Ek Chalis Ki Last Local
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| Ek Chalis Ki Last Local | |
|---|---|
Theatrical release poster | |
| Directed by | Sanjay Khanduri |
| Produced by |
|
| Starring | Abhay Deol Neha Dhupia Ashwin Mushran Nawazuddin Siddiqui Vinay Apte Ashok Samarth Deepak Shirke Virendra Saxena Amit Mistry Sunita Rajwar |
| Cinematography | C Vijayasri |
| Edited by | Dharmendra Sharma |
| Music by | Call Band |
Production company | Quartet Films |
| Distributed by | Shree Ashtavinayak Cine Vision |
Release date |
|
Running time | 150 minutes |
| Country | India |
| Language | Hindi |
Ek Chalis Ki Last Local (English: Last Local of 1:40) is a 2007 Indian Bollywood adventure comedy thriller directed by Sanjay Khanduri, starring Abhay Deol and Neha Dhupia.[1] The film was released on 18 May 2007.[2]
Plot
[edit]Nilesh, a call centre employee, misses his last local train at 1:40 am at Kurla Station. While looking for an autorickshaw, he bumps into a beautiful damsel in distress, Madhu, who also wants to get to Vikhroli. As it turns out, the autorickshaws are on strike due to a bomb blast earlier in the day at Ghatkopar. Nilesh and Madhu are forced to walk to the next rickshaw stand. Nilesh stops at a local pub and is unable to resist his temptation to have a drink or two alongside Madhu. He meets an old friend, Pat, who appears to have earned a lot of money within a year through gambling. Knowing his expertise with the cards, Pat invites Nilesh to join him in the inner chambers to play with the high rollers. Upon some persuasion from Madhu, he gives in and gambles. Taking over Nilesh's turn, Pat loses all the money they have won to Ponappa, an underworld don (who cheats). In the meantime, in his search for Madhu, Nilesh stumbles into the restroom, where he finds Madhu apparently being forced upon by a Nazeer, a drug addict. While Nazeer tries to attack Nilesh for interrupting, he slips and falls and dies.
As it turns out, Nazeer was the younger brother of Ponappa, who is devastated. Nazeer was also the lover of Madhu, who is revealed to be a prostitute whose real name is Mala. While Ponappa is about to kill Nilesh, inspector Malvankar (Ashok Samarth) with his havaldars burst in for a raid. Ponappa pays them to kill Nilesh and Madhu and use Pat as a witness. While on the way to Khandala for the encounter, Pat taunts inspector Malvankar, who shoots him dead. Nilesh and Madhu escape but are recaptured. Madhu offers the inspector more money to spare their lives, and they go to her madame Habiba in Dharavi to collect the money.
In parallel, Ponappa's men collect a ransom of 2.5 crore to return the kid of a rich man, but Rafique and Chakli (belonging to a rival gang) kill them and take the ransom.
Habiba takes everyone to the home of Mangesh Chilkey (a rival of Ponappa and whom Rafique and Chakli work for), who agrees to pay Inspector Malvankar and his men to spare Nilesh and Madhu's lives. In return, it is revealed that Habiba has sold Nilesh to Mangesh Chilkey, who plans to sodomise him. To save him, Madhu calls Ponappa and tells him that Mangesh Chilkey took his 2.5 crores. They eventually arrive, a shootout ensues, and everyone except Nilesh is killed. Nilesh takes off with the 2.5 crores and catches the first morning train at 4:10 AM.
A week later, Nilesh arrives in an expensive car and finds Madhu soliciting again at 1:40 outside Kurla station, and they leave together.
Cast
[edit]- Abhay Deol as Nilesh Rastogi
- Neha Dhupia as Madhu/Mala
- Vinay Apte as Ponnappa
- Nawazuddin Siddiqui as Nazeer, Ponnappa's Brother (druggie in bar)
- Ashwin Mushran as Mr. Vinod Bajaj
- Snehal Dabi as Habiba
- Virendra Saxena as Rafique Mohammed
- Atul Srivastava as Hawaldar Tawde
- Manu Rishi as Jeetiya (mangesh's hatchman)
- Deepak Shirke as Mangesh Chilkey
- Ashok Samarth as Inspector Malvankar
- Amit Mistry as Patrick
- Kishor Kadam as Bhujang
- Sunita Rajwar as Chakli
- Sanatan Modi
- Bharat Ganeshpure as Policeman on Kurla station
Soundtrack
[edit]The album of Ek Chalis Ki Last Local was composed by a Pakistani rock band Call and lyrics were penned by Gulzar.
