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Dalis Car
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Dalís Car were a musical group formed in 1984 by Peter Murphy (vocalist), Mick Karn (bassist, keyboardist, guitarist, saxophonist) and Paul Vincent Lawford (drum machines).
Key Information
History
[edit]One year after Bauhaus broke up, Peter Murphy, after taking a hiatus from his music career, wished again to record. However, at the time he had difficulties creating music, for his bandmates from Bauhaus had come up with the musical ideas. Murphy's input was limited to writing and interpreting lyrics, creating vocal rhythms, adding vocal parts into songs. Also, despite Murphy's input to the occasional sound effect on a Wasp synthesiser, playing a few percussion instruments and efforts of basic guitar, he did not play any musical instruments professionally. He later explained this: "As a solo artist I had to learn to make records without this machine I had been part of. I had no skill. No idea what I should do. I was suddenly a solo person writing from where? From what perspective? So I was looking to find what I had to offer."[1] Murphy was in need of a collaborator at the time. Around the same time, the bass player Mick Karn, from the art pop band Japan who had split up in 1982, was struggling with his solo career. Despite his musical ability, recorded demos and session work, Karn was struggling to get a record deal since he was mainly interested in making instrumental music rather than pop songs. In order to secure a record deal, he needed to convince a record company that his work had commercial prospects. Karn was looking for a frontman.[1]
The origin of the band began with Murphy's interview by a Japanese journalist for the magazine Music Life, in which he spoke of his admiration for Mick Karn's work and his unique bass style. The same journalist interviewed Karn a week before Murphy's interview and had Karn's telephone number. Murphy jotted Karn's number down, and telephoned him for a conversation.[1] This led to a meeting and dinner in a restaurant, and each discovered that they had a connection with the other, leading to the creation of Dalís Car along with drummer Paul Vincent Lawson. It was assumed that they took their name from a Captain Beefheart song from his album Trout Mask Replica.[2] Despite the popular belief, this was apocryphal. Instead, the name came from a dream from Murphy's friend, where he dreamed of buying a car belonging to Salvador Dalí.[1]
There were issues and conflicts during this time. Karn explained one issue on how each of them had a different way to construct music: "There would be whole sections I'd leave for the vocals to take over the track, whereas Pete saw it from a completely different musical perspective; "Well, this is such a nice musical break I don't want to touch it."So I guess there was a certain amount of friction caused by that because we both heard the tracks in a completely different way."[1] Another issue was their drummer, Paul Lawson. As Karn explained: "He was supposed to be the other third of the band. Originally, that was the idea. He would be playing live drums – we got on with him very well, he was very young and eager – unfortunately when we got into the studio we found that nerves took over and he couldn’t actually play so much. So we ended up having him programme most of the patterns rather than play them."[1] Despite not touring in front of live audience due to these issues, they performed their single "His Box" on BBC2's The Old Grey Whistle Test while playing over a backing track. One commentator mentioned their reaction to their appearance in the performance by saying: "In their sober suits they looked like investment bankers who had just had a bad day on the stock market".[1]
The group recorded only one album, titled The Waking Hour. The album went over budget and was not successful, and despite Karn's willingness to continue with the group, Murphy was not interested based on the lack of success. In fact, he did not even show up when Karn established the bonus tracks for their single, preferring to stay in Turkey with his wife.[1] According to Karn, "by that point it became obvious that Peter didn't want to carry on with it."[1] Murphy later recalled that "we split up in 1984 on not very good terms. He'd just come out of Japan and I'd just finished with Bauhaus, and relationships in our previous bands had ended badly so neither of us found it easy working together back then."[3]
The Waking Hour
[edit]The sleeve of The Waking Hour features a detail from Maxfield Parrish's seminal painting Daybreak. The recording of the album took place in unusual circumstances; Karn and Murphy did not spend much time together in the recording studio, preferring to send tapes back and forth between each other, to work on alone. One single was released, "The Judgement Is the Mirror" (UK No. 66). Much of the video for the single was recorded on location in Malta.[4]
Reunion and subsequent releases
[edit]In August 2010, Peter Murphy announced on Twitter that he and Karn were planning to head into the studio in September to begin work on the second Dalís Car album. As Murphy explained that year:
I hadn't seen him for ages and then I heard he was seriously ill in June of last year. I was sat here wondering what I could do for him because we'd made a whole album together, so we got back in contact with each other via email and I asked him whether he was well enough to work, and if so, why don't we make another Dalis Car album? I'll raise the funds and organise it all, you just get writing, and he was so happy.[5]
The project was cut short, however, for Karn had recently been diagnosed with cancer; he died on 4 January 2011.[6] The tracks they did record—including a re-working of "Artemis" from The Waking Hour with newly added vocals, guitar, and drums, and renamed "Artemis Rise"—were released on 5 April 2012 as an EP titled InGladAloneness. The tracks were mixed by Steve Jansen, mastered by Pieter Snapper in Istanbul, and the artwork for the EP was created by Murphy with Thomas Bak with a painting by Jarosław Kukowski. The Japanese version of the EP contains a memorial photo booklet with photos by Steve Jansen along with comments from fellow artists who have collaborated with Karn.
