Hubbry Logo
DyosaDyosaMain
Open search
Dyosa
Community hub
Dyosa
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Dyosa
Dyosa
from Wikipedia

Dyosa
Title card
GenreAdventure, Drama, Fantasy, Romance
Created byMyrna Garnace Tagasa
Clark Tolon
Kay Conlu-Brondial
Developed byABS-CBN Studios
Directed byWenn V. Deramas
StarringAnne Curtis
Sam Milby
Zanjoe Marudo
Luis Manzano
Opening theme"Himig ng Pag-ibig" by Yeng Constantino
ComposerVincent De Jesus
Country of originPhilippines
Original languageFilipino
No. of episodes115
Production
Executive producersCarlo Katigbak
Cory Vidanes
Laurenti Dyogi
Roldeo T. Endrinal
Emerald C. Suarez
Production locationPhilippines
Running time30-45 minutes
Production companyDreamscape Entertainment
Original release
NetworkABS-CBN
ReleaseAugust 11, 2008 (2008-08-11) –
January 16, 2009 (2009-01-16)
Related

Dyosa (transl. Goddess) is a Philippine television drama fantasy series broadcast by ABS-CBN. Directed by Wenn V. Deramas, it stars Anne Curtis, Sam Milby, Zanjoe Marudo and Luis Manzano.[1] It aired on the network's Primetime Bida line up and worldwide on TFC from August 11, 2008 to January 16, 2009 and was replaced by Tayong Dalawa.

The series is streaming online on YouTube.[2]

Synopsis

[edit]

Dyosa tells the story of Josephine who grew up unaware of her true identity as the "Takda" (Chosen One) and how she learns of her lineage and destiny in the world of gods and goddesses. The Takda who hails from the Kabanua is chosen to save humankind from the imbalance brought about by the evil forces of Kasamyans. Josephine lives in the world of mortals where she meets a comic illustrator, Mars (Zanjoe Marudo) from Makiling Publishing who draws the fate of the Dyosa with the powers from the sky, earth, and water - Cielo, Tierra, Agua. Unknown to Mars, Josephine is the same as Dyosa whom he has fallen for in the form of Dyosa Cielo. Cielo is torn between her love for the mortal life - the mortal, Mars - and her duty as Takda.

Josephine is a young orphan who finally finds out she is no ordinary mortal after reaching the age of 18. After years of being raised by her foster parents, Josephine finds out she is the 'Takda' or Chosen One with divine powers and must help save the world from the Kasamyan, who are evil creatures from Lower Earth. After becoming a full-fledged goddess, Josephine also discovers that she has the power of the earth, air and water. To harness these powers, she takes the form of Dyosa Tierra, a centauride, Dyosa Agua, a mermaid, and Dyosa Cielo, a harpy. However, Josephine has to choose whether to heed the call of her destiny, to save the dying world of the gods and goddesses and to leave the life she has lived for 18 years or to resist her new role as a goddess and to give up her powers to stay in the human world with the mortal she loves.[3]

Plot

[edit]

Long ago while the world was being created, the world of the immortals was also being formed by the almighty Bathala. Enchanted creatures had the responsibility of looking after nature and its inhabitants (humans). The world of the Engkantos was soon divided into two distinct groups –the benevolent Kabanuas and the evil Kasamayans. The two factions engaged in years of bitter war. Apo Suga, the leader of the Kabanua, asked the Sun God to bring peace to the world of the Engkantos. The Sun God granted Suga's wish and told him that one of his daughters would bear a child, a "Dyosa"’ or goddess that would have the strength to bring peace and unite the Kabanuas and Kasamayans.

Amang Suga then had the task of deciding which of his two daughters – Mariang Sinukuan or Mariang Magayon -would conceive the chosen one in her womb. The Sun God told him that the one with a pure heart would bear the Dyosa of Nature. Amang Suga put his two daughters to the test to determine which of them would give birth to Dyosa. He was satisfied with Sinukuan's reply and crowned her princess and heir to the Kabanua throne. Amang Suga then arranged for Mariang Sinukuan to be married to Tadaklan, the leader of the Kasamayans, with the hope of achieving peace in their world. Amang Suga, however, had no knowledge that Sinukuan was in love with Bernardo Carpio, a Kabanua warrior.

On the day of her wedding, Sinukuan was still undecided whether to follow her duty as the chosen one or follow her heart. Bernardo Carpio came to convince her to elope with him. Mariang Sinukuan made up her mind, followed her heart and went on to escape with Bernardo Carpio, accompanied by Huling and Miong. As they crossed treacherous roads and in the middle of their journey, Sinukuan revealed that she was carrying Bernardo's child. Apo Suga, Tadaklan and Magayon caught up with Sinukuan and Bernardo Carpio at the passageway to the world of mortals. Tadaklan, enraged by Sinukuan's treachery, turned Bernardo Carpio into a statue of stone, while Sinukuan's two companions were transformed into dwarves and Bakos was turned into an ugly goat creature. Mariang Sinukuan was not able to escape the fury of her sister Magayon who turned her into a unicorn. Mariang Magayon revealed that she was also in love with Bernardo and also pregnant with his child. The Kasamyans almost immediately returned to their previous ugly appearance after the wedding was called-off.

After the disappearance of her sister and due to Apo Suga's failing health, Mariang Magayon took over the Kabanua throne. The Lakans reluctantly accepted her leadership but still considered Sinukuan the rightful heir to the throne. Magayon made a pact with Tadaklan to arrange a marriage between Magayon's daughter and his son.

Meanwhile, Sinukuan, along with Huling and Miong, was transported into the world of humans, with the help of Bakos' magical flute. The trio landed in a circus where Huling and Miong were forced to work as dancing midgets. The greedy owner of the circus noticed that the unicorn (Sinukuan) could fetch her more money, so she decided to make it into a dancing unicorn and forced it to perform a dance in front of the crowd. The unicorn later gave birth to a beautiful, human baby girl. The child quickly manifests the traits of being a Dyosa, transforming from a human into a mermaid, centaur, or harpy.

Chapter One: The Destined Child

[edit]

King Suga had a conversation with Bathala ng Araw (the God of the Sun), asking him what he has to do to stop the feuds between the Kabanuas and the Kasamyans. Bathala ng Araw tells him that to fulfill the peace between the worlds, King Suga must choose between his two daughters of which one would carry the Destined Child and so King Suga chose Mariang Sinukuan.

Amang Suga, the ruler of the Kabanua, orders his daughter Mariang Sinukuan to marry Tadaklan of the Kasamyan to achieve a balance between the forces of good and evil. But on her wedding day, Sinukuan discovers that she is pregnant, and she elopes with her true love and the father of her child, Bernardo Carpio . Tragically, Sinukuan and Bernardo must pay the high price of their defiance.

Magayon, the sister of Sinukuan, takes over the leadership from the ailing Amang Suga. She makes a pact with the enraged Tadaklan to rule the kingdom and to kill Sinukuan and her child. Meanwhile, cursed as a unicorn, Sinukuan finds refuge in the world of the mortals where she gives birth to a baby girl. She hands over the care of her daughter to her two servants, Huling and Miong. But coming from the bloodline of deities, the child exhibits the power of a true ‘Takda’, the one destined to bring forth peace and harmony.

Sinukuan (Mickey Ferriols) returns to Kabanwa to try to make peace with her family, but her envious sister Magayon (Jaclyn Jose) is still determined to destroy her.

Chapter Two: The Secrets Unwraps

[edit]

It didn't take long before Josephine could realize what Bakos has previously told her. While traveling across the sea their boat was robbed by bandits. During the commotion Josephine's brother fell off the boat. Josephine quickly jumped into the water to save her little brother. As she swims underneath the water, Josephine suddenly transforms into a mermaid (Dyosa Agua), was able to bring her brother to the surface and hang him at the side of the boat. After saving her brother, Josephine puts her attention to the bandits, she summon a couple of whirlpools and used it to toss the bandits into the water. Josephine doesn't want to scare the people on the boat, so she decided to swim to a nearby shore. After landing off the coast, Josephine made another transformation, this time into a centaurides - a half-woman, half-horse creature (Dyosa Tierra). As she runs into the island's interior, the trees gave their respect by bowing to Josephine. Two armed men spotted her and try to shoot her, Josephine attempts to escape but reaches a cliff. As the armed men tried to shoot her, Josephine slipped and fell off the cliff, this time she transforms into a half-man, half-eagle – Dyosa Cielo and flies her way out of danger.

