as opposed to the two-part edited version that aired in syndication. 15 of the season's 24 episodes are the edited-for-syndication versions taken from poor quality masters, while the other 9 episodes (including the Wedding episode) are the unedited network versions.[32] A review on DVDTalk also states some of the edited episodes being time compressed.[33] Because the series premiere in the DVD set is the syndicated version, Mary Tyler Moore's appearance at the beginning of the episode is not included. However, the full version of the pilot can be viewed at The Paley Center for Media in New York and Los Angeles. Footage from the missing scene is even included in the end credits to the series premiere.

Season two and Season three episodes were released unedited.[34][35] Season four was released on September 21, 2010, as a Shout! Factory select title, available exclusively through their online store.[36]

Season four was re-released as a general retail release on August 15, 2017.[37]

Season five was released by Shout! Factory on October 17, 2017.[38][39]

DVD name Ep# Release date
Season One 25 April 21, 2009
Season Two 24 March 30, 2010
Season Three 24 July 6, 2010
Season Four 24 September 21, 2010
August 15, 2017 (re-release)
Season Five: The Final Season 13 October 17, 2017

VHS releases

[edit]

A two-tape set, Rhoda—Volumes 1 & 2 containing two episodes on each cassette, was released by MTM Home Video in July 1992.

VHS Name Ep# Release date Titles
Rhoda—Volume 1 2 July 1992
  • Joe
  • You Can Go Home Again
Rhoda—Volume 2 2 July 1992
  • I'll Be Loving You, Sometimes
  • Parents' Day

The Very Best of Rhoda, a four-tape boxed-set containing the best episodes from each season, was released by MTM Home Video on April 28, 1998.

VHS Name Ep# Release date Titles
Season 1 (1974–75) 2 April 28, 1998
  • Rhoda's Wedding (Part 1)
  • Rhoda's Wedding (Part 2)
Season 2 (1975–76) 2 April 28, 1998
  • Friends and Mothers
  • A Night with the Girls
Season 3 (1976–77) 2 April 28, 1998
  • The Separation
  • An Elephant Never Forgets
Seasons 4 & 5 (1977–78) 3 April 28, 1998
  • One is a Number
  • Happy Anniversary
  • Martin Doesn't Live Here Anymore

Reception

[edit]

Ratings

[edit]
Season Time slot (ET) Rank Rating
1974–75 Mondays 9:30 p.m. #6 26.3
1975–76 Mondays 8:00 p.m. #7 24.4
1976–77 Mondays 8:00 p.m. (September 20, 1976 – January 10, 1977)
Sundays 8:00 p.m. (January 16 – March 13, 1977)
#33 19.7
1977–78 Sundays 8:00 p.m. #21 20.1
1978–79 Saturdays 8:00 p.m. #95 12.7

Awards and nominations

[edit]
Year Award Category Nominee(s) Result Ref.
1974 Directors Guild of America Awards Outstanding Directorial Achievement in Comedy Series Robert Moore (for "Rhoda's Wedding") Nominated [40]
1974 Golden Globe Awards Best Television Series – Musical or Comedy Won [41]
Best Actress in a Television Series – Musical or Comedy Valerie Harper Won
Best Supporting Actress – Television Julie Kavner Nominated
1975 Best Actress in a Television Series – Musical or Comedy Valerie Harper Nominated
Best Supporting Actress – Television Julie Kavner Nominated
Nancy Walker Nominated
1976 Julie Kavner Nominated
Nancy Walker Nominated
1978 Julie Kavner Nominated
Nancy Walker Nominated
1999 Online Film & Television Association Awards Television Hall of Fame: Productions Inducted [42]
1975 Primetime Emmy Awards Outstanding Comedy Series James L. Brooks, Allan Burns,
David Davis, and Lorenzo Music
Nominated [43]
Outstanding Lead Actress in a Comedy Series Valerie Harper (for "Rhoda's Wedding") Won
Outstanding Continuing Performance by a Supporting Actress in a Comedy Series Julie Kavner Nominated
Nancy Walker Nominated
Outstanding Writing in a Comedy Series James L. Brooks, Allan Burns,
David Davis, Lorenzo Music,
Norman Barasch, Carroll Moore,
and David Lloyd (for "Rhoda's Wedding")
Nominated
1976 Outstanding Lead Actress in a Comedy Series Valerie Harper Nominated
Outstanding Continuing Performance by a Supporting Actress in a Comedy Series Ruth Gordon (for "Kiss Your Epaulets Goodbye") Nominated
Julie Kavner Nominated
Nancy Walker Nominated
1977 Outstanding Lead Actress in a Comedy Series Valerie Harper Nominated
Outstanding Continuing Performance by a Supporting Actress in a Comedy Series Julie Kavner Nominated
Outstanding Single Performance by a Supporting Actress in a Comedy or Drama Series Nancy Walker (for "The Separation") Nominated
1978 Outstanding Lead Actress in a Comedy Series Valerie Harper Nominated
Outstanding Continuing Performance by a Supporting Actress in a Comedy Series Julie Kavner Won
Nancy Walker Nominated
Outstanding Lead Actor for a Single Appearance in a Drama or Comedy Series Judd Hirsch (for "Rhoda Likes Mike") Nominated
Outstanding Single Performance by a Supporting Actor in a Comedy or Drama Series Harold Gould (for "Happy Anniversary") Nominated
2003 TV Land Awards Hippest Fashion Plate – Female Valerie Harper Nominated
Favorite "Heard but Not Seen" Character Lorenzo Music Nominated
2004 Nominated
2005 Favorite Mother-in-Law Nancy Walker Nominated
Favorite "Heard but Not Seen" Character Lorenzo Music Won
2007 Nominated
1974 Writers Guild of America Awards Episodic Comedy Charlotte Brown (for "Parent's Day") Nominated [44]
Patricia Nardo and Gloria Banta
(for "You Can Go Home Again")
Nominated
1975 Coleman Mitchell and Geoffrey Neigher
(for "Ida's Doctor")
Nominated
1978 Bob Ellison (for "Rhoda vs. Ida") Nominated

