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Freddy Breck
Freddy Breck
Freddy Breck
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Freddy Breck (Gerhard Breker; 21 January 1942 – 17 December 2008) was a German schlager singer, composer, record producer, and news anchor.

Breck was born in Sonneberg, Thuringia. He studied to be a machinist, then studied singing under Heinz Gietz. He sang schlager songs which were based on well-known classical melodies. His first success was "Überall auf der Welt", based on Va, pensiero from Giuseppe Verdi's Nabucco. This he recorded in English as "We Believe in Tomorrow" and released it as a single in late 1972 - it topped the South African Charts in early 1973. He went on to score 5 platinum records and 35 gold records over the course of his career.

In 1978, he issued an English language disc. In the 1980s, he worked as a news presenter for various stations, and wrote music for groups such as the Original Naabtal Duo, the Kastelruther Spatzen and Nina & Mike. He founded his own record label, Sun Day Records, with his wife Astrid in 1998, and in 1999 they released music as a duo, Astrid & Freddy Breck.

Breck died of cancer, in Rottach-Egern, Upper Bavaria, in December 2008.[1]

Discography

[edit]
  • 1973 Rote Rosen für dich
  • 1974 Die Welt ist voll Musik
  • 1975 Mit einem bunten Blumenstrauß
  • 1977 Die Sterne steh’n gut
  • 1977 Mach was Schönes aus diesem Tag
  • 1978 Sommerliebe
  • 1978 Years of love
  • 1981 Melodien zum Verlieben
  • 1982 Meine Lieder, meine Träume
  • 1985 Deutschlands schönste Volkslieder (und die Sonntagskinder)
  • 1991 Für Dich
  • 1992 Mein leises Du
  • 1995 So wie ich bin
  • 1997 Ich liebe Dich
  • 2004 Wir zwei
  • Weihnachten mit Freddy Breck

Singles

[edit]
  • 1972 "Überall auf der Welt", based on Giuseppe Verdi's Nabucco
  • 1973 "Bianca", based on Tchaikovsky's Capriccio Italien
  • 1973 "Rote Rosen", in English version Love and Roses, based on Franz von Suppé's Dichter und Bauer
  • 1974 "Halli, Hallo"
  • 1974 "Die Sonne geht auf"
  • 1974 "Mit einem bunten Blumenstrauß"
  • 1975 "Der große Zampano"
  • 1976 "Das ist die wahre Liebe"
  • 1976 "Der weiße Flieder"
  • 1977 "Die Sterne steh’n gut"
  • 1977 "Im Schatten der alten Kastanie"
  • 1977 "Überall, wo die Meisjes sind"
  • 1978 "Mach was Schönes aus diesem Tag"
  • 1978 "Amigo Perdido"
  • 1979 "Mädchen"
  • 1981 "Frauen und Wein"
  • 1986 "Monica", based on Johann Strauss junior's waltz Wiener Blut
  • 1991 "Herz Ass ist Trumpf"

Chart positions

[edit]
  • "Überall auf der Welt"
Germany: 7
Netherlands: 7
  • "Bianca"
Germany: 2
Belgium: 1
Netherlands: 3
Austria: 11
Switzerland: 4
  • "Rote Rosen"
Germany: 2
Netherlands: 1
Austria: 7
Switzerland: 9
  • "Halli, hallo"
Germany: 21
Netherlands: 13
  • "So in Love with You"
UK: 44[2]
  • "Die Sonne geht auf"
Germany: 31
Netherlands: 13
  • "Mit einem bunten Blumenstrauß"
Netherlands: 24
  • "Der große Zampano"
Germany: 16
Netherlands: 19
  • "Das ist die wahre Liebe"
Germany: 47
  • "Die Sterne steh'n gut"
Germany: 48

