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Coldmirror
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Kathrin Fricke, better known by her nickname Kaddi or online pseudonym Coldmirror, is a German YouTube creator and comedian. The pseudonym was inspired by the song "Creatures That Kissed in Cold Mirrors" by the band Cradle of Filth.[1] She operates one of the most popular German YouTube channels, moderated radio and television programmes, and publishes blog and vlog entries.
Key Information
Early life
[edit]Fricke was born and raised in Bremen and studied art history and philosophy at the University of Bremen. She finished her bachelor's degree in 2010 with a research paper about the production of video films and a film project about Internet and video game addiction.[2][3][4]
According to her own statements, she suffered from strong depression for domestic reasons. In an interview on the YouTube channel "clixoom" she explained that, among other things, the Harry Potter series and the desire to know how it would continue gave her energy and safeguarded her from suicide. However, she stated that this was not necessarily due to the books' exciting plots, but rather simply "having something that you can look forward to."[2]
Kathrin Fricke began early, together with a friend, to record radio dramas, which laid the foundation of her creativity. In 2000 she joined the team of "MixX", a youth television broadcast, as voluntary editor.[5] At this time she compiled her first own websites, where she, for example, published self-drawn pictures with fantasy plots. Her fan fictions with the characters of the Harry Potter series occupied a significant part of her website and stirred attention on the Internet.
Video performance on YouTube
[edit]The YouTube channel "Coldmirror" went online on 2 October 2006. The first videos consisted of archive material from Fricke's time as editor for "MixX". After this, Fricke created the videos for the most part alone. Her YouTube channel portrays a continuation of her earlier works in video form.
Starting in fall 2006, Fricke created and released comedic parody dubs of three Harry Potter movies: Harry Potter and the Philosopher's Stone in Harry Potter und ein Stein (i.e. Harry Potter and a Stone), Harry Potter and the Chamber of Secrets in Harry Potter und der geheime Pornokeller (i.e. Harry Potter and the Secret Porn Basement) and Harry Potter and the Goblet of Fire in Harry Potter und der Plastik Pokal (i.e. Harry Potter and the Plastic Cup). In her version, the protagonists make frequent use of taboo topics, foul language and references to Internet and pop culture. Fricke's YouTube account was temporarily deactivated because these parody dubs were considered copyright violations.[6]
Furthermore, she produced multiple music videos and albums portraying Albus Dumbledore as a gangsta rapper, called "Fresh D".
In December 2015, she launched a podcast called "5 Minuten Harry Podcast" (5 Minutes Harry Podcast) in which she talks about 5 minutes each of the first Harry Potter movie and explores random facts about what it is seen in the sequences. It soon became one of the most successful podcasts in German. New episodes were posted irregularly on podcast platforms and her YouTube channel and often reached many million views within the first hours of publishing. The project was finished in December 2023, about 8 years after it began, with the 30th podcast episode.
Radio and television broadcast
[edit]Since 2010, Fricke has been active as a moderator in radio and television broadcasts. For the youth channel of Hessischer Rundfunk's You FM, she produces the broadcast Der YOU FM Game Check mit Coldmirror, in which she tests video games.
The television channel Einsfestival has broadcast a programme by Kathrin Fricke under the title coldmirror. The 15-minute programme was shown every month on the first Thursday at 8:45 pm.[3]
This broadcast is content-oriented to Fricke's Internet productions. It is available in individual segments such as video game parody or commercial parody, which can be seen in parts on the Internet and are only technically improved for television. Furthermore, the dubs are shown, that originate with ARD's own material. Politician performances are shown in the broadcast, which Fricke puts behind her own text. Fricke's own category of the TV format is the "Netmob Challenge", in which the viewers are given a task (example: eat a piece of bread in less than a minute or spin in a circle for 30 seconds and then approach the camera), of which they send the result in if the task is fulfilled, which is shown in a compilation.