Artemis Rise was made available as a download through the Burning Shed MK Music store on Sunday 24 July 2011, to commemorate what would have been Karn's 53rd birthday. The song is an updated version of the song as it appeared on The Waking Hour, with added vocals by Murphy, drums by Jansen, and guitar by Jakszyk.
Discography
[edit]Studio albums
[edit]- The Waking Hour (1984) – UK No. 84[7]
Singles
[edit]EPs
[edit]- InGladAloneness (2012)
References
[edit]- ^ a b c d e f g h i Shirley, Ian (25 December 1995). Dark Entries: Bauhaus and Beyond. SAF. ISBN 9780946719136.
- ^ Peter Buckley, ed. (2003). "Dalis Car". The Rough Guide to Rock (3 ed.). Rough Guides. p. 264. ISBN 9781843531050.
...Mick Karn, ex-bassist with arty New Wave band Japan, and Peter Murphy, ex-vocalist with arty gothic punks Bauhaus. They took their name from a Captain Beefheart...
- ^ Gourlay, Dom (25 September 2011). ""I'm relevant but Bauhaus aren't": DiS Meets Peter Murphy". Drowned in Sound. Archived from the original on 24 August 2018. Retrieved 20 July 2025.
- ^ Murphy speaking on Channel 4's The Tube; tx. 23 November 1984
- ^ Gourlay, Dom (25 September 2011). ""I'm relevant but Bauhaus aren't": DiS Meets Peter Murphy". Drowned in Sound. Archived from the original on 24 August 2018. Retrieved 20 July 2025.
- ^ Meikle, James (2011) "Former Japan bass player Mick Karn loses battle with cancer", The Guardian, 5 January 2011, retrieved 5 January 2011
- ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 138. ISBN 1-904994-10-5.
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Dalis Car
View on GrokipediaHistory
Formation
Following the dissolution of Japan in late 1982, bassist and multi-instrumentalist Mick Karn, known for his innovative contributions to the band's sophisticated new wave sound, began pursuing solo projects while seeking new collaborative opportunities.[13] Similarly, vocalist Peter Murphy parted ways with Bauhaus in July 1983 after the release of their final album Burning from the Inside, leaving behind a legacy in post-punk and goth rock that positioned him as a prominent figure in the alternative scene.[13] These departures from their respective influential groups—Japan with its art rock elegance and Bauhaus with its pioneering gothic intensity—created an opening for a high-profile partnership between the two artists.[13][4] The collaboration originated in 1984 when a Japanese music journalist, conducting an interview with Murphy for the magazine Quiet Life, mentioned Karn after Murphy expressed admiration for his work with Japan; the journalist, having spoken with Karn the previous week, provided Murphy with his contact details.[13] Murphy promptly called Karn, leading to an initial meeting at a restaurant in London where they discovered a strong creative rapport.[13] This encounter, facilitated by the journalist's intermediary role, sparked the formation of the band in England, with drummer Paul Vincent Lawford soon joining to handle rhythm programming and percussion, completing the core lineup.[13][14] The band adopted the name Dalis Car, drawn from a dream experienced by one of Murphy's friends in which he purchased a car owned by surrealist painter Salvador Dalí, a concept Murphy found evocative and unrelated to Captain Beefheart's 1972 song of a similar title.[13] Envisioned as a supergroup, Dalis Car aimed to merge post-punk's raw energy with art rock's experimental sophistication, leveraging Murphy's dramatic vocal style and Karn's versatile instrumentation to craft a distinctive sound.[13][4]The Waking Hour era
The recording sessions for Dalis Car's debut album The Waking Hour occurred during spring and summer 1984 at The Manor, Air Studios in London, and Hernplace Studios in England, with production handled by band members Mick Karn and Peter Murphy alongside engineer Steve Churchyard.[5][15] The collaboration was fraught with creative tensions, as Karn later described it as a "particularly difficult project" marked by strong personalities and limited time spent together in the studio, which influenced the album's raw, experimental edge.[16] Murphy echoed this, noting that both artists were "on the rebound" from their prior bands Bauhaus and Japan, hindering full creative openness.[16] The Waking Hour comprises seven tracks, blending Karn's signature fretless bass lines with Murphy's brooding vocals and atmospheric synths: "Dalis Car" (5:12), "His Box" (4:42), "Cornwall Stone" (5:19), "Artemis" (4:37), "Create and Melt" (5:36), "Moonlife" (4:53), and "The Judgement Is the Mirror" (4:36).