Animated spin-off and cast reunions

[edit]

An animated TV pilot titled Carlton Your Doorman, a proposed spin-off of the Carlton, the doorman character (voiced by Lorenzo Music), was broadcast May 21, 1980 on CBS. Although the episode won a Primetime Emmy Award for Outstanding Animated Program, it was never picked up by the network as a series.

Despite never having reunited in-character on a TV special or movie, some of the cast members of Rhoda have gotten together over the years on the following daytime talk-shows:

  • On November 21, 1984, Valerie Harper, Julie Kavner and Nancy Walker reunited to reminisce about the series on the syndicated Hour Magazine (with Gary Collins) in which they hosted a week-long series dedicated to TV reunion shows.
  • In May 1996, Valerie Harper, David Groh and Harold Gould (with a voice-over cameo from Lorenzo Music as Carlton, the Doorman) reunited on Sally Jessy Raphael to talk about the show's best moments as reruns of Rhoda began airing on Nick at Nite. Author Julius C. Burnett (author of "Rhoda Revisited"; see below) also appeared briefly in the segment. Interesting episodic facts from Burnett's book were used during a voiceover at the beginning of each episode of Nick at Nite's reruns of the series.

Books

[edit]

In 1975, Scholastic Books published All About "Rhoda", a non-fiction paperback about the development of the series and the character. The book features interviews with Harper and Groh, and 32 black-and-white photos. All About "Rhoda" was referenced in an episode of The Kids in the Hall during a sketch in which the character Buddy Cole (played by Scott Thompson) identified it as the book he would most want to have with him if he was stranded on a desert island.

Julius C. Burnett wrote Rhoda Revisited, which summarized the series (with a foreword by Valerie Harper) and was released by Ju-Ju & Co. Entertainment LLC on December 21, 2010.

References

[edit]
[edit]
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Rhoda is an American television series created by and that aired on from September 9, 1974, to December 9, 1978, spanning five seasons and 110 episodes. Starring in the title role, the show is a spin-off from , following the character as she relocates from to her native to restart her life, pursue her career in window dressing, and navigate personal relationships. The series was a critical and commercial success in its early years, peaking in the top 10 of the Nielsen ratings and earning multiple and a nomination for Outstanding Comedy Series in 1975. The plot centers on Rhoda's independent yet comically flawed attempts at romance and self-fulfillment, highlighted by her whirlwind courtship and marriage to plumber Joe Gerard in the acclaimed two-part episode "Rhoda's Wedding," which drew 52 million viewers and remains one of the highest-rated episodes ever. Subsequent seasons explored the couple's marital challenges, culminating in their divorce after two years, a bold narrative choice for television that reflected evolving social norms around women's independence and relationships. Rhoda's interactions with her overbearing mother Ida and scatterbrained sister provided much of the humor, blending Jewish-American family dynamics with urban single life in . The ensemble cast featured standout performances, with Harper earning four Emmy nominations for Lead Actress in a Comedy Series, winning in 1975, while supporting players Julie Kavner (as Brenda) and Nancy Walker (as Ida) received multiple nominations for their roles. David Groh portrayed the affable Joe, whose character's introduction and eventual exit marked pivotal shifts in the show's direction. Though ratings declined after the divorce storyline, Rhoda is noted for its progressive portrayal of female protagonists and cultural representation, influencing later sitcoms like The Facts of Life and earning a lasting legacy in television history.

Background

Origins as spin-off

Rhoda Morgenstern was first introduced as Mary's quirky upstairs neighbor and best friend in the pilot episode of The Mary Tyler Moore Show, titled "Love Is All Around," which premiered on CBS on September 19, 1970. Portrayed by Valerie Harper, the character quickly captured audiences with her self-deprecating humor, bold fashion sense, and relatable struggles as a single Jewish woman in her thirties, establishing her as one of the series' most beloved supporting figures from the outset. By 1973, Rhoda's enduring popularity had sparked serious discussions among the production team about transitioning her into a lead role for a potential spin-off series, driven in part by Harper's critical acclaim and three consecutive for Outstanding Supporting Actress in a Comedy Series (1971–1973). These wins highlighted the character's appeal and demonstrated the feasibility of elevating Rhoda to status, as her dynamic had outgrown the ensemble format of the original show. The spin-off was spearheaded by creators and , who had co-developed The Mary Tyler Moore Show and saw Rhoda's evolution as a natural extension of their character-driven storytelling. In early 1974, CBS greenlit the project, recognizing the built-in audience from the parent series' high ratings. Initial concept meetings emphasized Rhoda's relocation from back to her native , symbolizing her pursuit of personal independence and new romantic possibilities away from her familiar support network. This narrative shift was previewed in the Mary Tyler Moore Show episode "Rhoda Morgenstern: Minneapolis to New York," aired December 16, 1972, where Rhoda accepts a window dresser position at , setting the stage for her departure at the end of the show's fourth season. Development of the pilot episode centered on this relocation theme, with Brooks and Burns crafting a storyline that highlighted Rhoda's reinvention in the bustling urban environment. The resulting pilot, "Joe," featured a brief original sequence with reprising her role as , showing her bidding farewell to Rhoda at the Minneapolis airport before her flight to New York; it premiered as the series debut on September 9, 1974.

