Dharmatma
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| Dharmatma | |
|---|---|
![]() Theatrical poster | |
| Directed by | Feroz Khan |
| Written by | Kaushal Bharti |
| Produced by | Feroz Khan |
| Starring | Feroz Khan Hema Malini Rekha Nazir Hussain Premnath Imtiaz Khan Farida Jalal Ranjeet Danny Denzongpa Madan Puri Iftekhar Dara Singh |
| Cinematography | Kamal Bose |
| Edited by | B.S. Glaad |
| Music by | Kalyanji Anandji |
Release date |
|
| Country | India |
| Language | Hindi |
| Box office | ₹2.5 crore |
Dharmatma (lit. 'Righteous Soul') is a 1975 Indian Hindi-language thriller film produced and directed by Feroz Khan. The cast includes Khan, Hema Malini, Rekha, Premnath, Imtiaz Khan, Danny Denzongpa, Farida Jalal, Ranjeet, Helen, Madan Puri, Jeevan, Iftekhar, Dara Singh, Satyen Kappu and Sudhir. The music is by Kalyanji Anandji.
It was the first Bollywood film to be shot in Afghanistan and the film also has scenes featuring Buzkashi, a Central Asian sport on horses, including aerial shots, which in turn won the film's cinematographer, Kamal Bose, the Filmfare Award for Best Cinematographer.[1] This film was successful at the box office and took Khan's career to new heights in the same year when classics like Sholay and Deewar released.
Dharmatma's plot is loosely based on The Godfather (1972), the first attempt in India to localise the American film, and the character of Premnath was inspired by the life and times of the then king of Matka gambling, Ratan Khatri.[2][3]
Synopsis
[edit]Wealthy, powerful, and influential, Seth Dharamdas leads a financially secure life in a palatial bungalow. He is known to help people who are beyond any hope of assistance, and this leads to him being known as "Dharmatma". But Seth Dharamdas does have a number of skeletons in his closet and a parallel life as a gangster and a "Matka king". The only person whom he dislikes and fears is his own son Ranbir.
After a heated argument over Dharmatma's matka business, Ranbir leaves home for Afghanistan, where he stays with his uncle and manages his business. One day in a forest, while riding a horse, he finds a nomad, Jankura, and a woman, Reshma, fighting. He defends Reshma and they fall in love.
Meanwhile, in India, his sister Mona, is all set to marry Kundan, the son of their father's old friend. She writes to Ranbir to attend her wedding and give them his blessings. Ranbir accepts her invitation and arrives at the venue. The wedding commences, and Mona departs after the ceremony. While in the car, she gives her husband a steel ring with "I Love You" inscribed on it.
Ranbir leaves for Afghanistan. He proposes to Reshma, which she accepts. Her foster-father also reluctantly agrees to their marriage. A fortune-teller there predicts that Reshma will bring death to Ranbir, which has Reshma worried.
Meanwhile, in India, a business-rival by the name of Anokhelal proposes a narcotics deal to Dharmatma, which he refuses. His son-in-law tries to force him to accept the scheme but is unsuccessful. Dharmatma recognises the nature of his son-in-law and apologises for his mistake of letting his daughter marry him. He misses Ranbir and orders his assistant, Vikram Singh, to bring Ranbir back from Afghanistan. Vikram Singh agrees, but on the way, he is kidnapped by Anokhelal's sons, Natwar and Rishi and his brother Biradar.
In Afghanistan, Ranbir and Reshma prepare for their wedding. On the day of the wedding, they leave for the temple where Natwar and Rishi plant a bomb in the lovebirds' car. After praying, Reshma starts the jeep, and it explodes, killing her and leaving Ranbir heart-broken.
Natwar and Rishi attack a Matka centre of Dharmatma, injuring him and Kundan. They order a nurse to help Kundan kill Dharmatma. In Afghanistan, Ranbir gets the news of the attack on his father and returns to India. Kundan kills Dharmatma, assisted by the nurse but loses the ring gifted to him by his wife. Ranbir arrives and finds that his father is dead. He promises to avenge his father. Some days later, Ranbir goes for a drive with Anu, a childhood friend who secretly loves him, and he is attacked by goons sent by Anokhelal. The doctor who operated on his father gives him the ring which he found in Dharmatma's hand and tells him that his father died from suffocation. Ranbir suspects a hospital employee to be a part of his father's murder and asks the doctor about the nurse on duty that night. He visits her house only to find her killed by Natwar and Rishi. He tries the ring on her hand, but it doesn't fit.