After years of absence, Bakos finally returns to Kabanua, the Kabanuans hardly recognized him and thought that he's a maligno. Bakos was shocked to find out that Magayon's daughter will be crowned today as a new Takda. Amang Suga was about to put the Tiara on Diana's head, when Bakos came forth and tries to stop the coronation. Bakos revealed to Amang Suga that Sinukuan's daughter - the real Takda is still alive. Magayon was stunned to learn that Sinukuan's daughter survived.

Josephine manages to escape from the huntsmen and while flying across the sky the Haring Araw made an apparition. Josephine was told that her sudden transformation into three different beings is just a premonition of being the Takda. The powers to control land, air and sea were bestowed upon her to fulfill the prophecy but the Haring Araw warned her that the path will be rough and a lot of perils will come along the way. After talking to the Haring Araw, Josephine found herself lying on the beach – naked. She thought that she was just dreaming but Kulas was there to validate that she really is a Dyosa and introduces himself as a Gibut. But despite experiencing the signs of being a Goddess, Josephine refuses to accept her fate and was in a state of denial. Kulas tries to convince Josephine to come to Kabanua with him but the young lady thought that Kulas is just putting a gag on her.

Chapter Three: Diana's Quest

[edit]

At Kabanua, Diana was very upset after her coronation as a Takda was called-off after Amang Suga was informed that Sinukuan's daughter was still alive. Diana went to Kasamian to inform her lover Adonis that Sinukuan's daughter is still alive, Adonis was very angry because it might endanger the Kasamian's aspiration of obtaining back their old facial appearances. Meanwhile, Bakos was ordered by amang Suga and the Lakans to fetch Josephine from the world of mortals and bring her to Kasamian. Bakos quickly went to Josephine's house, finally showed himself to Huling and Miong and despite Huling's apprehension, Bakos went ahead to see Josephine in her room. Bakos showed the Tiara and tries to convince her to come in Kabanua and be crowned as the Takda.

Since learning that Sinukuan's daughter was still alive, Diana grew restless and relentlessly practiced her powers in preparation for a face-off with her half sister Josephine. Without informing her mother, Diana decides to go to the mortal world. She used her powers to drill a hole from the immortal world into the world of mortals.

Chapter Four: Humble Heroine

[edit]

After Kulas and Bakos both failed to convince Josephine, one of the Lakans from Kabanua took his opportunity to persuade Josephine to accept her fate as a Goddess, but to no avail. Josephine's earlier experience though, it did not necessarily persuade her to accept the Dyosa tag, opens Josephine's eyes that her power can be used to help others in need.

Josephine's encounter with the Kasamians was soon followed by a more dangerous one, while walking on her way home, she was abducted by two manananggals. After threatening that she will become their next meal, Josephine abruptly transformed into Dyosa Cielo and fought the malignos - hurling them to the ground. The two manananggals then turned their attention to Miong and Venus, snatching both of them into the air. The malignos threaten Josephine to drop the two and teased her which of the two shall she will save first. Venus was dropped first and was saved by Josephine but Miong was not so lucky as he plummeted to the ground. Miong was rushed into the hospital and was in severe pain. At the hospital, Huling and Josephine were intrigued by a delirious man (Zanjoe Marudo) who repeatedly moans the word "Dyosa".

Bakos tries to make Josephine recite several Kabanua chants or codes that she can use to transform into three different types of Dyosa. The goat was very joyful to see that there is some improvement over Josephine's stance as being a Dyosa. She told Bakos that she had already accepted her powers and intends to use it for the good of others, although she still refuses to come to Kasamian and leave her family behind.

Chapter Five: Help or Trouble

[edit]

Sinukuan was overjoyed to finally see her long-lost daughter but she didn't reveal her identity because it might compromise the safety of the Takda. Amang Suga had a strict instruction to Sinukuan, not to reveal her real identity until the Takda has been crowned the Queen of Kabanua. It was night again and it is time for Adonis to snatch another victim, Diana who was just nearby and is currently interrogating a Takda suspect, then sensed the presence of Adonis. Diana quickly abandons her victim and teleported to Adonis's location. After avoiding her since going to the mortal world, Adonis had a change of heart assuring Diana that they will work together in finding the Takda.

The launch of Dyosa comics is set to commence but its model Clarrise (Diana) is nowhere to be found because she has spent an intimate night with Adonis. Huling and Miong were stunned to see Sinukuan after 18 years but they were unable to talk much because of the event, but promised to keep in touch with each other. The show went well until a technical glitch threatens to ruin the show. One of the harnesses that supports the model of Dyosa Cielo gave in. Josephine rushed to the dressing room and transforms into Dyosa Cielo. The goddess of air came just in the nick of time to save the model from falling off the ceiling. Mars was staggered by what he saw because it was the exact creature that he's been drawing throughout the years. Mars tries to unravel the identity of Dyosa Cielo by running after the model, but Josephine stalled his attempts. At the end of the launch, Mars handed Huling and Miong copies of Dyosa comics which serve as a forewarning of things to come.

Meanwhile, Bruhita the witch noticed a copy of Dyosa comics and observed that it seem to have some similarities with what's happening in the real world and the depiction of the Kasamians and the Kabanuas. Adonis quickly ordered his sentinels to get the illustrator of Dyosa comics. Mars was working overtime and was alone at the office when the Kasamians came and forcibly abducted him.

Chapter Six: Goddess in Love

[edit]

It didn't surprise Adonis that the girl that he bumped into was the Takda, he ordered the witch to pinpoint the location of the Takda. The situation became very tense afterwards because Diana was able to locate his mansion and Adonis was in his handsome looks. The witch was able to make Adonis uglier just in time after Diana had entered the mansion. After much time and effort, the witch cited the whereabouts of Josephine and Kulas. Adonis finally solved the mystery behind his encounter with the Kabanua (Kulas) and learned that he's the caretaker of the Takda.

Kulas is falling more and more in love with Josephine. In spite of Bakos's repeated advice to stop his feelings, Kulas is adamant to reveal his love for Josephine. A perfect timing and opportunity came in Kulas's way after Josephine agreed to come with him, at the beach this coming weekend. Meanwhile, Sinukuan had a frightening nightmare of a forthcoming danger, so she decided to consult Mars via telepathy to know what's going to happen next. Mars became possessed and started to draw vigorously. Their communication was cut short after Adonis came by at the office to visit Mars.

Josephine became concerned about the effects of nightmares to Mars's mind, so she decided to surprise him by showing herself as Dyosa Cielo. Mars was overwhelmed to see the creature he had always dreamt of meeting. Dyosa Cielo assured Mars that he's not losing his mind and all of his nightmares are true. Dyosa Cielo advised Mars to use his gift in helping those who are in need. Before leaving, Mars requested for a kiss but Dyosa Cielo says that despite her appearance she is still conservative.

Chapter Seven: Powerless

[edit]

At Kabanua, Amang Suga noticed something fishy about her daughter, so he instructed Hiyas to spy on Magayon. Magayon was caught red-handed while delivering a Lambana on Kasamian to become a slave. She was immediately arrested and was put to trial at the council for treason, After Saliminsim gave a testimony of Magayon's crime the council convicted Magayon of treachery, decided to remove her powers and she was banished below.

Later on, Diana was surprised to see her mother in the mortal world. Magayon didn't reveal the truth that she's convicted in Kabanua, instead she pretended to miss her daughter and wanted to help in finding the Takda.

Chapter Eight: Outrageous Revelations

[edit]

Diana was bewildered by Magayon's revelation that Josephine is the Takda. Although Diana had developed some kind of special bond with Josephine, she is determined to finish off the Takda whoever she may be. At Josephine's house, Bakos and Kulas were carefully assessing of what their next move will be. Josephine is determined to assail the house of Clarisse and rescue her Nanay Huling and Tatay Miong but Kulas and Bakos totally opposed her idea, for as long as she doesn't put on the tiara, she will have no chance of beating Magayon and Diana.

