Dust Bowl Ballads

Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.

Dust Bowl Ballads was originally released as eleven songs on two simultaneously released three-disc set albums of 78 rpm records titled Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2. The twelve sides in total had one song each except for the double-sided "Tom Joad" which was too long to be pressed on a single side of a 78. However, two of the thirteen songs recorded on the sessions, "Pretty Boy Floyd" and "Dust Bowl Blues" were left out due to length. All of the tracks were recorded at Victor studios in Camden, New Jersey on April 26, 1940, except "Dust Cain't Kill Me" and "Dust Pneumonia Blues" which were recorded on May 3. In 1950, and in 1964 during the American folk music revival, reissues were released in LP format by Folkways Records after RCA refused Guthrie's request to re-issue the album. RCA Victor also re-released the album in 1964 but with the two previously unreleased tracks included, and in 2000 this was reissued by Buddha Records with an additional previously unreleased alternate version of one song. The complete Dust Bowl Ballads remains available on compact disc through Smithsonian Folkways.

Like many of Guthrie's later recordings, these songs contain an element of social activism, and would be an important influence on later musicians, including Pete Seeger, Bob Dylan, Bruce Springsteen, Phil Ochs and Joe Strummer.

As Southern and Great Plains states became unlivable because of drought and the Great Depression, California came to seem like the land of milk and honey to desperate farmers. Guthrie spent this time hoboing with displaced farmers from Oklahoma to California. Guthrie learned their traditional folk and blues songs and discovered his own version of the blues, one on which he’d play endless variations, earning him the nickname the "Dust Bowl Troubadour"

At the time Victor Records was looking for an answer to rival Columbia Records folk singer Burl Ives, so they signed 27-year-old Guthrie and put him in a recording studio. This would be the only major label for which Guthrie ever recorded. He later went on to record more with Moses Asch of Folkways Records.

On the liner notes for the Folkways Records reissue Woody Guthrie said:

I've lived in these duststorms just about all my life. (I mean, I tried to live). I met millions of good folks trying to hang on and to stay alive with the dust cutting down every hope. I am made out of this dust and out of this fast wind and I know that I'm going to win out on top of both of them if only my government and my office holder will help me. I wrote up these eight songs here to try to show you how it is to live under the wild and windy actions of the great duststorms that ride in and out and up and down.

Dust Bowl Ballads chronicles the 1930s Dust Bowl era during the Great Depression, where farmers were dispossessed of their land by a combination of weather conditions and bank foreclosures. The album is semi-autobiographical, mirroring both Guthrie’s own life and John Steinbeck’s 1939 novel The Grapes of Wrath, which had just been turned into a film. The album follows the exodus of Midwesterners headed for California. Hailing from Oklahoma, Guthrie had a detailed knowledge of the Dust Bowl conditions that had led to an exodus of Okies west to California, and witnessed the economic hardships there where they became poor migrant workers in often harsh conditions.