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D-A-D (band)
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D-A-D (formerly stylized as D:A:D) is a Danish rock band. They were originally named Disneyland After Dark,[3] but changed their name to avoid a lawsuit from The Walt Disney Company.[4]
Key Information
History
[edit]In the early 1980s in Copenhagen, D-A-D started playing together under their original name Disneyland After Dark. Pedersen came up with the name based on the idea that when the lights are out in Disneyland, anything can happen. The first lineup of D-A-D consisted of Jesper, Stig, Peter and Stig's girlfriend, Lene Glumer. The band's debut concert was at the youth club Sundby Algaard. In December 1982, Lene Glumer left the band and the three of them kept playing together and on 3 March 1984, Jesper's younger brother, Jacob, joined the band at a concert at Musikcaféen in Copenhagen.
The band released their first album, Call of the Wild in 1986.[3]
The group made their international breakthrough in 1989 with the record No Fuel Left for the Pilgrims on Warner Records,[3] which was released on the band's fifth birthday. They achieved some airplay with the single "Sleeping My Day Away".
The current lineup is Jesper Binzer, Jacob Binzer, Stig Pedersen and Laust Sonne.
The largest concert the band played as the opening act for the Böhse Onkelz on their farewell festival on 17 June 2005, about 120,000 people on the Euro Speedway Lausitz.
Band members
[edit]Jesper Binzer
- Birth: 4 September 1965
- Position: lead vocals, guitar, banjo, and backing vocals.
Binzer is from Frederiksberg like Laust Sonne. He was one of the founders of the band in 1982.[3] He also plays drums for the band The Whiteouts and has also written a song for the Danish movie Bleeder.
Jacob Binzer
- Birth: 28 October 1966
- Position: Lead guitar, backing vocals, kazoo, piano, and keyboards.
- Nickname: Cobber
Jesper Binzer's younger brother. He is from Frederiksberg. Jacob has played in the band since 1984.
Stig Pedersen
- Birth: 18 May 1965
- Position: Bass guitar, lead vocals and backing vocals.
Stig is from Amager and used to play in a punk band called ADS and also plays in a band called Hellbetty. A notable aspect of Pedersen's bass playing is his use of almost exclusively two-stringed bass guitars;[5] his basses often take extravagant shapes, such as an iPhone whose screen shows the audience.[6][7][5]
Laust Sonne
- Birth: 11 December 1974
- Position: drums, backing vocals, vibraphone, keyboards, guitar, saxophone, xylophone, and bass guitar.
Sonne is from Frederiksberg. He has played in the band since 1999. He also plays in the bands Dear and Bugpowder.
Line-up history
| Year | Line-up |
|---|---|
| 1984–1999 |
|
| 1999–present |
|
Discography
[edit]Albums
[edit]Studio albums
| Title | Details | Peak chart positions | ||
|---|---|---|---|---|
| DEN [8] |
AUS [9] |
US [10] | ||
| Call of the Wild | — | — | — | |
| D.A.D. Draws a Circle |
|
— | — | — |
| No Fuel Left for the Pilgrims |
|
— | 29 | 116 |
| Riskin' It All |
|
— | 80 | — |
| Helpyourselfish |
|
— | — | — |
| Simpatico |