Kundan arrives and lies to him that Vikram Singh is the killer and asks Ranbir to kill Vikram Singh.
Meanwhile, at Anokhelal's place, they raise a toast for dead Dharmatma. Ranbir arrives there. Kundan, Natwar, and Rishi hide upstairs and position a sniper to kill Ranbir. Downstairs, Ranbir accepts the drug deal, which his father declined and provides them with ₹ 5 million but on a condition that they will give him Vikram Singh, dead or alive, to which Anokhelal agrees. Anokhelal signals Natwar to stop Kundan from firing at Ranbir, which makes Kundan very angry. He returns home, drunk with a prostitute which makes Mona furious. Drunk and angry, Kundan beats Mona. This infuriates Ranbir. He arrives at their place and beats Kundan, but Mona stops him pleading him not to make her a widow. Kidnapped Vikram Singh is killed by Anokhelal.
They take his dead body in a coffin and meet Ranbir in a church's graveyard. Ranbir tries the ring on Vikram Singh, but it doesn't fit. Then Anokhelal laughs at him and confesses that he got his father killed. The police prevent goons from killing Ranbir, killing Anokhelal and his brother Biradar, but Ranbir is injured, too. He thanks the police for saving his life and departs.
At his place, while bandaging his wounds, Anu asks him to move to a safer place, to which he disagrees. Mona arrives and ties rakhi on Ranbir's wrist. She sees the ring in Ranbir's hands and reveals that she had given one to Kundan, but he has lost it. Ranbir realises that Kundan is the main culprit in the death of his father. He wants to kill him but is in a fix because he does not want to make his sister a widow.
Mona and Kundan return home, where they find Natwar and Rishi already present. Kundan signals Mona to go upstairs. Natwar and Rishi blackmail Kundan and demand he make a plan for Ranbir's death. Mona overhears this conversation and informs Ranbir but Kundan sees her.
Ranbir and Shakti Singh, a top henchman of his father, arrive at their place and find Mona dead. A mourning Ranbir receives a call from Kundan asking Ranbir to meet him at his hideout in Madh Island. Meanwhile, he plans to kill him and Shakti Singh.
Ranbir accepts and arrives, only to find a bunch of goons with machine guns there to kill him and Shakti Singh.
Kundan lands in a helicopter on a hilly place with a small cottage where Natwar and Rishi are present. They ask him about their safe house, to which he says that a ship in the sea is waiting for their arrival, and then he asks them about the narcotics. They reply that it is in the cottage. He asks its worth, to which they reply that it is 5 million. Then he kills them and takes the carton of drugs from the cottage back to the helicopter, where he finds Ranbir. He is astonished to see him alive and confesses to him about the plan according to which he killed his father. Ranbir then forces him to commit suicide by jumping off the hill.
Ranbir then closes all Matkas rackets which were led by his father, and hands over all the black money earned by his father to the police. He leaves with his mother and Anu, now his wife, to Afghanistan to continue his old work there.