Premise

Rhoda centers on , a single Jewish woman in her thirties who relocates from back to her hometown of to pursue personal fulfillment and professional opportunities as a window dresser. The series portrays her navigating the challenges of urban independence, including romantic pursuits and career ambitions, while maintaining close ties to her family. Initially focused on her search for love and , the narrative highlights Rhoda's transition from a somewhat insecure individual to one embracing greater in a bustling metropolis. Key themes include themes of , Jewish-American identity, and the tensions of city life, juxtaposing Rhoda's optimistic and quirky outlook with everyday setbacks like woes and familial expectations. Her Jewish heritage is depicted through subtle cultural references and family interactions, emphasizing warmth and resilience without overt . The show contrasts her neurotic tendencies—such as and anxiety over her appearance—with an underlying warmth and relatability that endear her to viewers. This framework underscores evolving relationships, from sibling bonds to parental influences, as Rhoda grapples with balancing personal growth against traditional expectations. Rhoda's character is defined by her flamboyant personality, fashion enthusiasm, and emotional depth, often expressed through witty banter and heartfelt vulnerabilities. She shares a dynamic with her overbearing mother Ida, a domineering yet loving figure, her mild-mannered father Martin, and her similarly quirky sister , creating a vivid portrait of a tight-knit Jewish family in New York. These relationships provide and emotional grounding, illustrating Rhoda's journey toward amid constant interference and support. For continuity, occasional crossovers feature her friend from , reinforcing Rhoda's broader social circle. The premise evolves significantly across the series, shifting from early romance-centric stories to explorations of and its dissolution. In the first season, Rhoda meets and marries Joe Gerard in a highly rated viewed by over 50 million people, marking a milestone in her arc toward partnership. Subsequent seasons delve into marital strains, culminating in their divorce by the third season, which refocuses the narrative on Rhoda's post-marriage independence, career development, and renewed self-discovery. This progression reflects broader changes in her character, emphasizing resilience and personal evolution over sustained romantic stability.

Production

Development and creative team

Rhoda was created by James L. Brooks and Allan Burns, the duo behind The Mary Tyler Moore Show, with the series emphasizing ensemble comedy in its initial seasons centered on Rhoda Morgenstern's life in New York City alongside her sister Brenda and friends. The show's writing evolved significantly after the season 3 introduction of Rhoda's separation and divorce from Joe, shifting from lighthearted marital dynamics to more dramatic explorations of independence and personal growth, including scripts that delved into emotional vulnerabilities and relational complexities to add depth to the characters. CBS exerted influence through ratings pressures, particularly in season 3, where producers faced creative tensions over the divorce plot—a bold move intended to revitalize the series despite initial strong viewership, though it ultimately contributed to declining audiences as the network pushed for broader appeal. In later seasons, Charlotte Brown became the show's first female showrunner and executive producer starting in 1976, overseeing seasons 3 through 5 and guiding the narrative toward Rhoda's post-divorce reinvention while navigating network expectations. Post-2020 reflections from Brooks have highlighted the series' alignment with emerging feminist themes, noting its timely portrayal of a woman's evolving autonomy during the early women's liberation movement.

Filming locations and changes

The principal filming for Rhoda occurred at Stage 16 of the CBS Studio Center in Studio City, Los Angeles, California, where interior scenes were captured using a multi-camera setup in front of a live studio audience. To authentically represent the show's New York City setting, exterior shots were filmed on location, including Manhattan streets and specific sites such as 332 East 84th Street, as well as Walton Avenue in the Bronx for the high-rated wedding episode. Set design emphasized practical New York aesthetics, with Rhoda's initial apartment crafted as a compact, bohemian space filled with eclectic furnishings, plants, and warm colors to evoke urban intimacy. After Rhoda's on-screen marriage and subsequent divorce at the start of season 3, the primary set shifted to a more minimalist shared apartment for Rhoda and her sister Brenda, featuring simpler decor and open layouts to reflect emotional transitions and cohabitation dynamics. Family home interiors for Ida and Brenda's Bronx residence were built on soundstages, incorporating period-specific details like cluttered kitchens and traditional living areas to ground the Morgenstern family's working-class roots. Production adhered to standard 1970s sitcom conventions, with each 30-minute episode filmed in color using mono sound and incorporating a to enhance comedic timing, though critics noted its frequent and sometimes intrusive application. While the core multi-camera format remained consistent across all seasons, later production saw increased use of practical New York exteriors for key episodes to heighten realism, influenced by creative team decisions to evolve the series' visual scope. No new footage has been produced since the show's 1978 conclusion.