- Laree Choote
- Laree Choote - Remix
- Ek Chauka
- Ek Chauka (Title version)
- Akh
- Akh (Dance version)
- Bheegi Bheegi Si
- Panga
Reception
[edit]Critical reception
[edit]Taran Adarsh of Bollywood Hungama gave the film 3 stars out of 5, saying that "EK CHALIS KI LAST LOCAL is a decent fare that stands out for a few individualistic episodes in the narrative. At the box-office, the film caters to the multiplex audience mainly, especially big city multiplexes. Business in Mumbai multiplexes should be better due to its Mumbaiya flavor."[3] Khalid Mohamed of Hindustan Times gave the film 3 stars out of 5, writing "Where were these guys hiding their extraordinary talent? Why haven’t they been seen in the big movies? Indeed, just for the zany Mistri-Samarth-Rajwar, and the mad mirthful spirit, it’s worth riding the Last Local."[4] Shubhra Gupta of The Indian Express wrote "It's a little too long, losing steam in patches. Twenty minutes off, like with most debut movies, would have made it tight and terrific. It's also not for the squeamish, or those who are easily offended. It's for the rest. Go have yourselves some great chuckles."[5]
Conversely, Tanveer Bookwala of Rediff.com gave the film 2 stars out of 5, writing "Abhay Deol has an interesting 'Mark Ruffalo' like innocence and childlike quality but looks completely lost in this enterprise. Neha Dhupia has become the industry's first choice to play a prostitute. Other than Laree Choote, the soundtrack is uninspiring. In what could have been a brilliant dark comedy ends up as a mishmash of everything weird. Bizarre!"[6] India Today wrote, "Debutant director Sanjay Khanduri tries too hard to create a Quentin Tarantinoesque mix of black humour, blood, bodies and bullets. So anything is possible, including a scene in which a gay don tries to make Deol his boy toy. Deol has a wonderful unassuming charm but it isn't enough to make this derivative train ride engaging enough."[7]
References
[edit]- ^ Khanduri, Sanjay (16 May 2007). "Making Ek Chalis Ki Last Local" (Interview). Interviewed by Patcy N. Mumbai: Rediff.com. Archived from the original on 12 April 2023. Retrieved 12 April 2023.
- ^ "Ek Chalis Ki Last Local (2007)". Bollywood Hungama. Archived from the original on 5 February 2012. Retrieved 1 January 2021.
- ^ Taran Adarsh (18 May 2007). "Ek Chalis Ki Last Local (2007) - Critic Movie Review by Taran Adarsh: Bollywood Hungama". Bollywood Hungama. Archived from the original on 24 October 2020. Retrieved 8 October 2012.




- ^ "Review: Ek Chalis Ki Last Local". Hindustan Times. 18 May 2007. Archived from the original on 12 April 2023. Retrieved 12 April 2023.




- ^ "Ek Chalis Ki Last Local - Indian Express". archive.indianexpress.com.
- ^ Tanveer Bookwala (18 May 2007). "Ek Chalis: Bizarre". Rediff. Archived from the original on 17 October 2012. Retrieved 10 April 2023.




- ^ "Movie review: Ek Chalis Ki Last Local". India Today. Archived from the original on 12 April 2023. Retrieved 12 April 2023.