Cast
[edit]- Feroz Khan as Ranbir
- Hema Malini as Reshma
- Rekha as Anu
- Prem Nath as Dharamdas "Dharmatma"
- Danny Denzongpa as Zangoora
- Farida Jalal as Mona
- Ranjeet as Rishi
- Dara Singh as Shakti Singh
- Helen in an item number
- Sudhir as Natwar
- Imtiaz Khan as Kundan
- Madan Puri as Ranbir's uncle
- Jeevan as Anokhelal
- Satyen Kappu as Biradar
- Iftekhar as Vikram Singh
- Jagdish Raj as Dr. Jagdish
- Faryal as Nurse
- Sulochana Latkar as Shanti
- Seema Kapoor as Club Dancer
- Zaheera
- Nadira as Gypsy Woman
- Alka as Rani
- Nana Palsikar as Purshottam
- Nazir Hussain as Zaheera's father
- Krishan Dhawan as Kishanlal; Anu's father
- Mohan Choti
Soundtrack
[edit]Kalyanji Anandji composed all the songs of Dharmatma. This was their second collaboration with Feroz Khan after Apradh. Indeevar penned the lyrics. The music of the film had a fusion of Afghani music and Western music. The songs of the film became superhits.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Tere Chehre Mein Woh Jaadu Hai" | Kishore Kumar | 04:11 |
| 2. | "Meri Galiyon Se Logo Ki Yaari" | Lata Mangeshkar, Mahendra Kapoor | 05:24 |
| 3. | "Kya Khoob Lagti Ho" | Mukesh, Kumari Kanchan Dinkerao Mali | 04:07 |
| 4. | "Tum Ne Kisi Se Kabhi Pyaar Kiya Hai" | Mukesh, Kumari Kanchan Dinkerao Mail | 04:01 |
See also
[edit]- Sarkar (2005 film), another Bollywood remake of The Godfather
References
[edit]- ^ "Dharmatma (1975)". The Hindu. 17 January 2013. Retrieved 28 April 2013.
- ^ Bhayana, Neha (26 April 2002). "Criminal obsession". Screen. Archived from the original on 9 January 2010. Retrieved 2 November 2021.
- ^ "Episode 241: The Importance of Satya". The Seen and the Unseen. 6 September 2021. Retrieved 8 September 2021.
External links
[edit]Dharmatma
View on GrokipediaBackground
Development
Following the success of his directorial debut Apradh in 1972, Feroz Khan decided to produce and direct his second film, Dharmatma, as a deliberate shift toward crafting thrillers that explored moral complexities in criminal underworlds. This marked Khan's growing ambition to helm projects where he could blend action with deeper narrative layers, building on his experience as both actor and filmmaker.[5] The screenplay was penned by Kaushal Bharti, who centered the story on themes of family loyalty amid escalating criminal enterprises, portraying the tensions between personal ethics and inherited obligations. Bharti's script adapted these elements into an Indian context, emphasizing patriarchal bonds and the consequences of power within a crime syndicate. Briefly drawing inspiration from The Godfather, the narrative focused on a powerful patriarch navigating loyalty and betrayal.[6] Pre-production for Dharmatma commenced in 1974, encompassing initial casting calls to assemble a suitable ensemble and extensive location scouting across India and international sites to capture the film's expansive scope. This phase involved meticulous planning to align the thriller's visual and logistical demands, setting the stage for principal photography. The overall production budget was estimated at ₹1.25 crore, allocated primarily toward sets, travel, and technical requirements to support the ambitious thriller format.[7]Inspiration
Dharmatma serves as a loose adaptation of Mario Puzo's novel and Francis Ford Coppola's 1972 film The Godfather, transplanting the mafia family dynamics into the Indian context of the gangster and gambling underworld.[8][9] The screenplay localizes the narrative by centering on illegal Matka betting operations, drawing parallels between organized crime syndicates and the hierarchical structures of Indian underworld families.[10] The film incorporates real-life elements from the biography of Ratan Khatri, the notorious Matka gambling king of Mumbai during the 1960s and 1970s, particularly his management of vast illegal betting networks and interactions with law enforcement.[9] Director Feroz Khan reportedly consulted Khatri directly to understand the intricacies of his operations, which informed the portrayal of the central character's authority and moral complexities in the underworld.[9] Thematically, the adaptation emphasizes moral ambiguity in criminal enterprises, portraying figures who navigate philanthropy alongside illicit activities, while exploring family betrayal and the pursuit of redemption within a cycle of violence.[9] These elements adapt The Godfather's exploration of loyalty and ethical gray areas to resonate with Indian cultural notions of dharma and familial duty.[9] Feroz Khan aimed to fuse Western thriller conventions, such as tense power struggles and stylized action, with Bollywood's masala formula, incorporating romance, song sequences, and dramatic confrontations to appeal to Indian audiences.[9] This blend marked Khan's vision for a sophisticated yet entertaining gangster genre film, influenced by his broader admiration for Hollywood gangster narratives.[1]Production