The category of broadcast which is probably most successful is the so-called "Misheard Lyrics", a copy or continuation of the already available YouTube-Trends, by which, during songs, similar-sounding, although incorrect, lyrics are shown, and the whole is titled as "Misheard". One of the most popular original videos is "Nightwish – Wishmaster". A video from this category, in which the song "Git Hadi Git" from the Turkish singer Ismail YK is parodied as "Keks, alter Keks" (English: Cookie, old Cookie), was originally uploaded from a fan on YouTube and received nearly 350.000 views on the day of upload. Through this, the video went into the list of YouTube-Trends and was copied by more users and uploaded into their channels as the video gained more popularity in the YouTube community. It was also shown on the Bülent Ceylan Show on RTL Television on 19 February 2011 and evoked a strong media reaction with contributions and more in the online edition of the Tageszeitung.[7] and on Sat.1.[8][9] After the positive media response, Fricke was assigned to produce more Misheard Lyrics videos for the FIFA Women's World Cup, which, among other things, were shown in the Sportschau.[10]
Categories of Broadcast:
- Misheard Lyrics
- Game Check
- Commercial
- Netmob
- Synchro (since Season 1 Episode 02)
- Friends (since Season 1 Episode 07)
- Anime (since Season 2 Episode 01)
- What the FAQ?! (since Season 2 Episode 01)
- Kaddi's Cut (since Season 2 Episode 03)
Awards
[edit]On 20 February 2011, Fricke was awarded the Grey Young Talent Award (German: Grey-Nachwuchspreis) in the competition for the first German Web Video Award (German: Deutscher Webvideopreis).[11] She also was nominated in the category "Personality",[12] which was won by Holger Kreymeier. In the context of the event, Fricke was also a guest in an episode of Kreymeier's Fernsehkritik-TV.[13]
On 16 August 2011, YOU FM was nominated with Kathrin Fricke for the German Radio Prize (German: Deutscher Radio Preis) 2011 in the category "Best Innovation".[14]
In January 2012, the European Web Video Academy announced that Fricke would be a jury member of the 2nd Webvideopreis.[15]
Discography
[edit]Albums
[edit]- 2005: Stay Fresh, Stay Dumb!
- 2006: Underground
- 2007: Dumbledore's Army
- 2007: Großmutterficker
- 2007: Audiovergewaltigung
- 2008: Post für mich
- 2008: Tubal Uriah Butler
- 2011: Dumblecore
Singles and Videoclips
[edit]- 2006: Back from The Underground
- 2006: Geddo im Zoo
- 2007: Wenn du denkst
- 2007: Fresh D. vs. MCV
- 2008: Fresh D vs. MC V im TS
- 2008: Xtreme Dumbledore
- 2009: Tromaggot
- 2009: Im Altenheim
- 2009: Ho Ho Ho …
- 2012: Workstatt
- 2013: Musikvideo
- 2013: Die Alten
- 2013: FreshDs fedder Beat
- 2014: Sit’n’Dance
- 2014: Großmutterficker (Naughty Neuinterpretation)
- 2016: Frisch ausm Rhymebook
as feature Artist
[edit]- 2010: Stamm Rein & Ode to Jam II on The River Of Ezar by Aequitas
References
[edit]- ^ coldmirror (30 September 2009). what the FAQ?! (Web video) (in German). Retrieved 5 August 2011.
- ^ a b Coldmirror: Selbstmord? Ich war nah dran! - Das Interview (Web video) (in German). Clixoom. 21 May 2010. Retrieved 5 August 2011.
- ^ a b "coldmirror | Einsfestival". www.einsfestival.de (in German). Archived from the original on 28 November 2010. Retrieved 5 August 2011.
- ^ Filmprojekt "Escape" (Web video) (in German). 19 March 2010. Retrieved 5 August 2011.
- ^ "MixX? Wer war'n das?". home.arcor.de (in German). Archived from the original on 4 October 2013. Retrieved 16 October 2020.
- ^ "Schinken: Warner lässt den Account von Deutschlands bekanntester Youtuberin Coldmirror löschen" (in German). Gulli.com. 27 November 2008. Archived from the original on 24 January 2013. Retrieved 19 December 2012.
- ^ "Strichmännchen zu falschen Songtexten – 'Ist der mit Ohrsand?'" (in German). taz. 28 January 2011. Archived from the original on 7 March 2016. Retrieved 16 October 2020.
- ^ "Falls jemand morgen früh zwischen 5:30 - 10:00 Lust hat ferhzusehen... ich bin dann IRGENDWANN im Sat.1 Frühstücksfernsehen. Die ham n Hund" (in German). Archived from the original on 21 May 2021. Retrieved 16 October 2020.
- ^ "Clip aus dem Netz: Eine Bremer Bloggerin übersetzt türkischen Pop". HNA. 31 January 2011.
- ^ "Trailer der Misheard-Lyrics von YouFM". YouTube (in German). Archived from the original on 6 July 2015. Retrieved 29 June 2011.
- ^ "Coldmirror gewinnt GREY-Nachwuchspreis". blog.grey.de (in German). Archived from the original on 22 October 2016. Retrieved 16 October 2020.
- ^ "Nominierte in der Kategorie Persönlichkeit". www.webvideotage.de (in German). Archived from the original on 20 February 2011. Retrieved 16 October 2020.