[6] Standout tracks include the opening title song "Dalis Car," which sets a hypnotic tone with its Eastern-influenced melodies; "His Box," featuring Karn's intricate bass work; and the lead single "The Judgement Is the Mirror," known for its introspective lyrics and pulsating rhythm.[6] The album was released on November 19, 1984, through Paradox Records, an imprint associated with Beggars Banquet.[5] Commercially, The Waking Hour entered the UK Albums Chart at No. 84, holding the position for one week.[17] The single "The Judgement Is the Mirror" fared similarly modestly, peaking at No. 66 on the UK Singles Chart over two weeks.[18] Contemporary critical reception was mixed, with reviewers appreciating the album's bold experimental fusion of art rock and avant-garde elements but noting inconsistencies stemming from the recording's challenges.[16] Some praised its innovative soundscapes, while others found the execution uneven.[19] To promote the release, Dalis Car engaged in limited activities, including a notable television performance of "His Box" on BBC's The Old Grey Whistle Test on November 27, 1984, and an interview appearance on Channel 4's The Tube that same month.[20] The band undertook sparse touring and additional media spots through 1985, focusing primarily on UK outlets amid the project's short-lived nature.[20]Reunion attempts and posthumous releases
Following the release of their debut album The Waking Hour in 1984, Dalis Car entered an extended hiatus, with no further group activities as Peter Murphy and Mick Karn focused on their respective solo endeavors.[13] In August 2010, Peter Murphy announced plans for a reunion with Mick Karn, intending to enter the studio in September to record material for a second Dalis Car album.[7] The collaboration aimed to build on unfinished ideas from their earlier sessions, but it was soon disrupted by Karn's ongoing health struggles.[21] Karn had been diagnosed with cancer in June 2010, leading to the postponement of recording sessions as his condition deteriorated.[8] He passed away on January 4, 2011, at his home in London at the age of 52, marking the definitive end of the reunion project.[22] Despite Karn's death, a posthumous EP titled InGladAloneness was released on April 5, 2012, through Kscope Music, serving as a final testament to the duo's creative partnership.[23] The five-track collection incorporates archival contributions from Karn, including bass, saxophone, and other instrumentation recorded prior to his illness, alongside new elements such as Murphy's vocals and lyrics, Paul Vincent Lawford's congas and percussion, and Steve Jansen's drums.[24] Mixed by Jansen and mastered by Pieter Snapper, the EP features reworked tracks from 1980s sessions like "Artemis Rise," as well as original compositions such as "King Cloud," "Sound Cloud," "Subhanallah," and a cover of "If You Go Away."[13] Critics praised InGladAloneness as a poignant tribute, highlighting its atmospheric, Eastern-influenced art-pop sound that echoed the band's 1984 output while conveying emotional depth in Karn's absence; AllMusic awarded it a 7/10 rating for its evocative closure.[9]Members
Peter Murphy
Peter John Joseph Murphy was born on July 11, 1957, in Northampton, England.[25] Prior to forming Dalis Car, Murphy served as the lead vocalist of the post-punk band Bauhaus from 1978 to 1983, where he helped pioneer the gothic rock style through his commanding performances and dark, atmospheric songwriting. The band's dissolution in 1983 prompted Murphy to explore new collaborations, leading to the creation of Dalis Car with former Japan bassist Mick Karn.[13] In Dalis Car, Murphy provided vocals and co-production on their 1984 debut album The Waking Hour, while serving as the primary creative force behind the lyrics and overall artistic vision, which infused the project with introspective and surreal themes.[26] His distinctive baritone delivery and theatrical presence significantly shaped the band's art rock sound, blending gothic intensity with experimental elements to create a moody, immersive aesthetic. Following the initial Dalis Car release, Murphy pursued a solo career, debuting with the 1986 album Should the World Fail to Fall Apart, which expanded on his post-Bauhaus explorations in art pop and alternative rock.[27] He later contributed vocals to the band's 2010 reunion sessions, resulting in the posthumous 2012 EP InGladAloneness, recorded before Karn's death and featuring Murphy's layered vocal arrangements on reworked and new material.[23]Mick Karn