At Diana's house, Diana finally discovered that her mother had no powers. This prompted Diana to seek the help of Adonis in slaying the Takda. Knowing that the Kasamians were masters of treachery, Magayon refused to work with them. Diana didn't listen to her mother's advice and went on to see Adonis. The prince of Kasamian was surprised that Diana had already found the Takda. Adonis decided to visit Josephine's house but it is unclear whether Adonis will come to protect Josephine, or to carry out the plan ahead of Diana's.

Chapter Nine: Without the Guardians

[edit]

Magayon and Diana made their escape, jumping on the portal that Salaminsim had created. Mars quickly went to check on Cielo, which infuriates Kulas even more—after Josephine chose to save Mars instead of her parents. The two got into another heated confrontation. Kulas blames her for the loss of Huling and Miong, lashing some harsh words towards Josephine. At the mansion, Bruhita kept on reminding Adonis to carry out the plan of slaying the Takda, especially now that they have what it takes to wear down its protection. Tadaklan on the other hand is very anxious about the progress of their mission, so he checks Bruhita for some developments, every now and then.

After the disappearance of her parents plus the pressure of accepting the Tiara, Josephine seemed to have made up her mind not to accept it, saying that she's not qualified to become the Takda. Kulas and Bakos, later tried to apologize and convince Josephine once again to accept the crown but they were unsuccessful. Meanwhile, Mars is very worried about Dyosa Cielo but his worries soon disappear when Cielo shows up at his doorsteps. Unfortunately for Mars, Cielo was there to say farewell. Cielo explains that she doesn't want to put him in danger and it is better if they part ways to avoid it.

After Magayon killed Sinyang, Connie thought it would be better to get the Tiara back from Magayon so she told Bakus to go and get it for her. Bakus brought Venus with him for help. when Bakus caught the Tiara Diana killed the Kabanua, turning him into ashes and retrieved the crown.

Chapter Ten: From Foes to Friends

[edit]

Tadaklan has sent Ek-eks in the mortal world to capture the Takda, after doing so after flying on the Takda for hours they decided to drop her, she reached consciousness and transformed into Dyosa Cielo, the Ek-eks managed to grab her and burn her wings. She landed in the forest and transformed into Dyosa Tierra. She was surrounded by the Kasamyans and was unable to fight but Adonis came and Tierra made her escape.

Adonis was badly injured so Dyosa brought him into an abandoned mansion. She took care of him for a while not knowing that he is the prince of Kasamian. Her two remaining Guardians, Kulas and Mars tried to tell her to stop helping the injured Kasamian but she does not listen. Bruhita managed to contact her master in his dream but almost kills Adonis, so Dyosa goes and gets a cure for it. It didn't work but after hugging the Kasamian, he finally gets better.

When Tadaklan found out about the Takda and Adonis he went to the mortal world and looked for Adonis. Dyosa Cielo came and dropped Tadaklan into the ocean, he transformed into some sort of voodoo doll to protect him from the waters. He was later saved by Mang Pekto.

Chapter Eleven: Thieves

[edit]

Magayon and Diana was given three magical items from a mysterious forecaster to slowly steal The Takda's powers and abilities. Magayon poses as an ugly leper so that she can give one of the magical items to the Takda, she successfully does so, while she wears the item, slowly her powers will start to weaken and be transferred into Diana all in all she managed to steal both Dyosa Cielo and Dyosa Tierra. While Josephine was weak she found out that Adonis and Halimaw were one and the same, she blamed him for the cause of her weakening. When Josephine found out about Magayon and Diana's plans, she formulated a plan to steal the amulet and destroy it, she successfully does so, all her powers return to Dyosa.

While Diana was stealing powers from the Takda, Huling was caught by the beam and was turned into stone. Barakula went to Pearly Shells for the potion, but the Shokoy would only give it to him if Barakula would marry Dugong's frog niece called Gorga, for the potion he agrees to marry the frog creature.

Meanwhile, Tadaklan escapes from the gay Mang Pekto and talks to Bruhita about how to get a new body. The Witch says that he has to steal the body of a powerful Kabanuan when there is a blue moon, and he chooses Josephine's brother, Venus. While trapped in Kasamian, Venus finally managed to revive the faun, Bakus. With the help of Adonis and Bernardo Carpio, Venus and Bakus managed to escape the Kasamyan.

Chapter Twelve: Unveiling the Truth

[edit]

After reviving Huling from her being a statue, she and Miong decided to finally tell Josephine about her real parents: Mariang Sinukuan & Bernardo Carpio. Mariang Sinukuan has been set up by Magayon to take the pictures of Sinukuan & Dexter, the guy who works for Magayon & Salaminsim because she loves Bernardo Carpio. But he doesn't want her because he loves his future wife. Magayon is using her own sister to switch bodies as said by the book of prophecy to use it for her plans, but will they switch back to normal? Magayon is Sinukuan who is trying to tell her daughter the truth that she and Magayon have switched bodies. Only Mars knows the truth to warn Josephine that Tadaklan is inside Venus, and switching bodies of Magayon and Sinukuan with his precognition ability. Will Josephine & other Kabanuwas find out the truth, find a way to put everything back, and save everyone? Mars has a healing ability which could heal Josephine back to life including Magayon is Sinukuan. Sinukuan is Magayon is Sinukuan has been telling Kabanwas the truth that she is Sinukuan by switching bodies with Magayon, that Kabanwas didn't believe her until Amang Suga finds out that Magayon is inside Sinukuan, & Sinukuan is inside Magayon's body that they switch bodies by the book of prophecy that Salaminsim & Kulas have been telling the truth according to Mars' precognition ability that he drew... Salaminsim in a magic mirror is telling the Kabanwas the truth to show proof that Magayon & Sinukuan switched bodies. Sinukuan & Magayon return to their normal bodies. And at the end Magayon is captured by Mars, Kulas & Josephine and Amang Suga punishes her for good along with Diana.

Cast and characters

[edit]

Main cast

[edit]

Supporting cast

[edit]
  • Nikki Bacolod as Diana, only daughter of Mariang Magayon and Josephine's cousin
  • Mickey Ferriols as Mariang Sinukuan (Sinyang/Connie/Aning), youngest daughter of Amang Suga and Josephine's mother
  • Jacklyn Jose as Mariang Magayon, eldest daughter of Amang Suga
  • Lloyd Samartino as Apo/Amang Suga, the leader of the Kabanua, and Mariang Sinukuan and Magayon's father and Josephine's grandfather
  • Matthew Mendoza as Bernardo Carpio, a Kabanua warrior and Josephine's father
  • Jeffrey "Epy" Quizon as Bakus
  • Carlos Morales as Tadaklan, the leader of the Kasamayans and Prinsipe Adonis's adoptive father
  • Maricar de Mesa as Calliope Makiling
  • Rubi Rubi as Huling
  • Jojit Lorenzo as Miyong
  • Tess Antonio as Bruhita
  • Vice Ganda as Salaminsim
  • Micah Muñoz as Loki
  • Joseph Andre Garcia as Venus (Binoy)
  • Crispin Pineda as Mang Emo
  • Mark Dhen Ybañez as Hunatrico
  • Jeramie dela Cerna as Mitra
  • Katrina Endino as Mamay Umeng
  • Rovilla Canillo as Demetria

Guest cast

[edit]

Accolades

[edit]

Awards and nominations

[edit]

5th USTv Awards Student Choice Best Actress in Daily Soap Opera Anne Curtis with John Lloyd Cruz Best Actor in Daily Soap Opera I Love Betty La Fea - won

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Dyosa is a Philippine fantasy drama television series produced by ABS-CBN, which aired from August 11, 2008, to January 16, 2009, consisting of 115 episodes broadcast on weekdays. The series centers on Josephine, an 18-year-old orphan portrayed by Anne Curtis, who learns of her true identity as the "Takda" or Chosen One, the daughter of mythological figures Bernardo Carpio and Mariang Sinukuan, and possesses divine powers to combat evil creatures from the Lower Earth. Directed by Wenn V. Deramas, Dyosa blends elements of romance, mythology, and adventure, following Josephine's journey as she grapples with her destiny to save humankind while navigating personal relationships, including her affections for two suitors. The titular role showcases Curtis transforming into multiple embodiments of the goddess, such as Dyosa Tierra, Dyosa Agua, and Dyosa Cielo, each representing elemental powers derived from Philippine folklore. Supporting the lead are Sam Milby as Prince Adonis, Luis Manzano as Kulas, and Zanjoe Marudo as Mars, forming a love triangle that adds emotional depth to the supernatural narrative. The production drew inspiration from local legends, incorporating figures like the diwata Mariang Sinukuan and the hero Bernardo Carpio, to create a culturally resonant story that emphasizes themes of duty, love, and self-discovery. Dyosa received attention for its visual effects and Curtis's versatile performance, contributing to ABS-CBN's tradition of fantaseryes that adapt folklore into modern entertainment.