- ^ "Fernsehkritik-TV". fernsehkritik.tv (in German). Archived from the original on 1 March 2011. Retrieved 16 October 2020.
- ^ "YOU FM ist nominiert für Deutschen Radiopreis 2011" (in German). hr-online.de. Retrieved 21 August 2011.[permanent dead link]
- ^ "Preisgekrönte Jury beim Deutschen Webvideopreis 2012". webvideopreis.de (in German). 30 January 2012. Archived from the original on 18 March 2012. Retrieved 16 October 2020.
External links
[edit]- YouTube channel
- Coldmirror at IMDb
- Coldmirror Wiki (in German)
Coldmirror
View on GrokipediaEarly Life
Childhood and Education
Kathrin Fricke, professionally known as Coldmirror and by the nickname Kaddi, was born on October 13, 1984, in Bremen, Germany. [5] She grew up in the Bremen region of northern Germany, an area characterized by its maritime culture and working ports, which provided exposure to diverse media influences during her formative years. Fricke's early interests included drawing and visual storytelling, shaped in part by engagement with television programs and films available in the region.[6] Fricke pursued higher education at the University of Bremen, enrolling in studies of art history (Kunstwissenschaft) and philosophy.[7] [6] Her art history coursework, completed with a degree in 2010, emphasized analytical approaches to visual media and aesthetics, aligning with her developing skills in animation and editing acquired through self-directed practice.[8] She discontinued her philosophy studies prior to completion.[9] These academic pursuits, combined with hands-on experimentation in digital tools starting around age 22, laid the groundwork for her later creative output in parody and video production.YouTube Career
Breakthrough with Gag Dubs
Coldmirror's breakthrough on YouTube came through her gag dub series parodying the Harry Potter films, beginning with Harry Potter und ein Stein, a satirical redub of Harry Potter and the Sorcerer's Stone. Released in multiple parts starting November 25, 2006, the series featured her solo voice acting for nearly all characters, overlaying the original film's audio with exaggerated, nonsensical dialogue that lampooned the story's magical tropes, character archetypes, and narrative contrivances.[10][11][12] The production involved basic editing techniques, such as timing her recordings to sync with the source footage, minimal visual alterations, and humorous mispronunciations or puns in German to heighten the absurdity, like reimagining key scenes with mundane or illogical twists. This approach exemplified fair use parody by transforming the copyrighted material into commentary rather than replication, allowing distribution without legal challenges from rights holders at the time.[13][14] In the nascent German YouTube landscape around 2007, where satirical video content was scarce, the series stood out for its originality and rapid viral spread, drawing praise for filling a gap in localized humor absent from mainstream media. Following the completion of the first film's dub by early 2007, Coldmirror extended the format to subsequent Harry Potter entries, solidifying her style of irreverent, self-reliant production that propelled subscriber growth to hundreds of thousands by 2010, positioning her among the top German channels of the era.[15][16]Evolution of Content Series
Following her breakthrough with gag dubs of the Harry Potter films, Coldmirror expanded her YouTube content into ongoing podcast-style series that dissected media narratives through satirical commentary, often exaggerating logical inconsistencies and cultural tropes for comedic effect.[17] One prominent example is the 5 Minuten Harry Podcast, launched in 2015, where she analyzes five-minute segments of Harry Potter and the Sorcerer's Stone, highlighting absurdities in the wizarding world's lore, such as etymological deconstructions of terms like "Liguster" (Privet Drive) and over-the-top interpretations of character behaviors.[18] The series, which extended through 30 episodes until completing the film in 2023 after eight years, incorporated dark humor and edgy language to critique fantasy genre conventions, amassing millions of views per episode through repeated emphasis on causal implausibilities, like excessive gift-wrapping or owl-based mail systems.[19] In parallel, Coldmirror diversified into broader pop culture satire with TELEKADDI, a podcast series initiated around 2024 that re-dubs and comments on children's programming from her youth, infusing adult-oriented humor into shows like Teletubbies, Darkwing Duck, and Dinosaur Train.[20] Episodes, such as "Ah, Oh, Stress im Teletubbyland" (October 2024) and "Latexdinos und große Eier" (June 2025), employ voice-over dubs to amplify surreal elements—e.g., portraying Teletubby antics as chaotic adult stressors or dinosaur episodes with exaggerated innuendos—while deconstructing tropes like anthropomorphic animals and educational pretexts in animation.[21][22] This shift toward audio-visual deconstructions of nostalgic media maintained her signature style of first-principles breakdowns, questioning narrative causalities (e.g., invisible dogs in holiday films or latex-clad prehistoric creatures) without relying on advertiser-friendly constraints.[23] These series contributed to sustained channel growth, reaching 1.56 million subscribers and over 505 million total views by October 2025, driven by episodic releases that garnered tens of millions of cumulative views.[24] Coldmirror's deliberate choice to disable video monetization after the 2010s preserved creative autonomy, allowing unfiltered satire amid YouTube's evolving algorithms, as evidenced by her reliance on public broadcasting tie-ins for distribution rather than ad revenue.[25] This approach prioritized content integrity over financial incentives, fostering a dedicated audience for her evolving critiques of media absurdities.[26]Audience Engagement and Growth Metrics