Mick Karn, born Andonis Michaelides on July 24, 1958, in Nicosia, Cyprus, emigrated with his family to London at age three and was raised in south-east England.[1] He developed an early interest in music, initially playing bassoon before transitioning to bass guitar.[1] Prior to forming Dalis Car, Karn served as the bassist and multi-instrumentalist for the art rock band Japan from 1974 to 1982, where he gained renown for his innovative fretless bass technique, characterized by fluid, melodic lines that blended jazz and world music influences.[1] Following Japan's dissolution in 1982, this expertise facilitated his collaboration with Peter Murphy.[1] In Dalis Car, Karn played a central role, handling bass, saxophone, keyboards, guitar, and various other instruments on the 1984 album The Waking Hour, while also co-producing the record alongside Murphy and contributing to its arrangement and mixing.[28] He composed the music for six of the album's seven tracks, shaping its atmospheric and experimental sound through his versatile instrumentation.[5] Karn's distinctive use of fretless bass and reed instruments, such as the saxophone, created the band's signature textured layers, evoking an otherworldly, improvisational quality.[29] Karn was diagnosed with advanced-stage cancer in June 2010 and passed away on January 4, 2011, at his home in London, at the age of 52.[30] Archival recordings from sessions conceived in his final months formed the basis of Dalis Car's 2012 EP InGladAloneness, marking his last contributions to the project.[31]Paul Vincent Lawford
Paul Vincent Lawford is a British drummer and musician active in the 1980s electronic and post-punk scenes.[14] In Dalis Car, formed in 1984, Lawford provided technical support through drum programming, percussion, and electronics, earning credits for rhythm construction, drum programming, and percussion on the band's debut album The Waking Hour.[15][32] He contributed additional percussion, specifically congas, to the band's 2012 EP InGladAloneness.[33] Unlike vocalists Peter Murphy and bassist Mick Karn, Lawford maintained a lower profile with no prominent solo career tied to the project, focusing instead on supportive rhythm elements.[14]Musical style
Genre and influences
Dalis Car's music is characterized by art rock and post-punk foundations, incorporating goth rock and alternative pop elements that blend dark, atmospheric textures with sophisticated arrangements.[4] Their 1984 album The Waking Hour exemplifies proto-goth synth-pop, featuring droning synths and otherworldly vocals that evoke an archaic sublime, earning recognition as one of the 20 best goth records ever made.[34] The band's sound drew heavily from the members' prior experiences: Peter Murphy brought gothic theatricality and post-punk intensity from Bauhaus, influenced by glam rock figures like David Bowie, while Mick Karn contributed intricate, world-infused synth-pop from Japan, shaped by Middle Eastern and Turkish musical traditions absorbed during his Cyprus upbringing.[35][36][37] These elements merged to create a distinctive fusion, evident in tracks like "His Box," where Middle Eastern-inspired synths underscore Murphy's brooding delivery.[38] Broader inspirations included surrealism, reflected in the band's name—derived from Salvador Dalí's enigmatic persona and a reference to a car once owned by Al Capone and exhibited in a Chicago museum—which Karn and Murphy selected for its blend of mystery and everyday familiarity.[39] Over time, their style evolved toward more ambient and reflective tones in the 2012 EP InGladAloneness, emphasizing Karn's Asian and experimental leanings in a subdued, introspective context shortly before his death.[40]Instrumentation and production
Dalis Car's core instrumentation centered on Mick Karn's versatile playing of fretless bass, saxophone (including soprano saxophone), cornet, and keyboards, which formed the melodic and harmonic foundation of their sound, complemented by Peter Murphy's expressive vocals and Paul Vincent Lawford's drum programming and percussion elements.[28] Karn handled nearly all other instruments, creating a dense yet intimate sonic palette that highlighted his multi-instrumental prowess.[28] The production of their debut album The Waking Hour (1984) was co-produced by the band and Steve Churchyard, focusing on layered textures achieved through analog recording techniques and a minimalist approach that prioritized atmospheric depth over dense arrangements.[28] Sessions took place across multiple studios—The Manor, Air Studios in London, and Hernplace Studios—during spring and summer 1984, allowing for meticulous overdubbing that amplified the interplay between Karn's intricate lines and Lawford's programmed rhythms.