Overview

Premise

_Dyosa, translating to "Goddess" in Filipino, is a fantasy series that explores the destiny of a young woman endowed with extraordinary divine abilities as the prophesied savior of humanity. The core premise revolves around the "Takda" prophecy, which foretells a chosen individual from a sacred lineage tasked with battling the evil Kasamyans—dark entities seeking to disrupt the natural balance and endanger human existence. This eternal conflict pits benevolent divine forces against these malevolent threats, emphasizing themes of protection and cosmic equilibrium. The Takda, exemplified by protagonist Josephine, inherits powers from her parents, the immortal figures Bernardo Carpio and Mariang Sinukuan, drawing from Philippine mythological archetypes of heroic guardians and ethereal beings. To wield these elemental forces effectively, the chosen one transforms into three distinct forms aligned with nature's domains: Dyosa Tierra, embodying earth in a centauride guise for terrestrial strength; Dyosa Agua, representing water as a mermaid for aquatic mastery; and Dyosa Cielo, symbolizing air in a harpy form for aerial dominion. These transformations allow the harnessing of godlike abilities to confront the Kasamyans' incursions. The series fuses Philippine mythological elements, such as divine parentage and immortal sentinels, with motifs like shape-shifting powers and prophesied confrontations between and . This integration creates a framework where ancient lore of goddesses and folk heroes intersects with modern heroic journeys, highlighting the Takda's in preserving across realms.

Synopsis

Dyosa is a 115-episode fantasy drama series that chronicles the journey of Josephine, an 18-year-old orphan raised by foster parents in a seemingly ordinary mortal life, until she uncovers her divine heritage as the daughter of the legendary hero Bernardo Carpio and the goddess Mariang Sinukuan. Upon reaching this pivotal age, Josephine awakens to her identity as the "Takda," the Chosen One, endowed with extraordinary powers to safeguard the world from malevolent forces emerging from the Lower Earth. Caught in a profound internal conflict, Josephine struggles to reconcile her newfound destiny with the comforts of her human existence, particularly her deepening romance with Mars, a passionate comic book illustrator whose creations unwittingly mirror elements of her fate. This emotional tug-of-war highlights her yearning for personal happiness and mortality against the weight of immortality and global responsibility. As she steps into her role, Josephine forges alliances with celestial guardians who aid her in harnessing her elemental powers, while grappling with painful betrayals from familial ties and ruthless adversaries seeking to thwart her mission. Spanning 12 narrative chapters, the series weaves themes of identity, duty, and sacrifice, exploring how Josephine navigates love, loyalty, and the burdens of power in a world blending mythology and reality.

Production

Development

Dyosa was conceptualized by Studios as a fantasy teleserye from , positioning it as a successor to successful hits such as the GMA Network's , which had premiered earlier that year. The marked a deliberate effort to blend traditional folklore elements—like figures from epics and legends—with contemporary storytelling to appeal to a broad audience in the competitive Philippine television landscape. Director Wenn V. Deramas, known for his work on high-energy dramas and comedies, led the creative vision, overseeing the adaptation of these mythological motifs into a serialized narrative format suitable for primetime broadcast. Deramas emphasized dynamic visuals and emotional depth to elevate the folklore-inspired plot, ensuring the series' goddess protagonist and supernatural conflicts resonated in a modern context. Pre-production focused on scripting a cohesive arc that integrated transformation sequences and creature designs, with Deramas collaborating closely on the head writing to maintain narrative momentum across episodes. Budget planning was a major aspect of development, with significant allocations directed toward special effects to realize the mythological creatures and character metamorphoses central to the story—elements that represented one of ABS-CBN's more ambitious investments in visual production for a teleserye at the time. These considerations included practical sets, CGI integration, and costume designs inspired by indigenous lore, all aimed at creating an immersive fantasy world without compromising the emotional core of the human-divine conflicts. Anne Curtis's casting as the lead further shaped pre-production, influencing script revisions to highlight her versatility in portraying multifaceted roles.

Casting

Anne Curtis was cast in the lead role of Josephine Sinukuan, who embodies the three Dyosas—Tierra (centaur), Agua (mermaid), and Cielo (harpy)—due to her proven versatility in handling multifaceted fantasy characters. The series, directed by Wenn V. Deramas, was specifically developed to highlight her range, allowing her to portray a human protagonist alongside supernatural transformations that demanded physical and emotional adaptability. This multi-role casting presented unique challenges, as Curtis had to master distinct mannerisms, voices, and movements for each form, including underwater scenes and equine prosthetics, while maintaining narrative cohesion. Curtis's selection also fulfilled her long-held childhood aspiration to play a , a dream she had nurtured since age 12. On , , during the first underwater shoot in Calatagan, Batangas, she donned a golden fish tail for Dyosa Agua scenes, marking an emotional milestone in her career. This role built on her prior experiences in dramatic and adventurous projects, positioning her as an ideal fit for the fantasy genre's demands on physical transformation and stunt work. For the romantic leads, Sam Milby was chosen as Prinsipe Adonis, drawing from his established on-screen rapport with Curtis in previous collaborations like Maging Sino Ka Man. Zanjoe Marudo was selected for Mars, the comic illustrator whose drawings influence the Dyosas' fate, leveraging his prior positive chemistry with Curtis from an episode of Maalaala Mo Kaya. Luis Manzano rounded out the core ensemble as Kulas, the guardian figure, bringing his signature comedic timing to offset the series' dramatic and fantastical elements. The casting of supporting immortals, such as those played by Jaclyn Jose and Nikki Bacolod, involved rigorous auditions emphasizing actors capable of embodying ethereal beings through extensive stunt training for aerial, aquatic, and equestrian sequences.

Cast and characters

Main cast

Anne Curtis portrays the central character Josephine Sinukuan, also known as Takda or the Chosen One, who discovers her divine heritage and transforms into multiple goddess forms: Dyosa Tierra, a centaur embodying earth powers; Dyosa Agua, a mermaid representing water; and Dyosa Cielo, a harpy symbolizing air. Curtis's performance showcases her versatility, navigating Josephine's emotional turmoil from a unaware mortal to a empowered deity, while physically embodying each form's distinct movements and expressions through elaborate costumes and effects. Her prior experience in fantasy roles, such as the hunchbacked bell-ringer in the 2005 series Kampanerang Kuba and the princess in the 1997 film Magic Kingdom: Ang Alamat ng Damortis, prepared her for this multifaceted lead, earning her the nickname "Pambansang Dyosa." Zanjoe Marudo plays Mars, a comic book illustrator at Makiling Publishing who becomes Josephine's human love interest, offering grounded support amid her supernatural struggles and unknowingly sketching elements of her destined fate in his artwork. Marudo's portrayal highlights Mars's blend of creativity, loyalty, and everyday charm, balancing romantic depth with lighthearted moments that anchor the fantasy narrative. Fresh from his breakout in action series like Lito Lapid sa Sapul ng Araw (2007), Marudo's rising status as a versatile leading man suited him for this role, marking an early highlight in his career trajectory toward dramatic fantasies. Sam Milby stars as Prinsipe Adonis, a half-human, half-Khnum prince from the divine realm of Kasamia, serving as Josephine's guardian and romantic counterpart, whose protective instincts create layered tension between duty and desire. Milby's depiction emphasizes Adonis's internal conflict as a bridge between mortal and mythical worlds, delivering intense emotional scenes that underscore themes of forbidden love and alliance. Building on his transition from music performer to actor in series like Maging Sino Ka Man (2006–2007), Milby's established heartthrob appeal and growing dramatic range made him ideal for this pivotal divine ally. Luis Manzano portrays Kulas, one of Josephine's suitors from the underwater realm, who competes for her affection and aids in her quest, adding to the romantic tension in the story.