Cast and characters

Main cast

Valerie Harper starred as , the central character and a window dresser navigating life in after returning from , across all five seasons of the series from 1974 to 1978. Born August 28, 1939, in , Harper delivered a critically acclaimed performance that earned her the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 1975 for the episode "Rhoda's Wedding," highlighting her ability to blend vulnerability with sharp wit. She passed away on August 30, 2019, at age 80. Following the show's end, Harper encountered significant challenges, as her iconic portrayal of the self-deprecating yet resilient Rhoda overshadowed opportunities for more varied dramatic roles in subsequent years. David Groh played Joe Gerard, Rhoda's husband and a building contractor, from seasons 1 through 3 (1974–1977), bringing an easygoing charm that contrasted with Rhoda's neurotic energy and fueled their on-screen romantic chemistry. Groh's character was introduced in the series premiere, quickly evolving into Rhoda's love interest and in one of television's most-watched episodes at the time. His departure in 1977, coinciding with the storyline , marked a pivotal shift in the series' dynamics, though the real-life rapport between Groh and Harper enhanced the authenticity of their scenes. Julie Kavner portrayed Brenda Morgenstern, Rhoda's younger, more naive sister and a key family anchor, appearing in every season from 1974 to 1978 and providing comic relief through her character's awkward dating mishaps and sibling banter. Kavner's breakthrough role on Rhoda showcased her talent for understated humor and distinctive voice, which later propelled her to voice the iconic on starting in 1989, a part she has held for over three decades. Nancy Walker embodied Ida Morgenstern, Rhoda and Brenda's overbearing, wisecracking mother, serving as a comedic foil with her meddlesome interventions in seasons 1–2 and 4–5 (1974–1976 and 1977–1978), absent only during the third season due to her commitments to another series. Walker's portrayal drew from her extensive Broadway background, infusing Ida with sharp-tongued Yiddish-inflected humor that amplified family tensions and grounded the show's exploration of generational clashes. She appeared in 41 episodes.

Recurring characters

Lorenzo Music voiced Carlton the Doorman, the lazy and often inebriated building superintendent who provided through his intercom conversations and occasional mishaps, appearing in numerous episodes across all five seasons from 1974 to 1978. His character frequently interacted with Rhoda and over building issues, adding humorous tension to their daily lives. Richard Masur portrayed Nick Lobo, an eccentric accordionist and Brenda's intermittent romantic interest, who appeared in at least 17 episodes primarily during seasons 1 through 3 (1974–1977), injecting workplace humor and relational complications into the Morgenstern sisters' storylines. Lobo's personality and musical pursuits often highlighted Brenda's patience and family dynamics. Barbara Sharma played Myrna Morgenstein, Rhoda's outspoken cousin and short-term business partner in the window-dressing firm, featured in nine episodes mostly in seasons 1 and 2 (1974–1976), where she contributed to ensemble scenes involving entrepreneurial antics and family gatherings. Her bold sales tactics and familial ties offered lighthearted support to Rhoda's professional endeavors.

Guest stars

The guest star appearances on Rhoda often drew from the broader Mary Tyler Moore Show universe, enhancing crossovers and boosting viewer engagement through familiar faces in pivotal episodes. reprised her role as in five episodes across the series (1974–1977), including the high-profile two-part premiere "Rhoda's Wedding," where she attended Rhoda's marriage to Joe Gerard alongside other Mary Tyler Moore Show colleagues like (Edward Asner) and Murray Slaughter (). This episode, aired on October 28, 1974, attracted 52 million viewers, marking the highest-rated sitcom episode since the 1953 birth of Little Ricky on and significantly elevating Rhoda's launch ratings. Other notable limited appearances included as Phyllis Lindstrom in select episodes, such as "The Honeymoon" ( 1, episode 10, aired November 4, 1974). These high-profile guests, particularly Moore's recurring crossovers, helped maintain narrative ties to the parent series and contributed to early viewership spikes; for instance, episodes featuring Mary Tyler Moore Show alumni routinely ranked in the top 10 Nielsen ratings for their weeks. No significant guest appearances occurred after the series' 1978 conclusion, with later MTM universe reunions limited to specials excluding Rhoda cast.

Broadcast history

Original run

Rhoda premiered on on September 9, 1974, with its first season consisting of 25 half-hour episodes broadcast on Mondays at 9:30 p.m. ET. The series debuted immediately following the established hit Maude and ahead of Medical Center, capitalizing on strong lead-in programming to attract viewers. As a spin-off from , produced by , Rhoda was positioned within a slate of critically acclaimed comedies that had already proven successful on the network. The show's origins traced back to a backdoor pilot episode of titled "Rhoda's Sister Gets Married," which aired on September 29, 1973, introducing key elements of Rhoda Morgenstern's family and New York setting. In its second season, beginning September 8, 1975, Rhoda shifted to Mondays at 8:00 p.m. ET, comprising 24 episodes while maintaining momentum from the previous year's strong performance. Subsequent seasons saw further time slot rotations, with Season 3 moving to Sundays at 8:00 p.m. ET and Season 4 remaining on Sundays at 8:00 p.m. ET, before Season 5 shifted to Saturdays at 8:00 p.m. ET, as CBS adjusted scheduling to combat ratings fluctuations and competition. Over five seasons, the series aired a total of 110 episodes, concluding its original run on December 9, 1978. These broadcast details underscored Rhoda's role in CBS's 1970s comedy lineup, where it often ranked highly, exemplified by the October 28, 1974, wedding episode that drew over 52 million viewers and set a record for sitcom viewership at the time. No new original episodes have been produced since the 1970s, but the series experienced renewed visibility with airings on starting March 27, 2023, until May 23, 2025. This resurgence allowed for appreciation of the show's production values, originally filmed in front of a live audience at CBS Studio Center.

