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Elisha Cook Jr.
Elisha Vanslyck Cook Jr. (December 26, 1903 – May 18, 1995) was an American character actor famed for his work in film noir. He played cheerful, brainy collegiates until he was cast against type as the bug-eyed baby-faced killer Wilmer Cook in the 1941 version of The Maltese Falcon. He went on to play deceptively mild-mannered villains. Cook's acting career spanned more than 60 years, with roles in productions including The Big Sleep, Shane, The Killing, House on Haunted Hill and Rosemary's Baby.
Born in San Francisco and raised in Chicago, Cook was the son of Elisha Vanslyck Cook Sr., a journalist and sometime playwright, and actress Helen Roslyn Henry. He first worked in theater lobbies selling programs, but by the age of 14 he was already performing in vaudeville and stock. In 1933, Eugene O'Neill cast him in the role of Richard Miller in his play Ah, Wilderness, which ran on Broadway for two years.
Cook enlisted in the United States Army in Los Angeles, on August 15, 1942. According to his enlistment record he stood 5-feet-5-inches tall and weighed 123 pounds. Cook's military record documents his level of education at "3 years of high school," received at St. Albans School for Boys in Sycamore, Illinois.
In 1930, Cook traveled to California, where he made his film debut in Hollywood version of the play Her Unborn Child, a motion picture directed by Albert Ray and produced by Windsor Picture Plays Inc.
At Twentieth Century-Fox, Cook made an impression as a bespectacled college freshman with radical ideas in the musical comedy Pigskin Parade (1936). He was also featured in the unofficial sequel, Life Begins in College (1937). Cook remained at Fox for two years, and then began freelancing at other studios. He did return to Fox occasionally in prominent roles: as a songwriter in the Alice Faye-Betty Grable musical Tin Pan Alley (1940), and as a mobster disguised as an old woman in the Laurel and Hardy feature A-Haunting We Will Go (1942). Typical of his early, bookish roles was his turn as a meek screenwriter in the madcap Olsen and Johnson comedy Hellzapoppin (1941).
After The Maltese Falcon, Cook became typecast again, as weaklings or sadistic losers and hoodlums, who in the plots were usually murdered, either being strangled, poisoned or shot. In Universal's Phantom Lady (1944), he portrays a slimy, intoxicated nightclub-orchestra drummer to memorable effect. He received excellent notices for his portrayal of a happy, breezy disc jockey who turns out to be a homicidal maniac in The Falcon's Alibi (1946). He also had a substantial, though uncredited role as Bobo in the 1953 film noir production I, the Jury.
In addition to his performance as Wilmer in The Maltese Falcon (1941), some of Cook's other notable roles include the doomed informant Harry Jones in The Big Sleep (1946), the henchman (Marty Waterman) of the murderous title character in Born to Kill (1947), the pugnacious ex-Confederate soldier 'Stonewall' Torrey who is gunned down by Jack Palance in Shane (1953), and George Peatty, the shady, cuckolded husband in Stanley Kubrick's The Killing (1956). Other films in which he appeared are William Castle's horror film House on Haunted Hill (1959), One-Eyed Jacks (1961), Papa's Delicate Condition (1963), Blood on the Arrow (1964), Rosemary's Baby (1968), The Great Bank Robbery (1969), El Condor (1970), Blacula (1972), The Great Northfield Minnesota Raid (1972), Pat Garrett and Billy the Kid (1973), The Outfit (1973), Tom Horn (1980), and Treasure: In Search of the Golden Horse (1984).[citation needed]
Cook appeared on a wide variety of American television series from the early 1950s to the late 1980s. He played a private detective, Homer Garrity, in an episode of Adventures of Superman television series titled "Semi-Private Eye," airing for the first time on January 16, 1954. That same year, on April 12, he guest-starred on NBC's The Dennis Day Show. In 1960, he was cast in the episode "The Hermit" of the ABC sitcom The Real McCoys with Walter Brennan. He appeared too in 1960 as Jeremy Hake in the episode "The Bequest" of the ABC western series The Rebel, which starred Nick Adams. He also portrayed the character Gideon McCoy in the 1966 episode "The Night of the Bars of Hell" on The Wild Wild West. He performed as well in the second episode of ABC's crime drama The Fugitive.