Supporting cast

The supporting cast in Dyosa features a blend of mythological figures and human elements that enrich the fantasy world, providing alliances, conflicts, and emotional depth without overshadowing the central narrative. These characters, drawn from Philippine folklore, often embody loyalties tied to ancient rivalries among diwatas and other immortals. Mariang Sinukuan, portrayed by Mickey Ferriols, serves as a key immortal guardian and the biological mother of protagonist Josephine, loyally protecting her daughter's destiny as the Takda (Chosen One) while disguising herself in human forms such as Sinyang, Connie, and Aning to act as her foster mother, offering guidance and emotional grounding in the mortal world. Matthew Mendoza plays Bernardo Carpio, Josephine's father and a legendary hero from Philippine mythology, who supports her in confronting the threats from the Lower Earth. In contrast, Mariang Magayon, played by Jaclyn Jose, is Sinukuan's jealous sister and an antagonist who leads opposition from the realm of Kasamyan, motivated by resentment toward her sibling's favored status and a desire to elevate her own lineage to power. Among the antagonists, Diana, enacted by Nikki Bacolod, emerges as a central figure in Kasamyan's leadership alongside her mother Magayon; driven by ambition to claim the Dyosa mantle for herself, she engages in betrayals against the protagonists, including schemes to undermine Josephine's role through deception and alliances with darker forces. Other Kasamyan affiliates, such as those under Magayon's influence, amplify the mythological conflicts by representing fractured loyalties among the immortals. Human supporting roles anchor the story's emotional core, with Josephine's foster family—embodied through Sinukuan's disguises—providing a semblance of normalcy and familial warmth that contrasts the divine turmoil, helping to humanize the protagonist's journey before her powers awaken. Additional figures like Amang Suga (Lloyd Samartino) and Bakus (Epy Quizon) offer grounded alliances, contributing to world-building by bridging the mortal and mythical realms through protective actions and subtle lore revelations. These ensemble performances enhance the series' exploration of destiny and betrayal, maintaining focus on the leads while fleshing out the expansive mythological backdrop.

Guest cast

The guest cast of Dyosa included several actors in one-off or limited appearances, primarily portraying mythical figures, young versions of recurring characters, or human side figures to support the series' fantastical narrative elements. Notable guests were:
  • Jessy Mendiola as Cheepa, appearing in one episode.
  • Dianne Medina as Agatha.
  • Ogie Diaz as Mang Pekto, featured in scenes involving comedic human interactions such as caring for other characters.
  • Paul Salas as young Kulas.
  • Basty Alcances as young Loki.
  • Precious Lara Quigaman as Gorga.
  • Jeffrey Santos as Memphis.
  • Ria Garcia as Mayang.
  • DJ Durano in a limited role.
These appearances often tied into special episodes exploring mythological visions or folklore-inspired side stories, such as interactions with immortals or ancient deities, enhancing plot twists without recurring billing.

Broadcast and release

Airing details

Dyosa premiered on August 11, 2008, on ABS-CBN in the Philippines, in the network's Primetime Bida evening block. The series aired weekdays from 7:40 p.m. to 8:20 p.m. Philippine Standard Time, designed to appeal to family audiences with its fantasy-drama narrative suitable for after-dinner viewing. It concluded its original run on January 16, 2009, after a total of 115 episodes. Reruns of Dyosa have aired on various ABS-CBN channels, including Jeepney TV, and full episodes remain available for streaming on the official ABS-CBN Entertainment YouTube channel and iWantTFC platform as of November 2025. Internationally, the series was distributed via The Filipino Channel (TFC), ABS-CBN's global network, reaching Filipino audiences worldwide.

Episode structure

The series Dyosa spans 115 episodes divided into twelve thematic chapters that function as distinct narrative arcs, progressively unfolding the central Takda prophecy while maintaining a continuous storyline without formal seasons. Chapter titles are employed for promotional materials, episode recaps, and viewer guides to highlight key thematic shifts. Episodes typically run 30–45 minutes, adhering to ABS-CBN's primetime format, and blend dramatic family dynamics, action-oriented transformations, and romantic subplots to engage audiences in the fantasy narrative. The absence of traditional seasons reflects the teleserye's long-form style, with chapters providing natural breakpoints for ongoing serialization.

Plot

Chapter One: The Destined Child

In the mythological realm of Kabanwa, Mariang Sinukuan, a powerful goddess, is arranged to marry the god Tadaklan to secure peace between the benevolent Kabanwa and malevolent Kasamyan clans. However, driven by her love for the mortal hero Bernardo Carpio, Sinukuan elopes with him on the eve of the wedding, discovering her pregnancy soon after. This union defies divine decree, leading to the birth of their daughter, Josephine, who is prophesied as the Takda—the Chosen One destined to restore harmony and defeat the forces of evil. Abandoned in the mortal world to shield her from Tadaklan's wrath, Josephine grows up as an orphan, raised by devoted foster parents who provide her with a modest, unassuming life far from her supernatural lineage. Unaware of her heritage, she navigates adolescence in a small community, fostering dreams of normalcy amid everyday challenges. As her eighteenth birthday approaches, subtle signs of her divine blood emerge, including unexplained surges of energy and fleeting visions that hint at a greater purpose. These initial manifestations disrupt her routine, forcing Josephine to confront an inner turmoil she cannot yet comprehend. Into Josephine's life enters Mars, a compassionate and artistic young man whose path crosses hers during this period of awakening. Their initial encounters spark a tender romance, offering Josephine moments of joy and emotional grounding amid her confusion. Mars's genuine affection provides a human anchor, contrasting the otherworldly revelations beginning to unfold. Yet, these visions also reveal the Kasamyan clan's insidious threat, as led by Tadaklan and his allies, who plot to eradicate the Takda before she can fulfill her destiny and tip the balance toward peace. This looming danger underscores the stakes of Josephine's journey, blending personal discovery with epic peril.

Chapter Two: The Secrets Unwraps

In Chapter Two of Dyosa, Josephine experiences her first involuntary transformations into her Dyosa forms amid a perilous crisis at sea, where she leaps into the water to rescue her younger brother from attacking bandits. As she submerges, she instinctively shifts into Dyosa Agua, a mermaid-like form, allowing her to summon powerful whirlpools that overwhelm and defeat the assailants, saving her sibling but leaving her exhausted and confused by the sudden surge of elemental power. This initial shift marks the activation of her latent abilities, triggered by imminent danger, as her body adapts to wield water-based forces without prior warning or training. Following the rescue, Josephine struggles to regain control over her transforming body, experiencing further unintended shifts while fleeing from huntsmen in the forests near her home. In rapid succession, she morphs into Dyosa Tierra, adopting a centaur physique to gallop swiftly through the terrain, and then into Dyosa Cielo, gaining harpy wings to soar away from a cliffside pursuit, evading capture but heightening her fear of these uncontrollable changes. A Gibut named Kulas, a mythical caretaker from the realm of Kabanua, witnesses these events and approaches her, validating the authenticity of her powers and offering initial guidance on suppressing the shifts through focused breathing and acceptance of her innate connection to the elements. Despite Kulas's encouragement, Josephine resists, denying any supernatural destiny and attempting to return to her ordinary life, though the transformations recur unpredictably during moments of stress. Josephine's encounters with her guardians deepen as she is drawn toward Kabanua, where she meets Bakos, another key ally resembling a goat-like spirit, during a at a for a rival claimant to the Takda title. Bakos interrupts the proceedings to proclaim Josephine as the true Takda—the chosen protector—and reveals fragments of her divine lineage as the daughter of Mariang Sinukuan, a revered goddess, emphasizing her inherited role to safeguard the realms from darkness. This explanation, delivered amid the disrupted ritual, underscores Josephine's royal bloodline from ancient Kabanua nobility, positioning her as the rightful heir whose powers stem from Sinukuan's legacy of elemental mastery, though full details of her parentage remain partially veiled at this stage. Kulas reinforces this by sharing lore of the Dyosa's historical duty, urging her to embrace her heritage to prevent imbalance in the mortal and mythical worlds. Early skirmishes test Josephine's burgeoning abilities against minor Kasamyans, the shadowy minions of evil forces infiltrating the human world, beginning with the seafaring bandits who exhibit unnatural resilience and aggression beyond ordinary criminals. These foes, later identified as low-level Kasamyans scouting for vulnerabilities, probe her defenses during the water rescue, forcing her to improvise with whirlpool summons that disrupt their coordinated attack. On land, the huntsmen pursuing her display similar otherworldly traits, such as enhanced tracking and weapons infused with dark energy, compelling Josephine to cycle through her Tierra and Cielo forms in a desperate evasion that hones her instinctive combat reflexes. These conflicts serve as rudimentary trials, revealing the Kasamyans' intent to eliminate potential threats like the Takda before she fully awakens, while Josephine's successes, aided by Kulas's timely interventions, build her tentative confidence in wielding her forms against such adversaries. Throughout these revelations and battles, Josephine's relationship with her childhood friend Mars strengthens in subtle, secretive ways, providing emotional grounding amid . Unaware of her , Mars notices her frequent absences and distress, sketching portraits of her in ethereal, winged or aquatic poses based on her vague descriptions of dreams, which unknowingly capture glimpses of her Dyosa manifestations. Their shared moments—stolen conversations by the river or quiet support during her recovery from transformations—foster a deepening bond, with Josephine confiding fragments of her fears without disclosing the full extent of her changes, creating an undercurrent of intimacy laced with the burden of . This connection offers her rare normalcy, contrasting the mythical upheavals and hinting at future tensions as her destiny pulls her further from her human ties.

