Duchy of Urbino

The Duchy of Urbino (Italian: Ducato di Urbino) was an independent duchy in early modern central Italy, corresponding to the northern half of the modern region of Marche. It was directly annexed by the Papal States in 1631.

It was bordered by the Adriatic Sea in the east, the Republic of Florence in the west and the Papal States in the south. In 1523 the capital was moved from Urbino to Pesaro. After the short rule by Cesare Borgia in 1502–08, the dukedom went to the della Rovere papal family, who held it until 1625, when Pope Urban VIII annexed it to the Papal States as Legazione del Ducato di Urbino (later Legazione di Urbino).

The papal nomination transformed the county of Urbino, established in 1213, into a duchy governed by the House of Montefeltro.

In fact, it was Pope Eugene IV, in 1443, who appointed Oddantonio da Montefeltro as the first Duke of Urbino. However, he reigned for less than a year, from 1443 to 1444, before being assassinated. His older half-brother Federico therefore took power, one of the greatest princes on the Italian scene of the time, famous both as a leader in battle and as a cultured patron of the arts. He alternated important military campaigns with a dazzling career as a statesman, also taking care of the erection of the Ducal Palace and protecting very famous artists at his court, such as Leon Battista Alberti, Piero della Francesca, Paolo Uccello, Pedro Berruguete, Luca della Robbia and Justus van Gent, in addition to the large group of architects and sculptors who embellished his palace.

Confirmed duke in 1474, he promoted the construction of numerous fortresses designed by Francesco di Giorgio Martini and assembled one of the most important libraries of the Renaissance. He married Battista Sforza in 1459 and ruled his duchy with solid authority until his death in 1482. During the rule of Federico the State reached its maximum territorial expansion and notable economic prosperity. Such was the importance of the Duchy that Urbino attracted or hosted in those times, among others, Piero della Francesca, Melozzo da Forlì, Luca Signorelli, Perugino, Giovanni Santi, Pinturicchio and Francesco di Giorgio Martini, as well as a young Bramante. From around 1480 the city of Gubbio became the second residence of the ducal family.

After a period of regency by Ottaviano Ubaldini della Carda, Guidobaldo da Montefeltro came to power, a promising but ill young man since his youth, who for this reason was unable to match his father's military career, despite taking part in some battles as a leader. He married Elisabetta Gonzaga and protected artists such as Raphael, Bramantino and Luca Signorelli. A famous literary monument at the court of him and his wife is Baldassare Castiglione's The Book of the Courtier. His reign was troubled by the struggles against the Papal States, in particular the conquests, which were never long-lasting, suffered by the nephews of the pontiffs, such as Cesare Borgia and Lorenzo de' Medici.

Guidobaldo died without children, but not before having adopted his sister Giovanna's firstborn, Francesco Maria I della Rovere, who became the fourth Duke of Urbino. Francesco Maria managed to take back Urbino from the Pope Leo X and was also able to expand the state with Senigallia and, above all, Pesaro, which was chosen as the new capital of the duchy in 1523. The city of Urbino suffered as a result, both economically and demographically, but the state continued to enjoy relative prosperity until the early 17th century. With his wife Eleonora Gonzaga, he dedicated himself to the construction of new sumptuous residences, including the Palazzo Ducale and the Villa Imperiale of Pesaro, and was the protector of artists such as Titian, Girolamo Genga, Raffaellino del Colle and Dosso Dossi.

In 1538 he was succeeded by his son Guidobaldo II della Rovere, fifth duke, who married twice, to Giulia da Varano and to Vittoria Farnese. Unlike his father, he loved to reside in the palace in Urbino, where he promoted the arrangement of the second floor. His ministers were Antonio Stati, count of Montebello and Pietro Bonarelli, count (later marquis) of Orciano, belonging to the noble Bonarelli family of Ancona. Among the artists he protected were Titian, Battista Franco Veneziano and Bartolommeo Genga.