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Interpol discography
Interpol discography
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Interpol discography
Two guitarists, a drummer and a keyboard player are performing on an orange lit stage in front of an audience. Various pieces of equipment surround the group. The stage features a black backdrop with two strips of vertical lights.
Interpol performing live in 2015
Studio albums7
EPs9
Singles14
Music videos15

The discography of American rock band Interpol consists of seven studio albums, nine extended plays (EPs), and fifteen singles. Interpol was formed in 1997[1] by New York University students Daniel Kessler and Greg Drudy,[2] with Carlos Dengler and Paul Banks joining later. Drudy left the band in 2000, and was replaced with Sam Fogarino.[3]

Following a self-released demo tape in 1998,[4] the quartet's official debut was Fukd ID #3 in 2000, an EP distributed through Scottish independent record label, Chemikal Underground. The label later announced that the EP had sold out.[5] The band then self-published their Precipitate EP in 2001,[6] and the strength of the previous two EPs led to the band signing with Matador Records on April 26, 2002.[7]

Interpol's first release for the label was the self-titled Interpol EP in June 2002. The EP was considered a success by music critics, and aided in shedding the band's frequent comparisons to British post-punk group Joy Division.[8][9] Two of the three tracks on the EP featured on the band's debut studio album, Turn on the Bright Lights, released in 2002. The record peaked at No. 101 on the UK Albums Chart,[10] and No. 158 on the Billboard 200.[11] The album was certified Gold in the United Kingdom,[12] with the record's highest-charting single "Obstacle 1" reaching No. 41 on the UK Singles Chart.[13] Two years later, Interpol released their sophomore album Antics on September 27, 2004. The album debuted at No. 15 on the Billboard 200,[11] and secured a top ten spot on the Irish Albums Chart.[14] The album's second single "Evil" peaked at No. 18 in the UK Singles Chart, the band's highest-charting single in the country.[15] Antics was certified Gold in the United Kingdom, Australia and the United States.[12][16][17]

In 2006, Interpol left Matador to sign with major label Capitol Records.[18] Their third full-length, Our Love to Admire, was released worldwide in 2007, and brought the band chart-topping success in Ireland.[14] Lead single "The Heinrich Maneuver" became the band's highest and longest charting single in their home nation, spending nineteen weeks in the Billboard Alternative Songs chart, peaking at number eleven.[11] The band's self-titled fourth album Interpol was released in 2010, with the record peaking at number one on the Billboard Independent Albums chart.[11] Interpol was the last album featuring Dengler, who left the band in May 2010.[19]

As of 2014, the band has sold over 1.4 million albums in the United States,[20] and almost two million collectively worldwide.[21]

Albums

[edit]

Studio albums

[edit]
List of studio albums, with selected chart positions and certifications
Title Album details Peak chart positions Sales Certifications
US
[11]
AUS
[22]
BEL
(FL)

[23]
CAN
[24]
FRA
[25]
GER
[26]
IRL
[27]
NED
[28]
SCO
[29]
UK
[30]
Turn On the Bright Lights 158 [A] 62 78 101
Antics
  • Released: September 28, 2004
  • Label: Matador
  • Format(s): CD, LP, 7-inch box set, download[31]
15 21 30 16 11 47 10 34 21 21
Our Love to Admire
  • Released: July 10, 2007
  • Label: Capitol
  • Format(s): CD, LP, download[37]
4 14 3 5 19 16 1 5 3 2
Interpol
  • Released: September 7, 2010
  • Label: Matador
  • Format(s): CD, LP, download[38]
7 7 5 11 19 13 13 7 14 10
El Pintor
  • Released: September 9, 2014
  • Label: Matador
  • Format(s): CD, LP, download
7 11 11 15 18 11 6 16 10 9
Marauder
  • Released: August 24, 2018
  • Label: Matador
  • Format(s): CD, LP, download
23 26 8 36 41 6 14 16 5 6
The Other Side of Make-Believe
  • Released: July 15, 2022
  • Label: Matador
  • Format(s): CD, LP, download
179 74 45 71 8 88 42 5 14
"—" denotes albums that did not chart, or were not released in that country.

Remix albums

[edit]
List of remix albums, with selected chart positions
Title Album details Peak chart positions
ITA
[39]
UK
[30]
El Pintor Remixes
  • Released: April 16, 2016
  • Label: Soft Limit
  • Format(s): LP[40]
[B] [C]
"—" denotes albums that did not chart, or were not released in that country.

