Ege Bamyası (Turkish for 'Aegean okra') is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records.

The album contains the single "Spoon", which charted in the Top 10 on the German singles chart after its inclusion as the theme song to the German television mini-series Das Messer [de] (1971). The success of the single allowed Can to establish their own studio, Inner Space Studio, [de] in Weilerswist, where they completed the rest of the album. It was recorded and produced under a strict June 1972 deadline, finishing "Soup" a day before the end date.

Ege Bamyası was met with critical acclaim, praised for skilful fusion of experimental music, electronic sounds, and avant-funk. Spectrum Sounds magazine called the album's experience as "maybe the most danceable that experimental music gets". Retrospective reviews highlighted that the album stands out among Can discography for being one of the band's most focused and tense records. The album helped popularize krautrock and inspired later musicians including Brian Eno, Sonic Youth, the Orb, Wire, Pavement, and System 7, some of whom participated in the Can tribute remix album Sacrilege (1997). In later decades, publications such as Rolling Stone and NME ranked Ege Bamyası as one of Can's best albums and among the best albums of all time.

In December 1971, Can had relocated their Inner Space Studio [de] out of the communal space of the Schloss Nörvenich, where recording sessions were time-limited due to noise concerns, and moved into a large ex-cinema in Weilerswist near Cologne. Hildegard Schmidt, Can's manager, outfitted the studio with fifteen hundred seagrass mattresses bought from army barracks at Cologne-Ossendorf to serve as soundproofing. Keyboardist Irmin Schmidt, previously using two Farfisa organs, acquired a complex effects unit custom-built by Swiss engineer Hermi Hogg. Dubbed the "Alpha 77", the unit allowed "far greater degrees of spontaneity in the way Schmidt handled his synthesizers".

Ege Bamyası became the first Can album recorded in the Weilerswist Inner Space, starting with the song "Spoon". After their success with Das Millionenspiel (1970) soundtrack, the band were commissioned to record the theme song for a future television series directed by Rolf von Sydow, titled Das Messer [de] (The Knife). According to bassist Holger Czukay, the song's name was chosen as "a companion to the knife, less aggressive".

"Spoon" rapidly climbed the German singles chart, reaching number six, and sold 300,000 copies, inspiring Can to throw a free concert "to give them a taste of what they had already been brewing up in Weilerswist". Peter Przygodda directed a film of the concert titled "Can Free Concert", shot by Martin Schäfer, Robbie Müller, and Egon Mann at the Cologne Sporthalle on 3 February 1972. The film was included on the "Can DVD".

In the first half of 1972, United Artists urged Can to capitalize on the success of "Spoon", requesting another 45 rpm single. Can released "Vitamin C" paired with a B-side song "I'm So Green". "Vitamin C" was chosen as the title track for 1972 German film Dead Pigeon on Beethoven Street.

The success of "Spoon" built momentum for Can, and Siggi Loch at United Artists pushed them to come up with a new album under a strict June deadline. Can had only a sparse collection of finished tracks and out-takes, and began a frantic recording process completing several tracks "practically in real time". According to guitarist Michael Karoli, the band's recording sessions were additionally haywired by Schmidt and vocalist Damo Suzuki who daily played chess. One day before the deadline, Can had recorded and edited only the three tracks that would comprise side one of the album ("Sing Swan Song", "One More Night", and "Pinch").