References

[edit]
[edit]
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Freddy Breck

View on Grokipedia
from Grokipedia
Freddy Breck was a German schlager singer, composer, and record producer known for his popular 1970s hits that adapted classical melodies into accessible schlager music. Born Gerhard Breker on 21 January 1942 in Sonneberg, Thuringia, he initially trained as a machinist before transitioning to music, where he performed locally and eventually secured a breakthrough with his 1972 single Überall auf der Welt, a modern take on Verdi's prisoners' chorus from Nabucco that sold more than 800,000 copies in Germany alone. He followed with a string of successful releases including Bianca, Rote Rosen, Halli Hallo, and Der große Zampano, earning international recognition and chart positions across Europe, including in the Netherlands and the United Kingdom. In the 1980s and beyond, Breck composed for other schlager artists, formed the duo Astrid & Freddy Breck with his wife after their 1989 marriage, and founded his own record label, Sun Day Records, while continuing to perform and appear on television. Breck died of lung cancer on 17 December 2008 in Rottach-Egern, Bavaria, at the age of 66.

Early life

Birth and family background

Freddy Breck, born Gerhard Breker on January 21, 1942, in Sonneberg, Thuringia, Germany, grew up in a working-class family in the region that became part of East Germany after World War II. Sonneberg, a small town in Thuringia, was located in the Soviet occupation zone and later the German Democratic Republic, shaping the early environment of Breck's childhood. Limited public information exists on his immediate family members or specific family dynamics during his early years.

Youth and early musical influences

Freddy Breck, born Gerhard Breker on January 21, 1942, in Sonneberg, Thuringia, trained as a machine technician after completing his schooling. During his evenings and free time, he performed at the local beer and dance hall as a conferencier, entertainer, presenter, singer, and DJ, gaining early stage experience in a multifaceted role. He met Hermann Lederer at the venue, who encouraged him to enter a talent competition. Adopting the stage name Freddy Breck, devised by Lederer, he won the contest's final. Following the victory, international guest Louis Armstrong personally approached him and predicted a bright future in music. To earn a living, Breck performed for years as "Jodler Freddy" in hundreds of beer halls and discotheques across West Germany, Austria, and Switzerland. He also appeared as an actor in stage productions during this time, building practical experience in entertainment before pursuing a recording career.

Music career

Beginnings and first recordings

Freddy Breck's professional music career began in earnest during the late 1960s after years of performing as an itinerant musician across Germany, Austria, and Switzerland. In 1967, he auditioned for Hansa Records in Berlin with test recordings, but the label declined to offer a contract. Undeterred, Breck self-financed his first recordings in 1968 at Tonstudio Bauer in Ludwigsburg, where he cut the self-composed tracks "Regen" and "In den Blauen Bergen" with Orchester Egon Fleischer. He personally handled backing vocals due to budget constraints, then designed and glued sleeves for 1,000 pressed copies, distributing most to booking agencies and promoters to secure live engagements. This independent release helped establish his name in regional event circuits. On 30 August 1968, he made his television debut on the ZDF program "Drehscheibe," marking his first step toward broader recognition. In 1969, singer Lotti Krekel introduced him to producer Heinz Gietz after a shared event appearance, leading to an audition at Cornet Studios in Cologne. Gietz responded positively to Breck's repertoire, resulting in his first official recording contract with Cornet Music. Under the stage name Freddy Breck, he released his debut single in 1970: "Carola" (composed by Gietz and Kurt Feltz) as the A-side and "My Sweet Sweet Candy" as the B-side, produced in a disco-oriented style. The record was a commercial failure despite Breck's personal promotion efforts in discotheques wearing a black leather outfit. Shifting direction, Breck proposed his own material to Gietz, leading to the 1971 single "Dream Girl," a romantic track he co-composed that achieved moderate sales and was described as an encouraging "Achtungserfolg" (attention-getting success). These initial recordings and modest early steps laid the foundation for his transition into the Schlager scene.