Chapter Three: Diana's Quest

In the third chapter of Dyosa, the narrative shifts to the introduction of the primary antagonist, Diana, a powerful immortal from the realm of Kabanua who was poised for coronation as the Takda but was thwarted when it was revealed that Josephine is the true chosen one. Diana, driven by resentment and a desire for vengeance, rejects her status as a fallen guardian and vows to eliminate Josephine to reclaim her position. This backstory establishes Diana as a formidable foe, her powers rooted in elemental manipulation and immortality, contrasting sharply with Josephine's emerging abilities. Diana's quest intensifies as she secretly portals to the mortal world, Manila, determined to locate and destroy Josephine. To amplify her Kasamyan-derived powers—dark energies associated with the shadowy Kasamyan realm—she pursues divine artifacts scattered across both worlds, believing they will grant her supremacy over the Takda lineage. These artifacts, including sacred tiaras and amulets tied to ancient guardians, become central to her schemes, as possessing them would allow her to usurp Josephine's destiny and rule Kabanua unchallenged. Diana's initial clashes with Josephine occur during a tense confrontation where she attempts to seize a protective amulet from Josephine's allies, leading to a fierce battle that showcases Diana's aggressive use of wind and shadow magic. Meanwhile, Josephine, still adjusting to her dual life, forms her first major alliances with immortals such as the wise guardian Bakos and the loyal Kulas, who arrive from Kabanua to guide her. These immortals train Josephine in harnessing her goddess powers, emphasizing the importance of unity against threats like Diana, and help her forge a protective barrier using a retrieved artifact. This alliance-building marks Josephine's growth from isolation to leadership, as she learns to balance her human ties with her divine responsibilities. The immortals' counsel proves crucial during Diana's ambush, where Josephine, empowered by their support, repels the attack for the first time. A parallel subplot unfolds with Mars, a compassionate human artist who becomes entangled in Josephine's world. As Josephine's confidant and budding romantic interest, Mars begins uncovering clues about her supernatural origins through cryptic visions and encounters with minor immortals. His investigations lead him to ancient texts hinting at the artifacts' locations, inadvertently aiding Josephine while drawing Diana's attention as a potential weakness to exploit. Mars's persistence highlights the blending of mortal and immortal realms, adding emotional depth to the escalating conflict.

Chapter Four: Humble Heroine

Josephine navigates her dual existence by immersing herself in the routines of high school life, attending classes and engaging with friends while meticulously hiding her supernatural abilities to avoid drawing attention to her identity as the Takda. This deliberate concealment underscores her humble approach, allowing her to cherish simple interactions like group studies and school events, which provide a semblance of normalcy amid her internal conflict over accepting her divine heritage. Within her foster family, Josephine receives unwavering emotional support from Huling and Miong, who have nurtured her since early childhood and serve as her anchor during periods of uncertainty about her powers. Their encouragement helps her process doubts, reinforcing her commitment to their bond over the call to relocate to Kabanua, where her goddess duties would demand separation from this familial stability. In smaller-scale confrontations, Josephine employs her humility to fuel her development, such as when she battles manananggals threatening her close ones; transforming into Dyosa Cielo, she rescues Venus from an attack but cannot fully shield Miong, resulting in the latter's hospitalization. Guided by Bakos, she incorporates Kabanua chants to refine her transformations, learning that restraint and grounded perspective enhance her effectiveness rather than raw power alone. Josephine's budding romance with Mars unfolds through unpretentious encounters, beginning at the hospital during Miong's recovery, where the comic illustrator—unaware of her secret—strikes up conversations that evolve into casual dates centered on everyday joys like walks and shared laughs. These moments enable her to explore affection in a human context, briefly setting aside her divine burdens for the tenderness of mortal connection.

Chapter Five: Help or Trouble

In Chapter Five, "Help or Trouble," Josephine's growing alliances with her guardians prove double-edged, as their efforts to aid her in harnessing her divine powers lead to unforeseen complications and internal strife among the group. The guardians, including figures like Sinukuan, attempt to intervene during Josephine's training, but their guidance misfires, amplifying her uncontrolled abilities and sparking chaos in the Kabanua domain, which strains the unity essential for her protection. Josephine encounters her initial moral quandary when deploying her powers to safeguard her companions, only to inadvertently cause harm to an uninvolved party, prompting deep reflection on the responsibilities tied to her role as the Takda. This episode underscores the ethical challenges of wielding supernatural strength for benevolent ends, as Josephine grapples with the collateral damage of her actions despite her pure intentions. The Kasamyans capitalize on these emerging divisions, intensifying their incursions by exploiting the discord to orchestrate a targeted offensive against Josephine, further threatening the fragile balance between the realms. Their opportunistic maneuvers heighten the stakes, transforming the helpers' missteps into vulnerabilities that the antagonists adeptly manipulate. Mars's deepening engagement in the conflict places him in peril, as he intervenes to defend Josephine from the Kasamyans, endangering his mortal life in the process and highlighting the perils of human involvement in divine disputes. His selfless actions add tension, as the supernatural threats encroach upon the human world.

Chapter Six: Goddess in Love

In Chapter Six of Dyosa, titled "Goddess in Love," Josephine's personal life becomes entangled with romantic complexities as her divine heritage draws the attention of powerful suitors. Adonis, a commanding godly figure portrayed by Sam Milby, encounters Josephine and quickly recognizes her as the Takda, the chosen one destined to restore balance among the deities. This meeting sparks an intense attraction, with Adonis slowly developing feelings for her, nearly leading to a kiss in a moment of vulnerability. His interest directly challenges Josephine's budding relationship with Mars, the steadfast protector played by Zanjoe Marudo, creating a love triangle that heightens the stakes of her dual existence. Josephine's emotional turmoil intensifies as she wrestles with her heart's desires against the weight of her sacred duties. Torn between the grounded affection she shares with Mars, who confronts her about her true identity as Dyosa Cielo, and the magnetic pull toward Adonis, she questions whether personal love can coexist with her role as a goddess. This internal conflict is exacerbated by external pressures, including arguments among the gods; for instance, Adonis clashes with Calliope over his growing preoccupation with Josephine, revealing jealousies that strain alliances in the divine realm. These tensions underscore Josephine's struggle to protect her human connections while embracing her powers, as she begins to wield her abilities more confidently to shield those she cares for from emerging threats. Key scenes highlight Josephine's use of her goddess powers in protective acts, such as summoning celestial energy to defend Mars during a confrontation orchestrated by divine adversaries. This display not only affirms her growing command over her abilities but also deepens her bond with him, contrasting with Adonis's more enigmatic overtures. Bruhita, the cunning witch allied with darker forces, confronts Adonis about his fixation on Josephine, hinting at manipulations that could unravel their budding connection. Such moments foreshadow potential betrayals within these relationships, as loyalties among the gods fracture under the influence of desire and destiny, setting the stage for Josephine's evolving path as both lover and savior.