|
— | — | — |
| Everything Glows |
|
24 | — | — |
| Soft Dogs |
|
1 | — | — |
| Scare Yourself |
|
1 | — | — |
| Monster Philosophy |
|
1 | — | — |
| DIC·NII·LAN·DAFT·ERD·ARK | 2 | — | — | |
| A Prayer for the Loud |
|
1 | — | — |
| Speed of Darkness | 3 | — | — | |
Live albums
| Title | Details | Peak chart positions |
|---|---|---|
| DEN [8] | ||
| Osaka After Dark |
|
— |
| Psychopatico |
|
— |
| Scare Yourself Alive |
|
4 |
| Live from the Arena |
|
1 [14] |
Compilation albums
| Title | Details | Peak chart positions |
|---|---|---|
| DEN [8] | ||
| D.A.D. Special |
|
— |
| Good Clean Family Entertainment You Can Trust |
|
— |
| The Early Years |
|
40 |
| VA – Ungdomshuset |
|
— |
| The Overmuch Box |
|
14 |
| Behind the Seen |
|
— |
| Disn30land Af30r D30k |
|
2 |
| Forty Love: Greatest Hits |
|
6 [16] |
Extended plays
| Title | Details |
|---|---|
| Standin' On the Never Never |
Singles
[edit]| Title | Year | Peak chart positions | Album | |
|---|---|---|---|---|
| DEN | AUS [9] | |||
| "Sleeping My Day Away" | 1989 | — | 63 | No Fuel Left for the Pilgrims |
| "Girl Nation" | 1990 | — | 52 | |
| "Bad Craziness" | 1991 | — | 86 | Riskin' It All |
| "Jihad" | — | 89 | ||
| "I Want What She's Got" | 2011 | 36 | — | DIC.NII.LAN.DAFT.ERD.ARK |
Tours
[edit]- Scare Yourself Alive Tour (2005–2006)
- D-A-D Tour 2007 (2007)
- D-A-D Tour 2008 (2008)
- Monster Philosophy Tour (2009)
- D-A-D Tour 2010 (2010)
- D-A-D Tour 2011 (2011)
- Fast On Wheels Tour (2012)
- D-A-D Tour 2013 (2013)
- D-A-D Tour 2015 (2015)
- D-A-D 35th Anniversary Greatest Hits Tour (2022)
- D-A-D 40th Anniversary World Tour (2025)
See also
[edit]References
[edit]- ^ Rivadavia, Eduardo. "D:A:D – Artist Biography". AllMusic. All Media Network. Retrieved 9 October 2016.
- ^ Klypchak, Brad (2016). "All Those Wasted Years: Hanoi Rocks and the Transitions of Glam". In Chapman, Ian; Johnson, Henry (eds.). Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Routledge. pp. 142–155.
- ^ a b c d Colin Larkin, ed. (1995). The Guinness Who's Who of Heavy Metal (Second ed.). Guinness Publishing. p. 92. ISBN 0-85112-656-1.
- ^ "The Band". D-A-D. Retrieved 9 August 2025.
- ^ a b "The Top Five Bands Featuring 2-String Basses". Cbgitty.com.
- ^ "THAT iPhone Bass: DAD's 2-string bass let bass players stand out". Gearnews.com. 20 August 2018.
- ^ "Veteran rocker plays giant iPhone bass guitar that films audience". Consequence.net. 15 August 2018.
- ^ a b c "danishcharts.dk – Discography D-A-D". Hitlisten. Hung Medien. Retrieved 6 September 2013.
- ^ a b Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 73.
- ^ "D:A:D – Chart history | Billboard". Billboard.com.
- ^ "DIC.NII.LAN.DAFT.ERD.ARK | D-A-D". D-a-d.com.
- ^ "A Prayer for the Loud by D-A-D". Music.apple.com.
- ^ "D-A-D – Speed Of Darkness (2024, CD)". www.discogs.com.
- ^ "Hitlisten.NU – Album Top-40 Uge 15, 2025". Hitlisten. Retrieved 23 April 2025.
- ^ "Various – Ungdomshuset (CD) at Discogs". Discogs.com. Retrieved 6 September 2013.
- ^ "Album Top-40 Uge 10, 2024". Hitlisten. Retrieved 13 March 2024.
External links
[edit]
Wikimedia Commons has media related to D-A-D.
