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Deivam
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| Deivam | |
|---|---|
![]() Poster | |
| Directed by | M. A. Thirumugam |
| Written by | Sandow M. M. A. Chinnappa Thevar |
| Produced by | Sandow M. M. A. Chinnappa Thevar |
| Starring | Gemini Ganesan K. R. Vijaya Srikanth Sowcar Janaki |
| Edited by | M. A. Thirumugam |
| Music by | Kunnakudi Vaidyanathan |
Production company | |
Release date |
|
Running time | 139 minutes |
| Country | India |
| Language | Tamil |
Deivam (transl. God) is a 1972 Indian Tamil-language devotional anthology film, starring Gemini Ganesan, R. Muthuraman, A. V. M. Rajan, Srikanth, K. R. Vijaya, Sowcar Janaki, Nagesh and Thengai Srinivasan. The film was edited and directed by M. A. Thirumugam and written by Sandow M. M. A. Chinnappa Thevar.[1] It was released on 4 November 1972.
Plot
[edit]The film serves as an anthology of stories that highlight the miracles performed by Lord Muruga in the lives of his devotees on a day-to-day basis in the present times which are narrated by Thirumuruga Kripananda Variyar.
First story
A thief (Major Sundarajan) who comes to steal Lord Muruga's jewels from the Arulmigu Thirumurugan Thirukovil, Marudhamalai. He loses the ability to use his leg while he attempts to steal the lord's jewels and later he reforms and he repents for his mistakes and he becomes a devotee and serves the temple. Later, a different thief comes to steal the temple collections. While fighting him, he regains the use of his leg. Turns out that the thief was none other than the god himself who came to make him run and thereby regain his mobility.
Second story
Vellammal (Sowcar Janaki) is a lone wife whose husband has abandoned her who came to Swamimalai there she gets the contact of a banana vendor Nagesh and he gives her a job. Circumstances leads her to get into a fire accident where her husband Swaminathan (Srikanth), now a fire fighter, comes and saves her and their child thereby reuniting the family. Turns out that the husband got a prank call saying that the temple of Swamimalai is on fire where she ends up coming and there happens to be a fire accident in the slum she is residing. The Lord saves their child by hiding the baby behind a huge Swamimalai Muruga photo through which all three are united.
Third story
Kathirvelu (A.V.M. Rajan) and Vadivelu (V. Gopalakrishan) are friends. Vadivelu wants to start a business and needs fund. Both being staunch devotees of Muruga, Kathirvelu proceeds to give out the money without any promissory note with only Shanmugam (Thengai Sreenivasan) a camphor seller as a coincidental witness. The agreement goes like a 50-50 partnership with Kathirvelu's 50% going to the services of temple. After a few years, Vadivelu becomes immensely successful as well as greedy. He refuses to give the share meant for God. Kathirvelu, angry that Vadivelu has cheated God, applies a case on him. Without a note and Shanmugam dead in an accident, Vadivelu gloats. However, Shanmugam comes at the right time to the court, gives witness and helps to recover the money. It turns out that the Lord came in the form of Shanmugam and helped Kathirvelu.
Fourth story
Arumugam (Gemini Ganesan) and Valliyammal (K.R. Vijaya) are a merchant couple. Arumugam goes to join an investment scheme of his friend taking what is left of his family jewels which gets stolen by a gang. Arumugam disowns and just teases the God until his wife points out that his life was safe and the God saved his life. Unable to go to a wedding due to the abject and huge poverty they are now facing, neighbours give Valliyammal their jewels for safe keeping and approve using it for going to the wedding. The same gang of thieves attack Valliyammal but get caught by police this time due to a power cut, thanks to minor miracles performed by Lord and all the jewels are restored to the family. The friend who Arumugam was going to join turns out to be scammers who planned to dupe Arumugam. Thus, Muruga saved the family.
Fifth story
Mani (R. Muthuraman) and his best friend Kumaresan (Senthamarai) are polar opposites when it comes to faith in God. Senthamarai is a staunch devotee of Thiruparankundaram Murugan who visits the God's marriage every year, who tells him that background where he needed some money to save his wife's life. He found a cigarette pack with the exact amount he needs and that is how he became a devotee of the lord and visits every year on the marriage day of the lord. Circumstantially, Mani gets into a spot where he owes money failing which he would lose his respect which he values above his life. He prays to Muruga as a last resort. He too finds a cigarette pack but it is empty. He gives up saying though his prayer was sincere, his faith probably wasn't. A vehicle pushes him off-road and he falls down a slope. He scolds Muruga. At the same time, another vehicle in the accident scene drops off a suitcase due to the minor skirmish on the road. The suitcase contains Rs.25,000. He takes it to the police station to find the owner. The owner is there and thanks him profusely for returning such a huge amount. He offers him a reward but Mani insists on taking a loan of the required amount to save his respect and thanks the God understanding that only after being tested and put through trouble, both times at which he called the God even if it was for scolding/complaining, God gave him what he wanted.