Filming
Principal photography for Dharmatma began in late 1974 and extended into early 1975, encompassing an intensive schedule of approximately 8-10 weeks across international and domestic locations. The production was groundbreaking as the first Bollywood film to be shot extensively in Afghanistan, utilizing the country's diverse landscapes to enhance its narrative depth.[11][12] Filming in Afghanistan focused on key urban and rural sites, including Kabul for establishing shots and remote areas to capture the dynamic Buzkashi sequences, a traditional equestrian sport integral to the film's cultural portrayal. These scenes involved coordinating large-scale action with local participants and horses, incorporating aerial cinematography for sweeping views of the rugged terrain. Additional sequences, such as the dramatic bomb explosion in a remote setting, were also lensed there to convey isolation and tension. Chase scenes unfolded in the mountainous regions, leveraging the natural drama of Afghanistan's highlands for high-stakes pursuits.[13][14] In India, palace interiors and other controlled environments were recreated at studios in Mumbai, including Filmalaya, Filmistan, Mohan, and Rajkamal, allowing for precise control over elaborate set designs. The international shoot presented technical challenges, including negotiations with Afghan authorities for permits and access to sensitive rural zones, as well as adjustments to variable weather conditions that affected outdoor schedules. Despite these hurdles, the collaboration with local communities proved supportive, facilitating smooth execution of the ambitious exteriors.[13][15]Crew
Feroz Khan directed Dharmatma while also serving as its producer, allowing him to maintain full creative control throughout the filmmaking process.[16] Kamal Bose served as cinematographer, shaping the film's evocative visual style with innovative techniques, including his celebrated capture of Afghanistan's rugged landscapes during extensive on-location shooting that marked the first major Indian production filmed there.[9][1] Bose's cinematography earned him the Filmfare Award for Best Cinematography (Colour) at the 23rd Filmfare Awards in 1976.[17] B.S. Glaad handled the editing, skillfully controlling the narrative rhythm to amplify the film's thriller tension and suspenseful sequences.[16] Gurudayal Singh acted as art director, designing sets that replicated lavish, opulent interiors reminiscent of gangster strongholds to underscore the story's criminal underworld elements.[16] The action choreography for the film's dynamic fight scenes was overseen by Mohd Ali, Mehmood Akbar Bakshi, and Mansoor, integrating high-energy stunts with the thriller's dramatic confrontations.[18]Cast and characters
Lead roles
In Dharmatma, Premnath portrays Seth Dharamdas, the central patriarchal figure and titular "Dharmatma," depicted as a powerful Matka gambling king who rises from humble origins to become a formidable gangster while positioning himself as a protector of his family and the underprivileged.[8][9] His character embodies a complex moral code, blending philanthropy with ruthless control over illegal betting operations, inspired by the real-life Mumbai Matka king Ratan Khatri.[9][8] Feroz Khan takes the lead role of Ranbir, Dharamdas's estranged son and the film's protagonist, who initially rejects his father's criminal world in favor of a principled life abroad but later returns driven by a quest for revenge following family tragedies.[9][8] This portrayal highlights Khan's signature style, blending heroic integrity with anti-heroic intensity as Ranbir navigates moral ambiguity in his pursuit of justice.[19] Hema Malini plays Reshma, Ranbir's devoted love interest, a strong-willed gypsy woman from Afghanistan who becomes entangled in the family's conflicts, culminating in her involvement in a devastating bomb sequence that underscores the perils of their romance.[9][8] Her character adds emotional depth, representing resilience and independence amid the narrative's high-stakes drama.[8]Supporting roles