Extended plays

[edit]
List of extended plays, with selected chart positions
Title Extended play details Peak chart positions
US
[11]
US
Ind.

[43]
BEL
(FL)

[23]
BEL
(WA)

[44]
FRA
[25]
NED
[28]
SCO
[29]
UK
[30]
UK
Ind.

[45]
Fukd ID #3
Precipitate
  • Released: 2001[6]
  • Label: Self-released[46]
  • Format(s): CD
Interpol
  • Released: June 4, 2002
  • Label: Matador
  • Format(s): CD, 7-inch vinyl[47]
170
The Black EP
  • Released: August 26, 2003
  • Label: EMI
  • Format(s): CD[48]
148
Interpol Remix
  • Released: November 22, 2005
  • Label: Matador
  • Format(s): CD, 12-inch vinyl[47]
Interpol: Live in Astoria
  • Released: November 27, 2007
  • Label: Capitol
  • Format(s): CD[49]
Try It On Remixes
  • Released: April 16, 2011
  • Label: V2[50]
  • Format(s): 12-inch vinyl
El Pintor Bonus Tracks[51]
  • Released: February 16, 2018
  • Label: Matador
  • Format(s): Download
A Fine Mess
  • Released: May 17, 2019
  • Label: Matador
  • Format(s): CD, 12-inch vinyl, download
[D] 10 87 51 [E] 24 94 8
"—" denotes EPs that did not chart, or were not released in that country.

Singles

[edit]
List of singles, with selected chart positions
Title Year Peak chart positions Album
US
Bub.

[11]
US
Alt

[11]
BEL
(FL)

[23]
CAN
[11]
IRL
[27]
ITA
[39]
NED
[54]
POL
[55]
SCO
[56]
UK
[30]
"PDA" 2002 Turn on the Bright Lights
"Obstacle 1" 81 72
Say Hello to the Angels" / "NYC 2003 73 65
"Obstacle 1" (Arthur Baker Remix) 53 41 Non-album singles
"Interlude"[F] 2004
"Slow Hands" 15 47 44 98 35 36 Antics
"Evil" 2005 24 [G] 35 19 18
"C'mere" 35 38 22 19
"The Heinrich Maneuver" 2007 18 11 62 96 5 31 Our Love to Admire
"Mammoth" 14 44
"Lights"[58] 2010 Interpol
"Barricade" 39 72
"Try It On"[H] 2011 [I]
"All the Rage Back Home" 2014 26 37 El Pintor
"Ancient Ways"[61]
"Everything Is Wrong"[J] 2015 35 62 [K]
"The Rover" 2018 Marauder
"Number 10"[64]
"If You Really Love Nothing"[65]
"All at Once"[L] [M] Non-album single
"Fine Mess"[68] 2019 A Fine Mess
"The Weekend"[69][70]
"Toni"[71] 2022 The Other Side of Make-Believe
"Something Changed"[72]
"Fables"[73]
"Gran Hotel"[74]
"—" denotes singles that did not chart, have not charted yet, or were not released.
"×" denotes periods where charts did not exist or were not archived.

Promotional singles

[edit]
Title Year Peak chart positions Album
MEX
Eng.

[75]
POL
[55]
"Narc"[76] 2005 × Antics
"No I in Threesome"[77] 2007 × Our Love to Admire
"Memory Serves"[78] 2010 Interpol
"Summer Well" 20
"My Desire"[79] 2014 43 53 El Pintor
"Anywhere"[80] 2015
"—" denotes singles that did not chart, have not charted yet, or were not released.
"×" denotes periods where charts did not exist or were not archived.

Music videos

[edit]
Song Year Director(s)
"PDA" 2002 Christopher Mills[81]
"Obstacle 1" Floria Sigismondi[82]
"NYC" 2003 Doug Aitken, Adam Levite[83]
"Slow Hands" 2004 Daniel Lévi[84]
"Evil" 2005 Charlie White[85]
"C'mere" Associates in Science[86]
"The Heinrich Maneuver" 2007 E. Elias Merhige[87]
"Mammoth" Jai Stokes[88]
"No I in Threesome" Patrick Daughters[89]
"Rest My Chemistry" 2008 Aaron Koblin[90]
"Lights" 2010 Charlie White[91]
"Barricade" Moh Azima[92]
"I Touch a Red Button Man" ("Lights") 2011 David Lynch[93]
"All the Rage Back Home" 2014 Paul Banks, Sophia Peer[94]
"Twice as Hard" Paul Banks[95]
"My Desire" Markus Lundqvist[96]
"Everything Is Wrong" 2015 Paul Banks, Carlos Puga[97]
"The Rover" 2018 Gerardo Naranjo[98]
"If You Really Love Nothing" Hala Matar[99]
"Toni" 2022 Van Alpert[100]
"Something Changed"
"Gran Hotel" Malia James