Sixth story
Subramaniyam (Sivakumar) and Deivanai (Jaya) are a couple who are devoted to the lord. At a visit to the temple, A rogue (S. A. Ashokan) first harasses Deivanai and tries to molest her after hurting Subramaniyam. However, Muruga comes in the form of his vahanas and saves them.
Cast
[edit]Lead actors
- Sivakumar as Subramaniyam
- Jaya as Deivaanai, Subramaniyam's wife
- Gemini Ganesan as Arumugam
- K. R. Vijaya as Valliyammai, Arumugan's wife
- S. V. Ramadoss as Robber's head
- S. A. Ashokan as a Rogue
- Major Sundararajan as Kanthappan, a thief
- R. S. Manohar as Kanthappan's partner
- A. V. M. Rajan as Kadhirvelu
- V. Gopalakrishan as Vadivelu
- Thengai Srinivasan as Shanmugam
- R. Muthuraman as Mani
- Senthamarai as Kumaresan
- Srikanth as Swaminathan
- Sowcar Janaki as Velammai, Swaminathan's wife
- Nagesh as banana vendor
Special appearance (actors)
- V. S. Raghavan as a businessman
- S. N. Lakshmi as Valliyammai's neighbour
- K. Kannan as guest
Special appearances (singers)
- T. M. Soundararajan as a devotional singer
- Sirkazhi Govindarajan as a devotional singer
- Madurai Somu as an opera singer
- Pithukuli Murugadas as a devotional singer
- Radha Jayalakshmi as an opera singer
- Soolamangalam Rajalakshmi as an opera singer
- M. R. Vijaya as an opera singer
- Bangalore A. R. Ramani Ammal as an opera singer
Production
[edit]K. R. Vijaya initially refused to act in the film since she did not want to continue her acting career after giving birth, but accepted after her husband advised her against quitting. The song "Thiruchendooril Poar Purindhu" was shot at Thiruchendur, in three hours time.[2] The film was shot at the six Abodes of Murugan while also capturing different festivals celebrated at those abodes.[3]
Soundtrack
[edit]Music was by Kunnakudi Vaidyanathan and lyrics were by Kannadasan.[4] The song "Maruthamalai Maamaniye" is set in the Carnatic raga known as Darbari Kanada.[5]
| Songs | Singer | Length |
|---|---|---|
| "Maruthamalai Maamaniye" | Madurai Somu | 6:28 |
| "Naadariyum 100 Malai Naan Ariven" | Pithukuli Murugadas | 4:12 |
| "Varuvaandi Tharuvaandi Malayaandi" | Soolamangalam Rajalakshmi & M. R. Vijaya | 4:27 |
| "Thiruchendoorin Kadalorathil Senthilnaathan" | T. M. Soundararajan, Seerkazhi Govindarajan | 4:59 |
| "Kundarathile Kumarakukku Kondattam" | Bangalore A. R. Ramani Ammal | 2:28 |
| "Thiruchendooril Poar Purindhu" | Radha Jayalakshmi | 5:05 |
Release and reception
[edit]Deivam was released on 4 November 1972.[6][7] Kanthan of Kalki praised Thirumugam's direction and editing, along with Vaidyanathan's music.[8]
References
[edit]- ^ "தெய்வம்". Kalki (in Tamil). 12 November 1972. p. 1. Archived from the original on 26 July 2022. Retrieved 28 July 2022.
- ^ Ashok Kumar, S. R. (28 May 2020). "Landmark films, golden memories". The Hindu. Archived from the original on 2 June 2020. Retrieved 4 June 2020.
- ^ "தெய்வம் தான் துணைவன்". Kalki (in Tamil). 29 April 1979. Archived from the original on 6 April 2024. Retrieved 6 April 2024 – via Internet Archive.
- ^ "Deivam (1972)". Raaga.com. Archived from the original on 30 June 2012. Retrieved 25 June 2012.