Chapter Seven: Powerless

In Chapter Seven of Dyosa, titled "Powerless," the narrative centers on Josephine's sudden and temporary deprivation of her divine abilities, thrusting her into a state of mortal fragility amid escalating supernatural threats. Magayon, recently banished from Kabanua after her conviction for treason and stripped of her own powers, secretly allies with her daughter Diana in the mortal world to target Josephine, the true Takda. Together, they conduct a clandestine ritual employing enchanted amulets designed to siphon Josephine's elemental powers, successfully draining the essences associated with her Dyosa Cielo (sky) and Dyosa Tierra (earth) transformations, leaving her weakened and unable to access her full potential. Devoid of her transformations, Josephine grapples with profound , navigating dangers from the Kasamyan forces and internal conflicts without the supernatural strength that once defined her role as the Chosen One. Her attempts to confront adversaries result in close calls, forcing her to confront the limitations of her human form and question her destiny, as she blames figures like Adonis for contributing to her plight upon learning of his hidden allegiances. This powerlessness amplifies her emotional turmoil, contrasting sharply with her previous empowered states and underscoring themes of resilience amid loss. Josephine's allies, including the guardians Kulas and Bakos, undertake discreet efforts to reverse the theft without involving her directly, such as pursuing the retrieval of the sacred Tiara, an artifact central to her lineage. However, these initiatives face setbacks, including the tragic death of Bakos at Diana's hands during a confrontation. Throughout this crisis, Josephine's bond with Mars deepens, as the mortal illustrator, gifted with precognitive visions and healing capabilities, becomes her primary anchor, offering strategic guidance derived from his illustrations of her fate and helping her harness intellect over magic to survive.

Chapter Eight: Outrageous Revelations

In Chapter Eight, Magayon confronts Diana with the shocking revelation that Josephine is the long-prophesied Takda, the chosen one destined to wield immense divine power and restore balance among the gods. This disclosure shatters Diana's understanding of her own role, as she grapples with the implications of her growing affection for Josephine conflicting with her duty to oppose the Takda. The episode delves deeper into betrayals within Josephine's divine family tree, exposing how ancient rivalries among the deities—particularly involving Sinukuan and other ancestral figures—have manipulated the prophecy for personal gain. These betrayals trace back to hidden alliances that undermined the original divine order, forcing Josephine's lineage into obscurity to prevent her ascension. One key twist reveals that a prominent family member, initially portrayed as an ally, had orchestrated events to suppress the Takda's emergence, driven by fear of losing their own authority in the pantheon. Further revelations uncover the true origins of the Takda, linking it not to a pure divine mandate but to ancient elopements between mortal and godly beings that blended realms and sparked the prophecy as a means of reconciliation. This hybrid heritage explains Josephine's unique ability to transform across forms like mermaid, centaur, and siren, symbolizing the forbidden unions that birthed her power. The elopements, occurring millennia ago during a time of godly discord, were concealed to avoid further chaos, but their exposure now reframes the Takda as a bridge rather than a weapon. Amid these shocks, Josephine, guided by Bakus, begins reclaiming partial powers that had lain dormant to her mortal upbringing. In a pivotal scene, she accesses latent abilities during a , manifesting controlled transformations and control that affirm her Takda status, though not without painful side effects from the sudden surge. This partial reclamation marks a turning point, allowing her to defend against immediate threats but leaving her vulnerable to full mastery. The revelations profoundly impact Josephine's alliances with the guardians, who must now reassess their loyalties in light of the family's betrayals and the Takda's true origins. While some guardians, like Bakus, solidify their support by urging Josephine to embrace her role, others waver, questioning whether aiding the Takda will exacerbate divine conflicts or heal them. This shift fosters tentative unity among the group, as they prioritize protecting Josephine from internal family threats over external foes. The antagonist backstory of figures like Tadaklan briefly underscores this tension, revealing his opposition stems from resentment over those same ancient elopements that elevated Josephine's line.

Chapter Nine: Without the Guardians

In Chapter Nine, the narrative intensifies as the guardians face temporary unavailability due to escalating internal conflicts within their ranks. Following the shocking revelations from the previous chapter regarding hidden alliances and betrayals, Magayon and Diana seize an opportunity to escape through a portal conjured by the enigmatic Salaminsim, leaving Josephine in a state of profound isolation. This departure stems from mounting distrust and strategic divergences among the guardians, exacerbated by recent losses, forcing Josephine to confront threats without their immediate guidance. Josephine, portrayed by Anne Curtis, grapples with her emerging responsibilities amid the chaos, as the guardians' absence plunges her into solo confrontations with the antagonistic Kasamyans. Overwhelmed by the disappearance of her parents and the burdensome Tiara symbolizing her destined role as Takda, she initially resists embracing her powers, deeming herself unprepared for the mantle of leadership. Kulas and Bakos, key guardian figures, issue apologies for prior missteps and urge her to accept the crown, but their pleas fall on deaf ears, highlighting Josephine's internal turmoil and the fractures within the group. This period marks a pivotal test of her resilience, as she navigates skirmishes against Kasamyan forces—such as ambushes led by opportunistic foes—relying on instinct rather than collective support. Amid the isolation, Josephine exhibits notable growth in independence, strategically harnessing her remaining abilities to evade capture and counter threats. She employs subtle manipulations of her latent powers, like illusory diversions and enhanced agility, to outmaneuver Kasamyan pursuers in isolated encounters, demonstrating a shift from dependence on the guardians to self-reliant tactics. This evolution underscores her maturation, transforming vulnerability into calculated defiance against the encroaching darkness. Concurrently, Mars, played by Zanjoe Marudo, steps into an expanded role as co-hero, checking on the vulnerable Cielo despite Kulas's accusations that Josephine's choices led to the loss of allies Huling and Miong. Mars's concern for Dyosa Cielo, who bids him a protective farewell to shield him from peril, further cements his transition from supporter to active partner in Josephine's struggles, sharing the burden of defense against the Kasamyans. The chapter builds tension through layered conflicts, including Magayon's lethal confrontation with Sinyang and Connie's directive to Bakus to reclaim the Tiara, enlisting Venus's aid. Bakus succeeds in retrieving the artifact from Magayon, only for Diana to intervene decisively, incinerating him to ashes and reclaiming the crown in a blaze of retribution. These events amplify Josephine's solitude, as the guardians' internal strife—marked by betrayals and power grabs—renders them sporadically unavailable, compelling her to forge ahead alone while Mars emerges as her steadfast ally in the escalating war.