External links
[edit]Ek Chalis Ki Last Local
View on GrokipediaNarrative
Plot
Nilesh, a call center employee, misses the last local train at 1:40 a.m. from Kurla station to Vikhroli during the monsoons.[8] While searching for an autorickshaw, he encounters Madhu, a woman also heading to Vikhroli, but the autorickshaws are on strike due to an earlier bomb blast at Ghatkopar.[9] Forced to walk in the rain, they stop at a local pub to pass the time, where Nilesh has drinks and meets his old friend Pat, who has been successful at gambling.[7] Pat convinces Nilesh to join a high-stakes card game in the back room against Ponappa, an underworld don who cheats and wins their money. In searching for Madhu, Nilesh enters the restroom and interrupts Nazeer, a drug addict assaulting her; Nazeer attacks but slips, falls, and dies. It turns out Nazeer is Ponappa's brother and Madhu's lover; Madhu is revealed to be a prostitute named Mala. Ponappa is about to kill Nilesh when corrupt Inspector Malvankar and his men raid the pub. Ponappa bribes them to eliminate Nilesh and Madhu, framing Pat as a witness.[8] En route to an encounter killing in Khandala, Pat taunts Malvankar, who shoots him. Nilesh and Madhu escape but are recaptured. Madhu promises more money to spare them and leads them to her madame, Habiba, in Dharavi. Meanwhile, Ponappa's gang collects a 2.5 crore ransom for a rich man's kidnapped son, but rivals Rafique and Chakli kill them and steal it.[9] Habiba arranges for Mangesh Chilkey, a rival gangster, to pay off Malvankar, but secretly sells Nilesh to Chilkey for his own purposes. To rescue him, Madhu informs Ponappa that Chilkey has his ransom money. Ponappa's men arrive, sparking a shootout where everyone except Nilesh is killed. Nilesh escapes with the 2.5 crore and catches the first morning train at 4:10 a.m. A week later, a now-wealthy Nilesh returns in a luxury car, finds Madhu soliciting outside Kurla station at 1:40 a.m., and they drive off together.[7]Themes
The film Ek Chalis Ki Last Local delves into urban isolation by portraying Mumbai's nocturnal landscape as a realm of disconnection, where the absence of the last local train leaves characters adrift in a city that "actually wakes up when everybody sleeps," revealing its chaotic underbelly populated by gangsters, pimps, and other marginal figures.[9] This setting serves as a metaphor for personal alienation, emphasizing chance encounters amid desolate stretches and seedy venues that highlight the loneliness of late-night wanderers in a sprawling metropolis.[10] Central to the narrative's motifs is the exploration of friendship across class divides, illustrated through the unlikely camaraderie formed between the middle-class protagonist Nilesh and working-class elements like opportunistic locals and underworld associates, using humor to puncture social barriers and underscore shared vulnerabilities in unexpected alliances.[10] These dynamics critique the rigid hierarchies of modern Indian society, where interactions between disparate socioeconomic groups expose both tensions and fleeting solidarities, often laced with ironic wit rather than overt confrontation.[9] The movie offers a subtle critique of morality in contemporary India, employing comedy to navigate taboo subjects such as sex work, crime, and redemption, with portrayals of prostitution justified through clichéd backstories like a "bimar boorhi maa" (ailing old mother) while integrating encounters with crooked cops and violent underworld dealings to question ethical compromises in urban survival.[10] This approach uses black humor to address the red-light district and criminal undercurrents without preachiness, highlighting redemption arcs that emerge from chaotic nights fraught with moral ambiguity.[9] The time-bound structure, anchored by the "last local" train, symbolizes missed opportunities and the pivotal transformations possible within a single night's confines, from darkness to sunrise, framing the story as a microcosm of life's unpredictable detours and the urgency of fleeting moments in a fast-paced city.[10] This motif reinforces the film's commentary on how constrained timelines can catalyze personal growth and serendipitous connections, blending suspense with reflective undertones.[9]Cast and characters
Main cast
