Recent from talks
Nothing was collected or created yet.
Craveman
View on Wikipedia
| Craveman | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | September 24, 2002[1] | |||
| Recorded | April 2002 | |||
| Studio | 40 Oz Sound, Ann Arbor, Michigan | |||
| Genre | Hard rock, heavy metal | |||
| Length | 56:06 | |||
| Label | Spitfire | |||
| Producer | Ted Nugent, Drew Peters, Chris Peters | |||
| Ted Nugent chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
Craveman is the twelfth studio album by American rock musician Ted Nugent, released on September 24, 2002.
The album continues the trend, started in the mid-1990s, of Nugent returning to the rawer, harder-rocking sound that made him famous in the 1970s. This stands in sharp contrast to the synth-pop of his 1980s work, and the romantic AOR power-ballads of his early 1990s band Damn Yankees. This album also contains some material from an unreleased Damn Yankees album, Bravo.
Reception
[edit]Critic Eduardo Rivadavia of AllMusic gave Craveman a positive 4 stars out of a possible 5, declaring it Nugent's "fiercest effort in decades, and certainly his heaviest ever."
Track listing
[edit]All songs are written by Ted Nugent, except where noted,
- "Klstrphnky" – 3:55
- "Crave" (Blades, Nugent) – 6:19
- "Rawdogs & Warhogs" – 3:37
- "Damned If Ya Do" (Blades, Nugent, Shaw) – 4:21
- "At Home There" (Brendan Lynch, Nugent, Greg Wells) – 3:49
- "Cum n Gitya Sum-o-This" – 2:37
- "Change My Sex" – 3:03
- "I Won’t Go Away" (Damon Johnson, Nugent) – 5:32
- "Pussywhipped" – 3:00
- "Goin' Down Hard" (Mike Lutz, Nugent, Alto Reed) – 4:13
- "Wang Dang Doodle" (Willie Dixon) – 2:58
- "My Baby Likes My Butter on Her Gritz" (Marco Mendoza, Nugent) – 3:52
- "Sexpot" – 3:11
- "Earthtones" [instrumental] (Mendoza, Nugent) – 5:39
Credits
[edit]Band members
[edit]- Ted Nugent – guitars, lead vocals, producer
- Marco Mendoza – bass guitar, percussion, backing vocals, lead vocals on "At Home There"
- Tommy Clufetos – drums, percussion, backing vocals
Production
[edit]- Chris Peters – producer
- Drew Peters – producer, engineer
- Ben Began – engineer, mixing
- Joe Lambert – mastering
Charts
[edit]| Chart (2002) | Peak position |
|---|---|
| US Independent Albums (Billboard)[2] | 20 |
References
[edit]- ^ a b Rivadavia, Eduardo. "Ted Nugent - Craveman review". AllMusic. Retrieved March 23, 2012.
- ^ "Ted Nugent Chart History (Independent Albums)". Billboard. Retrieved May 31, 2024.
Craveman
View on GrokipediaBackground and development
Conception
Craveman served as Ted Nugent's twelfth studio album, representing a continuation of his mid-1990s shift back toward the raw, hard-rocking aesthetic that defined his 1970s breakthrough period, in contrast to the synthesizer-infused productions of his 1980s solo work and the polished adult-oriented rock (AOR) sensibilities of his early 1990s supergroup Damn Yankees.[2][4][5] The album incorporated several tracks originally developed for the unreleased third Damn Yankees record, tentatively titled Bravo, which had been recorded around 1999–2000 but shelved due to band uncertainties; Nugent repurposed this material to align with his solo vision, emphasizing unfiltered guitar aggression over the collaborative, radio-friendly approach of the supergroup.[6][7] Nugent's motivations centered on recapturing the primal intensity of his early career, channeling themes of sex, survival, and relentless six-string energy to deliver what he described as a "throbnoxious" blend of rhythm and blues infused with outrage and spirituality.[3][8] Recording took place in April 2002, allowing Nugent to infuse the project with his signature high-octane attitude.[9][10]Songwriting
The songwriting for Craveman was predominantly handled by Ted Nugent, who composed or co-composed 13 of the album's 14 tracks, reflecting his central role in shaping the material.[11] Collaborations with band members added variety, notably bassist Marco Mendoza, who co-wrote two songs—"My Baby Likes My Butter On Her Gritz" and "Earthtones"—infusing the process with input from the rhythm section.[11] Additional co-writing credits went to guitarist Damon Johnson on "I Won't Go Away" and Night Ranger's Jack Blades on "Crave," highlighting Nugent's practice of drawing on established rock partnerships.[11][3] A key element of the songwriting involved adapting classic blues material to suit the album's high-octane rock framework, exemplified by the cover of Willie Dixon's 1960 song "Wang Dang Doodle." Originally a Chicago blues standard popularized by Howlin' Wolf, Nugent reimagined it with aggressive guitar-driven arrangements and layered backing vocals to align with Craveman's visceral energy.[3] This adaptation preserved the song's rhythmic drive while amplifying its rock intensity, crediting Nugent for the overhaul.[11] Original tracks were developed around Nugent's hallmark approach, prioritizing explosive riffs and propulsive structures that echoed the raw hard rock ethos of his 1970s solo era.[12] Songs like "Klstrphnky" and "Rawdogs & Warhogs" emerged from this riff-centric method, emphasizing high-energy builds suited to live performance.[11] Some material, including "Damned If Ya Do" co-written with Blades and Styx's Tommy Shaw, was repurposed from sessions for the unreleased third Damn Yankees album Bravo.[6] This integration allowed Nugent to revisit supergroup ideas within his solo context, maintaining a focus on unyielding rock momentum.[3]Recording and production