Breakthrough and 1970s success

Freddy Breck achieved his breakthrough in 1972 with the single "Überall auf der Welt", an adaptation of the "Prisoners' Chorus" from Verdi's Nabucco, which reached number 7 on the German charts, sold more than 800,000 copies in Germany alone, and earned gold certification. This success established him as a prominent figure in the German schlager scene, where he specialized in transforming classical melodies into accessible pop songs. In 1973, Breck continued his commercial momentum with "Bianca", based on Tchaikovsky's Capriccio Italien, which peaked at number 2 in Germany, number 1 in Belgium, number 3 in the Netherlands, number 11 in Austria, and number 4 in Switzerland. The same year, "Rote Rosen", drawn from Franz von Suppé's Poet and Peasant overture, also reached number 2 in Germany, number 1 in the Netherlands, number 7 in Austria, and number 9 in Switzerland, and was certified gold. These hits, along with his album Rote Rosen für dich peaking at number 5 in Germany and earning gold status, solidified his popularity across the German-speaking countries and the Netherlands. Breck's peak popularity persisted into the mid-1970s with additional charting singles such as "Halli, Hallo" (1974, number 21 in Germany), "Die Sonne geht auf" (1974, number 31 in Germany), and "Der große Zampano" (1975, number 16 in Germany), contributing to a string of gold and platinum certifications during the decade. His commercial high point in the 1970s made him one of the most successful schlager performers of the era, with multiple top-ten entries and substantial record sales in Europe.

Later career and compositions

In the 1980s, Freddy Breck shifted his primary focus from performing to composing and other media work, serving as a news presenter for various German radio and television stations. He composed songs for several schlager and folk acts during this period, including the Original Naabtal Duo, the Kastelruther Spatzen, and Nina & Mike. Breck continued releasing music sporadically through the 1990s and early 2000s, often emphasizing German folk material or compilations of his earlier successes. Notable albums from this era include Weiße Rosen (1991), Im schönsten Wiesengrunde (1992), and Singt die schönsten Deutschen Volkslieder, Volume 1 (1993), alongside various greatest-hits collections such as Die großen Erfolge (1988) and Star Gold - Die großen Erfolge (1993). His output included the album Vrolijk Kerstfeest (1997) and Schlager Party (2004). In 1998, Breck and his wife Astrid established their own independent label, Sun Day Records. The following year, the couple released recordings as the duo Astrid & Freddy Breck. Breck's public performing presence diminished in his later years as he concentrated on composition, production, and label activities until his death in 2008.

Television and media appearances

Guest spots and performances

Freddy Breck frequently appeared as a guest performer on German television music programs during the 1970s, using these platforms to present his hit singles to a national audience. His live performances on shows such as ZDF-Hitparade were particularly notable, where he showcased songs that had achieved chart success, contributing to his widespread recognition in the schlager scene. These guest spots typically featured him performing as himself. Later in his career, he made occasional television appearances, though such appearances were less frequent than in his peak years. These television guest spots complemented his recording career by providing direct exposure to fans and helping maintain his presence in the German music landscape.

Acting roles

Freddy Breck had limited involvement in acting, with credits primarily consisting of cameo appearances as himself in television productions rather than fictional or scripted roles. He is known for his appearance as himself in the Belgian comedy series Van Oekel's discohoek in 1974, specifically in episode 1.3, where the plot humorously depicts him arriving at the empty studio and using the facilities while waiting for the show to start. He is also credited in connection with Plattenküche (1976), a German television program focused on music performances. The short film Freddy Breck Ballet (2010) is listed in his filmography on some sources, but as it was released after his death in 2008, he did not participate as an actor in the production. No evidence exists of recurring roles, feature film appearances, or scripted character portrayals in his career.

Personal life

Family and relationships

Freddy Breck was married to Astrid Breck from 15 June 1989 until his death in 2008. The family resided in Rottach-Egern am Tegernsee in Bavaria.