- ^ Mani, Charulatha (8 June 2012). "A Raga's Journey – Dynamic Durbarikaanada". The Hindu. Archived from the original on 28 February 2018. Retrieved 6 August 2018.
- ^ "தெய்வம் / Dheivam (1972)". Screen 4 Screen. Archived from the original on 23 September 2021. Retrieved 23 September 2021.
- ^ இன்பா, மு.ஞா.செ. (2020). ஜெமினி மந்திர சொல் (in Tamil). Kathadi Publications. p. 259.
- ^ காந்தன் (26 November 1972). "தெய்வம்". Kalki (in Tamil). p. 41. Archived from the original on 26 July 2022. Retrieved 28 July 2022.
External links
[edit]Deivam
View on GrokipediaSynopsis and characters
Plot
Deivam is structured as a devotional anthology film, narrated by the revered saint Thirumuruga Kripananda Variyar, who frames the narrative around six interconnected stories depicting real-life miracles attributed to Lord Muruga, the Hindu deity of war and victory. These tales, drawn from devotees' experiences, underscore the power of unwavering faith in invoking divine intervention to overcome personal and communal hardships. The film's episodic format weaves these accounts together, emphasizing how Lord Muruga manifests in various forms to guide and protect the faithful, without relying on a single continuous plotline.[6][7] The first story follows a notorious thief who infiltrates the Arulmigu Thirumurugan Thirukovil at Marudhamalai to steal the deity's sacred jewels. During the attempt, he mysteriously loses the use of his legs, prompting profound remorse and a vow of devotion to Lord Muruga. Upon repenting and thwarting a subsequent theft, he miraculously regains his mobility, symbolizing redemption through surrender to divine will. This narrative highlights the theme of transformation from sin to sanctity via encounters with the divine.[6][8] In the second story, a devoted wife named Vellammal, abandoned by her husband, receives aid from a compassionate banana vendor and faces a devastating fire that threatens her life and her child's. Her firefighter husband, unaware of her plight, heroically rescues them, leading to a family reunion facilitated by a seemingly prankish yet divinely orchestrated phone call from the temple. The episode illustrates divine intervention in restoring familial bonds and providing succor in moments of despair.[6][8] The third tale centers on a legal dispute involving temple funds between two friends, Kathirvelu and Vadivelu, who had signed a promissory note witnessed by a man named Shanmugam. When Vadivelu cheats Kathirvelu out of his share, the case reaches court, but Shanmugam—revealed to be an incarnation of Lord Muruga—returns from the presumed dead to testify, ensuring justice is served. This story emphasizes miraculous resolution of conflicts rooted in greed, reinforcing trust in divine oversight for righteous causes.[6][8] Another story involves the devoted couple Arumugam and Valliyammai, where the husband abandons his wife, but divine intervention leads to their reunion, highlighting themes of familial restoration through faith.[9] The fourth story depicts the couple Subramaniyam and Deivanai, who face danger when Deivanai is threatened by a molester; Lord Muruga intervenes in the forms of his sacred vahanas—peacock and elephant—to protect her, affirming the deity's role as guardian. It portrays the protective power of devotion in everyday perils.[6][8] While the film features six stories in total, detailed accounts of the remaining narratives are not widely documented in available sources. Across all stories, the anthology stresses core themes of faith as a catalyst for redemption, the assurance of divine protection amid adversity, and the transformative impact of devotion, portraying Lord Muruga as an accessible and compassionate guardian.[6] Key protagonists in these tales are portrayed by prominent actors, including Gemini Ganesan in several lead roles.Cast
Deivam is an anthology film that employs an ensemble cast of leading Tamil cinema actors to portray the diverse devotees and figures in its six devotional stories inspired by real-life miracles attributed to Lord Murugan. This approach allows for a variety of character archetypes, from skeptical individuals transformed by faith to faithful spouses enduring trials, emphasizing themes of devotion across different social strata.[6] The principal cast includes:- Gemini Ganesan as Arumugam, the husband who abandons his wife but whose story involves familial reunion through divine intervention in one segment. He takes on multiple lead roles across the stories, representing key male protagonists in the narratives.[9][10]
- K. R. Vijaya as Valliyammai, Arumugam's devoted wife facing abandonment and hardship, exemplifying the female leads who embody unwavering faith.[9]