Rekha plays Anu, the daughter of one of Dharamdas's associates who is secretly in love with Ranbir and becomes involved in the central narrative's personal stakes.[18][20] Imtiaz Khan portrays Kundan, the treacherous son-in-law who orchestrates betrayal against the family, leveraging his position to align with rivals for personal gain.[16] Danny Denzongpa plays Zangoora, the primary antagonist and smuggler who fuels major confrontations in the story.[16] Other key supporting roles include Farida Jalal as Mona, Ranbir's sister, whose wedding and devotion introduce emotional family layers; Nazir Hussain as Rani's father, providing context in a subplot of injustice; Ranjeet as Rishi, a rival figure in antagonistic confrontations; Helen in a cabaret sequence that infuses the film with performative flair; and Madan Puri as Ranbir's uncle, involved in family discussions amid the escalating conflicts.[21][16] These characters drive subplots such as Kundan's betrayal and involvement in gambling rivalries, which expose his duplicity and escalate tensions, and Mona's wedding conflicts, which underscore themes of loyalty and sacrifice within the family structure.[20]Music
Composition
The score for Dharmatma was composed by the renowned duo Kalyanji-Anandji, who skillfully blended thriller suspense elements with romantic melodies to complement the film's crime drama narrative infused with themes of loyalty and romance. Their approach incorporated a fusion of Indian, Afghan, and Western musical styles, reflecting the story's Afghan setting while maintaining Bollywood's melodic traditions. This stylistic choice is evident in the title music, which features a distinctive Western touch tailored to director Feroz Khan's preference for innovative sounds.[22][9] The lyrics were written by Indeevar, focusing on motifs of love and betrayal to underscore the emotional conflicts among characters. Recording sessions occurred in Mumbai studios during the mid-1970s, a common hub for Bollywood productions where the duo integrated Afghan folk influences—such as rhythmic patterns and instrumentation reminiscent of Middle-Eastern traditions—to enhance location authenticity without overshadowing the core Indian melodic structure.[9][23] The overall score structure emphasizes tension-building background music for action sequences, using pulsating rhythms and orchestral swells to heighten suspense in chase and confrontation scenes, while softer interludes support romantic interludes. Specific vocal tracks, such as those picturized on key duets, draw from this foundational score but are explored in detail in the soundtrack section.[22]Soundtrack
The soundtrack of Dharmatma features four main vocal tracks, performed by leading playback singers and integral to the film's emotional and narrative progression, released on vinyl LP by His Master's Voice (HMV) in 1975.[24] These songs, with lyrics by Indeevar, blend romantic, melancholic, and reflective tones to underscore key character relationships and plot developments.[25] "Tere Chehre Mein Woh Jaadu Hai", sung by Kishore Kumar, serves as a lively romantic number that highlights the chemistry between the protagonists, picturized on Feroz Khan and Hema Malini during a tender moment of courtship.[26] In contrast, "Meri Galiyon Se Logon Ki Yaari Badh Gayi", a duet by Lata Mangeshkar and Mahendra Kapoor, evokes a melancholic family theme, reflecting themes of loyalty and community ties within the story's patriarchal framework.[24] The lighter "Kya Khoob Lagti Ho Badi Sundar Dikhti Ho", performed by Mukesh and Kumari Kanchan, injects humor and affection into familial interactions, featuring Feroz Khan, Hema Malini, and Premnath in a playful sequence that lightens the thriller's tension.[27]Kya khoob lagti ho, badi sundar dikhti ho... (x2)Finally, "Tumne Kisi Se Kabhi Pyar Kiya Hai", another duet by Mukesh and Kumari Kanchan, offers a poignant reflection on loss and unrequited love, deepening the emotional layers of the characters' personal sacrifices.[24] The tracks achieved considerable hit status upon release, with their melodic appeal and star-driven picturization significantly boosting the film's overall popularity among audiences.
Phir se kaho, kehte raho, achchha lagta hai
Jeevan ka har sapna ab sachcha lagta hai Kya khoob lagti ho, badi sundar dikhti ho... (x2) Taareef karoge kab tak, bolo kab tak
Mere seene mein saans rahegi jab tak
Kab tak main rahoongi mann mein, haan mann mein
Sooraj hoga jab tak neele gagan mein Phir se kaho, kehte raho, achchha lagta hai
Jeevan ka har sapna ab sachcha lagta hai O, kya khoob lagti ho, badi sundar dikhti ho
Tum pyaar se pyaari ho, tum jaan hamaari ho Khush ho na mujhe tum paakar, mujhe paakar
Pyaase dil ko aaj mila hai saagar
Kya dil mein hai aur tamanna, hai tamanna
Har jeevan mein tum meri hi balma Phir se kaho, kehti raho, achchha lagta hai
Jeevan ka har sapna ab sachcha lagta hai O, kya khoob lagti ho, badi sundar dikhti ho
Tum pyaar se pyaare ho
Tum jaan hamaari ho Tum pyaar se pyaare ho
Tum jaan hamaari ho.[28]
