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Franklin Music Hall
Franklin Music Hall
Franklin Music Hall
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Franklin Music Hall is a concert venue in Philadelphia, Pennsylvania. It is in a converted building once part of the General Electric Switchgear Plant and opened in 1995. It has a capacity between 2,500[1] and 3,000 people.[2] It is owned and operated by The Bowery Presents.

Key Information

The venue features a variety of musical acts in the rap, electronic, heavy metal, rock, grunge, and pop genres.

History

[edit]

In 1968, the "Electric Factory and Flea Market", a concert venue, opened in a converted tire warehouse on the northwest corner of 22nd and Arch Streets. It was owned by Sheldon Kaplan, Herbert Spivak, and his brothers Jerry Spivak and Allen Spivak. They soon hired Larry Magid to book all of the shows. Kaplan sold his stake in the company after the Atlantic City Pop Festival in 1969 and Magid became a partner. The venue hosted concerts, including performances of The Chambers Brothers, Jimi Hendrix, and The Who, until 1970 and was torn down in 1973 to be replaced by condominiums.[3][4]

Coincident with the venue, Electric Factory Concerts began as a concert promoter, also owned by Larry Magid.[5]

In 1995, Magid and Spivak reopened the Electric Factory in a converted building from the General Electric Switchgear Plant on 7th and Willow Street.[4]

In 2016, it was named the 16th best venue in the United States by Consequence.[2]

In September 2018, the Electric Factory was sold to The Bowery Presents; however, the trademarked name was owned by rival Live Nation and the buyer sought a new name.[6][7][8][9] After a public naming contest that received over 5,000 submissions, in October 2018, the new name was announced as Franklin Music Hall.[10][11][12]

References

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Franklin Music Hall

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from Grokipedia
Franklin Music Hall is an indoor concert venue located at 421 N. 7th Street in the Northern Liberties neighborhood of , , with a capacity of approximately 2,700 patrons. Housed in a building originally constructed as part of the General Electric Plant, it opened in 1995 as the second iteration of the Electric Factory, a storied Philadelphia music promoter and venue brand that traces its roots to 1968. The venue was acquired by AEG in 2018 and placed under the management of , prompting a due to Live Nation's retention of the Electric Factory trademark from the prior ownership. It was temporarily known as North Seventh before being officially renamed Franklin Music Hall in October 2018, a name selected from over 5,000 public submissions in a contest inspired by Philadelphia's founder, . Franklin Music Hall features a general admission main floor suitable for and a 21+ area equipped with a full bar, making it a flexible space for live music performances as well as private corporate and social events. Over its history, it has hosted prominent artists including , , and , continuing the Electric Factory's legacy of presenting major rock, pop, and hip-hop acts in .

History

Origins as industrial building

The General Electric Switchgear Plant, located at 421 North 7th Street in Philadelphia's Callowhill neighborhood, was constructed in –1921 as a seven-story structure clad in brick facing. The building was listed on the on October 31, 1985. Designed by the architectural firm William Steele & Company, it incorporated early 20th-century industrial design elements suited for heavy manufacturing. This facility served as the primary site for General Electric's production of electrical equipment, including high-voltage switchboards essential for powering industrial operations across the region. The plant's establishment aligned with Philadelphia's post-World War I manufacturing expansion, when the city—known as the "Workshop of the World"—experienced a surge in electrical and machinery industries to meet growing urban and industrial demands. Positioned in the , an area that had evolved from a late-19th-century mix of workshops and rail infrastructure into a dense hub of factories by the , the facility benefited from proximity to transportation networks like the Reading Railroad's viaduct, facilitating the distribution of to national markets. Now encompassing parts of the Northern Liberties and Spring Garden neighborhoods, Callowhill exemplified Philadelphia's early 20th-century industrial vitality, where such plants employed thousands and drove amid waves of immigrant labor. Operations at the Switchgear Plant began to wane by the mid-20th century, mirroring Philadelphia's broader that commenced around 1920 and accelerated after due to technological advancements, southern migration of firms, and intensified global competition. This shift contributed to in districts like Callowhill, where factory closures and job losses transformed once-thriving industrial zones into areas of abandonment and .