Cancellation and unaired episodes

The fifth and final season of Rhoda premiered on September 23, 1978, and aired weekly on until December 9, 1978, broadcasting only nine of the 13 produced episodes before the network pulled the plug midway through the season. The series had by then experienced a sharp decline in viewership, averaging a Nielsen rating that placed it at #95 for the 1978–1979 season, far below its earlier top-10 success. This poor performance was compounded by stiff competition in its Saturday 8:00 p.m. ET time slot from NBC's action series CHiPs, which drew younger audiences away from the family-oriented . Contributing to the season's struggles were ongoing cast changes and creative fatigue stemming from major plot shifts in prior years, including the onscreen divorce of Rhoda Morgenstern and her husband Joe Gerard (played by David Groh) at the end of season 3, which demoted Groh to recurring status and prompted Rhoda's return to New York City without her spouse. These alterations, while innovative for their time, alienated some viewers accustomed to the character's married life and led to repeated retooling of the show's premise, including new living arrangements and supporting characters in seasons 4 and 5 that failed to recapture the original spark. The four remaining episodes—production numbers 107 through 110—were completed but never broadcast on , leaving the series without a formal finale. These unaired installments later debuted in syndication in , allowing fans to see storylines involving Rhoda's continued single life in New York, such as her interactions with family and new romantic interests. Post-cancellation, production wrapped abruptly, with no additional episodes filmed or aired on network television. , the show's star, quickly transitioned to other opportunities, starring opposite in the film adaptation of Simon's Chapter Two (1979).

Synopsis

Seasons 1 and 2 (1974–1976)

In its first season, Rhoda followed the titular character's efforts to readjust to life in after returning from , where she had previously struggled with romantic prospects. Rhoda, a freelance window dresser, navigates the city's vibrant but chaotic energy while rekindling ties with her family, including her overbearing mother Ida and sister . Her professional life gains momentum in episode 22, "Windows by Rhoda," where she partners with high school friend Myrna to launch a small window-dressing , marking a key step in her career independence. This arc builds toward her budding romance with Joe Gerard, a she meets in the premiere episode; their relationship progresses rapidly, leading to an engagement by mid-season. The season's centerpiece was the two-part hour-long wedding episodes, aired on October 28, 1974, as the eighth and ninth installments, which drew a record-breaking 52 million viewers— the highest-rated non-sports event in television history at the time and the top episode since the 1953 birth of Little Ricky on . The multi-episode buildup featured comedic mishaps, such as Ida's meddling invitations expanding the guest list and Rhoda's frantic subway ride through and after being stranded by , culminating in a with self-written vows and live during filming. This event became a cultural milestone, sparking nationwide viewing parties, fan-sent gifts to , and discussions on women's evolving roles in romance and marriage during the feminist era. Season 2, comprising 24 episodes like its predecessor, shifted focus to the phase of Rhoda and Joe's , exploring the adjustments of newlywed life in their New York apartment. Episodes highlighted everyday challenges, such as a in their building that strains relations with doorman Carlton, and dynamics where Ida's interference often complicates their . Themes of cultural clashes emerged through Rhoda's Jewish heritage and urban Italian-American influences from Joe's side, blending humor with relational tensions. The season maintained the show's early success, emphasizing Rhoda's continued window-dressing work amid domestic bliss.

Season 3 (1976–1977)

Season 3 of Rhoda centered on the marital strain between Rhoda Morgenstern-Gerard and her husband Joe, culminating in their separation after just one episode, which underscored their fundamental incompatibilities in lifestyle and expectations. The season opener, aired on September 29, 1976, depicted the couple house-hunting in the suburbs, where Rhoda's enthusiasm for a particular home clashed with Joe's sudden withdrawal from the purchase, leading to an immediate and mutual decision to part ways. This storyline shift marked a departure from the optimistic newlywed phase of prior seasons, emphasizing the realistic challenges of marriage and Rhoda's subsequent emotional turmoil as she navigated single life once more. Throughout the 24 episodes, the narrative delved into the fallout, with Rhoda grappling with loneliness and self-doubt while attempting to reclaim her independence in New York City. Key events highlighted the awkward dynamics of post-separation life, including Rhoda's return to sharing an apartment with her sister Brenda, which brought tensions from differing routines and Rhoda's lingering attachment to Joe. Therapy sessions became a focal point, as seen in episode 6, "Two Little Words: Marriage Counselor," where Rhoda insisted on professional counseling; during one session, Joe revealed a startling personal disclosure that deepened their rift, forcing both to confront unresolved issues. Family intervention added layers of mediation, particularly through Rhoda's mother Ida, who frequently meddled by visiting the apartment in hopes of facilitating reconciliation, often pressuring Rhoda and Brenda to prioritize family unity over individual needs. These elements portrayed the separation not as a clean break but as a messy, ongoing process filled with hesitation and regret. The season's emphasis on marital discord impacted viewership, with ratings dropping significantly from the top 10 finish of season 2 to outside the Nielsen Top 30, reflecting audience resistance to the storyline's darker tone and prompting adjustments in subsequent creative directions. This decline, from an eighth-place ranking in 1975–1976 to mid-tier status, highlighted the risks of introducing realism into formats at the time. Character development advanced through Rhoda's introspective journey, as she questioned her identity beyond and explored personal growth amid heartbreak. Brenda's expanded notably as a pillar of support, evolving from to a more empathetic confidante who encouraged Rhoda to socialize, seek distractions like trips to singles resorts, and confront her emotions head-on.