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Elisha Cook Jr.
Elisha Vanslyck Cook Jr. (December 26, 1903 – May 18, 1995) was an American character actor famed for his work in film noir. He played cheerful, brainy collegiates until he was cast against type as the bug-eyed baby-faced killer Wilmer Cook in the 1941 version of The Maltese Falcon. He went on to play deceptively mild-mannered villains. Cook's acting career spanned more than 60 years, with roles in productions including The Big Sleep, Shane, The Killing, House on Haunted Hill and Rosemary's Baby.
Born in San Francisco and raised in Chicago, Cook was the son of Elisha Vanslyck Cook Sr., a journalist and sometime playwright, and actress Helen Roslyn Henry. He first worked in theater lobbies selling programs, but by the age of 14 he was already performing in vaudeville and stock. In 1933, Eugene O'Neill cast him in the role of Richard Miller in his play Ah, Wilderness, which ran on Broadway for two years.
Cook enlisted in the United States Army in Los Angeles, on August 15, 1942. According to his enlistment record he stood 5-feet-5-inches tall and weighed 123 pounds. Cook's military record documents his level of education at "3 years of high school," received at St. Albans School for Boys in Sycamore, Illinois.
In 1930, Cook traveled to California, where he made his film debut in Hollywood version of the play Her Unborn Child, a motion picture directed by Albert Ray and produced by Windsor Picture Plays Inc.
At Twentieth Century-Fox, Cook made an impression as a bespectacled college freshman with radical ideas in the musical comedy Pigskin Parade (1936). He was also featured in the unofficial sequel, Life Begins in College (1937). Cook remained at Fox for two years, and then began freelancing at other studios. He did return to Fox occasionally in prominent roles: as a songwriter in the Alice Faye-Betty Grable musical Tin Pan Alley (1940), and as a mobster disguised as an old woman in the Laurel and Hardy feature A-Haunting We Will Go (1942). Typical of his early, bookish roles was his turn as a meek screenwriter in the madcap Olsen and Johnson comedy Hellzapoppin (1941).
After The Maltese Falcon, Cook became typecast again, as weaklings or sadistic losers and hoodlums, who in the plots were usually murdered, either being strangled, poisoned or shot. In Universal's Phantom Lady (1944), he portrays a slimy, intoxicated nightclub-orchestra drummer to memorable effect. He received excellent notices for his portrayal of a happy, breezy disc jockey who turns out to be a homicidal maniac in The Falcon's Alibi (1946). He also had a substantial, though uncredited role as Bobo in the 1953 film noir production I, the Jury.
In addition to his performance as Wilmer in The Maltese Falcon (1941), some of Cook's other notable roles include the doomed informant Harry Jones in The Big Sleep (1946), the henchman (Marty Waterman) of the murderous title character in Born to Kill (1947), the pugnacious ex-Confederate soldier 'Stonewall' Torrey who is gunned down by Jack Palance in Shane (1953), and George Peatty, the shady, cuckolded husband in Stanley Kubrick's The Killing (1956). Other films in which he appeared are William Castle's horror film House on Haunted Hill (1959), One-Eyed Jacks (1961), Papa's Delicate Condition (1963), Blood on the Arrow (1964), Rosemary's Baby (1968), The Great Bank Robbery (1969), El Condor (1970), Blacula (1972), The Great Northfield Minnesota Raid (1972), Pat Garrett and Billy the Kid (1973), The Outfit (1973), Tom Horn (1980), and Treasure: In Search of the Golden Horse (1984).[citation needed]
Cook appeared on a wide variety of American television series from the early 1950s to the late 1980s. He played a private detective, Homer Garrity, in an episode of Adventures of Superman television series titled "Semi-Private Eye," airing for the first time on January 16, 1954. That same year, on April 12, he guest-starred on NBC's The Dennis Day Show. In 1960, he was cast in the episode "The Hermit" of the ABC sitcom The Real McCoys with Walter Brennan. He appeared too in 1960 as Jeremy Hake in the episode "The Bequest" of the ABC western series The Rebel, which starred Nick Adams. He also portrayed the character Gideon McCoy in the 1966 episode "The Night of the Bars of Hell" on The Wild Wild West. He performed as well in the second episode of ABC's crime drama The Fugitive.