- R. Muthuraman as Mani, a supporting character in a segment highlighting friendship and divine justice.[9]
- A. V. M. Rajan as Kadhirvelu, a cheated friend who receives aid from a divine figure disguised as an ordinary witness.[9][6]
- Sowcar Janaki as Vellammal, a lone wife abandoned by her husband and miraculously saved from peril, portraying another central female devotee.[6]
- Srikanth in a supporting role as a devotee navigating trials of faith in one of the anthology's tales.[10]
- Sivakumar as Subramaniyam, a devoted husband whose wife is protected from harm through Lord Murugan's intervention.[6][11]
- Jaya as Deivanai, Subramaniyam's wife, who faces molestation but is rescued divinely, underscoring spousal devotion.[6]
- Nagesh as the banana vendor providing comic relief while aiding Vellammal in her time of need.[6]
- Thengai Srinivasan as Shanmugam, a witness who turns out to be the divine incarnation of Lord Muruga, assisting the wronged Kadhirvelu.[6]
- Major Sundarrajan as the reforming thief who attempts to steal temple jewels, loses the use of his legs as punishment, but regains them upon becoming a devotee.[6]
Production
Development
Sandow M. M. A. Chinnappa Thevar, a prominent Tamil film producer and ardent devotee of Lord Muruga, conceived Deivam as a devotional project to propagate worship of the deity and highlight miracles associated with his temples, such as Marudhamalai.[12] Thevar's lifelong commitment to Murugan bhakti, evidenced by his contributions to temple infrastructure like roads and electrification at sites including Tiruchendur, Palani, and Marudhamalai, directly inspired the film's thematic focus.[12] Thevar selected his younger brother, M. A. Thirumugam, to direct and edit Deivam, drawing on Thirumugam's established expertise in the industry.[13] Thirumugam had honed his skills as an editor on mythological and fantasy films, including the 1951 production Marmayogi, a tale of adventure and supernatural elements produced by Jupiter Pictures.[14] His prior directorial work for Thevar's banner, such as Utthami Petra Rathinam (1960), further solidified his suitability for handling the film's devotional narrative.[13] The script structured Deivam as an anthology comprising six interconnected stories drawn from real-life experiences of Lord Muruga's devotees, emphasizing themes of faith and divine intervention.[6] These tales were framed and narrated by the revered spiritual leader Thirumuruga Kripananda Variyar, whose presence lent authenticity and elevated the film's religious tone.[6][12] Thevar wrote the screenplay himself under his production banner, Dhandayuthapani Films, ensuring alignment with his vision of promoting Muruga devotion through cinema.[6]Filming
Principal photography for Deivam took place at the six sacred abodes of Muruga, known as the Arupadai Veedu, across Tamil Nadu, to capture the authentic essence of the film's devotional narratives. These locations, including Thiruchendur and Palani, provided a sacred backdrop that immersed the production in the spiritual atmosphere central to the stories of divine intervention. The choice of these sites not only lent visual authenticity but also enhanced the plot's exploration of faith and miracles through real-world temple settings.[6][12] Post-shoot, director M. A. Thirumugam handled the editing to weave the segments into a cohesive narrative, ensuring smooth transitions between the miracle-driven vignettes while preserving the emotional and spiritual flow. The final cut resulted in a runtime of 137 minutes, balancing the anthology format's diversity with a unified devotional message. Given the 1972 production era, the film relied on practical effects for depicting miracles, such as on-location staging and simple mechanical illusions, eschewing any modern visual effects technology.[15]Soundtrack
Track listing
The soundtrack of Deivam consists of five devotional songs composed by Kunnakudi Vaidyanathan, with lyrics penned by Kannadasan, emphasizing bhakti traditions in Tamil cinema.[16] These songs are integrated into the film's anthology structure, each tied to specific story segments, such as one highlighting a thief's reformation through divine intervention.[6]| No. | Title | Singer(s) | Duration |
|---|---|---|---|
| 1 | Maruthamalai Maamaniye | Madurai Somasundaram | 6:51 |
| 2 | Nadariyum Noorumalai Naan Ariven Saamimalai | Pithukuli Murugadas | 4:08 |
| 3 | Thiruchendoorin Kadalorathil Senthilnaathan | T. M. Soundararajan, Seerkazhi Govindarajan | 4:59 |
| 4 | Thiruchenduril Poar Purindhu | Radha Jayalakshmi | 3:43 |
| 5 | Kundarathile Kumarakukku Kondattam | Bangalore Ramaniyammal | 2:29 |