Chapter Ten: From Foes to Friends

In Chapter Ten, following the isolation and loss experienced in the previous arc, Josephine begins to forge unexpected alliances that alleviate her solitude. A pivotal shift occurs when Adonis, the prince of the Kasamyans—an antagonistic faction of dark creatures from the Lower Earth—defects to aid her against mounting threats from within his own ranks and greater evils like the sorcerer Tadaklan. Adonis intervenes during a Kasamyan ambush in the forest, where Josephine, transformed into Dyosa Tierra, is surrounded and overpowered; he sacrifices part of his strength to enable her escape, marking his initial betrayal of Kasamyan loyalties. Trust-building unfolds through intimate scenes of vulnerability and negotiation. Injured from the confrontation, Adonis collapses, prompting Josephine to tend to his wounds despite the risks, an act that fosters a tentative bond rooted in mutual survival. Her guardians, Kulas and Mars, vehemently oppose this alliance, viewing Adonis as an inherent enemy due to his Kasamyan heritage, leading to tense discussions where Josephine advocates for his potential redemption, emphasizing shared opposition to Tadaklan's destructive ambitions. These interactions highlight Josephine's growing diplomatic resolve, as she navigates skepticism to secure Adonis's cooperation against the broader supernatural threats. The chapter escalates with battles that demonstrate the value of former foes. Ek-eks, Tadaklan's monstrous minions, capture Josephine mid-flight as Dyosa Cielo, burning her wings and dropping her to thwart her powers; she survives by transforming into Dyosa Tierra upon landing and later reverts to Dyosa Cielo to retaliate. In a climactic aerial clash, Josephine confronts Tadaklan directly, overpowering him and hurling him into the ocean, where he shapeshifts into a voodoo doll for survival before being rescued by an ally. Adonis proves indispensable here, providing strategic insights into Kasamyan weaknesses and joining the fray to protect Josephine, his contributions turning the tide against Tadaklan's forces and validating the uneasy partnership. These developments ripple through the divine hierarchy, destabilizing the rigid divide between the benevolent Kabanua realm and the malevolent Kasamyans. Adonis's defection sows discord among Kasamyan leaders, who perceive it as a weakening of their unified front against the upper divine order, potentially inviting internal purges and realignments that challenge Tadaklan's authority. This shift subtly alters power dynamics in the celestial realms, as Josephine's willingness to ally with a defector signals a possible path toward reconciliation, though it heightens tensions with traditional guardians and foreshadows broader conflicts in the divine structure.

Chapter Eleven: Thieves

In Chapter Eleven of Dyosa, a critical subplot emerges involving the theft of divine artifacts and powers central to the protagonists' abilities, escalating the conflict between the forces of good and the antagonistic realm of Kasamyan. Magayon and Diana, acting as thieves with malicious intent, receive three magical items from a mysterious forecaster designed to siphon the powers of Josephine, also known as Takda. These items target Josephine's core abilities as Dyosa Cielo and Dyosa Tierra, representing sacred divine essences that maintain balance in the mythological world. The ' scheme includes elements of internal , as Magayon disguises herself as an leper to deceive Josephine and deliver one of the items directly, initiating the transfer of powers to Diana. This act not only weakens Josephine but also ensnares Huling in a magical beam that petrifies him, highlighting the treacherous of the plot from within familiar circles. Josephine's pursuit begins upon discovering the , leading her to confront Adonis—revealed to be the same entity as Halimaw—and reclaim a crucial amulet that the thieves had exploited; by destroying it, she restores her stolen powers and thwarts the immediate threat. As the heists unfold, alliances formed in prior events are rigorously tested through high-stakes chases and escapes. Venus and Bakus, leveraging support from new allies like Adonis and Bernardo Carpio, manage to flee the clutches of Kasamyan during a chaotic pursuit, underscoring the fragility of these partnerships amid betrayal and pursuit. These events tie directly into broader Kasamyan strategies, where Tadaklan schemes to hijack Venus's body under the cover of a blue moon, aiming to resurrect himself in a more powerful form and further disrupt the divine order.

Chapter Twelve: Unveiling the Truth

In the penultimate stages of the narrative arc, the prophecy's ultimate truth is unveiled when it is revealed that Josephine cannot fully assume her destined role as the Takda, the chosen one tasked with uniting the realms and defeating the forces of Kasamya, because she has fallen in love with Adonis, a Kasamyan whose origins violate the prophecy's requirements for purity. This disclosure leads to her banishment to the "Libingan ng Kawalan" (Graveyard of Nothingness) after she rejects the magical crown, causing bad karma and her stabbing by Tadaklan. Adonis follows her there, resuming his Kasamyan half-goat, half-human identity to make the ultimate sacrifice by cutting off his horns and pouring his blood on her, reviving Josephine though she remains unaware of his role. The revelation precipitates an epic confrontation as Josephine, revived but facing the consequences of her love for Adonis, joins forces with her allies, including Mars and the guardians like Kulas, to battle the primary Kasamyans, including the treacherous Diana, in a desperate bid to protect both the mortal world and the supernatural realms from total domination. Kulas, her childhood friend and caretaker, is arrested for a mistaken identity as a killer but continues to support her. Amid the chaos of this final showdown, longstanding alliances are tested, with characters like Huling and Miong playing pivotal roles in turning the tide against the invading forces. Romantic tensions reach their resolution as Josephine chooses to stay with her mortal love interest Mars in the human world, bridging the divide between realms through her actions while Adonis's sacrifice enables her survival. The series epilogue portrays a harmonious aftermath, where the prophecy's partial fulfillment by Josephine ensures lasting peace despite her personal choices, allowing her to live happily with Mars and her family, while the guardians reflect on the sacrifices made for balance across worlds.

Reception

Critical response

Critics praised Anne Curtis's portrayal of Josephine, a young woman who transforms into multiple divine forms including Dyosa Tierra (centaur), Dyosa Agua (mermaid), and Dyosa Cielo (harpy), marking her first lead in a primetime fantaserye and earning her the enduring moniker "Pambansang Dyosa" for her goddess-like presence and versatility. The role showcased her ability to embody a "Takda" (Chosen One) with powers over land, sea, and sky, generating significant anticipation and solidifying her status as a fantasy lead. The series received acclaim for its innovative use of special effects in 2008 Philippine television, a period when local fantaseryes were advancing technically; production delays from the original July premiere to August 11 allowed for re-shoots and enhancements to visual effects for the elaborate transformations, supported by a multimillion-peso budget dedicated to SFX, costumes, and design. This ambition distinguished Dyosa in the genre, blending Philippine folklore with high-concept fantasy execution. Dyosa was often compared favorably to contemporaries like GMA's Encantadia for its ABS-CBN polish, though it leaned more on personal destiny arcs than ensemble world-building. Outlets like PEP.ph reflected an overall positive reception, averaging praise for its entertainment value and Curtis's star power, contributing to the show's cultural impact as a hit fantaserye that boosted her career trajectory.

Viewership

Dyosa achieved significant viewership success during its original 2008–2009 run on ABS-CBN, consistently ranking among the top primetime programs in the Philippines according to AGB Nielsen's Nationwide Urban Television Audience Measurement (NUTAM) surveys. The series debuted with ratings of 25.7% in Mega Manila, steadily building momentum and reaching peak household ratings of 30-35% nationwide, which solidified ABS-CBN's dominance in the primetime slot against competitors like GMA-7's fantaseryes. Viewership fluctuated across episodes, starting but facing from rival shows like , with dips to around 23-25% in mid-run weeks before surging toward . The highest ratings occurred during the finale week in early , where episodes averaged over 32%, reflecting heightened with the series' climactic revelations and contributing to its overall of 32.2% for the year, placing it seventh in the 2008 NUTAM top programs. The series emerged as a cultural phenomenon in Philippine television, captivating audiences with its blend of fantasy, romance, and mythology, and spawning widespread fan discussions on online forums during its airing. In the 2020s, Dyosa experienced a resurgence through streaming platforms like iWantTFC and YouTube, where full episodes drew renewed interest from nostalgic viewers and younger fans discovering Anne Curtis's iconic portrayal of the goddess. Dyosa's demographic appeal centered on teens and families, resonating with younger viewers through its youthful lead characters and supernatural themes, while family-oriented narratives of protection and destiny encouraged intergenerational viewing in Philippine households.

Accolades

Awards

Dyosa earned accolades primarily through the outstanding performance of its lead actress, Anne Curtis, who portrayed multiple goddess characters in the fantasy-drama series. At the 5th USTv Students' Choice Awards held on February 19, 2009, at the UST Medicine Auditorium, Curtis won the Best Actress in a Daily Soap Opera award for her roles in Dyosa. This victory marked her second Best Actress honor at the event, highlighting the impact of her versatile portrayal of divine figures navigating mythological conflicts.

Nominations

Dyosa earned nominations at the 5th USTv Students' Choice Awards in 2009, where lead actress Anne Curtis was recognized for her portrayal of Josephine, the Chosen One with supernatural abilities. Curtis received the nomination in the Best Actress in a Daily Soap Opera category, ultimately winning the award for her versatile performance across multiple characters in the fantasy series. This student-voted accolade highlighted the series' impact on younger audiences and Curtis's rising stardom in Philippine television. No other major nominations for the production or its cast were recorded in prominent award bodies like the PMPC Star Awards for TV during its run.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.