Abhay Deol portrays Nilesh Rastogi, the film's protagonist, a conservative IT professional working in Mumbai's BPO industry whose mundane life is upended after missing the last local train.[11] Deol's performance as the straight-man in this urban comedy highlights his transition from dramatic roles in films like Socha Na Tha (2005) and Ahista Ahista (2006) to comedic leads, earning praise for his nuanced depiction of bewilderment, fear, and comic timing that anchors the film's chaotic tone.[12][13] Neha Dhupia plays Madhu (also known as Mala), a sex worker who encounters Nilesh at the railway station and becomes his unlikely ally in navigating the night's absurd events, contributing to the film's blend of humor and social commentary through her character's depth.[11] Dhupia's portrayal avoids stereotypes, delivering a sincere and believable performance that marks a departure from her earlier glamorous roles, with critics noting her effective handling of the character's vulnerability and resilience.[12][14] Amit Mistry appears as Patrick, Nilesh's witty friend and comedic foil whose antics amplify the duo's misadventures, providing improvisational humor that contrasts Nilesh's seriousness and enhances the film's lighthearted energy.[5] Mistry's role, though supporting, is pivotal in driving the comedic arcs, showcasing his talent for eccentric sidekick characters in early Bollywood comedies.[15]Supporting cast
The supporting cast of Ek Chalis Ki Last Local features a diverse ensemble of secondary actors who contribute to the film's chaotic, Mumbai-centric comedy through their portrayals of peripheral characters encountered during the protagonists' nocturnal misadventures. Vinay Apte plays Ponnappa, the menacing gangster whose pursuit creates tension and propels the climax, embodying the underworld threat that heightens the stakes for the leads.[5] Nawazuddin Siddiqui appears as Nazeer (Ponnappa's brother), delivering a quirky performance that injects erratic humor and unpredictability into the early encounters at a seedy bar as the drug-addled associate.[5][16] Ashok Samarth's role as Inspector Malvankar introduces a comedic law enforcement element, with his bumbling yet authoritative presence underscoring the film's blend of thriller tropes and farce.[17] Manu Rishi Chadha plays Jetiyaa, one of the goons aligned with the gangster, whose over-the-top antics amplify the physical comedy during chase scenes.[18] Additional supporting roles, including Deepak Shirke as a minor antagonist figure and Snehal Dabi as Habiba Bai (a domestic helper in a brief household glimpse), along with unnamed party guests and street goons, flesh out Mumbai's vibrant, eclectic underbelly, providing authentic local flavor and ensemble-driven laughs without overshadowing the central duo.[19][20] These characters collectively enhance the narrative's sense of random urban encounters, tying into the leads' dynamics by forcing improvisational interactions that drive the humor.[5]Production
Development
Ek Chalis Ki Last Local marked the directorial debut of Sanjay Khanduri, who drew inspiration from his personal experiences in Mumbai, particularly an incident where he missed the last local train after watching a late-night movie at Regal cinema, leading him to envision a story of two strangers spending a night on the platform.[21] Khanduri, who had struggled with accommodation in a chawl and financial hardships while adapting to the city's fast-paced life, aimed to capture the authentic essence of Mumbai's local train culture and its underbelly through a fast-paced, realistic comedy-thriller.[21] The initial concept was developed around 2005-2006, focusing on a real-time narrative spanning two and a half hours from 1:40 a.m., emphasizing the chaos and unpredictability of a night in the city.[21] Khanduri, who co-wrote the screenplay with Raghuvir Shekhawat based on his original story, developed the script to demonstrate his credibility as a newcomer and secure a directorial break, incorporating authentic Mumbai slang and dialogues that reflected the local vernacular and train commuter lifestyle without relying on heavy commercialization.[21] The screenplay centered on two protagonists missing the last train, weaving their encounter into a series of eccentric events that highlighted the city's gritty, nocturnal side.[21] This writing approach influenced the final plot structure, maintaining a tight, chronological progression to mirror the urgency of the missed train scenario.[21] The film was produced by Quartet Productions Pvt. Ltd., with Rajiv Shah, Guru Kher, and Sandeep Singh as key producers under Shree Ashtavinayak Cine Vision Ltd. for distribution.[1] The budget was approximately ₹3.5 crore, reflecting its status as a low-budget independent project in 2007.[2] As a debut project, Khanduri faced significant challenges, including skepticism from the industry due to his newcomer status and difficulties in securing a debut cast by convincing actors to join an unproven venture.[21] Balancing the film's comedic elements with subtle social commentary on urban isolation and Mumbai's seamier aspects proved tricky, requiring careful scripting to ensure the humor remained grounded in realism.[21]Filming