Season 4 (1977–1978)

The fourth season of Rhoda marked a significant shift following the couple's separation in the prior year, with the narrative centering on Rhoda's emotional and professional recovery as a newly single . The , "The Return of Ida," depicts the finalization of Rhoda's from Joe after months of proceedings, providing closure to their storyline and allowing Rhoda to embrace independence. This event sets the tone for themes of and navigating , as Rhoda grapples with the practical and emotional aftermath while relying on her support network of family and friends. Professionally, Rhoda leaves her freelance window-dressing work behind and joins Doyle's Costume Shop in the episode "The Job," partnering with the shop's owner, Jack, to revitalize the struggling business through her creative design talents. A pivotal moment occurs in "As Time Goes By," where Rhoda and Jack host an invitation-only party to attract new clients, though the event descends into chaos when they become trapped in a bathroom, highlighting the challenges and humor of her entrepreneurial efforts. Rhoda's sporadic dating adds layers to her personal growth, including a casual romance with musician Mike Andretti across two episodes ("Rhoda Likes Mike" and "The Weekend"), where differing expectations test her boundaries, and a disastrous blind date with Steve Miller arranged by Ida in "Blind Date." Family dynamics evolve with deepened friendships amid everyday trials, such as the group bonding over a surprise anniversary party for Ida and Martin in "Happy Anniversary," which uncovers marital tensions but reinforces their closeness. Ida's role, while still prominent as the overbearing who even takes a temporary job at the costume shop during Halloween in "Ida Works Out," shows a slight shift toward more peripheral involvement in Rhoda's daily life compared to earlier seasons, allowing space for Rhoda's autonomy. New suitors like and introduce romantic possibilities without long-term commitment, emphasizing Rhoda's focus on self-discovery. The 24-episode season concludes with the two-part "Five for the Road," where the characters are stranded during a , reflecting on their lives and subtly paving the way for upcoming changes, amid ratings that improved from season 3's lows but continued the show's overall downward trend from its peak years.

Season 5 (September–December 1978)

The fifth and final season of Rhoda premiered on on September 23, 1978, airing on Saturday nights at 8:00 p.m. ET/PT, and concluded after nine episodes on December 9, 1978. This truncated season marked a continued effort to reinvigorate the series following the previous year's storyline, shifting emphasis toward comedic explorations of separation and new relationships while reducing the centrality of Rhoda's interactions in favor of and romantic subplots. Rhoda, now established in her role at the struggling Costume Company under the gruff but affable owner Jack (played by McMillan), navigates professional challenges alongside personal developments, including subtle romantic tensions in her post- life. The 's narrative arc begins with the escalation of Ida and Martin's marital strife from the prior , as the premiere episode, "Martin Doesn't Live Here Anymore," depicts Martin () abruptly leaving Ida () to relocate to for a fresh start, leaving the family in turmoil. Subsequent episodes follow Rhoda (Valerie Harper) and Brenda () as they travel to in "In Search of Martin" to locate and reconcile with their , highlighting Rhoda's mediating role amid the family's emotional upheaval. The storyline then pivots to Ida's reinvention, as seen in "Rhoda vs. Ida," where Rhoda clashes with her mother over Ida's budding romance with Dr. Murray Berger, her allergist, signaling a lighter, more humorous tone focused on Ida's escapades and . Meanwhile, Brenda's arc reaches a with her to (), explored in episodes like "The Total Brenda" and the unaired "Brenda Runs Away," which delve into family reactions and pre-wedding anxieties, though the reduced family ensemble presence underscores the season's attempt to broaden Rhoda's individual narrative. Rhoda's career highs include efforts to revive the costume shop, contrasted with lows like financial woes and interpersonal conflicts with Jack, providing comic relief through workplace antics. Although only nine episodes aired during the original run, producers completed 13, with the remaining four held back by . These unaired installments continued the season's themes of romance and family reconciliation: "The Date in " features Rhoda's awkward evening with a date trapped in a before an awards dinner; "Martin Swallows His Heart" shows Martin attempting to woo Ida back by gifting a heart-shaped , only to accidentally swallow it; "Earl's Helping Hand" involves Benny's brother Earl providing financial aid to the costume business in hopes of pursuing Rhoda; and "Brenda Runs Away" depicts fleeing amid fears of losing autonomy in her impending marriage. None of these episodes centered explicitly on themes, though the season's abrupt end mid-narrative left several storylines unresolved, such as potential romantic developments for Rhoda and the full resolution of Brenda's . The unaired episodes eventually debuted in syndication and were included in Shout! Factory's 2017 DVD release of Rhoda: The Final Season, making the complete season accessible for the first time in home media format and later through expanded syndication availability.

Reception

Ratings

Rhoda achieved significant commercial success in its early years, ranking sixth in the Nielsen ratings for its first season (1974–1975) with an average household rating of 26.3. The series maintained strong performance in season 2 (1975–1976), placing seventh with a 24.4 rating. A highlight was the season 1 wedding episode "Rhoda's Wedding," which drew over 52 million viewers, representing over half of all U.S. television households at the time. Viewership began to decline thereafter, with the show dropping to 33rd place in season 3 (1976–1977) at a 19.8 rating and 40th in season 4 (1977–1978). By season 5 (1978), only nine episodes aired before cancellation, averaging a 13.4 rating and ranking 95th overall. Initially, Rhoda outperformed its sister spin-off Phyllis in the ratings during the latter's early run, though it later fell behind the more enduring series. Contributing factors included time slot changes, such as season 5's move to compete directly against NBC's rising action hit CHiPS. In syndication, the series experienced a resurgence post-2020, airing on networks like Catchy Comedy as of 2025.