| International | |
|---|---|
| National | |
| Artists | |
D-A-D (band)
View on Grokipediafrom Grokipedia
History
Formation and Early Years (1982–1988)
D-A-D, originally known as Disneyland After Dark, was formed in Copenhagen, Denmark, in 1982 by bassist Stig Pedersen, vocalist and guitarist Jesper Binzer, and drummer Peter Lundholm Jensen amid the local punk music scene.[1] The initial lineup briefly included Lene Glumer, Stig Pedersen's girlfriend at the time, as lead singer, but she had already left the band by the time of their debut performance on December 3, 1982, at the Sundby Algaard youth club, leaving the trio to continue.[1] Early gigs took place in local Copenhagen clubs, where the band drew from punk and new wave influences, blending raw energy with emerging country-tinged elements that would define their nascent "cowpunk" sound.[1][8] By late 1982, the core trio solidified their lineup and began honing their material through persistent local performances, gradually shifting from strict punk roots toward a harder-edged rock style infused with humorous, narrative-driven lyrics.[1] In March 1984, Jesper's younger brother, Jacob "Cobber" Binzer, joined as lead guitarist during a concert at Musikcaféen in Copenhagen, adding technical depth and completing the classic quartet configuration that persists today.[1] This period marked challenges in securing wider attention, but the band's demo tapes eventually caught the ear of Mega Records, leading to a signing in 1985.[1] The band's debut EP, Standin' On the Never Never, was recorded over four days from April 15–19, 1985, at Studio 39 in Copenhagen and released on May 28, 1985, featuring three tracks: "Up Up Over the Mountain Top," "Marlboro Man," and "Never Never (Indian Love...)."[1][9] The EP received mixed reviews for its eclectic mix of punk attitude and country flair but helped establish a foothold in the Danish underground scene.[1] Building on this, their first full-length album, Call of the Wild, was recorded at the same studio and released on February 4, 1986, showcasing a stylistic evolution toward hard rock with elaborate production touches like horn sections and sound effects such as dog barks to enhance its wild, thematic narrative.[1][10] The album's track listing included "Land of Their Choice," "Call of the Wild," "Riding with Sue," "Marlboro Man," "Counting the Cattle," "Jackie O'," "Trucker," "Rock River," "Jonnie," "Son of a Gun," and "It's After Dark," reflecting a polished shift from raw punk to a more accessible hard rock sound with cowpunk undertones.[10] In Denmark, it achieved modest initial success, selling around 15,000 copies and gaining airplay on local radio, setting the stage for broader recognition.[1] Their second studio album, D.A.D. Draws a Circle, followed on June 16, 1987, produced by Mark Dearnley, and sold approximately 30,000 copies in Denmark, further refining their hard rock sound with tracks like "Isn't That Wild" and a cover of "A Horse with No Name."[11]International Breakthrough (1989–1995)
The band's international breakthrough began with the release of their third studio album, No Fuel Left for the Pilgrims, on March 3, 1989, via Warner Bros. Records. This marked their major-label debut outside Denmark and achieved modest success in the United States, peaking at number 116 on the Billboard 200 chart. The album has sold 600,000 copies worldwide. AllMusic critic Eduardo Rivadavia praised it as an "outstanding international debut," highlighting tracks like "Trucker" and "A Promise" for their humor and heaviness.[12][13][8] The lead single "Sleeping My Day Away," released in 1989, became their most successful track abroad, reaching number 23 on the US Billboard Mainstream Rock chart and number 87 on the UK Singles Chart, where it spent two weeks in the top 100. The song's music video, directed by Andy Morahan and featuring the band in a surreal bedroom setting, received significant rotation on MTV, contributing to the album's visibility and helping propel the band's profile in North America and Europe. In Denmark, the album performed strongly, selling over 275,000 copies and earning platinum certification.[14][15] To facilitate their US market entry, the band adopted the acronym D-A-D for international releases starting in 1989, shortening from Disneyland After Dark to avoid a potential trademark lawsuit from The Walt Disney Company. This rebranding was fully formalized in 1995 with the updated spelling D:A:D to emphasize the abbreviation. Follow-up albums Wishing Stone (1990) and Jesusjackknife (1992) continued their Warner Bros. partnership but saw diminishing commercial returns outside Denmark, with no significant international chart placements. Wishing Stone received mixed reviews for its experimental edge, while Jesusjackknife was noted for its raw energy but failed to replicate the debut's momentum.[1] Throughout the period, D-A-D engaged in extensive promotional tours across Europe and North America, including 30 US shows in 35 days in late 1989 and multiple European legs supporting album releases. These activities, including live performances and media appearances, solidified their cult following in the rock community despite challenges in sustaining mainstream breakthrough.[1][15]Mid-Career Developments (1996–2010)