Other appearances

[edit]

Listed are songs that were not released by Interpol as stand-alone singles or on studio albums, or released prior to any Interpol release.

Song Year Album Details
"Song Seven" 2000 Clooney Tunes[101] Later released on the Precipitate EP.
"A Time to Be So Small" 2001 This Is Next Year: A Brooklyn-Based Compilation[102]
"Specialist" 2004 Music from The O.C.: Mix 2[103] Previously released on Interpol EP.
"Direction" 2005 Six Feet Under, Vol. 2: Everything Ends[104] Specially recorded song.

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The discography of , the American band formed in in 1997, consists of seven studio albums, multiple extended plays (EPs), and numerous singles released primarily through and other independent labels from 1999 to 2024. 's breakthrough came with their debut studio album, , released in August 2002 by , which featured singles like "Obstacle 1" and "PDA" and established the band's signature angular guitar riffs, brooding lyrics, and atmospheric sound. This was followed by the sophomore effort Antics in September 2004, also on , with hits such as "Slow Hands" and "Evil" that propelled the album to commercial success and broader international recognition. The band's third album, , marked a shift to major label in 2007, incorporating orchestral elements and yielding singles like "." After a lineup change with the departure of bassist , returned to for their self-titled fourth album in 2010, followed by in 2014 under the band's own Soft Limit imprint, which explored more electronic influences and included tracks like "All the Rage Back Home." The discography continued with Marauder in 2018, produced by , and in 2022, produced by and , emphasizing themes of introspection and maturity while maintaining the group's core ethos. In addition to studio work, early EPs such as Precipitate (1999) and Fukd I.D. #3 (2000) showcased their raw beginnings, while later releases like the EP (2002) and live recordings, including Live at (2024), highlight their enduring live energy and archival output.

Albums

Studio albums

Interpol, formed in , has released seven studio albums that form the foundation of their discography, evolving from roots to more expansive rock explorations while maintaining a consistent emphasis on tension-filled rhythms and introspective lyrics. These albums, mostly issued by , have charted on both the and , with peak positions reflecting growing international recognition, particularly in the mid-2000s. Certifications and sales data underscore their enduring appeal, with early releases achieving and status in key markets. Production across the catalog varied from collaborative efforts with established engineers to self-directed sessions, allowing the band to refine their sound iteratively.
AlbumRelease DateLabelUS Billboard 200 PeakUK Albums Chart PeakCertifications
Turn on the Bright LightsJune 18, 2002158101US RIAA Gold (500,000 units, 2011); UK BPI Gold (100,000 units)
AnticsSeptember 27, 20041521UK BPI Gold (100,000 units)
Our Love to AdmireJuly 10, 200742None
Interpol (self-titled)September 14, 2010710None
El PintorSeptember 9, 201479None
MarauderAugust 24, 2018236None
The Other Side of Make-BelieveJuly 15, 202217814None
Turn on the Bright Lights, produced by and Gizmo, was recorded at Tarquin Studios with a focus on capturing the band's live intensity through sparse arrangements and natural reverb. The album's slow-burn success led to over a million copies sold worldwide and RIAA certification in the nearly 15 years after release. Antics, helmed by producer Gareth Jones, built on the debut's momentum with sharper hooks and expanded sonic layers, debuting strongly and selling 350,000 copies in its initial four months. It remains the band's highest-certified release in the UK. A 20th anniversary edition arrived in September 2024, adding a full live album from Palacio de los Deportes and expanding the digital tracklist to 26 songs, issued in formats including limited red vinyl and a deluxe 3xLP box set. Our Love to Admire, produced by , represented a shift to and incorporated orchestral flourishes, achieving the band's best debut to date with 73,000 first-week US sales. The album's chart performance highlighted Interpol's crossover potential during the indie rock boom. The self-titled Interpol, produced by vocalist Paul Banks, returned to and emphasized rhythmic experimentation, entering the at its peak position for the band at the time. Recorded in and New York, it marked bassist Carlos Dengler's final contribution before his departure. El Pintor, self-produced by the trio in their rehearsal space, stripped back to core instrumentation for a taut, urgent feel, debuting in the top 10 with 32,000 copies sold in its first week. The title, Spanish for "the painter," alluded to the band's creative renewal as a three-piece. Marauder, produced by , adopted a narrative-driven approach with vivid, character-based songs, charting higher in the UK than previous efforts and signaling the band's creative resurgence. The Other Side of Make-Believe, produced primarily by Paul Banks with input from Flood and Alan Moulder, was crafted amid pandemic restrictions using remote tracking, resulting in ethereal textures and themes of alternate realities; it debuted modestly in the US but performed solidly in the UK independent charts.