Conversion to Electric Factory

In the early 1990s, amid Philadelphia's broader urban revitalization initiatives in neighborhoods like Callowhill, which involved renovating abandoned industrial sites to foster economic and cultural growth, the former Switchgear Plant at 421 North 7th Street was selected for repurposing as a . The plant, a historic structure dating back to the early , had sat vacant after the decline of manufacturing in the area, making it an ideal candidate for to breathe new life into the post-industrial district. Local promoters Larry Magid and Allen Spivak, operating through Electric Factory Concerts, spearheaded the conversion project, transforming the multi-story factory into the second iteration of the Electric Factory and opening it to the public in October 1995. This new venue paid homage to the original Electric Factory, a pioneering space at 22nd and Arch Streets that operated from 1968 to 1973 and helped establish as a hub for live music during the era. Under Magid and Spivak's management, the venue quickly positioned itself as a key spot for mid-sized and alternative music performances, filling a gap for standing-room-only shows in the city's evolving entertainment landscape. The conversion entailed practical modifications to the raw industrial interior, such as installing a central stage, implementing measures to control acoustics within the large open space, and outfitting the facility with essential audience amenities including bars and restrooms. A second-floor was incorporated into the layout, providing elevated viewing areas that enhanced the venue's flexibility for crowds. These changes established an initial capacity of approximately 2,500 to 3,000 patrons in a standing-room-only configuration, allowing the space to host intimate yet energetic events suited to its rock-oriented programming.

Renaming and modern era

In September 2018, the Electric Factory was sold by its original promoters to , a of AEG Presents, marking a significant shift in ownership for the historic Philadelphia venue. Due to a dispute over the "Electric Factory" name, the venue was temporarily rebranded as North Seventh while new owners sought a permanent identity. To engage the local community, launched a fan naming contest in late 2018, which ran through October and received over 5,000 submissions. The winning name, Franklin Music Hall, was announced on October 18, 2018, drawing inspiration from Benjamin Franklin's legacy in , the venue's former logo featuring his silhouette, and its potential for diverse programming beyond music. Four fans who independently submitted the name were awarded complimentary tickets and merchandise as prizes. Under The Bowery Presents' management, Franklin Music Hall underwent several upgrades to enhance the guest experience, including improved lighting systems, all-new restrooms, and a state-of-the-art K2 sound system installed in 2022 as part of extensive renovations. These enhancements, along with streamlined ticketing processes, supported the venue's integration into Philadelphia's expanding live entertainment ecosystem. Since the 2018 rebranding, Franklin Music Hall has broadened its event offerings to include corporate gatherings, private functions, and social events, leveraging its flexible 2,700-capacity space to complement its core music programming. This diversification has solidified its role in the city's vibrant cultural scene, with the venue located at 421 N. 7th Street, Philadelphia, PA 19123. As of 2025, it continues operations without major announced changes to its facilities or sustainability practices.

Venue description

Architecture and facilities

Franklin Music Hall occupies the ground and second floors of a seven-story historic building constructed in 1916 as the General Electric Plant, located at 421 N. 7th Street in Philadelphia's Callowhill neighborhood. The structure features a frame clad in brick facing, spanning seven bays by nine bays, which exemplifies early 20th-century designed by William Steele & Company. Listed on the in 1985, the building preserves its industrial heritage through elements like the robust brick exterior and open floor plans, while adaptations ensure compliance with modern safety standards. The interior design blends this historic character with contemporary enhancements, showcasing exposed brick walls and high ceilings that create an expansive, atmospheric main hall. During its 1995 conversion from industrial use to a performance venue, additions such as advanced systems and acoustic treatments were integrated to support live productions without compromising the original spatial qualities. The venue's technical facilities include a large proscenium-style stage equipped for diverse setups and a state-of-the-art sound system, upgraded in 2022 with amplified controllers and precise delay management for optimal audio distribution. On-site amenities cater to both performers and patrons, featuring multiple full-service bars, including one on the second-floor balcony that offers elevated views and serves as a lounge area. Merchandise sales areas are situated near the entrance for convenient access, while dedicated spaces support artist needs with private dressing rooms and common areas. Accessibility is prioritized through an entrance ramp, ADA-compliant restrooms on the first floor, and an elevated viewing platform, ensuring inclusive experiences in line with federal standards.

Capacity and layout

Franklin Music Hall accommodates a total capacity of 2,500 to 3,000 patrons for standing-room events, with the flexible space allowing reconfiguration to approximately 1,800 seats for theater-style setups. The 21+ balcony section, which provides elevated rail seating overlooking the stage from the left side, holds about 500 people and includes bar access for adults. The layout consists of a general admission floor pit for standing crowds directly in front of the stage, an upper-level for premium viewing, and dedicated backstage facilities such as multiple green rooms and loading docks to support production needs. Entry and exit points are managed through the main entrance on North 7th Street, featuring an accessible ramp adjacent to the , with separate lines for general admission, VIP, and quick-pass holders to facilitate ; the venue's location near SEPTA's Jefferson Station enhances public transit access. Safety measures include multiple fire exits, crowd barriers on the floor and balcony rails, and emergency protocols designed for high-density music events, such as bag searches at entry and prohibitions on weapons or oversized items to ensure patron security. The space can be adapted for various event types, including seated theater configurations or private functions, by rearranging barriers and seating to optimize flow and capacity.