[41] This self-directed process emphasized clean, evocative mixes that captured the band's experimental ethos without external overproduction.[28] In contrast, the 2012 EP InGladAloneness involved digital reworking of material from sessions initiated in Karn's final months, incorporating archival elements and additional recordings for a posthumous release polished after his death in January 2011.[42] Contributions from collaborators like Steve Jansen on drums, Jakko M. Jakszyk on guitars and strings, and Theo Travis on woodwinds added layered depth, with specific overdubs for tracks like "Artemis Rise" and "Sound Cloud" handled at The Vestry Studio and Silesia Sound.[43][42] Karn's innovative fretless bass techniques, characterized by percussive slides and melodic phrasing, produced fluid lines with an exotic, Eastern-tinged quality that evoked his multicultural influences, while Lawford's sparse percussion and drum machines contributed to the band's signature atmospheric restraint.[1][42] These elements fostered a tense, immersive environment, where minimal rhythmic pulses allowed Karn's bass and Murphy's vocals to dominate the sonic space.[28]Discography
Studio albums
Dalis Car released only one studio album during its brief existence, reflecting the project's limited output as a collaboration between Peter Murphy and Mick Karn following the dissolution of their respective bands Bauhaus and Japan.[44] The Waking Hour (1984) was issued on the Beggars Banquet label (under the Paradox Records imprint) in November 1984, peaking at No. 84 on the UK Albums Chart where it spent one week.[17][28] The album features seven tracks blending art rock, new wave, and world music influences through Karn's distinctive fretless bass and multi-instrumental work alongside Murphy's dramatic vocals. Recorded at The Manor, Air Studios, and Hernplace Studios, it was produced by the band and engineered and mixed by Steve Churchyard.[28] Personnel credits include Peter Murphy on vocals and lyrics; Mick Karn on bass, synthesizer, cornet, didgeridoo, guitar, keyboards, tenor saxophone, Fairlight sampler, and handling arrangements, compositions, mixing, and cover design; and Paul Vincent Lawford on drums and keyboards. Assistant engineers were Matt Butler and Rory Lonemore.[45] The track listing is as follows:| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | "Dalis Car" | Karn, Murphy | 5:10 |
| 2 | "His Box" | Karn, Murphy | 4:41 |
| 3 | "Cornwall Stone" | Karn, Murphy | 5:25 |
| 4 | "Artemis" | Karn | 4:31 |
| 5 | "Create and Melt" | Karn, Murphy | 5:31 |
| 6 | "Moonlife" | Traditional, arr. Murphy, Karn | 4:53 |
| 7 | "The Judgement Is the Mirror" | Karn, Murphy | 4:36 |
Singles
Dalis Car released a single official single during their active period, "The Judgement Is the Mirror", in October 1984 on Paradox Records. The track, taken from their debut album The Waking Hour, was issued in the UK on 7" vinyl (catalogue DOX 1), with "High Places" as the B-side.[47] A 12" vinyl edition (catalogue DOX 1-12) followed, featuring the A-side "The Judgement Is the Mirror" and B-sides "High Places" and "Lifelong Moment".[48] The single achieved a peak position of No. 66 on the UK Singles Chart, spending two weeks in the Top 75.[49] No additional official singles were released by the band in the 1980s. A white label promotional 7" pressing of "The Judgement Is the Mirror" / "High Places" also circulated in the UK that year.EPs
Dalis Car released one extended play, InGladAloneness, on April 5, 2012, through the Kscope label.[23] The EP emerged from a brief reunion in 2010 between Peter Murphy and Mick Karn, which was aborted due to Karn's cancer diagnosis and subsequent death in January 2011, making the release a posthumous effort to honor his contributions.[23][24] The five-track EP draws on recordings from those 2010 sessions, featuring Murphy on vocals and keyboards, Karn on bass, bass clarinet, and additional guitars, Paul Vincent Lawford on congas, and Steve Jansen on drums.[23][50] The tracks were mixed by Jansen and mastered by Pieter Snapper in Istanbul, with artwork designed by Murphy and Thomas Bak based on a painting by Jaroslaw Kukowski.[23] Key songs include "Artemis Rise," which highlights Karn's intricate bass clarinet lines, and "King Cloud," blending philosophical lyrics from Murphy with dense, hypnotic rhythms.[23][40] The full track listing is:- "King Cloud" (5:01)
- "Sound Cloud" (4:25)
- "Artemis Rise" (4:52)
- "Subhanallah" (2:16)
- "If You Go Away" (2:51) [23][33]