Principal photography for Ek Chalis Ki Last Local took place primarily in Mumbai from late 2006 to early 2007, focusing on night shoots to authentically capture the atmosphere of the "last local" train journey.[21] The production involved hiring a local train for three nights, with shooting limited to about four hours per session on the platform due to logistical constraints, including a deposit of Rs 5 lakh and a daily fee of Rs 75,000.[22][21] Key locations included Bhayander station for the film's key platform scenes at Dadar, Regal Cinema in South Mumbai, and suburban areas to depict chase sequences along the Western Express Highway and everyday Mumbai homes.[21][22] Sensitive scenes simulating the red-light district were filmed on controlled sets to handle thematic elements responsibly. The real Mumbai locations briefly reinforced the film's exploration of the city's nocturnal underbelly and unpredictability.[21] Cinematography was handled by C. Vijayasri, employing a fast-paced, realistic style to emphasize the film's thriller elements without over-commercialization.[23] Production faced challenges with night lighting and crowd control, as gatherings swelled from 500 to over 3,500 spectators at Bhayander, occasionally resulting in stone-pelting that forced the crew to flee in the train.[21][22] In post-production, editor Dharmendra Sharma worked to preserve the narrative's compressed two-and-a-half-hour timeline, ensuring a taut pacing that mirrored the protagonists' frantic night.[24][23]Soundtrack
Composition
The soundtrack for Ek Chalis Ki Last Local features eight tracks composed collaboratively by a team of five music directors: Xulfi (of the Pakistani rock band Call), Sandesh Shandilya, Ankur Tewari, Tknow Frankcorsi, and DJ Aqeel.[25] This ensemble approach was chosen to infuse the album with stylistic diversity, merging rock influences, pop rhythms, and Bollywood fusion elements that evoke the chaotic, vibrant energy of Mumbai's nightlife and local train culture central to the film's setting.[26][27] Lyrics were penned by a notable group of writers including Mehboob Kotwal, Ankur Tewari, and Xulfi, while the vocals were delivered by a roster of artists such as Sonu Nigam, Alisha Chinai, Xulfi, Ankur Tewari, and Sandesh Shandilya, adding layers of emotional depth and rhythmic drive to the compositions.[27][25] Composed in 2007 following principal photography, the music emphasized upbeat, foot-tapping arrangements to align with the film's comedic and thriller elements, prioritizing integration over standalone appeal.[25] The track "Laaree Chootee," a Sufi rock-infused number written, composed, and sung by Xulfi, functions as a central narrative device, mirroring the protagonist's disorienting night odyssey through Mumbai with its evocative references to the last local train.[28] Similarly, "Bheegi Bheegi Si" by Ankur Tewari advances key night-time sequences, using its near-a cappella style to heighten the atmospheric intimacy and plot progression during rainy urban escapades.[29]Track listing
The soundtrack album for Ek Chalis Ki Last Local was released by T-Series on May 18, 2007.[30] It features eight tracks composed by multiple artists, blending rock, pop, and remixed versions to complement the film's urban adventure tone.| No. | Title | Singer(s) | Composer | Lyricist | Duration |
|---|---|---|---|---|---|
| 1 | "Laree Choote" | Xulfi | Xulfi | Xulfi | 4:07 |
| 2 | "Laree Choote (Remix)" | Xulfi | Xulfi, remix by DJ Aqeel | Xulfi | 4:15 |
| 3 | "Ek Chauka" | Alisha Chinai, Sandesh Shandilya | Sandesh Shandilya | Mehboob | 3:32 |
| 4 | "Ek Chauka (Title Version)" | Alisha Chinai, Sandesh Shandilya | Sandesh Shandilya | Mehboob | 3:28 |
| 5 | "Bheegi Bheegi Si" | Ankur Tewari | Ankur Tewari | Ankur Tewari | 3:50 |
| 6 | "Akh (Film Version)" | Rashmi | Tknow Frankcorsi | Unknown | 4:20 |
| 7 | "Akh (Dance Version)" | Rashmi | Tknow Frankcorsi, remix by DJ Aqeel | Unknown | 4:35 |
| 8 | "Panga" | Sonu Nigam, Alisha Chinai | DJ Aqeel | Mehboob | 4:45 |