Following the international success of the early 1990s, D-A-D entered a transitional phase marked by musical experimentation and lineup adjustments. In 1997, the band released Simpatico, their sixth studio album, which represented a shift toward heavier, more refined rock sounds compared to their earlier cowpunk influences. Produced by the band alongside Nick Foss, the album was recorded during the summer at Focus Recording, Granny Studio, and Medley Studio in Denmark, with mixing at EMI's Abbey Road Studios in London and mastering at Gateway Mastering in Portland, Maine. It achieved moderate commercial success in Denmark, reaching the year-end Top 30 albums chart.[16][17][18] The period also saw significant changes in the band's lineup. In January 1999, founding drummer Peter Lundholm Jensen departed after 17 years, citing a desire to leave the rock 'n' roll lifestyle behind. Laust Sonne replaced him, making his live debut with D-A-D at the Skanderborg Festival in August 1999. This transition influenced the band's sound on their next release, Everything Glows in 2000, the first album featuring Sonne on drums. Recorded in Malmö and Copenhagen, the album explored themes of relationships, introspection, and everyday life through a mix of hard rock and melodic elements, with the title track becoming a standout fan favorite. While critics offered mixed reviews, it resonated strongly with listeners for its emotional depth.[1][19] D-A-D continued with Soft Dogs in 2002, shifting to a softer palette of ballads and mid-tempo tracks that emphasized lyrical vulnerability and acoustic textures. The album topped the Danish charts and sold over 65,000 copies domestically, earning the highest rating from Denmark's leading music magazine, Gaffa. However, the supporting Wig Wam tour—featuring an ambitious large-tent setup across Europe—faltered due to poor ticket sales, leading to financial losses and internal strain that tested the band's resilience. In 2005, the live album Scandinavian Nights captured their energetic performances from regional shows, highlighting their enduring appeal in Nordic markets during a time of scaled-back international ambitions. By 2008, Monster Philosophy addressed themes of personal struggle and resilience amid heavier riffs, reflecting the band's focus on domestic audiences as activity slowed in the late 2000s. After the release of their 2008 album Monster Philosophy, D-A-D entered a three-year hiatus before reuniting in 2011. These years underscored D-A-D's adaptability amid commercial challenges and personal upheavals, solidifying their core following in Denmark.[20][1]Revival and Recent Activities (2011–present)
After a five-year hiatus following the release of their 2008 album Monster Philosophy, D-A-D reunited in 2011 and issued their eleventh studio album, DIC·NII·LAN·DAFT·ERD·ARK, on November 11. Produced by Nick Foss and released via Mermaid Records, the record marked the band's return to form with a blend of hard rock anthems and melodic hooks, highlighted by tracks such as the opener "A New Age Moving In," the bluesy "I Want What She's Got," and the energetic "Fast on Wheels." Critics praised its consistency and nostalgic energy, with Sea of Tranquility noting it as a "quintessential D-A-D release with radio-friendly pop, massive riffs, and a mix of hard rock, party metal, blues, and ballads," though it fell short of their early masterpieces. The album peaked at number 2 on the Danish charts, signaling renewed fan interest.[21][22] In 2019, D-A-D delivered A Prayer for the Loud, their twelfth studio album, which incorporated fresh material alongside a retrospective feel, peaking at number 1 on the Danish charts. Released on May 31 via AFM Records, standout tracks included the title anthem—a rallying cry with soaring guitars—and "Burning Star," blending their signature cowpunk edge with modern production. Reviews highlighted its vitality, with Metal Temple describing it as a "return to the band's aggressive roots while maintaining melodic accessibility." This release bridged their classic sound with contemporary vigor, reinforcing their enduring appeal. The band's momentum continued into the 2020s with the 2024 double album Speed of Darkness, released on October 4 via AFRecords, which debuted at number 3 in Denmark. Featuring 14 tracks across two discs, highlights encompassed the groovy opener "Speed of Darkness," the soulful "Head Over Heels," and the politically charged "Keep That MF Down," addressing free speech themes. Critical reception was generally positive, emphasizing its maturity and rebellious spirit; The Rockpit lauded the "slow-burn groove-rider" vibes and "beautifully set guitar," while Music Waves critiqued some tracks for lacking energy but commended the overall decent hard rock execution. Metal Temple called it "okay but very predictable," appreciating the band's solid output without major surprises.