Coldmirror's primary platform, YouTube, demonstrates sustained audience retention through consistent video uploads beginning October 2, 2006, with the channel accumulating over 502 million total views across 493 videos as of late 2025.[27] Her gag dub series, especially those parodying Harry Potter films, have registered peak individual video view counts in the millions, correlating with releases of the original movies between 2007 and 2011, during which her channel experienced accelerated growth in subscriptions and watch time.[28] This pattern reflects empirical spikes in engagement tied to cultural touchpoints resonant with German-speaking audiences familiar with the source material. Engagement metrics highlight interactive fervor, including high comment volumes on parody uploads praising the unscripted, irreverent style that contrasts with polished mainstream alternatives; for instance, discussions often emphasize appreciation for humor unbound by contemporary content moderation norms.[29] Supplementary communities, such as the r/Coldmirror subreddit, foster ongoing shares and threads dissecting her works, underscoring a dedicated fanbase that sustains discourse independent of algorithmic promotion.[29] Fan demographics skew toward German-speaking youth and young adults, evidenced by the channel's comedy categorization and localization in vernacular satire appealing to those favoring direct, politically unvarnished critique over sanitized narratives.[30] By the 2020s, shorter clips derived from her catalog proliferated on TikTok, amplifying reach among younger demographics without her pursuing trend-driven formats, while her Vimeo presence hosts select extended content for archival access.[31] [32] Total subscribers stabilized at approximately 1.56 million, indicating steady loyalty rather than volatile expansion.[33]Mainstream Media Expansion
Radio and Television Involvement
Coldmirror entered radio media primarily through interviews discussing her YouTube career and content trends, with appearances dating back to the early 2010s on German stations. For example, she featured in discussions on public broadcasters like rbb Kultur's "Das Gespräch," addressing topics from her video origins to podcasting.[34] Local outlets, such as Augsburg's Kanal C radio, hosted her in 2021 for conversations on her creative process and festival performances.[35] These spots highlighted her transition from online satire to broader media engagement but remained sporadic, focusing on her expertise in dubbing and animation rather than regular hosting. Her television involvement expanded via the funk network, a digital platform backed by public broadcasters ARD and ZDF, beginning in 2016. Coldmirror created and voiced StarStarSpace, an animated sci-fi parody series that debuted that year and continued through 2020, blending her gag dub style with episodic storytelling about a dysfunctional spaceship crew.[36][37] Episodes were distributed on ZDF's video services and funk's channels, reaching audiences beyond YouTube with structured production while preserving her irreverent humor.[38] In parallel, the TELEKADDI series adapted her satirical dubbing of children's content—such as Teletubbies, SpongeBob, and Pokémon episodes—for audio distribution on ARD Audiothek starting around 2024, incorporating twisted narratives and commentary to critique media tropes.[39] This format extended her reach into public audio platforms associated with radio networks like Hessischer Rundfunk and Radio Bremen, emphasizing selective collaborations that retained her unfiltered voice amid broadcast constraints.[40]Film, Writing, and Other Productions
Coldmirror directed and wrote Japanoschlampen, an animated web series launched in 2011 that parodies Japanese anime tropes through crude humor and exaggerated dubbing.[41] The production extended her YouTube gag dub style into scripted narratives, featuring characters like Wake and Chao in absurd adventures, with episodes blending animation, voice acting, and satirical commentary on anime clichés.[41] Compilations evolved into feature-length formats, including "Japanoschlampen - THE MOVIE" released on October 5, 2014, and sequels like "The Movie 2: Das ultragrausige Geheimnis der Japanoschlampen" in 2016, emphasizing her hands-on role in directing visuals and sound design.[42][43] In 2016, Coldmirror created StarStarSpace, a science fiction parody series that marked a technical advancement in her animation workflow, incorporating detailed ship designs and ensemble voice casts to mock tropes from Star Trek and similar franchises.