Events and programming

Notable music performances

Since its opening in 1995 as the Electric Factory, Franklin Music Hall has established itself as a key mid-tier venue for national touring acts in Philadelphia's live music ecosystem. Early highlights include guesting with Joe Grushecky & the Houserockers on October 19, 1995, underscoring its appeal for legacy acts in folk-rock traditions. David Bowie's sold-out two-night residency on October 3 and 4, 1997, supporting his album , which drew enthusiastic crowds and showcased the venue's potential for intimate yet high-profile rock performances. In 2001, the space hosted emerging global sensations like on June 2 during their Parachutes Tour, marking an early U.S. stop that helped solidify its role in circuits, and on September 24 as part of his Blueprint Lounge Tour, bringing hip-hop prominence to the hall with a performance emphasizing his rising stardom. The 2000s and 2010s further highlighted the venue's genre versatility, with heavy metal fans experiencing the Sounds of the Underground Tour on July 15, 2007, featuring headliners like and in a high-energy lineup that packed the floor with thousands of enthusiasts. Electronic, rap, and indie scenes thrived through events like the 2016 Pabst festival on October 8 in the adjacent parking lot, headlined by and alongside local acts such as , blending experimental sounds with Philadelphia's DIY ethos. Rap and club influences continued with DJ sets by artists like , whose multidisciplinary performances have drawn diverse crowds since the venue's . Rock and pop programming in the included tours by bands like , whose emo-punk shows emphasized the hall's suitability for mid-sized alternative acts, and Waterparks, contributing to its reputation for energetic residencies. Unique events, such as sold-out multi-night stands and first-time appearances for emerging indie and rap talents, have marked milestones, including the 2017 iteration of Project Pabst that expanded genre crossovers. Post-2018, under ' ownership, booking trends diversified toward broader electronic and hip-hop lineups, enhancing accessibility. In recent years as of 2025, the venue has hosted acts such as Architects in May 2024 and Waterparks in November 2025, continuing its tradition of diverse programming. The venue's cultural significance lies in bridging Philadelphia's post-original Electric Factory era, hosting over 90 events annually and attracting around 125,000 attendees yearly, thereby sustaining the city's live music legacy through consistent, high-impact programming across , pop, and .

Non-music events and uses

Franklin Music Hall functions as a flexible venue for private events, accommodating weddings, corporate galas, and fundraisers through customizable setups that allow for full buyouts of up to 2,700 guests. Its adaptable indoor and outdoor spaces, including a state-of-the-art stage and multiple full-service bars, enable tailored configurations for intimate receptions or large-scale gatherings. Onsite food and beverage services are provided exclusively through the venue's in-house options, ensuring seamless integration for such occasions. The venue has hosted a diverse array of corporate, social, and charitable events, including professional meetings, conferences, expos, and community-oriented functions, frequently in collaboration with local organizations. These uses highlight its role in supporting nonprofit initiatives and social causes, with flexible layouts that facilitate networking, awards presentations, or group activities. Charitable fundraisers benefit from the space's branding opportunities and expert in-house event staff, which streamline planning and execution. Since its 2018 rebranding under management, Franklin Music Hall has expanded beyond traditional programming to include diversified non-music offerings such as comedy nights and festivals. This shift supports year-round utilization of the facility, enhancing its appeal for hybrid events like conferences that incorporate audiovisual elements. Full-service audio-visual production, including projectors, microphones, custom lighting, and sound systems, is available for rent to accommodate these varied formats. By hosting consistent non-music bookings, the venue plays a part in the economic vitality of Philadelphia's Northern Liberties neighborhood, drawing visitors and bolstering local business activity as part of the broader arts and culture sector's impact. Capacity adaptations, such as theatre-style seating for up to 750, further enable efficient use for seated private or conference-style events.