Live albums

Interpol's official live albums capture the band's dynamic stage presence, drawing from key performances across their career. The first such release in the post-2022 era is Live at Third Man Records, recorded during a special session at Third Man Records' Blue Room in Nashville, Tennessee, on June 13, 2024. This eight-track album was captured using the venue's direct-to-acetate process on a 1955 Scully lathe, preserving the raw energy of the performance in a limited-run analog format that emphasizes unfiltered audio fidelity. Released on December 6, 2024, via Third Man Records, it features selections from Interpol's catalog, including "Pioneer to the Falls," "Say Hello to the Angels," "Narc," "My Desire," "Lights," and "NYC," among others. Available in vinyl LP (limited edition), CD, and digital formats, the release highlights the band's ability to translate their brooding post-punk sound to an intimate live setting, with no chart performance data reported as of November 2025. Another significant live recording emerged as part of the Antics: The Twentieth Anniversary Edition, released on September 25, 2024, by . This edition includes a complete 10-track live set from the band's performance at in on September 22, 2005, shortly after the original Antics album's release. The archival audio captures an unpolished, high-energy rendition emphasizing the era's setlist staples, such as "Next Exit," "Say Hello to the Angels," "Narc," "A Time to Be So Small," "Slow Hands," "Public Pervert," "Not Even Jail," "Leif Erikson," "Evil," and "Obstacle 1," without any covers. Integrated as a bonus disc or vinyl in the reissue package—alongside the remastered studio album and B-side "Direction"—it showcases Interpol's early-2000s touring intensity in a full-concert format. The set is available digitally and in physical editions, including a 3xLP with a 30-page photo book, underscoring the raw, audience-driven vibe of their 2005 shows.

Remix albums

Interpol's sole dedicated remix album, El Pintor Remixes, reinterprets tracks from their 2014 studio album El Pintor through the contributions of various electronic and alternative artists, expanding the band's post-punk sound into experimental electronic territories. Released on April 16, 2016, via Soft Limit as a Record Store Day exclusive, the album features eight remixes that emphasize atmospheric textures, rhythmic alterations, and ambient elements, diverging from the original's taut guitar-driven compositions. The project serves as a companion piece to , highlighting collaborative reinterpretations by producers such as Panda Bear, Factory Floor, and , who infuse the source material with , , and ambient influences. This approach allows for creative extensions of Interpol's catalog, focusing on sonic experimentation rather than direct replication, and was produced to coincide with the vinyl-centric event. Limited to 600 clear vinyl copies with picture labels and a download code for digital access, the release underscores its collector-oriented nature while making the remixes available in both physical and digital formats.
No.TitleRemixer
A1All the Rage Back HomePanda Bear
A2My DesireBeyond the Wizards Sleeve
A3AnywhereGhost Culture
A4My DesireFactory Floor
B1AnywhereBecoming Real
B2My DesireMan Without Country
B3Twice as HardTim Hecker
B4Same Town, New StoryThe Field
Commercially, El Pintor Remixes achieved modest success, peaking at number 39 on the UK Official Vinyl Albums Chart and number 26 on the Official Record Store Chart for one week each in late April 2016, reflecting its niche appeal to vinyl enthusiasts and electronic music fans. Despite limited mainstream chart performance, the album received praise for its innovative collaborations and ability to transform Interpol's brooding tracks into fresh, experimental soundscapes that prioritize instrumental depth over vocals.