Personal challenges

Freddy Breck's personal life was characterized by a long-standing and supportive marriage to Astrid Breck, whom he met in 1985 during a performance in Bad Ems where her father was co-organizer. They married on 15 June 1989, after which Astrid assumed management of his career, wrote lyrics for him, and later performed alongside him as the duo Astrid & Freddy Breck starting in 1999. Astrid later recalled his resilient character, noting that he was a fighter throughout his life. No other major personal difficulties, such as financial hardships or earlier health issues, are documented in available credible sources.

Death

Final years and cause of death

Freddy Breck spent his final years living in Rottach-Egern, Bavaria, in a home overlooking the Tegernsee. During this period, he battled lung cancer, which ultimately led to his death on December 17, 2008, at the age of 66 in Rottach-Egern. He succumbed to the illness in his residence there. Breck was laid to rest at the Neuen Gemeindefriedhof (New Municipal Cemetery) in Rottach-Egern.

Legacy

Influence on German schlager

Freddy Breck emerged as one of the most commercially successful proponents of a distinctive 1970s trend in German schlager music that involved adapting renowned classical melodies into accessible, lyric-driven pop songs. This style, which modernized classical themes with German texts and contemporary arrangements, gained widespread appeal during the era, and Breck's recordings exemplified its potential for broad market acceptance. His breakthrough hit "Überall auf der Welt" (1972), built on the prisoners' chorus from Verdi's Nabucco and recorded with a large orchestra and choir, overcame initial resistance from German radio stations to sell more than 800,000 copies in Germany, earning gold certification and marking his first major success in this vein. Follow-up singles such as "Bianca" (1973), drawn from Tchaikovsky's Capriccio Italien, and "Rote Rosen" (1973), based on a motif from Suppé's Dichter und Bauer overture, built on this momentum and solidified the approach as a viable formula within schlager. "Rote Rosen" in particular became his signature piece and contributed to his status as a leading interpreter of classical adaptations. Through these works and their chart performance, Breck helped demonstrate the commercial strength of blending classical elements with schlager conventions in the German-speaking region, paving the way for the style's prominence during the early 1970s despite early industry skepticism. His international adaptations and sales achievements further underscored the cross-border viability of this fusion approach within popular music of the time.

Posthumous recognition

Freddy Breck's legacy has been honored through a series of posthumous compilation albums and reissues that keep his schlager repertoire accessible to fans and introduce it to new audiences. In 2023, Das Beste – In Erinnerung an Freddy Breck was released by Rubin Records as a collection highlighting his most popular tracks, explicitly framed as a tribute in memory of the artist. Earlier compilations include Die größten Erfolge – 2009 (released in 2010) and Ich find Schlager toll – Das Beste (2018), which have continued to chart his enduring appeal in the German-speaking music market. These memorial-oriented releases, along with other best-of collections issued after 2008, demonstrate ongoing commercial and fan interest in his work without major formal awards or large-scale tribute events documented in public sources. Fan-driven memorials, such as online condolence books and anniversary remembrances on his would-be birthdays, have also sustained remembrance of his contributions to schlager music.

Discography overview

Freddy Breck maintained a prolific recording career in the German Schlager genre, producing a substantial number of singles, albums, and compilations primarily between the 1970s and early 2000s. His discography totals 191 releases according to the music database Discogs, including 46 albums, 91 singles and EPs, and 52 compilations. He achieved his greatest commercial popularity during the first half of the 1970s, when he released several major hits and charting albums on labels such as BASF Cornet, Polydor, and EMI Electrola. Key singles from this peak period, such as "Bianca" (1973) and "Rote Rosen" (1973), remain among his most recognized works and show significant collector interest. Later in his career, Breck often recorded duet material with his wife Astrid Breck, including albums issued in the 1990s and 2000s. Posthumous compilations continued to appear after his death in 2008, preserving his extensive catalog for new generations of listeners.