Studio sessions
The recording of Craveman took place over the course of April 2002 at 40 Oz Sound in Ann Arbor, Michigan.[11][9] This one-month timeline enabled an intensive schedule that supported rapid track development and preserved the project's creative momentum.[13] The sessions focused on capturing a raw, live-band energy to deliver a fierce and heavy sound, with most tracks recorded in single takes and only limited overdubs applied to maintain authenticity.[3][14] This approach emphasized the band's immediate performance dynamics over polished studio production. Producers Ted Nugent, Drew Peters, and Chris Peters oversaw the process to ensure the album's visceral intensity.[11]Key personnel
The production of Craveman was led by Ted Nugent, who served as the primary producer and oversaw the creative direction to align the album with his signature hard rock vision, drawing on his decades of experience as a guitarist and performer.[15] He co-produced alongside the brothers Drew Peters and Chris Peters, Detroit-area producers known for their collaborations with rock and hip-hop artists including Kid Rock and the Black Eyed Peas.[15] The Peters brothers contributed to shaping the album's raw, energetic sound during sessions at 40 Oz. Sound in Ann Arbor, Michigan.[13] The engineering team included Drew Peters, who handled both production and engineering duties, ensuring technical precision in capturing Nugent's guitar-driven arrangements.[15] Ben Began assisted as engineer and mix engineer, focusing on polishing the tracks' dynamics and clarity.[15] Mastering was completed by Joe Lambert at Classic Sound in New York City; Lambert, a Grammy-nominated engineer with a background in audio engineering from Full Sail University, brought his expertise in balancing rock recordings to give Craveman its final punchy finish.[3][16] Supporting the core team, the backing vocal group known as The Spiritwild Wench Warblers—comprising Bridget Rothenberger, Emily Clark-Love, and Taryn Hofert—provided harmonies on the track "Wang Dang Doodle," adding a playful, communal layer to the Willie Dixon cover.[15] Additionally, Tommy Clufetos Sr. contributed saxophone on "Pussywhipped," infusing the song with a soulful accent that complemented the album's bluesy undertones.[15]Musical content
Style and themes
Craveman is characterized by a hard rock style featuring heavy guitar riffs and energetic drumming.[1] The album's sound emphasizes Ted Nugent's signature rhythm-and-blues-based guitar work, often tuned down a half-step for a heavier tone, delivering crunchy, downtuned riffs and blistering solos that evoke raw intensity.[17] Drummer Tommy Clufetos provides thick, nasty rhythms that drive the tracks with aggressive propulsion, contributing to the record's hard-driving grooves.[18] Described as one of Nugent's heaviest efforts, Craveman serves as a throwback to the raw, harder-rocking aesthetic of his 1970s work, blending classic hard rock foundations with modern production edges.[19] The core element remains Nugent's six-string shredding, showcased through passionate, flair-filled performances on his Gibson Byrdland guitar, prioritizing intensity and classic riffs over sheer speed.[17] Lyrically, the album centers on primal urges such as sex, survival, and hunting, reflecting Nugent's unapologetic persona as a hunter and gatherer with raw, loutish energy.[13] Songs like "Crave" exemplify this through explicit explorations of instinctual drives and passionate, sometimes offensive imagery tied to basic human impulses.[1] Tracks such as "Change My Sex" and "Sexpot" delve into sexual themes, while others incorporate big game-inspired motifs, amplifying the album's fierce, alive quality.[17]Track listing
Craveman features 14 original rock tracks, with the exception of the cover "Wang Dang Doodle", alongside a total runtime of approximately 56 minutes.[20][21]| No. | Title | Writer(s) | Duration |
|---|---|---|---|
| 1 | "Klstrphnky" | Ted Nugent | 3:55 |
| 2 | "Crave" | Jack Blades, Ted Nugent | 6:19 |
| 3 | "Rawdogs & Warhogs" | Ted Nugent | 3:37 |
| 4 | "Damned If Ya Do" | Jack Blades, Ted Nugent, Tommy Shaw | 4:21 |
| 5 | "At Home There" | Brendan Lynch, Greg Wells, Ted Nugent | 3:49 |
| 6 | "Cum n Gitya Sum-O-This" | Ted Nugent | 2:37 |
| 7 | "Change My Sex" | Ted Nugent | 3:44 |
| 8 | "I Won't Go Away" | Damon Johnson, Ted Nugent | 5:32 |
| 9 | "Pussywhipped" | Ted Nugent | 3:00 |
| 10 | "Goin' Down Hard" | Alto Reed, Michael Lutz, Ted Nugent | 4:13 |
| 11 | "Wang Dang Doodle" | Willie Dixon | 2:58 |
| 12 | "My Baby Likes My Butter on Her Gritz" | Marco Mendoza, Ted Nugent | 3:52 |
| 13 | "Sexpot" | Ted Nugent | 3:11 |
| 14 | "Earthtones" | Marco Mendoza, Ted Nugent | 5:39 |