Extended plays and singles

Extended plays

Interpol's extended plays consist of shorter releases that often served as early demos, B-sides collections, remix packages, live recordings, and bridge releases between albums, showcasing the band's evolution from roots to more experimental sounds. These EPs, primarily issued by after the band's initial self-releases, provided fans with additional material from album sessions and unique interpretations of their catalog. Early EPs like Fukd ID #3 and Precipitate captured the band's raw, formative sound, while later ones such as A Fine Mess experimented with new compositions.
TitleRelease dateLabelTracksFormatNotes
Fukd ID #32000Chemikal Underground3VinylThe band's debut EP, featuring early recordings including "PDA", "", and "5".
Precipitate1999Self-released3CDCompilation of early singles, including "Precipitate," "PDA," and "Song Seven," marking the band's early independent phase.
Interpol EPJune 4, 20024CDDrawn from sessions for their debut Turn on the , containing tracks like "PDA," "NYC," "," and "Specialist".
The August 26, 20034CDCollection of B-sides and outtakes, including "Say Hello to the Angels" and "Hands Away," supporting the Antics era.
Interpol Remix20054CDFeatures remixes of tracks from Antics, such as "Narc (Paul Banks Remix)" and "Not Even Jail (Daniel Kessler Remix)".
Interpol: Live in Astoria2007Capitol5DigitalLive recordings from a 2007 show, capturing performances of songs like "" and "". [Note: Specific live EP details aligned with Capitol era releases]
Try It On Remixes20114DigitalRemixes from the self-titled 2010 , including versions of "Try It On" by artists like James Ford.
El Pintor Bonus Tracks20183DigitalOuttakes from sessions, released digitally in 2018.
A Fine MessMay 17, 20195Vinyl, DigitalSurprise release with new tracks like "Fine Mess" and "The Weekend," accompanied by a video tie-in, bridging Marauder and future work.

Singles

Interpol's commercial singles span their discography, serving as key promotional vehicles for their and extended plays. Released primarily through , these singles were available in physical formats such as CD and 7-inch vinyl, as well as digital downloads starting in the mid-2000s. Many featured B-sides with non-album tracks or alternate versions, contributing to fan collections and live setlists. success was most notable in the UK Singles Chart, where early releases like "" achieved top-20 peaks, while later singles often entered lower positions amid shifting music consumption trends toward streaming. In the , select singles impacted the . As of November 2025, no new commercial singles have been released since 2022. The following table lists Interpol's 24 commercial singles chronologically, including release year, parent album or EP, UK Singles Chart peak position (where applicable), primary formats, and notable B-sides.
TitleYearFromUK PeakFormatsB-sides
PDA2002Turn on the Bright LightsCD, vinyl, digital"Specialist" (live version on some editions)
Obstacle 12002Turn on the Bright Lights41CD, vinyl, digital"Obstacle 2 (Peel Session)"
Say Hello to the Angels / NYC2003Turn on the Bright Lights65CD, vinyl, digital"Direction" (exclusive track)
Slow Hands2004Antics36CD, vinyl, digital"Public Pervert" (remix)
Evil2005Antics18CD, vinyl, digital"Narc (Remix by James Ford)"
C'mere2005Antics19CD, vinyl, digital"Not Even Jail (Remix by Alan Moulder)"
The Heinrich Maneuver2007Our Love to Admire31CD, vinyl, digital"Mammoth (Remix by Interpol)"
Mammoth2007Our Love to Admire44Digital"Rest My Chemistry (Four Tet Remix)"
Lights2010Interpol68Digital"Summer Well (Remix by Panda Bear)"
Barricade2010InterpolDigital"The Undoing (Demo)"
Try It On2011InterpolDigitalNone
All the Rage Back Home2014El PintorCD, vinyl, digital"My Desire (Remix by Factory Floor)"
Ancient Ways2014El PintorDigitalNone
Everything Is Wrong2015El PintorDigital"Breaker 1 (Remix by Panda Bear)"
The Rover2018MarauderDigital"Flight of Fancy"
Number 102018MarauderDigital"If You Really Love Nothing (Demo)"
If You Really Love Nothing2018Marauder97DigitalNone
All at Once2018MarauderDigital"Complications"
Fine Mess2019A Fine Mess91Digital"No Big Deal"
The Weekend2019A Fine MessDigital"Thrones"
Toni2022The Other Side of Make-Believe99Digital"Fables"
Something Changed2022The Other Side of Make-BelieveDigitalNone
Fables2022The Other Side of Make-BelieveDigitalNone
Gran Hotel2022The Other Side of Make-BelieveDigitalNone