Critical response

Upon its debut in 1974, Rhoda received widespread acclaim for its character-driven humor and exploration of feminist themes, portraying the titular character as an independent, unmarried woman navigating urban life with aggressive zaniness and unapologetic singlehood. Critics praised the show's breezy pace and hilarious depiction of urban madness through its ensemble cast, including Valerie Harper's charismatic performance as Rhoda Morgenstern, a fashion designer embracing her neuroses without conforming to traditional expectations. The series was lauded for advancing representations of women on television by centering a relatable female protagonist who symbolized emerging feminist ideals, such as those promoted in Ms. magazine. As the series progressed, particularly in its third season, critiques emerged regarding the handling of Rhoda and Joe's marriage dissolution, which was depicted as rushed and sudden, with Joe inexplicably expressing unfulfillment just months after their . This plot shift alienated viewers and drew commentary for disrupting the show's early momentum, though it was still recognized for pushing boundaries in portraying marital discord and on network television. Overall, reviewers noted Rhoda's contribution to evolving women's roles in sitcoms, nominated for the Outstanding Comedy Series Emmy in , among other accolades. In retrospective analyses from the , Rhoda has been highlighted for its nuanced Jewish representation, presenting Rhoda as a "soft " figure—witty, self-deprecating, and culturally Jewish without overt stereotypes—offering a complex portrayal of Jewish womanhood that broke from earlier caricatures. The show's enduring appeal lies in its feminist undertones, which resonate through a modern #MeToo lens by depicting Rhoda's agency in relationships and career, though some critiques point to gaps in addressing deeper systemic issues. The series' legacy is mixed, with praise for its strong ensemble dynamics and innovative early episodes, but criticism for becoming formulaic in later seasons, where storylines flailed and lost the vibrancy of its initial urban comedy.

Awards and nominations

Rhoda received significant recognition during its run, particularly for the performances of its lead actors, earning multiple nominations and wins from major awards bodies such as the and . The series highlighted Valerie Harper's acclaimed portrayal of , building on her prior Emmy successes from . According to the Television Academy, Rhoda garnered 17 Primetime Emmy nominations and achieved 2 wins overall. Valerie Harper won the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 1975 for her role in Rhoda, marking her fourth career Emmy after three wins in the supporting category for The Mary Tyler Moore Show. She received additional Emmy nominations for the same category in 1976, 1977, and 1978. The series itself was nominated for the Primetime Emmy Award for Outstanding Comedy Series in 1975. Other notable Emmy wins included Julie Kavner for Outstanding Supporting Actress in a Comedy Series in 1978 for her role as Brenda Morgenstern. At the , Rhoda won Best Television Series – Musical or Comedy in 1975, reflecting its strong debut season impact. Harper also secured the Golden Globe for in a Television Series – Musical or Comedy that year, with a follow-up nomination in 1976. The series accumulated 10 Golden Globe nominations in total, including several for supporting actresses such as and across multiple years. Beyond these, Rhoda earned recognition in other areas, including a 2003 nomination for the for Hippest Fashion Plate – Female for Harper. No major awards were issued for the series after 2020, though Harper's legacy was honored through tributes following her death in 2019, such as MeTV's marathon broadcast of Rhoda episodes.

Distribution

Syndication

Following the conclusion of its original broadcast in December 1978, Rhoda entered off-network syndication, where the final four episodes from season 5—previously unaired on the network—were broadcast for the first time. Reruns of the series subsequently aired on local independent stations across the during the late and 1980s, distributed initially by syndicator Victory Television. In the mid-1990s, Rhoda experienced a revival on when added the series to its lineup, airing episodes from May 10, 1996, to July 11, 1998. The show later moved to , where it ran from approximately 2001 to 2005, though viewership was modest compared to its earlier cable exposure. The series returned to broadcast television in 2013 on , debuting on July 8 as a weeknight staple at 9:30 p.m. ET, positioned immediately after to capitalize on appeal; it remained in rotation until 2018. In March 2023, Rhoda joined the rebranded network (formerly Decades), featuring the full 109-episode run—including the previously unaired season 5 installments—in daytime blocks focused on classic female-led sitcoms; this run concluded on May 23, 2025. As of November 2025, Rhoda has limited streaming availability in the United States, absent from major platforms like , Prime Video, or . Internationally, the series has seen sporadic reruns, including on in the during its original U.S. run and later revivals, as well as Canadian broadcasts via CBC affiliates in the 1970s and 1980s.

Home media

Shout! Factory released the first season of Rhoda on DVD on April 21, 2009, as a four-disc set containing all 24 episodes from the 1974–1975 season, along with bonus features including audio commentaries, deleted scenes, and featurettes. Subsequent seasons followed: Season 2 on March 30, 2010; Season 3 on July 6, 2010; Season 4 on March 8, 2011; and Season 5 on August 15, 2017. Seasons 1–4 were each released as four-disc sets, while Season 5 was a two-disc set with its 13 episodes uncut where applicable. While no official complete series box set was issued, collectors can acquire all five seasons (109 episodes across 18 discs) by purchasing the individual releases. Later seasons, particularly 4 and 5, were remastered for improved video quality in these DVD editions. Prior to DVD availability, Rhoda episodes appeared on through MTM starting in 1992, with Volume 1 and Volume 2 each featuring two episodes on a single tape, including the . In 1998, Paramount issued The Very Best of Rhoda, a four-volume boxed set compiling select episodes from Seasons 1 and 2. Digital downloads of Rhoda episodes were available for purchase on platforms like and during the 2010s, allowing ownership of individual seasons or the full series. However, by 2025, these options had lapsed, with no current digital purchase or rental availability on major services. The series has not received a Blu-ray release.