[44] Debuting on September 29, 2016, the series prioritized narrative coherence over rapid gag delivery, with episodes like "#18 - The Scrap Race" demonstrating evolved editing and audio layering derived from her dubbing expertise.[44][45] This output highlighted a shift toward quality-focused, limited-run projects rather than high-volume content, allowing for refined parody structures.[1] Her writing credits include indie shorts tied to broader parody universes, such as Harry Potter-themed animations like "Harry Potter und ein Stein," which adapted her improvisational humor into scripted film parodies.[1] These works underscore causal progression from online dubbing to offline narrative experiments, maintaining her signature dark satire while experimenting with extended runtime formats.[1] Overall, Coldmirror's film and writing endeavors remain selective, with fewer than a dozen major credits emphasizing innovation in self-produced animation over commercial volume.[1]Music Career
Discography Overview
Coldmirror's foray into music began in the mid-2000s as a natural extension of her early YouTube parody videos, where she created and self-produced satirical tracks under alter egos like Fresh D (a portmanteau referencing her Harry Potter gag dubs). These releases, starting around 2006 with conceptual albums such as Underground and singles like "Back from The Underground," blended electronic beats, hip-hop flows, and pop structures with lyrics rife in absurd humor and references to her video content themes, such as magical school rivalries and exaggerated rap bravado. Distributed primarily through digital downloads and tied to video promotions, her music adhered to an independent model, bypassing traditional labels to maintain creative control akin to her non-monetized video philosophy, achieving cult following among German online comedy enthusiasts rather than broad commercial success. Stylistically, the output emphasized parody over earnest composition, critiquing media tropes and consumerist pop idols through over-the-top narratives, as seen in 2008's Tubal Uriah Butler album cover art proclaiming "Stay fresh, stay dumb." This thematic consistency reinforced her persona as a satirical multimedia creator, with tracks often serving as soundtracks or extensions of her visual gags rather than standalone hits. By the 2010s, Coldmirror's musical ventures evolved to incorporate more original electronic and pop-infused pieces, still rooted in humor, though releases remained sporadic and niche, circulating via platforms like file-sharing sites and fan compilations without major streaming dominance. This approach yielded modest traction in Germany's indie parody scenes, where her work resonated for its unfiltered critique of entertainment industry excesses, unburdened by mainstream polish.Albums
Coldmirror's album releases began as comedic extensions of her early YouTube gag dub series, particularly under the Fresh Dumbledore persona, which portrayed Albus Dumbledore as an elderly rapper delivering satirical, profanity-laced tracks parodying hip-hop tropes within the Harry Potter universe. These early works, produced with minimal external collaboration to maintain creative control, featured lo-fi beats and exaggerated flows, serving as soundtracks and promotional tie-ins for her videos starting around 2005.[46][47] By the 2010s, releases like Dumblecore (2011) continued this parody style but showed maturation through denser production and meta-references to her online persona, coinciding with the final Harry Potter film release on July 13, 2011.[48] In the 2020s, Coldmirror shifted toward standalone electronic albums under her own name, emphasizing synth-driven instrumental compositions with seasonal themes, reflecting a departure from narrative comedy toward ambient and chill genres.[49][50] The following table summarizes her principal full-length albums:| Title | Release Date | Notes |
|---|---|---|
| Stay Fresh, Stay Dumb! | July 30, 2005 | Debut Fresh Dumbledore album; 6 tracks of introductory parody rap skewering gangsta aesthetics with wizardry puns.[51] |
| Underground | 2006 | Follow-up expanding on underground rap satire, tying into early video content.[52] |
| Dumbledore's Army | 2007 | Focused on ensemble parody tracks mimicking posse cuts.[52] |
| Großmutterficker | 2007 | Provocative title track-driven release; highest page views among early works, emphasizing shock humor.[53] |
| Audiovergewaltigung | 2007 | Experimental noise-rap hybrid, pushing boundaries of comedic excess.[52] |
| Post für mich | 2008 | Narrative album simulating fan mail responses in rap form.[52] |
| Tubal Uriah Butler | 2008 | Themed around Black Sabbath references blended with Potter lore.[47] |
| Dumblecore | July 13, 2011 | Culmination of series; 9 tracks including "Attack Of The Tromaggot," produced to align with film hype.[48] |
| Winter Season Now | December 5, 2024 | 12-track electronic album; instrumental synth pieces evoking winter motifs, marking shift to non-vocal, ambient production.[49] |
| Season FlowBy | November 14, 2024 | 8-track seasonal synth collection; emphasizes chill progressions without lyrical content.[54][50] |