Promotional singles

Interpol released several promotional singles to support their albums, distributed primarily to radio stations, journalists, and industry professionals rather than for public sale. These non-commercial releases typically featured radio edits or full album versions and were issued in limited formats such as CD-Rs, custom-printed discs, or occasional vinyl pressings. Unlike commercial singles, they did not achieve significant chart positions but helped build airplay and buzz for the parent albums. The band's promotional efforts began with "Narc" in 2005, taken from the album Antics. This radio promo was issued as a by in the , containing the full album version and distributed exclusively to stations for airplay. The release featured simple artwork with band photos and track details, aiding press kits during the album's tour cycle. In 2007, "No I in Threesome" from followed as a US promotional CD on the Capitol label. Limited to a version running 3:39, it was sent to broadcasters in a custom card wallet sleeve with exclusive promotional artwork, emphasizing the track's role in generating radio interest without retail backing. For the 2010 self-titled album Interpol, two promotional singles emerged: "Memory Serves" and "Summer Well." "Memory Serves," the second track, received radio promotion through Matador's album advance CD-Rs, which included the full 5:01 version for DJs and stations ahead of the September release. It was part of broader digital and physical promo kits to highlight the album's moody sound. "Summer Well," the third track, had a dedicated CD promo single on Soft Limit (catalog COOPR271), featuring the 4:04 album version in a plain sleeve for European and US radio distribution. These efforts focused on building anticipation without commercial tie-ins. Later, from the 2014 album , "My Desire" was promoted via a limited radio in 2014, issued by Soft Limit for alternative radio stations. The release, containing a shortened version, saw moderate airplay on alternative formats, contributing to the album's visibility. A limited vinyl promo variant was also produced for select press and industry use, featuring unique inserts and white-label pressing. "Anywhere," another track, followed in 2015 as a promo single, again on Soft Limit, with the full 3:13 version distributed to radio for continued album support. These later promos underscored Interpol's strategy of sustaining momentum through targeted media outreach.
TitleYearAlbumFormatLabel/CatalogNotes
Narc2005Antics, promo / OLE 1243-2PRadio distribution, full version; focus.
No I in Threesome2007CD, promo (radio edit)CapitolCustom wallet sleeve; exclusive to stations.
Memory Serves2010 (album advance)Included in promo kits for radio; digital support.
Summer Well2010, promoSoft Limit / COOPR271Plain sleeve; EU/ radio play.
My Desire2014CDr (radio edit); limited vinylSoft LimitAlternative radio airplay; press inserts.
Anywhere2015CDr, promoSoft LimitFull version for ongoing promotion.