[23][24][25] To celebrate four decades, D-A-D announced their 40th Anniversary World Tour in 2025, kicking off with a Greatest Hits run in Australia during May, including dates at Rosemount Hotel in Perth (May 20), The Triffid in Brisbane (May 22), Manning Bar in Sydney (May 23), and Northcote Theatre in Melbourne (May 24). The tour showcases their catalog-spanning hits, delivering "unapologetic hard-hitting rock 'n' roll." Later in the year, they embarked on the European "Cowpunks & Glampires Tour," co-headlining with The 69 Eyes starting October 29 in Budapest, Hungary, at Barba Negra, followed by stops in Prague, Frankfurt, and beyond through November, blending D-A-D's cowpunk with the Finns' gothic rock. Additional 2025 appearances include the Metal Hammer Paradise festival on November 29 at Weissenhäuser Strand, Germany.[26][27][28] Complementing the anniversary, D-A-D released the live album Live from the Arena on April 12, 2025, via Warner Music Denmark, capturing their 40th birthday concert with 25 tracks including "Jihad," "Evil Twin," and "1st, 2nd & 3rd." The double-disc set, also issued as a limited numbered four-LP vinyl for Record Store Day, topped the Danish charts and preserved the high-energy performance for fans.[29][30]Musical Style and Influences
Genre Characteristics
D-A-D's music is primarily classified as hard rock, incorporating elements of glam metal and punk aggression, with occasional cowpunk swagger that blends twangy riffs and high-energy rhythms.[31][8][2] This style is defined by its use of power chords, infectious hooks, and anthemic, sing-along choruses that create stadium-ready anthems, often driven by blistering guitar leads and a melodic heavy rock foundation.[8][2] The band's sound emphasizes raw power and unhinged energy, prioritizing sharp, earworm melodies over overly slick production.[8] A signature feature of D-A-D's sonic identity is frontman Jesper Binzer's distinctive raspy vocals, delivered with a punk-inflected edge that conveys both intensity and playfulness, complemented by the dual guitar work of the Binzer brothers, which layers twangy rhythms with harmonious leads.[32][33] This guitar interplay, often mixing rhythm and blistering solos, adds a dynamic texture to their hard rock core, as heard in tracks like "Sleeping My Day Away," where the raw, energetic production highlights unpolished drive and catchy refrains rather than arena-polished sheen.[32][8] Lyrically, D-A-D explores themes of youthful rebellion, romantic love, and escapism, frequently infused with humorous or ironic twists through tongue-in-cheek storytelling and abundant clichés that poke fun at rock tropes.[8][31] These elements contribute to a lighthearted yet defiant tone, setting their work apart in the hard rock landscape by blending sincerity with self-aware absurdity.[8]Evolution and Key Influences
Formed in the vibrant underground music scene of 1980s Copenhagen, D-A-D drew initial inspiration from the city's punk and new wave movements, blending raw energy with humorous, irreverent lyrics in their early work. Their debut album, Call of the Wild (1986), showcased a cowpunk style that fused punk aggression, twangy country riffs, and Southern rock elements, reflecting the chaotic spirit of local acts and broader influences like The Ramones and ZZ Top.[8] By the late 1980s, the band evolved toward a more polished glam-influenced hard rock sound, evident in No Fuel Left for the Pilgrims (1989), which featured sharper hooks, larger production, and anthemic choruses that propelled their international breakthrough while echoing the sleazy swagger of Guns N' Roses and Mötley Crüe.[8] Entering the 1990s and 2000s, D-A-D incorporated grunge and alternative rock sensibilities amid the shifting musical landscape, adapting to the era's heavier, introspective tones without abandoning their melodic core. Albums like Jesusjackknife (2000) and Soft Dogs (2002) introduced grunge-era nods through sludgy riffs and emotional depth, influenced by the genre's dominance that had earlier disrupted their mainstream momentum in the early 1990s.[8][34] This period also added a layer of witty, European lyricism to tracks that paralleled the raw vulnerability in songs by The Cult or AC/DC.[8] In the 2020s, D-A-D has returned to their classic hard rock foundations, refining it with contemporary production techniques for a gritty yet accessible sound. Their 2024 album Speed of Darkness emphasizes massive, blues-tinged choruses and cowpunk guitar tones reminiscent of their origins, but with modern tweaks like stripped-back verses that build into explosive hooks, signaling a confident revival of their signature style.[35][8]Band Members