Notable singles

Freddy Breck achieved his most significant chart success in the early 1970s with a series of schlager singles that became staples of German popular music. His breakout hit "Überall auf der Welt" (1972) reached number 7 on the German singles chart and also peaked at number 7 in the Netherlands. In 1973, "Bianca" marked one of his highest placements, peaking at number 2 in Germany while topping the charts at number 1 in Belgium, and charting at number 3 in the Netherlands, number 11 in Austria, and number 4 in Switzerland. That same year, "Rote Rosen" matched this success by reaching number 2 in Germany and number 1 in the Netherlands, solidifying Breck's status as a leading schlager artist with adaptations of classical themes. These three singles—"Überall auf der Welt", "Bianca", and "Rote Rosen"—remain his most recognized and commercially impactful releases, frequently highlighted in compilations of his greatest hits and topping popularity lists on streaming platforms.

Studio albums

Freddy Breck released several studio albums primarily during the 1970s, a period that marked the peak of his career in German schlager music. These albums featured his original compositions and performances, often building on the success of his popular singles. His debut studio album, Rote Rosen für dich, appeared in 1973. This was followed by Die Welt ist voll Musik in 1974. In 1975, Breck released Mit einem bunten Blumenstrauß. In 1977, he issued two studio albums: Die Sterne steh'n gut and Mach' Was Schönes Aus Diesem Tag. These releases highlighted his prolific output and consistent style in the schlager genre during that era.

References

  1. https://www.imdb.com/name/nm1867916/
  2. https://www.discogs.com/artist/513259-Freddy-Breck
  3. https://www.nporadio5.nl/muziek/artiesten/39365c73-0f07-4834-97b8-cebbccaafe48/freddy-breck
  4. https://schlagerprofis.de/freddy-breck-gestern-waere-er-80-jahre-alt-geworden-schlagerprofis-biografie/
  5. http://www.freddybreck.de/karriere2.html
  6. http://www.freddybreck.de/karriere3.html
  7. https://musicbrainz.org/artist/6600ffd9-8a81-47b1-ac0c-1393ade7f006
  8. https://fromthevaults-boppinbob.blogspot.com/2016/01/freddy-breck-born-21-january-1942.html
  9. https://www.imdb.com/title/tt1459529/
  10. http://www.online-star-news.com/pages/posts/astrid-breck-bdquoer-war-bis-zum-schluss-ein-kaempferldquo--die-saengerin-ueber-den-tod-ihres-mannes-freddy-breck-dagger-665231.php
  11. https://www.knerger.de/html/breckfremusiker_84.html
  12. https://open.spotify.com/album/3xhUPSzAGO3ysXp9QQ9xXq
  13. https://www.groovespin.com/album/freddy-breck-das-beste-in-erinnerung-an-freddy-breck-s-2111299
  14. https://austriancharts.at/showinterpret.asp?interpret=Freddy+Breck&order=year
  15. https://www.gedenkseiten.de/freddy-breck/
  16. https://www.discogs.com/master/243644-Freddy-Breck-Bianca
  17. https://www.discogs.com/master/118757-Freddy-Breck-Rote-Rosen
  18. https://www.discogs.com/de/master/213168-Freddy-Breck-%C3%9Cberall-Auf-Der-Welt
  19. https://sacharts.wordpress.com/2022/01/21/freddy-breck-germany/
  20. https://www.discogs.com/release/4849225-Freddy-Breck-Bianca
  21. https://www.discogs.com/release/14563699-Freddy-Breck-Rote-Rosen
  22. https://open.spotify.com/artist/1Y7JqAubXCTYEkLKKQEmMl
  23. https://www.discogs.com/master/469593-Freddy-Breck-Rote-Rosen-F%C3%BCr-Dich
  24. https://www.discogs.com/release/3021520-Freddy-Breck-Die-Welt-Ist-Voll-Musik
  25. https://www.discogs.com/master/901036-Freddy-Breck-Die-Sterne-Stehn-Gut
  26. https://www.discogs.com/master/473813-Freddy-Breck-Mach-Was-Sch%C3%B6nes-Aus-Diesem-Tag
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