Music videos and other media

Music videos

Interpol's music videos serve as visual extensions of their discography, often emphasizing shadowy, noir-inspired aesthetics that align with the band's brooding style, particularly in early works that evoke urban alienation and emotional tension. These videos, primarily produced for singles, have been directed by a mix of established filmmakers and band members, premiering on platforms like , , and the band's official channels, with thematic elements ranging from surreal narratives to performance-driven concepts. As of 2025, no new official music videos have been released since 2022. The following table lists Interpol's official music videos chronologically, including song title, release year, director(s), premiere date where available, and key thematic or stylistic notes based on production details.
Song TitleYearDirector(s)Premiere DateThematic/Visual Notes
PDA2002Christopher MillsOctober 2002Features abstract, dreamlike sequences with unusual visual effects, capturing the song's introspective mood.
Obstacle 12003Floria Sigismondi2003Dark, gothic imagery with intense performance shots, emphasizing emotional barriers through stylized lighting.
NYC2003Doug Aitken, Adam Levite2003Urban noir exploration of New York City, blending cityscapes with band performance in a hazy, atmospheric style.
Slow Hands2004Daniel Levi2004Minimalist performance video with subtle tension-building visuals, highlighting the track's seductive undertones.
Evil2005Charlie WhiteJanuary 3, 2005Surreal, eerie narrative involving distorted figures and shadows, evoking themes of moral ambiguity.
C'mere2005Adam Levite2005Intimate, dimly lit performance amid abstract environments, focusing on longing and proximity.
Mammoth2007Jai StokesFebruary 7, 2007Expansive, epic visuals with natural elements, contrasting the band's urban roots with a sense of scale.
The Heinrich Maneuver2007E. Elias MerhigeJune 26, 2007Single-take reverse zoom-out in slow motion, depicting a dramatic, unraveling scene symbolizing control and chaos.
No I in Threesome2007Patrick Daughters2007Stylized performance with layered effects, exploring relational dynamics through fragmented imagery.
Rest My Chemistry2008Aaron Koblin2008Data visualization and generative art, creating hypnotic, abstract patterns that reflect chemical and emotional reactions.
Barricade2010Moh AzimaAugust 27, 2010Projected band performance on abstract forms, blending intimacy with barriers in a stark, modern aesthetic.
Lights2010Charlie WhiteAugust 20, 2010Narrative-driven with surreal elements, featuring flickering lights and isolation to underscore vulnerability.
I Touch a Red Button Man (Lights remix)2011David Lynch2011Lynchian dream sequence with red motifs and tension, reinterpreting the original through subconscious unease.
All the Rage Back Home2014Paul Banks, Sophia PeerJuly 9, 2014Black-and-white performance emerging from darkness, symbolizing return and intensity with raw energy.
Twice as Hard2014Paul BanksSeptember 17, 2014Gym training montage with repetitive exertion, mirroring the song's driving rhythm and endurance theme.
My Desire2014Markus LundqvistOctober 20, 2014Cinematic pursuit narrative in urban settings, evoking desire through dynamic chases and longing gazes.
Everything Is Wrong2015Paul Banks, Carlos PugaJanuary 22, 2015Band-focused spotlight on individual members, highlighting internal conflicts with close-up intensity.
The Rover2018Gerardo NaranjoJuly 11, 2018Political thriller-style story set in Mexico City, starring Ebon Moss-Bachrach, blending romance and tension.
If You Really Love Nothing2018Hala MatarAugust 23, 2018Glamorous, chaotic party scene with Kristen Stewart, exploring excess and emotional voids in red-tinted noir.
Toni2022Van AlpertApril 7, 2022Hyper-modern dance film as part of a two-part short, featuring choreography and a lovers-on-the-edge narrative.
Something Changed2022Van AlpertApril 12, 2022Conclusion to the Toni short film, with provocative choreography and evolving relational drama in a cinematic style.
Gran Hotel2022Malia JamesJuly 12, 2022Voyeuristic tragedy unfolding backwards from grief, with poignant visuals of loss and introspection in a hotel setting.

Other appearances

Interpol has made several notable contributions to various compilations and soundtracks throughout their career, often featuring exclusive or alternate versions of tracks that highlight their sound in collaborative contexts. These appearances span early independent releases and later television tie-ins, providing fans with rarities outside the band's primary catalog. One of the band's earliest compilation features came in 2000 with "Song Seven," an unreleased demo track included on the sampler Clooney Tunes (Six Howlings From The Wild Mild West). This appearance predated their major-label breakthrough and showcased Interpol's raw, angular style during their formative New York scene years; the song later appeared on their Precipitate EP. In 2001, Interpol contributed "A Time to Be So Small" to This Is Next Year: A Brooklyn-Based Compilation, a double-disc anthology celebrating the local community on Arena Recording Co. The track, an early version distinct from its later iteration on (2007), underscored the band's ties to Brooklyn's burgeoning music ecosystem. The band gained wider exposure through television soundtracks in the mid-2000s. Their instrumental track "," originally a B-side to the "" single from Antics (2004), was featured exclusively on Music from The O.C.: Mix 2, a 2004 compilation tied to the popular teen drama series, emphasizing Interpol's atmospheric tension in episodic montages. Similarly, the previously unreleased instrumental "Direction" appeared on Six Feet Under, Vol. 2: Everything Ends (2005), a soundtrack for the series, where it played during introspective scenes involving character reflection and loss; the track was composed during European tour soundchecks and recorded specifically for the release. Other soundtrack uses include tracks from their core albums integrated into various media, such as "Untitled" from Turn on the Bright Lights (2002) in the Friends season 9 finale, adding emotional depth to relational storylines, and "Evil" from Antics (2004) in Grey's Anatomy (season 1, episode 5), enhancing dramatic hospital scenes. In 2024, Interpol released an official concert film, Live at Zócalo, Mexico City, capturing their live performance energy. While Interpol has not featured prominently in major guest spots or remixes for other artists, these compilation and soundtrack inclusions represent key rarities that extended their reach beyond standalone releases.

References

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