Current Lineup
The current lineup of D-A-D has been stable since 1999, featuring the founding core members alongside drummer Laust Sonne, enabling consistent evolution in their hard rock sound through collaborative songwriting and dynamic live interplay.[3] Jesper Binzer has fronted the band on lead vocals and rhythm guitar since its inception in 1982, serving as the primary songwriter responsible for many of D-A-D's infectious choruses and riff-driven anthems, such as those on albums like No Fuel Left for the Pilgrims. His charismatic frontman persona, marked by energetic stage antics and raw vocal delivery, has defined the band's appeal in both studio recordings and arena tours. Beyond D-A-D, Jesper launched a solo project in 2017 with the album Dying Is Easy, followed by Save Your Soul in 2020, explorations that have enriched his contributions to the band's heavier, introspective tracks on recent releases like Speed of Darkness. He favors Gibson Les Paul guitars amplified through Marshall stacks for his signature overdriven tone.[36][37][38] Jacob Binzer, Jesper's younger brother, joined in 1984 as lead guitarist, delivering sublime solos and country-tinged heavy riffs that add melodic flair and technical depth to songs like "Sleeping My Day Away." The sibling dynamic fosters a playful yet tight interplay, evident in their harmonized guitar parts and shared backing vocals, bolstering the band's rock 'n' roll edge. Jacob's equipment setup includes Friedman BE-100 amplifiers and custom Caveman Audio effects for his delay-heavy solo tones.[39][40] Stig Pedersen anchors the rhythm section on bass and backing vocals since 1982, providing a groovy, foundational pulse that underpins D-A-D's pop-metal hooks and occasional songwriting input, as seen in co-credits on tracks like "1st, 2nd & 3rd." His minimalist approach, often using custom two-string basses for a punk-infused drive, complements the Binzers' flashier elements and has been key to the band's enduring rhythmic stability.[41][42][43] Laust Sonne took over drums in 1999, infusing a heavier, more aggressive style which intensified D-A-D's percussive drive on albums like Scandinavian Nights and elevated their festival performances with powerful fills and endurance. Sonne's versatility extends to backing vocals and occasional production tweaks, while his kit preferences include Tama drums and Zildjian cymbals for a crisp, hard-hitting sound.[44][45]Former Members
The former members of D-A-D include vocalist Lene Glumer and drummer Peter Lundholm Jensen, both of whom were part of the band's initial lineup in 1982.[1] Lene Glumer served as the band's lead singer during its formation in 1982, contributing to early rehearsals alongside Jesper Binzer on guitar, Stig Pedersen on bass and vocals, and Peter Lundholm Jensen on drums.[1] Her involvement was brief, ending on December 4, 1982, shortly after the band's debut concert at the Sundby Algaard youth club on December 3, when the other members decided she did not align with the evolving band direction and forced her departure.[1][8] Peter Lundholm Jensen was a founding drummer who remained with D-A-D for 17 years, from 1982 until his exit on January 14, 1999.[1] His tenure shaped the band's foundational hard rock sound, providing the rhythmic drive for key recordings including early releases like Call of the Wild (1986) and the breakthrough album No Fuel Left for the Pilgrims (1989), where his steady, energetic style supported the group's punk-influenced energy and melodic hooks.[1][46] Jensen's decision to leave stemmed from a desire to pursue an education and career in engineering, with the choice reportedly made around the time of the 1997 album Simpatico; his final performance occurred on August 15, 1998, in Nuuk, Greenland.[1][47] Jensen's departure presented a significant transition for D-A-D, as he had been integral to the band's identity since its inception, but the group adapted by bringing in Laust Sonne on drums, which helped sustain momentum into the new millennium and contributed to the current lineup's long-term stability.[1][8]Discography
Studio Albums