References

  1. https://www.phillyvoice.com/electric-factory-exhibit-drexel-larry-magid-music-history/
  2. https://www.phillyvoice.com/electric-factory-bought-aeg-live-nation-rebrand-north-seventh/
  3. https://nepascene.com/2018/10/historic-philadelphia-music-venue-electric-factory-renamed-franklin-music-hall-fans/
  4. https://www.visitphilly.com/things-to-do/attractions/franklin-music-hall/
  5. https://npgallery.nps.gov/AssetDetail/a2799b65-bed1-4bb7-a0a3-b646d0817d77
  6. https://philadelphiaencyclopedia.org/essays/industrial-neighborhoods/
  7. https://blog.phillyhistory.org/index.php/2009/09/the-callowhill-neighborhood/
  8. https://philadelphiaencyclopedia.org/essays/deindustrialization/
  9. https://www.phillyvoice.com/electric-factory-new-name-franklin-music-hall/
  10. https://prowrestling.fandom.com/wiki/Franklin_Music_Hall
  11. https://drexel.edu/drexel-founding-collection/exhibitions-events/exhibitions/Electrified/
  12. https://wmmr.com/galleries/electrified-celebrates-philadelphia/
  13. https://news.pollstar.com/2015/10/29/the-real-magid-era-ends-in-philly/
  14. https://brucebase.wikidot.com/venue:franklin-music-hall-philadelphia-pa
  15. https://liveforlivemusic.com/news/bowery-philly-electric-factory/
  16. https://variety.com/2018/biz/news/bowery-presents-purchases-philadelphia-electric-factory-1202938830/
  17. https://news.pollstar.com/2018/09/12/electric-factory-sold-to-aeg-famed-philly-club-will-get-new-name-logo-under-bowery-presents/
  18. https://www.nbcphiladelphia.com/news/local/electric-factory-sold-philly/213993/
  19. https://aegworldwide.com/press-center/press-releases/bowery-presents-acquires-historic-electric-factory
  20. https://www.cbsnews.com/philadelphia/news/old-electric-factory-renamed-franklin-music-hall/
  21. https://xpn.org/2018/10/18/the-electric-factory/
  22. https://nepascene.com/2022/03/extensive-renovations-franklin-music-hall-philadelphia-reopens-bands-menzingers-lcd-soundsystem/
  23. https://www.l-acoustics.com/press-releases/l-acoustics-k2-brings-new-life-to-phillys-venerable-franklin-music-hall/
  24. https://www.bowerypresents.com/greater-philly/shows/franklin-music-hall
  25. https://www.franklinmusichall.com/book-your-event/
  26. https://franklinmusichall.com/
  27. https://philly.curbed.com/2017/8/10/16125036/electric-factory-building-sold
  28. https://www.youtube.com/watch?v=ncJPJ_bbYfs
  29. https://drexel.edu/drexel-founding-collection/info/electrified/
  30. https://www.uniquevenues.com/venue/franklin-music-hall-philadelphia/
  31. http://www.discoverphl.com/partners/franklin-music-hall/
  32. https://franklinmusichall.com/faq/
  33. https://www.airmeet.com/hub/blog/the-ultimate-guide-to-event-venues-in-philadelphia/
  34. https://franklinmusichall.com/upgrades/
  35. https://www.bauderaudio.com/franklin-music-hall
  36. https://franklinmusichall.com/getting-here/
  37. http://brucebase.wikidot.com/venue:franklin-music-hall-philadelphia-pa
  38. https://xpn.org/2016/01/17/david-bowie-electric-factory/
  39. https://www.setlist.fm/setlist/coldplay/2001/electric-factory-philadelphia-pa-6bd65eea.html
  40. https://glidemagazine.com/28188/sounds-of-the-underground-feat-gwar-shadows-fall-e-factory-philly-pa-71507/
  41. https://jumpphilly.org/2016/10/11/animal-collective-hop-along-vulfpeck-and-more-the-project-pabst-citywide-festival-at-the-electric-factory/
  42. https://franklinmusichall.com/events/detail/?event_id=1092214
  43. https://www.concertarchives.org/venues/franklin-music-hall
  44. https://www.setlist.fm/festivals/project-pabst-philadelphia-5bd6dff8.html
  45. https://www.aegworldwide.com/divisions/music/franklin-music-hall
  46. https://mylifeinsound.com/2024/05/16/architects-of-mice-men-franklin-music-hall/
  47. https://www.aeggp.com/venues/franklin-music-hall
  48. https://www.eventplanner.net/directory/11085_franklin-music-hall.html
  49. https://www.axs.com/venues/101563/franklin-music-hall-philadelphia-tickets
  50. https://www.philaculture.org/sites/default/files/Arts%2C%2520Culture%2520&%2520Economic%2520Prosperity%2520Greater%2520Philadelphia.pdf
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