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David Hobson (tenor)
David Hobson (born 18 November 1960) is an Australian opera tenor and composer.
Born in Ballarat, Australia, Hobson sang with church and school choirs and local music groups as a child, but he was still vocally untrained when he performed as lead singer and bass guitarist with rock bands while studying at the University of Melbourne. However, despite the lack of a demonstration tape of Macbeth (see below) he was invited to join the Victoria State Opera, understudying the role of Frederic in the VSO's Joseph Papp (Broadway) version of The Pirates of Penzance in 1986. This led to his becoming a member of the company's Young Artists Programme, and making his debut as Rodolfo in a Victorian country tour production of La bohème in 1987. In 1988 he made his debut with The Australian Opera (now Opera Australia) when he created the role of Lawrence in the world premiere of Brian Howard's opera Whitsunday.
He is the composer of Macbeth (a 1985 music theatre piece), Remembering Rosie (2001 chamber opera), The Loch Ard Suite (for the 2002 light/sound installation Shipwrecked at Warrnambool) and the award-winning 2004 orchestral score for the Australian film One Perfect Day, as well as a number of songs including Inside This Room and the title song for One Perfect Day.
In 1990, he reprised the role of Rodolfo, opposite Cheryl Barker as Mimì, in a new production of La bohème for The Australian Opera, directed by Baz Luhrmann; this went on to become one of the company's most successful productions. It was filmed during its 1993 return season and broadcast on ABC TV several times. Released on VHS in 1994, it was to become the first opera available on DVD (1998) and continues to be a best seller worldwide.
Hobson's Gilbert and Sullivan roles with Opera Australia include Nanki-Poo in The Mikado, Marco Palmieri in The Gondoliers, Ralph Rackstraw in H.M.S. Pinafore, and the Defendant in Trial by Jury.
Hobson returned to the role of Frederic in the record-breaking Opera Australia production of The Pirates of Penzance with seasons during 2006 in Sydney at the Sydney Opera House, in Canberra, and in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre. The national tour continued in 2007, with seasons in Adelaide and Melbourne, making a total of 100 performances in ten months.
His operatic repertoire extends from 17th century works to the present, Hobson's high lyric tenor voice (he is actually a rare haute-contre or baroque tenor) is best suited to the baroque and bel canto operas of the 18th and early 19th centuries, such as those composed by Mozart and Rossini. His Mozart roles include Ferrando in Così fan tutte, Don Ottavio in Don Giovanni, Tamino in The Magic Flute and Belmonte in The Abduction from the Seraglio. His Rossini roles include Lindoro in L'italiana in Algeri, Ramiro in La Cenerentola, Count Almaviva in The Barber of Seville, Dorvil in La scala di seta and Florville in Il signor Bruschino.
Many other roles have included Ernesto in Donizetti's Don Pasquale, Nadir in Bizet's The Pearl Fishers, and a highly acclaimed Orphée in Gluck's Orphée et Eurydice, (the rarely performed 1774 Paris version for tenor).
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David Hobson (tenor)
David Hobson (born 18 November 1960) is an Australian opera tenor and composer.
Born in Ballarat, Australia, Hobson sang with church and school choirs and local music groups as a child, but he was still vocally untrained when he performed as lead singer and bass guitarist with rock bands while studying at the University of Melbourne. However, despite the lack of a demonstration tape of Macbeth (see below) he was invited to join the Victoria State Opera, understudying the role of Frederic in the VSO's Joseph Papp (Broadway) version of The Pirates of Penzance in 1986. This led to his becoming a member of the company's Young Artists Programme, and making his debut as Rodolfo in a Victorian country tour production of La bohème in 1987. In 1988 he made his debut with The Australian Opera (now Opera Australia) when he created the role of Lawrence in the world premiere of Brian Howard's opera Whitsunday.
He is the composer of Macbeth (a 1985 music theatre piece), Remembering Rosie (2001 chamber opera), The Loch Ard Suite (for the 2002 light/sound installation Shipwrecked at Warrnambool) and the award-winning 2004 orchestral score for the Australian film One Perfect Day, as well as a number of songs including Inside This Room and the title song for One Perfect Day.
In 1990, he reprised the role of Rodolfo, opposite Cheryl Barker as Mimì, in a new production of La bohème for The Australian Opera, directed by Baz Luhrmann; this went on to become one of the company's most successful productions. It was filmed during its 1993 return season and broadcast on ABC TV several times. Released on VHS in 1994, it was to become the first opera available on DVD (1998) and continues to be a best seller worldwide.
Hobson's Gilbert and Sullivan roles with Opera Australia include Nanki-Poo in The Mikado, Marco Palmieri in The Gondoliers, Ralph Rackstraw in H.M.S. Pinafore, and the Defendant in Trial by Jury.
Hobson returned to the role of Frederic in the record-breaking Opera Australia production of The Pirates of Penzance with seasons during 2006 in Sydney at the Sydney Opera House, in Canberra, and in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre. The national tour continued in 2007, with seasons in Adelaide and Melbourne, making a total of 100 performances in ten months.
His operatic repertoire extends from 17th century works to the present, Hobson's high lyric tenor voice (he is actually a rare haute-contre or baroque tenor) is best suited to the baroque and bel canto operas of the 18th and early 19th centuries, such as those composed by Mozart and Rossini. His Mozart roles include Ferrando in Così fan tutte, Don Ottavio in Don Giovanni, Tamino in The Magic Flute and Belmonte in The Abduction from the Seraglio. His Rossini roles include Lindoro in L'italiana in Algeri, Ramiro in La Cenerentola, Count Almaviva in The Barber of Seville, Dorvil in La scala di seta and Florville in Il signor Bruschino.
Many other roles have included Ernesto in Donizetti's Don Pasquale, Nadir in Bizet's The Pearl Fishers, and a highly acclaimed Orphée in Gluck's Orphée et Eurydice, (the rarely performed 1774 Paris version for tenor).