D-A-D has released thirteen studio albums since their debut in 1986, blending hard rock, punk, and melodic elements while achieving significant commercial success in Denmark. The band's discography reflects their breakthrough in the late 1980s and consistent chart performance domestically, with several albums topping the Danish charts and earning certifications for sales exceeding 40,000 units (platinum threshold in Denmark). International releases through labels like Warner Bros. helped expand their reach, though chart success was more limited outside Scandinavia. Notable singles from these albums, such as "Sleeping My Day Away" and "Scare Yourself," became radio staples and contributed to the band's enduring popularity. The following table summarizes the band's studio albums, including release dates, labels, track counts, selected chart peaks (primarily Danish, as international data is sparse), certifications, and notable singles.| Album Title | Release Date | Label | Tracks | Peak Position (DEN) | Certifications (DEN) | Notable Singles |
|---|---|---|---|---|---|---|
| Call of the Wild | 4 February 1986 | Mega Records | 10 | — | — | "Trucker" |
| D.A.D. Draws a Circle | 16 June 1987 | Mega Records | 10 | — | — | "Is Something Wrong with You?" |
| No Fuel Left for the Pilgrims | 3 March 1989 | Medley Records | 10 | 1 | 2× Platinum (40,000 copies) | "Sleeping My Day Away," "Is It Could Be Worse" |
| Riskin' It All | 10 October 1991 | Medley Records | 11 | 2 | Gold (30,000 copies) | "Bad Craziness," "Grow or Die" |
| Helpyourselfish | 13 March 1995 | Medley/EMI | 12 | 5 | — | "It's Alive," "Helpyourselfish" |
| Simpatico | 21 June 1997 | Medley Records | 11 | 11 | — | "Soulmover," "Simpatico" |
| Everything Glows | 17 July 2000 | Medley Records | 12 | 27 | — | "Life Right Now," "Everything Glows" |
| Soft Dogs | 25 February 2002 | Medley Records | 11 | 1 | Gold (25,000 copies) | "The Real Thing," "Soft Dogs" |
| Scare Yourself | 23 May 2005 | EMI | 11 | 1 | Platinum (40,000 copies) | "Scare Yourself," "Don't Die for Us" |
| Monster Philosophy | 10 November 2008 | EMI | 12 | 6 | — | "Monster Philosophy," "A Hard Rain's Gonna Fall" (cover) |
| Dic.Nii.Lan.Daft.Erd.Ark | 7 November 2011 | Mermaid Records | 12 | 5 | — | "The End" |
| A Prayer for the Loud | 31 May 2019 | Mermaid Records | 10 | 1 | Gold (20,000+ copies) | "A Prayer for the Loud," "Burning Star" |
| Speed of Darkness | 4 October 2024 | AFM Records | 11 | 3 | — | "The Grandest House on the Block," "Speed of Darkness" |
Singles and EPs
D-A-D's early career was marked by the release of their debut EP, Disneyland After Dark, on Mega Records in 1985, which featured the tracks "Is It Something You Said?", "Sad Sad X-Mas", "Trucker", and "Riding with Sue". This EP served as an introduction to the band's cowpunk sound and laid the groundwork for their full-length debut album. No chart positions are recorded for the EP, but it received local radio play in Denmark. The band's breakthrough single, "Sleeping My Day Away", was released in 1989 as the lead track from their album No Fuel Left for the Pilgrims. It topped the Danish singles chart and reached number 87 on the UK Singles Chart, spending two weeks there. The single included a B-side of "Trucker", an earlier track from the band's formative years, and was accompanied by a music video directed by Helle Gade, featuring the band performing in a surreal, dreamlike setting that emphasized the song's themes of escapism. In the US, it peaked at number 23 on the Billboard Mainstream Rock Tracks chart.[54][14][55] "Everything Glows", released as a single on March 31, 2000, promoted the album of the same name and marked a shift toward a more polished rock sound with the addition of new drummer Laust Sonne. While the album charted at number 27 in Denmark, the single itself did not achieve notable international chart success but gained traction through heavy rotation on Danish radio and a music video showcasing the band's energetic live performance style. A remix version appeared on later compilations, highlighting its enduring popularity in the band's catalog.[56] Other notable singles include "Bad Craziness" (1991), which reached number 1 in Denmark alongside its parent album and included a B-side of "Point of View (Haze)"; and "Jihad" (1991) from Riskin' It All, topping Danish charts with a video that captured the band's raw energy. These releases often featured unique B-sides like non-album tracks or live recordings, contributing to the singles' collectible appeal among fans.[54][3]| Title | Release Date | Album Affiliation | Chart Positions | Notes (B-sides, Videos) |
|---|---|---|---|---|
| Disneyland After Dark (EP) | 1985 | Debut EP | None recorded | Tracks: "Is It Something You Said?", "Sad Sad X-Mas"; No video |
| Sleeping My Day Away | 1989 | No Fuel Left for the Pilgrims | #1 DEN, #87 UK, #23 US Mainstream Rock | B-side: "Trucker"; Video by Helle Gade |
| Everything Glows | March 31, 2000 | Everything Glows | Album #27 DEN (single uncharted) | Remix on compilations; Live performance video |
| Bad Craziness | 1991 | Riskin' It All | #1 DEN | B-side: "Point of View (Haze)"; Promotional video |