Legacy

Cultural impact

Rhoda played a pivotal role in advancing positive representations of Jewish-American characters during the , presenting as a relatable, neurotic, and independent single woman from New York, which broke from stereotypical portrayals. The series highlighted her through family dynamics and cultural references without caricature, making her one of the first lead Jewish characters in a prime-time and contributing to growing minority representation on screen. This approach influenced subsequent shows by normalizing ethnic specificity in ensemble comedies, fostering a more inclusive landscape for diverse leads. The show also championed women's independence amid the era's feminist movements, portraying Rhoda as a career-oriented window dresser navigating urban life, relationships, and self-doubt with humor and resilience. As a spin-off from , Rhoda extended the depiction of empowered single women in their 30s, emphasizing self-worth beyond and emphasizing relatable struggles like , which resonated with audiences seeking authentic female narratives. This portrayal helped pave the way for later series featuring strong, multifaceted female ensembles, such as The Facts of Life, by normalizing stories of women's personal and professional growth. A landmark milestone was the 1974 wedding episode, "Rhoda's Wedding," which aired just weeks into the series and drew 52 million viewers, marking the highest-rated episode since the 1953 birth special and solidifying Rhoda as a cultural phenomenon. The event, featuring crossovers from the cast, captured national attention and exemplified the era's fascination with character-driven spectacles, while boosting the viability of spin-offs as a TV trend by demonstrating their potential for massive viewership and narrative expansion. Rhoda's character emerged as a feminist , embodying the "tough cookie" of a self-deprecating yet spirited woman who prioritized authenticity over perfection, inspiring viewers to embrace their flaws. In retrospectives following Valerie Harper's death in 2019, obituaries highlighted Rhoda's enduring impact on feminist television, crediting the series with redefining women's roles through Morgenstern's blend of vulnerability and strength, which offered a blueprint for relatable heroines in later decades. Discussions in the have revisited the show for its early contributions to , noting how Rhoda's unapologetic portrayal of a curvy, insecure challenged 1970s beauty standards and paralleled modern conversations on . Modern analyses, including podcasts exploring the universe, underscore Rhoda's role in evolving sitcoms toward character depth and social , addressing gaps in earlier coverage by emphasizing its influence on ensemble-driven .

Animated spin-off and reunions

In 1980, an animated television special titled Carlton Your Doorman served as an unsold pilot for a potential spin-off series from Rhoda. The special focused on the unseen doorman character from the sitcom, voiced by Lorenzo Music, who depicted Carlton's daily antics in Rhoda's apartment building, including flirtations and mishaps, while tying into unresolved elements of the original series' New York setting. Aired on CBS on May 21, 1980, the half-hour special was produced by MTM Enterprises but did not lead to a full series due to insufficient network interest. The cast of Rhoda participated in several live-action reunions following the series' conclusion. In 2000, and reunited for the made-for-television film , which portrayed the characters as middle-aged women reconnecting after years apart: Mary as a widowed television news producer in and Rhoda as a divorced mother and window dresser in New York. The film, written by Pamela Eells and directed by Barnet Kellman, addressed themes of friendship and life changes while resolving lingering narrative threads from both The Mary Tyler Moore Show and Rhoda, such as Rhoda's post-divorce life. It premiered on ABC on February 7, 2000, and drew 16 million viewers. A notable ensemble reunion occurred in 2013 when Harper, Moore, Betty White, Cloris Leachman, and Georgia Engel appeared together in the Hot in Cleveland episode "Love Is All Around," marking the first on-screen gathering of several core Mary Tyler Moore Show cast members since the original series ended in 1977. The crossover episode, which aired on TV Land on September 4, 2013, featured the actresses as their iconic characters offering advice to the Hot in Cleveland leads, emphasizing enduring camaraderie. Further reunions were limited after the deaths of key cast members. , who played Rhoda's husband Joe Gerard, died on February 12, 2008, at age 68 from . These losses, including Mary Tyler Moore's death on January 25, 2017, and 's passing on August 30, 2019, at age 79 from cancer complications, precluded any additional cast gatherings in the 2020s.

Books and merchandise

Several tie-in books have been published related to Rhoda, offering insights into the show's characters, production, and cultural context. The earliest and most direct tie-in is All About "Rhoda" by Peggy Herz, a 92-page non-fiction overview published by Scholastic Book Services in 1975, which details the creation of the series as a spin-off from The Mary Tyler Moore Show, profiles key cast members like as , and explores early episodes. A more comprehensive historical account appears in Mary and Lou and Rhoda and Ted: And All the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic by Jennifer Keishin Armstrong, released in 2013 by Simon & Schuster, which examines the groundbreaking female writers and producers behind the parent series and its spin-offs, including Rhoda's development and impact on 1970s television. Merchandise for Rhoda during its original run was minimal and largely unofficial, with no major licensed product lines such as dolls or documented from that era; however, the character's bohemian fashion sense, featuring layered scarves, wide-leg pants, and eclectic prints, influenced contemporary style trends. In the , Shout! Factory's DVD releases of the series seasons (starting with Season One in 2009) included promotional packaging and inserts highlighting episodes, though no standalone novelty items were produced. Today, fan-driven merchandise dominates, including T-shirts, posters, and apparel replicas of Rhoda's outfits sold on platforms like and , often evoking the show's aesthetic. No official was released in 1975 or later, though the theme song—composed by David Rose with lyrics by —remains a nostalgic staple in TV compilations. Fan conventions, such as comic cons, occasionally feature custom replicas of props and costumes, sustaining interest among enthusiasts.

References

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